Trivia: Doing for bald men what no amount of Minoxodil ever could, Patrick Stewart won international fame for his portrayal of Captain Jean-Luc Picard in the popular TV series Star Trek: The Next Generation. Before earning immortality for his ability to handle a phaser convincingly, Stewart was known as a stage actor of great talent in his native Britain, where he had been performing since he was a teenager.Born in Mirfield, Yorkshire, England on July 13, 1940, Stewart was performing in various drama groups by the age of twelve. After leaving school at fifteen, he went to work as a junior reporter for a local newspaper. He quit the job after being told by the paper's editor that he was spending too much time at the theatre and not enough on the newspaper and worked for a year as a furniture salesman to pay for drama school. He was accepted at the Bristol Old Vic Theatre School in 1957, and two years later made his professional stage debut in a production of Treasure Island. Stewart went on to enjoy a prolific and acclaimed stage career, joining the Royal Shakespeare Company in 1966 and remaining with it for the next twenty-seven years. He also began to work on the big and small screens, and in the early 1980s started popping up in a number of popular films like Excalibur (1981) and Dune (1984). In 1987, he was chosen to play Picard on Next Generation. Certain that he would be fired from the series, Stewart reportedly refused to unpack his bags for six weeks. Although more than one snarky observer spent the first year of the series making idiot jokes about Stewart's bald pate, the actor--and the show--proved to be a hit. Stewart stayed with Next Generation for seven seasons, and then reprised his role for a string of successful Star Trek films: 1994's Star Trek Generations, 1996's Star Trek: First Contact, 1998's Star Trek: Insurrection and 2002's Star Trek: Nemesis.In addition to his work with the Next Generation series and films, Stewart also continued to work on the stage and in various films. In 1995, he had a hilarious turn as a flamboyant, acid-tongued interior decorator in Jeffrey, while in 1997 he tried his hand at intrigue with a part in The Conspiracy Theory. The following year, he appeared on the small screen, giving a terrific portrayal of the obsessive Captain Ahab in Moby Dick. Though a new Star Trek film every few years may not have been quite enough to keep the legions of sci-fi addicts satisfied, Stewart scored brownie points among fans by taking an impressive turn as Professor Charles Xavier in X-Men (2000), X2: X-Men United (2003), and X-Men: The Last Stand (2006). On the stage, Stewart enjoyed acclaim for a number of productions, particularly a one-man production of A Christmas Carol, which he performed in numerous theatrical venues around the world, winning numerous awards for his portrayal. He also earned extensive praise for his portrayal of Prospero in the Broadway production of The Tempest in 1996. Interestingly, Stewart, though appreciative of his star status, has repeatedly bristled at the notion that his lack of hair is "sexy," à la Yul Brynner. In regards to his reluctant sex symbol status, he has stated that he would much rather be judged on the basis of his acting ability rather than his appearance.

Trivia: Handsome, dark-haired, blue-eyed actor/director Jonathan Frakes is best known among Star Trek lovers for playing Commander William Riker in Star Trek: The Next Generation (1987-1994) and in the Star Trek feature films. Before joining the other legends of Gene Roddenberry's operatic future world, Frakes had worked on television and was a regular in two sudsy, short-lived series, Bare Essence (1983) and Paper Dolls (1984). The Pennsylvania native made his television debut in the 1979 movie Beach Patrol. Frakes has also appeared in numerous miniseries including Beulah Land (1980) and both installments of North and South (1985 and 1986). Frakes cut his directorial teeth with episodes of Star Trek the Next Generation and went on to helm other episodes in the Star Trek franchise, including Star Trek: Deep Space Nine and Star Trek: Voyager. He has also directed episodes of Diagnosis Murder and University Hospital, as well as the CD-ROM Star Trek-Klingon (1996). Frakes made his feature-film debut as an actor in Star Trek: Generations (1994). He made his big-screen directorial bow in Star Trek: First Contact (1996). His fame from Star Trek has led Frakes to host various sci-fi/paranormal-oriented documentaries including the UPN network's series Paranormal Borderline and the Fox network's popular special Alien Autopsy: Fact or Fiction.

Trivia: African American actor LeVar Burton was a 19-year-old UCLA drama student when he was catapulted into international fame. On January 23, 1977, Burton made his professional debut as young Kunta Kinte, the protagonist of the classic TV miniseries Roots. He went on to give first-rate performances in such TV movies as Dummy (79) and One in a Million: The Ron LeFlore Story (78). Among LeVar Burton's more conspicuous TV appearances in the past decade have included his hosting chores on PBS' Reading Rainbow and his regular role as sightless Lieutenant Geordi LaForge on the syndicated Star Trek: The Next Generation (87-92). He has continued playing Lt. LaForge in the feature film versions of Star Trek. Burton is also a published author. Aside from the Star Trek films, his big-screen credits include the biopic Ali. Burton has also directed a handful of projects including episodic television, the senior-citizen romantic comedy Reach for Me, and Miracle's Boys - a drama about three brothers growing up in difficult circumstances.

Trivia: African-American actor Michael Dorn received much of his on-the-job training as a semi-regular on the daytime drama Days of Our Lives. In the prime-time hours, Dorn was seen as Officer Turner during the final two seasons (1980-1982) of the weekly cop series CHiPs. He went on to a flurry of supporting-cast activity in such theatrical features as The Jagged Edge (1985). Then, in 1987, Michael Dorn donned mounds of facial makeup for what was to be his signature role: the U.S.S. Enterprise's Klingon officer Lt. Worf on Star Trek: The Next Generation (1987-1994).

Trivia: A black-eyed, exotic beauty from Great Britain, supporting actress Marina Sirtis is best known for playing the empathic Lt. Commander Deanna Troi on the Star Trek: The Next Generation series and in the feature films it spawned. Of Greek heritage, Sirtis was born in East London but raised in North London. Before launching her acting career with the Worthing Repertory Theatre, she studied at the Guild Hall School of Music and Drama. She appeared in many classical dramas with the theater, including Hamlet. A versatile performer, she has also appeared in musicals and, at one time, toured Europe in a production of The Rocky Horror Picture Show. Sirtis has extensive experience on British television and made her film debut in The Wicked Lady (1983) opposite Faye Dunaway. She had a major role in the Charles Bronson revenge vehicle Death Wish III (1985).

Trivia: Best known for playing the android Data on the syndicated television series Star Trek: The Next Generation and in its feature film spin-offs, Brent Spiner is also a talented singer. Before agreeing to play Data, Spiner had spent a decade on the New York stage. A native of Houston, TX, he was raised by his mother and her second husband (Spiner's real father died when he was a baby). The Quaid brothers Randy and Dennis were among his high school classmates and the three learned about acting under Cecil Pickett. Eventually Pickett would leave the school to take a teaching job at the University of Houston. Spiner enrolled there soon after graduation, but only remained at the university through 1974 when he decided to become a professional actor in New York City. Like many other aspiring thespians, Spiner had dues to pay in the form of taking a job as a cab driver before launching his career off-Broadway. He made his Broadway debut with Sunday in the Park With George opposite Mandy Patinkin. He made his television debut in a miniseries, The Dain Curse, and first appeared in films with a bit part in Woody Allen's Stardust Memories (1980). Spiner had a rare starring role in Rent Control (1981). He moved to Los Angeles in 1985 and launched a career as a television guest star on series and as a supporting actor in telemovies and miniseries. He most frequently appeared on the sitcom Night Court as the man who establishes a snack bar in the courthouse. He then successfully auditioned for the role of Data. Interestingly, Spiner claims no particular love for science fiction and was not a big fan of the original Star Trek. He says he mainly took the job because he didn't think the new series would last and because he needed to pay a few bills. The show lasted seven years also spawning a successful film series, and from the start, his was the most popular character on the show. In an effort to capitalize and satirize his nonhuman role on the show -- and perhaps to poke fun at actors William Shatner and Leonard Nimoy who capitalized on their Star Trek fame by each recording equally awful albums (can anyone forget Nimoy's bouncy rendition of "Bilbo Hobbitt"?) -- Spiner recorded his own album, Old Yellow Eyes Is Back (1991), with an 80-piece orchestra and fellow castmates Patrick Stewart, Jonathan Frakes, and Michael Dorn. Though the bulk of his fame comes from being Data, Spiner is not content to spend the rest of his career typecast and so occasionally plays other characters. His portrayal of prissy singing cruise director Gil Godwin was the funniest thing about Martha Coolidge's waterlogged Out to Sea (1997).

Trivia: Wil Wheaton was eight years old when he got his first showbiz break, appearing with Bill Cosby in a Jell-O pudding commercial. The following year (1982), Wheaton was prominently featured in the voiceover cast of the animated The Secret of NIMH. During this same period, he made his Los Angeles stage debut in a Company of Angels Theatre production of All My Sons. His starmaking turn was as Gordie Lachance, the Stephen King alter-ego, in the 1986 feature Stand By Me (1986). He then went on to play the title role in the 1987 Disney TV-movie Young Harry Houdini. Wheaton gained worldwide fame (and a worldwide website) as ensign Wesley Crusher in the weekly TV series Star Trek: The Next Generation, a role he played from 1987 to 1990. After leaving STNG on his own accord, Wheaton transitioned into adult roles with appearances in Flubber and a slew of independent films, and in 2001 he launched Wil Wheaton Dot Net, a blog that quickly gained a considerable following while turning the veteran actor into something of a geek icon. Meanwhile, in addition to staying busy with voice roles in such popular videogames as the Grand Theft Auto series and Fallout: New Vegas, Wheaton also contributed vocally to such animated television series' as Naruto, Ben 10: Alien Force, and Batman: The Brave and the Bold. In 2009 he began riffing on his own public persona with a recurring role as a fictional version of himself on The Big Bang Theory, and in 2010 he joined the cast of the quirky Sci-fi Channel series Eureka as Dr. Isaac Parrish. The author of both Dancing Barefoot and Just a Geek, Wheaton is the brother of actress Amy Wheaton.

Trivia: An Australian actor with a cult following in England and America, Nick Tate has enjoyed a successful career on three continents since the 1970s. Nicholas John Tate was born in Sydney, Australia, into a family of British and Russian extraction, with actors (and singers) on both sides going back two generations -- his father, John Tate (1914-1979), was a busy character actor whose movie appearances later included roles in On the Beach (1959) and The Day of the Triffids (1962). A performing career might have seemed a natural choice for Nick, but his parents initially tried to discourage this, hoping that he would choose a more conventional career. By age 14, however, Tate was playing the title role in the Sydney Opera Company's production of Gian Carlo Menotti's Amahl and the Night Visitors. That led to an entrée to Australian radio and, later, the fledgling television industry, for which he intended to work behind the camera, as a technician and director, learning the technical side of the visual medium over the next few years. By the mid-'60s, however, Tate was once again pursuing aspirations as an actor, encouraged by those around him who felt his talent and his rugged good looks would translate well in any medium. After a two-year interruption for the army, Tate returned to civilian life and immediately began getting stage and television work. In 1965, he emigrated to England, in part to restore some kind of contact with his father, who had moved to England in the wake of the breakup of his marriage to Tate's mother. What work the younger Tate got was mostly in action and crime series, such as Dixon of Dock Green and Z Cars -- which, ironically enough, were also the kinds of series in which John Tate appeared -- along with small roles in major movies, including A Man For All Seasons and Battle of Britain. Tate subsequently returned to Australia to work in a musical version of The Canterbury Tales and out of that got a leading role in an Australian television series called Dynasty (1970), in a role that teamed him onscreen with his father, who retired following the run of the series. Tate continued to do theatrical work, juggling it with television appearances, but by the mid-'70s he had returned to England. It was on that occasion that he was called in to read for the producers of a pilot for an intended new science fiction series called Space: 1999, which was to be distributed internationally. He was originally cast as a lunar pilot who is killed off in the first episode, but he was good enough that, in a casting shuffle, he won the co-starring role of Alan Carter, the chief pilot of Moonbase Alpha, a part that had to be rewritten for him to play it as an Australian. Tate's two seasons on Space: 1999 gave him a worldwide following, and his was easily the most popular character on the series, a resourceful, no-nonsense man of action, a sort of futuristic equivalent to the RAF pilots of World War II. His work on the series didn't distract him from more serious roles, however, and he was also cast in Fred Schepisi's The Devil's Playground in the part of Brother Victor, a role for which he won several acting awards. Tate's subsequent films have included Summerfield, The Gold and the Glory, and Cry Freedom, and he has also done a large amount of television work in England and Australia; he even managed to slip in work in the late '80s on the FOX network series Open House, which, for a change of pace, was a sitcom. Tate has since appeared on Star Trek: The Next Generation and Star Trek: Deep Space Nine, Murder, She Wrote, and JAG, and also portrayed Noodler in Steven Spielberg's Hook. In the 1990s, he also established himself as a voice artist, including work on the new run of episodes of Jonny Quest, among other animated series. After the dawn of the new century, Tate brought his family and career back to Australia, where, in addition to acting, he went on to write and direct.