Trivia: Born February 15th, 1951, the raven-haired daughter of a prosperous British gynecologist, Jane Seymour debuted onstage at 13 as a member of the London Festival Ballet, after training at the Arts Educational School. Five years later, she switched to acting, making her screen bow as part of a huge ensemble in Oh, What A Lovely War! (1968). She entered the fan-mag files with her portrayal of the enigmatic Solitaire in the 1973 James Bond epic Live and Let Die, following this with a ingenue turn in Sinbad and the Eye of the Tiger (1974). While her subesquent film appearances were well-received (as was her engagement in the 1980 Broadway production of Amadeus), Seymour's larger fame rested on her prolific TV work, notably on such miniseries as "East of Eden" and "War and Remembrance." In 1988, she won an Emmy for her portrayal of Maria Callas in the TV miniseries "Onassis." Four years later, she landed one of her most successful roles to date, that of the title heroine of the TV series Dr. Quinn, Medicine Woman. In subsequent years, Seymour sustained her career with longform soapers - such as the 1998 A Marriage of Convenience and the 2002 Heart of a Stranger - before making a most welcome return to theatrical features in 2005. That year, she scored a neat comic turn as the wife of U.S. Treasury Secretary Christopher Walken (and the mother of some outrageously dysfunctional children) in the summer comedy smash Wedding Crashers. Two years later, ABC tapped Seymour to trip the light fantastic as one of the celebrity dancers on its blockbuster series Dancing with the Stars. On that program, Seymour danced opposite series vet Tony Ovolani.

Trivia: Actor/producer Chad Allen grew up in Hollywood, in the shadow of show business. A child actor from the age of four (when he appeared in a McDonald's commercial), he soon landed regular roles on series including Webster (1985-1986), Our House (1986-1988), and My Two Dads (1989-1990), in addition to a pivotal role on St. Elsewhere as the autistic and incommunicative child of Dr. Westphall (Ed Flanders), a boy whose delusions "created" St. Eligius. In the 1990s, Allen signed on to play Matthew Cooper, the adopted son of Dr. Michaela "Mike" Quinn on the western drama Dr. Quinn, Medicine Woman (1993-1998).Allen made headlines and then some beginning in 2001, when the thespian came out of the closet as a homosexual; in addition to embracing his status as a gay male (and discussing his orientation at length in a series of publications including The Advocate), he co-founded a production company, Mythgarden, devoted to dramatically expanding the number of LGBT themes explored in contemporary cinema and television. The Roman Catholic-raised actor stirred up some controversy in certain sectors when he signed on in 2005 to portray Nate Saint, a missionary murdered by Ecuadorian tribes, and Steve Saint, the missionary's son, in the inspirational religious drama End of the Spear (2005), though only because the feature found an audience among conservative evangelical audiences. In 2008, Allen produced and starred in the drama Save Me. The tale of a deeply confused gay man lured into a "Christian recovery center" by an evangelical couple, it critiqued conservative evangelical attitudes (and harsh hypocrisy) often directed toward the contemporary gay community.

Trivia: Character actress Barbara Babcock made her first film appearance in 1968's Heaven with a Gun. Usually cast as take-charge matrons, Barbara has been seen in such roles as the baseball-team owner in Bang the Drum Slowly (1973) and Mrs. Douglas in That Was Then...This is Now (1985). She was also a regular on several TV series, including Search for Tomorrow, The Four Seasons, Dallas, Mr. Sunshine and The Law and Harry McGraw. More recently, Barbara Babcock was cast as Dorothy Jennings, sister-in-law of Loren Bray (Orson Bean) on the weekly Dr. Quinn, Medicine Woman (1992- ).

Trivia: "My name is Orson Bean. Harvard '47, Yale Nothing." Actually, that oft-repeated introduction is a double deception: actor Orson Bean didn't go to Harvard, and his name isn't really Orson Bean. As a boy magician, Dallas Frederick Burrows borrowed the first half of his stage name from another prestidigitator of note, Orson Welles. Bean made his legitimate stage bow in 1945, then worked up a nightclub comedy act which premiered in New York at the now-defunct Blue Angel (in 1954, he hosted a summer-replacement TV series emanating from this celebrated nightspot). Landing on Broadway in the 1953 production Men of Distinction, Bean won a Theatre World Award for his work in the 1954 revue John Murray Anderson's Almanac, and Critics' Circle Awards for his performances in Mister Roberts and Say Darling. His later stage credits included Broadway's Subways are for Sleeping (1962) and Never too Late (1964) not to mention his extensive tours in the Neil Simon-Burt Bacharah musical Promises, Promises. In films from 1955, Bean's best-received screen performance was as the testifying army physician in Otto Preminger's Anatomy of a Murder (1959). An inescapable presence on TV, Bean has participated in virtually every quiz show known to man, from the familiar (To Tell the Truth, I've Got a Secret) to the obscure (Laugh Line). He was also a regular as the ineffectual Reverend Brim on the Norman Lear syndicated series Mary Hartman, Mary Hartman (1977) and Forever Fernword (1978), and more recently was seen on a weekly basis as cranky general store owner Loren Bray on Dr. Quinn, Medicine Women (1993- ). Outside of his showbiz activities, Bean has proven a difficult subject to categorize: blacklisted for his outspoken liberal views in the early 1950s, he was an ardent supporter of Richard M. Nixon in 1968. A man of many interests, Orson Bean was the founder of the arts-oriented 15th Street School of New York, the author of the oddball 1971 volume Me and the Orgon, and one of the charter members of The Sons of the Desert, the famed Laurel & Hardy appreciation society.

Trivia: Former child actress and ingénue leading lady Erika Flores is best known for her portrayal of Colleen Cooper during the 1993 and 1994 seasons of Dr. Quinn, Medicine Woman. As a child actress, she first achieved prominence with a key guest role in "Disaster," an episode of Star Trek: The Next Generation (1992), in which she worked opposite Patrick Stewart for much of the show's running time. An unusually serious performer even at a young age, Flores was reportedly the only cast member to regularly attend the writing sessions for Dr. Quinn, Medicine Woman, and left the series rather than sign a five-year contract. Since then, she has appeared in several TV movies, including The Secret (1997), Buried Secrets (1996), and Baseball in Black and White (1996).

Trivia: Afrcian-American lead actress, onscreen from the '70s.

Trivia: Youthful American supporting actor Brendan Burns primarily worked on television, but he also made a few films, the last one being Raise the Titanic in 1980.

Trivia: George S. Clinton ranks as one of the most innovative, versatile, and popular film score composers of the 1980s and 1990s. He specializes in creating fresh new sounds from a variety of often disparate musical elements. For example, for the soundtrack to the Mike Myers spy spoof Austin Powers: International Man of Mystery (1997), he drew upon soundtracks from the James Bond and Matt Helm series of the 1960s, as well as the music from other classic spy movies, combining them with psychedelic pop. An amalgam Clinton calls Techno/Taiko/Orcho has become one of his most famous musical formulas. A combination of synthesizer-heavy techno music combined with a symphony orchestra and traditional Asian drumming, he has used it in Mortal Kombat (1995), its sequel Mortal Kombat II: Annihilation (1997), and the comedy Beverly Hills Ninja (1997). Clinton was still studying music and drama at Middle Tennessee State University when he began making a little money as a songwriter and session musician in Nashville. Upon graduation, he moved to Southern California and founded the George Clinton Band. At the same time, he became a songwriter for Warners and in that capacity had his music recorded by some of the studio's top recording artists, including Joe Cocker, Diana Ross, the Jackson 5, Three Dog Night, and Smokey Robinson. Clinton composed his first film score for the Cheech & Chong vehicle Cheech and Chong: Still Smokin' (1983). One of Clinton's other notable scores is Wild Things (1997).

Trivia: Whether playing a wiseacre waitress, an insane bioengineer, or a vengeful, darkly comic widow, Diane Ladd brings energy and accomplishment to her roles. Born Rose Diane Ladner in Meridian, MS, she moved to New York City as a teen. Before making her stage debut in Tennessee Williams' Orpheus Descending, Ladd worked as a model and a dancer at the Copacabana nightclub. In 1961, Ladd debuted in her first feature film, Something Wild. Though she subsequently appeared in a few more films during the '60s, including The Reivers (1969), Ladd focused on her stage career. In film, 1974 proved to be a great year for Ladd. Her portrayal of Flo, the tough waitress who helps out a recently widowed Ellen Burstyn in Martin Scorsese's Alice Doesn't Live Here Any More, garnered her nominations for an Oscar, a Golden Globe, and a British Academy Award. She then appeared opposite Jack Nicholson and Faye Dunaway in Roman Polanski's Chinatown. Beginning in 1976, Ladd became a familiar face in television movies like The Guyana Tragedy: The Story of Jim Jones (1980) and miniseries such as Black Beauty (1978). Though she continued to sporadically appear in feature films through the '80s, her movie career didn't perk up again until the early '90s. Formerly married to character actor Bruce Dern, Ladd is the mother of willowy leading lady Laura Dern. Mother and daughter have appeared in several films together, notably 1991's Rambling Rose and David Lynch's Wild at Heart (1990) -- the former film earned mother and daughter a place in Oscar history when they became the first such duo to be nominated for the same film (Ladd for Best Supporting Actress and Dern for Best Actress).

Trivia: A shy and withdrawn child, 11-year-old Paul Sanchez emerged from his shell upon joining Viola Spolin's Children's Theatre Workshop. Even at this early stage of the game, he was a gifted improvisational comedian, delighting friends and theatregoers alike with his inspired flights of fancy. After attending Los Angeles State College, he journeyed to Paris at his own expense, hoping to meet his idols Jean-Louis Barrault and Marcel Marceau. The latter was so impressed by his instinctive talents that he hired the young performer for his prestigious touring mime troupe. Upon returning to the states, he worked with Viola Spolin's son Paul Sills at Chicago's Second City; somewhere along the way, he changed his professional moniker from Sanchez to Sand. He appeared in the popular off-Broadway revue The Mad Show, then linked up with Sills again in Story Theatre, winning a Tony Award for his portrayal of an itching dog! Hired as a general-purpose comic actor by MTM productions at the recommendation of his old Story Theatre-cohort Valerie Harper, Paul was starred in his own sitcom, Paul Sand in Friends and Lovers. This fey, good-natured endeavor was widely touted as the sleeper of the 1974-75 television season. Unfortunately, viewers were not as enchanted by Sands' talents as "live" audiences had been, and Friends and Lovers was axed after 13 weeks. Paul Sand has continued to thrive as a supporting actor in films (his first was 1969's Viva Max) and such TV weeklies as St. Elswhere. Paul Sand's best showing of the 1980s was on the NBC sitcom Gimme a Break, in which he played Marty, an eccentric Manhattan-born restaurateur who posed as a flamboyant Mexican named Esteban for the benefit of his customers.