Trivia: An attractive and talented actress who is as comfortable in historical dramas as in modern day thrillers and comedies, Emily Mortimer was born in Great Britain in 1971. Mortimer's father is author John Mortimer, best known for his series of Rumpole of the Bailey mystery novels, and she seems to have absorbed her father's literary influence -- before her career as an actress took off, Mortimer wrote a column for the London Telegraph, and she's served as screenwriter for an screen adaptation of Lorna Sage's book Bad Blood. Mortimer was a student at the prestigious St. Paul's Girls School when she first developed an interest in acting, appearing in several student productions. After graduating from St. Paul's, she moved on to Oxford, where she majored in Russian. Mortimer found time to perform in several plays while studying at Oxford, and while acting in a student production she impressed a producer who cast her in a supporting role in a television adaptation of Catherine Cookson's The Glass Virgin in 1995. Several more television roles followed, including the British TV movie Sharpe's Sword, before she won her first film role, playing the wife of John Patterson (Val Kilmer) in 1996's The Ghost and the Darkness. Mortimer had a much showier role in the Irish coming-of-age story The Last of the High Kings, released later the same year, and in 1998, Mortimer played Miss Flynn in the TV miniseries Cider With Rosie, which was adapted for television by her father, John Mortimer. Also in 1998, Mortimer appeared as Kat Ashley in the international hit Elizabeth, and in 1999, she enjoyed three showy roles that raised her profile outside the U.K.: She was the ill-fated "Perfect Girl" dropped by Hugh Grant in Notting Hill, appeared as Esther in the American TV miniseries Noah's Ark, and was Angelina, the star of the film-within-a-film, in the upscale slasher flick Scream 3. In 2000, Mortimer was cast as Katherine in Kenneth Branagh's ill-fated musical adaptation of Love's Labour's Lost, but the experience had a happy ending for her -- she met actor Alessandro Nivola, and the two soon fell in love and have been together ever since. That same year, Mortimer took on her biggest role in an American film to date, playing opposite Bruce Willis in The Kid, and 2002 promised to be a big year for her, with major roles in two major releases -- The 51st State, starring opposite Samuel L. Jackson, and a key supporting character in John Woo's war drama Windtalkers.

Trivia: Christina Hendricks jump-started her career on television in the early 2000s, with a particularly effective multi-episode contribution to the medical drama ER. On that program, she played Joyce, a battered housewife given solace -- and shelter -- by one of the female employees of Cook County Hospital. Also in 2002, Hendricks appeared in a memorable role on the short-lived cult sci-fi series Firefly as the seductive, scheming conwoman Saffron (in two episodes, one of which never aired). She continued to find steady work on television, notably co-starring with Taye Diggs on the short-lived legal drama Kevin Hill (2004-2005). In 2007, Hendricks took on a prominant role on one of the most promising and original new series of 2007: Mad Men. Her work as Joan on the show earned her strong reviews as the show became the most respected on television winning the Emmy for best drama series each of its first four seasons. She parlayed that into a film career that includes appearances in I Don't Know How She Does It, Detachment, and the cult hit Drive, where she played a lethal criminal.

Trivia: University of Tulsa graduate Mary Kay Place hightailed it to Hollywood in hopes of becoming a writer and performer of comedy material. She was hired for 1970s The Tim Conway Comedy Hour as a production assistant to both star Conway and producer Norman Lear. It was Conway who gave her her first on-camera break, while Lear saw to it that Place received her first writing credit on his subsequent All in the Family. Lear displayed her to even better advantage in the role of senseless, tactless, and eminently lovable would-be C&W star Loretta Haggers on the satirical soap opera Mary Hartman, Mary Hartman (1976-1977). She won an Emmy for her work as Loretta, and was later nominated for a Grammy for her spin-off musical album, Tonight! At the Capri Lounge...Loretta Haggers. She wrote scripts for such TV sitcoms as The Mary Tyler Moore Show, Phyllis, and MASH, usually in collaboration with her professional partner (and future Designing Women producer), Linda Bloodworth. In films since 1976's Bound for Glory, Place has only occasionally been given a chance to shine on the big screen; the best of her movie roles include the washout nightclub singer who briefly replaces Liza Minnelli in New York, New York (1976), and the reconstituted "child of the '60s" who eagerly volunteers for surrogate motherhood in The Big Chill (1983). Place then continued to work on a variety of projects throughout the 80's and 90's, playing family friend Camille Chersky on the tragically-cancelled dramatic series My So-Called Life, and directing episodes of TV shows like Friends and Arli$$. With the new millennium, Place turned once again towards the big screen, enjoying appearances in films like Being John Malkovich and Girl, Interrupted, but she continued to work in TV as well, with a recurring role on the Showtime series Big Love -- which earned her an Ammy nomination for Outstanding Guest Actress on a Drama Series in 2010.

Trivia: Got her start in the comedy, Dude, Where's My Car? Roles in Shallow Hal and Austin Powers in Goldmember followed. Played a character who came between Clark and Lana in a 2006 episode of Smallville. Starred in the horror movies, May and Trailer Park of Terror. Was cast as more than one character for repeat appearances on CSI: Crime Scene Investigation and NYPD: Blue. Landed a recurring role on Desperate Housewives.