Trivia: Though she has several features and TV movies to her credit, Terry Farrell has thrived primarily as an actress on series television. Born Theresa Lee Farrell Grussendorf in Cedar Rapids, IA, Farrell moved to New York City to become a model. During her several years as a cover girl, she also studied acting and landed her first major role as an actress by playing a model on the short-lived TV series Paper Dolls (1984). While she continued her acting studies, Farrell had a small role in the Rodney Dangerfield comedy Back to School (1986) and appeared in the TV movies Beverly Hills Madam (1986) and The Deliberate Stranger (1986), a well-received docudrama on serial killer Ted Bundy. After she starred in the horror sequel Hellraiser III: Hell on Earth (1992), Farrell attracted a following as Lt. Commander Jadzia Dax on Star Trek: Deep Space Nine (1993-1998). During her five years on Deep Space Nine, Farrell also appeared in the TV adaptation of Danielle Steel's Star (1993), the B-action movie Red Sun Rising (1994), and the TV thriller Reasons of the Heart (1996). After Deep Space Nine ended, the actress stayed with TV, signing on to play Reggie, the beautiful diner worker and occasionally sharp-tongued foil to Ted Danson's grumpy doctor on the CBS sitcom Becker (1998).

Trivia: A versatile performer born into the lap of show business -- her parents were Gypsy stage choreographer Robert Tucker and ballet instructor Nenette Charisse, and her aunt (by marriage) acclaimed dancer Cyd Charisse -- Nana Visitor grew up on the west side of Manhattan, not far from Broadway. Visitor followed her parents' lead by formally training as a ballet dancer from the age of seven, then segued into tap dance, and in virtually no time seemed destined for the stages of the Great White Way, an accomplishment secured by late adolescence. Visitor's stage credits include My One and Only, Gypsy, 42nd Street, and The Ladies' Room; by the mid-'80s she began signing for on-camera appearances as well, often though not always in telemovies and series roles. Her best-known parts include a regular role as Major Kira Nerys on Star Trek: Deep Space Nine for the series' entire seven-season run and a recurring part during the first season of James Cameron's Dark Angel as the nefarious Dr. Elizabeth Renfro (aka Madame X). Visitor then went on to star as Roxie Hart in a revival of the stage musical Chicago before again taking a regular TV role. This time, Visitor played Jean Ritter on the horse-racing teen drama Wildfire.

Trivia: Louise Fletcher's acting career can be divided into two stages. She started out appearing on television shows such as Wagon Train and The Untouchables during the late '50s, but left acting in 1964, two years after marrying movie producer Jerry Bick, to raise a family. She did not return to her craft until appearing in Robert Altman's well-regarded feature film Thieves Like Us in 1974. Fletcher then appeared in the spy thriller Russian Roulette (1975) before Milos Forman cast her in what was to become her signature role, that of the iron-willed, sadistic Nurse Ratched who tormented Jack Nicholson in One Flew Over the Cuckoo's Nest (1975). Her believable portrayal won her a Best Actress Oscar and a Golden Globe. Perhaps the highest honor is that her Ratched has become a movie icon, one that has been frequently emulated and parodied in numerous subsequent films. Fletcher was born in Birmingham, AL, to a deaf Episcopalian minister and a deaf mother. She started acting in summer stock following her graduation from the University of North Carolina. Fletcher next moved to Los Angeles and found work as a receptionist before breaking into television. Standing 5'10", the strikingly beautiful Fletcher was often taller than her leading men, something that hindered her first bid at stardom. Since her success with One Flew Over the Cuckoo's Nest, Fletcher has found steady employment as a supporting and character actress on television -- where she received a 1996 Emmy nomination for a guest-star appearance on the highly acclaimed CBS series Picket Fences -- and in feature films. She also has a busy stage career.

Trivia: Actor Richard Beymer has been working steadily on television and in feature films for over four decades. Born in Avoca, IA, Beymer first went before cameras on a Los Angeles children's show at the age of 12, and two years later made his feature-film debut in Vittorio De Sica's Stazione Termini (Indiscretion of an American Wife) (1953). After appearing in several more films during the '50s, with only two major performances in The Diary of Anne Frank (1959) and West Side Story (1961), Beymer had a significant role in The Longest Day (1962), sharing the film's unforgettable last scene with Richard Burton. Beymer enrolled in New York's Actor's Studio in 1963, but subsequently became an active participant in the struggle to allow African-Americans to register for the vote in Mississippi; during his time down South, he also helped to make a prize-winning documentary of the event. In 1974, Beymer directed his first feature film, The Innerview, an avant-garde effort he distributed to various international film festivals. During the '80s, Beymer became a supporting actor and is best remembered for his regular role as Benjamin Horne on David Lynch's television series Twin Peaks.

Trivia: Mention the name Steven Weber to any television fanatic, and odds are their eyes will soon gloss over with fond memories of the popular early-'90s sitcom Wings. Despite the popularity of his small-screen past, though, the handsome actor has gone on to prove his versatility in a number of features, both made-for-television and otherwise. Born in Queens, NY, to a nightclub singer and a comic manager, Weber discovered his love of acting around the age of three while appearing in a series of television commercials. He followed up a stint at New York's High School of the Performing Arts with an education at New York's prestigious State University at Purchase, and after working a series of odd jobs, Weber made his film debut in the 1984 Matt Dillon comedy The Flamingo Kid. A role on the enduring daytime soap opera As the World Turns introduced Weber to his first wife, Finn Carter, a few short years later. After appearing as a rock star in Los Angeles and as John F. Kennedy in The Kennedys of Massachusetts (both 1990), Weber was more than ready to take the lead in his own sitcom. Cast as the half-owner, along with brother Joe (Timothy Daly), of a Nantucket-based airline, Weber's charisma and comic talents went a long way in supporting the show over the course of its enduring eight-year run. Of course, Weber wasn't content to simply sit back and enjoy the success of Wings; in addition to the popular show, the actor turned up in supporting roles in numerous features including Single White Female (1992), Jeffrey (1995), and Leaving Las Vegas (also 1995). By the time the show came to an end in 1997, Weber had divorced Finn Carter and married actress Juliette Hohnen, and was ready to find out what else he had to offer to the worlds of film and television. Though a role in the made-for-television adaptation of The Shining failed to erase the memory of Jack Nicholson's terrifying interpretation of the role, Weber did prove memorable in Seinfeld creator Larry David's bitter-flavored comedy Sour Grapes (1998). The following few years would find Weber playing things relatively low-key onscreen; he returned to the small screen to moving effect with the 1999 made-for-television drama Love Letters. In 2000, Weber essayed a supporting role in director Mike Figgis' experimental comedy drama Timecode, and that same year he would return to sitcom territory with the short-lived Cursed. Though that particular effort may not have quite lived up to potential, Weber did gain positive notice for his role in the little-seen independent thriller Sleep Easy, Hutch Rimes (2000). After appearing opposite Alan Alda in the made-for-television feature Clubland (2001), Weber joined the cast of the popular small-screen drama Once and Again later that same year.Weber's enduring appeal has led to a steady stream of recent television work, both as a guest star and in regular roles. After wrapping up on Once and Again, he appeared as Will's brother Sam on Will & Grace; chairman of the fictional NBS network on the surprisingly short-lived dramedy Studio 60 on the Sunset Strip; a flirtatious co-worker romancing Sarah Walker (Rachel Griffths) during a stint on Brothers & Sisters; a regular role on another short-lived show, 2010's Happy Town; and a recurring role on 2 Broke Girls as Caroline's (Beth Behrs) jailed father, Martin Channing.

Trivia: Anglim is an American leading man, onscreen from 1970.

Trivia: An imposing and highly memorable presence on the Broadway stage, actor Frank Langella has won only a fraction of the acclaim he's received in the theater for his film career; still, his brooding good looks and his ability to play both villains and comic foils with a touch of menace has made him a welcome (and increasingly familiar) fare to film buffs. Frank Langella was born in Bayonne, NJ, on New Year's Day, 1940. Langella caught the acting bug when he was 11, after playing an elderly man in a school play on the life of Abraham Lincoln, and he went on to earn a degree in Theater from Syracuse University. After studying acting with Elia Kazan, Langella began working with regional theater companies in the East Coast and the Midwest, and in 1963, made his New York stage debut when he landed the leading role in an off-Broadway revival of The Immoralist. Between 1964 and 1966, Langella would win three Obie awards for his work in off-Broadway theater, and in 1969, he received a Drama Desk award for his work in the drama A Cry of Players. In 1974, he made his Broadway debut in Edward Albee's Seascape, and, the following year, won another Drama Desk award as well as a Tony for his performance. Langella made his film debut in 1970 with a supporting role in Diary of a Mad Housewife, and later that same year, scored a larger part in The Twelve Chairs, written and directed by Mel Brooks. While Langella landed occasional television and film roles through much of the 1970s, he was still busiest as a stage actor. In 1977, Langella was cast in the leading role of a Broadway revival of Dracula, and his con brio performance as the bloodthirsty count earned rave reviews, turning the production into an unexpected hit. Langella was tapped to reprise his performance for a film version of Dracula released in 1979, but he was forced to tone down his unique take on the role for the screen, and what would have seemingly been the perfect screen vehicle for his talents became a critical and box-office disappointment. However, Langella maintained a busy schedule of stage work, and in the 1990s, finally scored a breakthrough screen role in the comedy Dave as the deceitful political puppet master Bob Alexander. A busy schedule of character roles in such films as Junior, Lolita, and The Ninth Gate followed, though Langella still remained a frequent and distinguished presence in the New York theatrical community. He worked steadily at the beginning of the twenty-first century in films as diverse as the romantic drama Sweet November, and David Duchovny's directorial debut House of D. He scored an artistic and critical success in 2005 playing William Paley in George Clooney's historical docudrama about Edward R. Murrow Good Night, and Good Luck. He was then tapped by Bryan Singer to embody Daily Planet editor Perry White in the 2006 summer blockbuster Superman Returns. In 2007, Langella earned strong reviews and some awards buzz for his starring role in Starting Out in the Evening, but it was actually the next year, 2008 when he captured a Best Actor Academy Award nomination, a well as a SAG nomination, for his portrayal of disgraced former president Richard Nixon in Ron Howard's big-screen adaptation of Frost/Nixon. Over the next several years, Langella would appear in many more films, includign The Box, All Good Things, Unknown, and Robot and Frank.

Trivia: Born in a musically talented family.Grew up in Gary, Indiana.The first African American MFA graduate at Rutgers University.Recorded his lessons for his theater students at Rutgers University while working on the set of Star Trek: Deep Space Nine, often in costume.Plays jazz piano.

Trivia: Colm Meaney is no stranger to the run down Barrytown district of Dublin depicted in The Commitments, The Snapper, and The Van, having grown up near the much mythologized neighborhood. The Dublin native began his acting career at the age of 14, eventually receiving formal training at Dublin's prestigious Abbey Theatre School of Acting and going on to join the Irish National Theatre Company. Meaney eventually graduated to the English stage, working in various London theaters, and then began to audition for television work, mainly landing bit parts in such TV shows as the cop drama Z Cars.Meaney moved to the U.S. in 1982, continuing to work mainly on the stage, but gradually made the transition into television and film playing small parts and guest roles on a variety of series. He was part of the cast of One Life to Live from 1986 to 1987, playing Patrick London, and then was hired for a bit part on Encounter at Farpoint, the pilot for the Star Trek: The Next Generation series. He was hired again for another part and then given the role of Chief Miles Edward O'Brien, and quickly went from being a bit player to an important member of the ensemble cast. The character was transferred to Star Trek: Deep Space Nine in the pilot for that series, and Meaney became a staple member of the show's cast.During his tenure on both Star Trek series, Meaney's motion picture career began to take off, as the bit parts he was given gradually became more substantial. Meaney made his greatest impact in smaller films like the so-called Barrytown Trilogy -- The Commitments (1991), in which he played the father of one of the band members; The Snapper (1993), in which he portrayed Dessie, who finds himself out of a job and suddenly a grandfather; and The Van (1996), which cast him as Larry, a layabout who manages to have a grand idea one day that results in his and a friend Bimbo starting a business out of a derelict vending van. Meaney was also notable in 1996's The Englishman Who Went Up a Hill But Came Down a Mountain: his Morgan the Goat, a randy Welsh pub owner with a flair for smart remarks, was an appropriate foil for the naive Englishman played by Hugh Grant. Meaney has continued to divide his time between the U.K. and the U.S., making particularly notable appearances in Paul Quinn's This Is My Father (1998), which cast him as the swishy son of an old gypsy woman; Lodge Kerrigan's Claire Dolan, in which he played a high-class pimp; Ted Demme's Monument Avenue (1998), which featured him as the bullying leader of a Boston gang; and Chapter Zero (2000), an independent comedy that cast Meaney as the cross-dressing father of a struggling writer.He continued to work steadily well into the 21st century in a variety of projects including Bitter Harvest, Intermission, Layer Cake, and Turning Green. He played soccer coach Don Revie in the sports drama The Damned United before playing the father of a strung-out rockstar in the comedy Get Him to the Greek. He appeared in Robert Redford's historical drama The Conspirator, as well as the period drama Bel Ami.

Trivia: African-American actor Michael Dorn received much of his on-the-job training as a semi-regular on the daytime drama Days of Our Lives. In the prime-time hours, Dorn was seen as Officer Turner during the final two seasons (1980-1982) of the weekly cop series CHiPs. He went on to a flurry of supporting-cast activity in such theatrical features as The Jagged Edge (1985). Then, in 1987, Michael Dorn donned mounds of facial makeup for what was to be his signature role: the U.S.S. Enterprise's Klingon officer Lt. Worf on Star Trek: The Next Generation (1987-1994).

Trivia: Born to an English mother and Sudanese father. Uncle Sadiq Al Mahdi was a two-time Prime Minister of Sudan (in the 1960s and '80s). Was bitten by the acting bug as a teenager, when he played Puck in a high-school production of Shakespeare's A Midsummer Night's Dream. Initially aspired to be a director, and has directed plays as well as two episodes of Star Trek: Deep Space Nine. Interests include wine collecting, role-playing games, gardening and home projects.

Trivia: American actor Stephen Macht has proven to be a master at playing handsome, outwardly successful men whose inner doubts are never far from the surface. Macht's film debut was in 1977's The Choirboys, after which he appeared primarily in medium-budget shockers like Nightwing (1979) Amityville II: The Possession (1982) and Monster Squad (1987). Macht seemed on the verge of TV stardom when he accepted the leading role of a family man who chucks the suburban life to set up home in the inner city in the 1981 series The American Dream; the critics were impressed, but the audiences were tuned to the competition. Since that time, Stephen Macht has had recurring roles as Joe Cooper on Knot's Landing and as Chris Cagney's lawyer-boyfriend David Keeler on Cagney and Lacey.