Trivia: Standing a burly 6'4", Liam Neeson was once described by a theatre critic as a "towering sequoia of sex." To say that he has undeniable charisma is certainly accurate, but it is a charisma composed as much of impressive talent as of broken-nosed physical appeal. Bearing both versatility and quiet forcefulness, Neeson has been touted as one of the most compelling actors of the late 20th century.Born June 7, 1952, in Ballymena, Northern Ireland, Neeson had an upbringing partially defined by his involvement in boxing. He became active in the sport as a teenager, earning his distinctive broken nose in the process; he stayed with boxing until he began experiencing black-outs from repeated blows to the head. Initially interested in a career as a teacher, Neeson attended Belfast's Queens College, but he aborted his studies after developing a desire to act. In 1976, he joined Belfast's Lyric Theatre, and two years later he began performing the classics at Dublin's famed Abbey Theatre. While he was with the Abbey, Neeson was discovered by director John Boorman, who cast him as Gawain in 1981's Excalibur. Following his part in that action fantasy, Neeson had supporting roles in such films as The Mission (1986), and he was featured in leads opposite Cher in Suspect (1987) and Diane Keaton in The Good Mother (1988). He got his first starring vehicle in 1990 with Sam Raimi's Darkman; unfortunately, the film was a relative disappointment. Neeson continued to do starring work in such films as Big Man (1991), which featured him as a boxer, Ethan Frome (1992), and Under Suspicion (1992), but ironically, it was his work on the stage that led to his true screen breakthrough. In 1992, the actor was turning in a Tony-nominated performance in Anna Christie opposite Natasha Richardson (whom he would marry in 1994) on Broadway. His work attracted the notice of Steven Spielberg, who was so impressed with what he saw that he cast Neeson as Oskar Schindler in his landmark Holocaust drama Schindler's List (1993). Neeson received Best Actor Oscar and British Academy Award nominations for his performance, and he subsequently didn't have to worry about finding work in Hollywood, or elsewhere, again.More high-profile work followed for Neeson, who went on to star in such films as Nell (1994), Rob Roy (1995), and Michael Collins (1996). However acclaimed his previous work had been, none of it received the hype of one of Neeson's 1999 projects, Star Wars: Episode I - The Phantom Menace. Although the film, which starred Neeson as a Jedi master, ultimately earned a galaxy's worth of negative reviews, it mined box office millions. Its success further enhanced Neeson's status as one of the world's most visible actors, and it even helped to downplay the disappointment of The Haunting, his other film that year.Neeson would enter the new millennium with a variety of projects on his to-do list, appearing in the Martin Scorsese period piece Gangs of New York in 2002, and the extremely popular romantic comedy Love Actually in 2003. The following year would find him tackling a meatier role, however, as he singed on to portray pioneering scientist and researcher on human sexuality Alfred Kinsey in the biopic Kinsey. The part would earn Neeson a Golden Globe nomination, and Neeson would follow its success with performances in Ridley Scott's Kingdom of Heaven, as well as one in the blockbuster superhero reboot Batman Begins in 2005. He would also sign on to provide the voice of lion king Aslan in the Chronicles of Narnia fantasy franchise.In 2008, Neeson starred in the thriller Taken, portraying a former CIA officer who employs his brutal skills learned on the job to find his kidnapped daughter. Audiences weren't accustomed to seeing the actor hold down the lead in an action film, but Neeson succeeded and the film was a categorical success. Sadly, the following year, Liam's wife actress Natasha Richardson died suddenly after suffering a severe head injury during a skiing accident. Neeson was left in care of their two children, Michael and Daniel, but was later able to resume his career. Neeson would find himself appearing in many action/adventure films over the coming years. He starred as the cigar-chomping ohn "Hannibal" Smith in the big-screen adaptation of The A-Team in 2010, and a man fleeing for his life and fighting for his identity in 2011's Unknown. The following year, Neeson played an oil driller stranded amid a pack of wolves in The Grey.

Trivia: Born in Chicago to Irish parents, Quinn spent much of his youth in Ireland, where he first became interested in acting. At age 19 he returned to Chicago and became involved in several local theater groups. His onstage debut came in a production of The Man in 60, after which he appeared in many plays, including Hamlet in Chicago's Wisdom Bridge Theater. Quinn then moved to New York, where he first appeared off-Broadway in Sam Shepard's Fool For Love. Following several other acclaimed performances, he landed his first big-screen role, as a low-class biker in Reckless (1984), which costarred Daryl Hannah. His second film, the highly-successful comedy Desperately Seeking Susan (1985), made him familiar to an international audience; he gained further exposure in the role of an AIDS victim in the TV movie An Early Frost (1985), for which he received an Emmy. Since then, he has appeared steadily in high-quality feature films, usually in challenging supporting roles.

Trivia: Exhibiting perpetual intensity and the dark, hangdog looks of someone who has been run over by life one too many times, Stephen Rea is one of Ireland's most popular and well-respected actors. Although he has acted in films in diverse genres, Rea is most closely associated with his collaborations with director Neil Jordan, particularly The Crying Game, for which he earned Oscar and BAFTA nominations.Born in Belfast, Northern Ireland, in 1943, Rea was brought up in a working-class Protestant family. After training at the Abbey Theatre School, he began acting on the stage, screen, and television, making his film debut in the 1970 thriller Cry of the Banshee. He first collaborated with Jordan in 1982 on Angel, a crime drama in which he played a saxophonist who witnesses a number of brutal murders. The two again collaborated in 1984 on The Company of Wolves, a modern retelling of the Little Red Riding Hood fairy tale. That same year, Rea worked with Mike Leigh on Four Days in July; he would later work with him on Leigh's celebrated Life is Sweet (1991). In addition to his work on the screen, Rea formed the Field Day Theatre Company with playwrights Brian Friel and Seamus Heaney, bringing theatre to rural communities across Ireland.In 1992, Rea was introduced to international audiences with his role as an IRA "volunteer" in The Crying Game. Thanks to the film's great success and the praise surrounding his performance, Rea went on to appear in a number of high profile films, including Jordan's adaptation of Interview with the Vampire and Robert Altman's Ready to Wear, in which he gave a delightful portrayal of an egotistical fashion photographer. In addition to further collaborations with Jordan (1996's Michael Collins, 1997's The Butcher Boy), Rea continued to do solid work in films ranging from dramas (This is My Father, 1998) to comedy spoofs (Still Crazy, also 1998). In 1999 alone, Rea could be seen in no less than four divergent films. Following a turn as a psychiatrist in the big-budget thriller In Dreams, he starred as a bohemian photographer with a predilection for young, deeply insecure women in Audrey Wells' celebrated Guinevere. Later that year, he returned to Ireland for I Could Read the Sky and then starred alongside Julianne Moore and Ralph Fiennes in the adaptation of Graham Greene's The End of the Affair. Over the next several years, Rea would prove to be a consistent presence on screen, appearing in movies like The Good Shepherd, Control, V for Vendetta, and Underworld: Awakening.

Trivia: Although he made his name playing ruthless, genteel villains like Die Hard's Hans Gruber and Robin Hood: Prince of Thieves' Sheriff of Nottingham, Alan Rickman proved himself equally remarkable in romantic, comic, and good-guy dramatic roles. An actor of brooding charisma who intones his lines in a deep, milky baritone, Rickman began his career on-stage, building up a sizable résumé before embarking on a film career.Of Irish and Welsh parentage, Rickman was born in London's Hammersmith district on February 21, 1946. His father, who was a painter and decorator, died of cancer when the actor was eight, leaving behind Rickman, his mother, and three siblings. After winning a scholarship to West London's Latymer Upper School, Rickman began acting at the encouragement of his teachers. He also developed an interest in art, and he went on to study graphic design at the Royal College of Art. He founded a Soho-based design company, but after deciding that his heart was in acting, he abandoned the company when he was 26 to study at the Royal Academy of Dramatic Art. He spent three years there, serving as a dresser to such actors as Ralph Richardson and Nigel Hawthorne. After leaving RADA, Rickman began to make his name on the stage, first appearing in repertory and then landing lead roles in London productions. He gained particular acclaim for his portrayal of Valmont in a West End production of Les Liaisons Dangereuses, eventually reprising his role for the Broadway production and winning a Tony nomination.In 1988, Rickman got his first dose of big-screen recognition with Die Hard. After the film's huge success, and praise for his delightfully nasty portrayal of the film's villain, he went on to make a couple of poorly received features, including 1989's The January Man and 1990s Quigley Down Under. Success greeted him again in 1991: playing Kevin Costner's nemesis, the vile and loathsome Sheriff of Nottingham, in Robin Hood: Prince of Thieves, Rickman proved to audiences why being bad could be so much fun. The same year, he endeared himself as a markedly more sympathetic character in Truly, Madly, Deeply. As a deceased cellist who reappears to comfort his lover (Juliet Stevenson), Rickman proved himself adept at romantic comedy, and began to accrue a reputation as a thinking woman's sex symbol (something he vocally resented).The actor spent the remainder of the decade turning in solid performances in a number of diverse films: he could be seen as an actor with a troubled past in An Awfully Big Adventure (1994), a very sympathetic Colonel Brandon in Sense and Sensibility (1995), Eamon de Valera in Michael Collins (1996), a has-been sci-fi television star in Galaxy Quest (1999), and a grumpy angel in Dogma (1999). In 1997, Rickman branched out into directing, making his debut with The Winter Guest. Starring real-life mother and daughter Phyllida Law and Emma Thompson as an estranged mother and daughter, the film won a number of positive notices, further establishing Rickman as a man of impressive versatility, both in front of and behind the camera. Though Rickman's voice would be featured on the animated television series King of the Hill in 2003, he wasn't truly absorbed into mainstream pop-culture among the kid circuit until after starring in the movie adaptations of author J.K. Rowling's Harry Potter series. Rickman played the sinister Professor Snape in the films, one of the few post-pubescent constants in the franchise.In 2005, just months before the fourth installment in the Potter series, Rickman showed up in the first big-screen adaptation of another literary series with a rabid fan base, lending his voice to the character of Marvin the neurotic robot in The Hitchhiker's Guide to the Galaxy.He went on to appear in Perfume: The Story of a Murderer, and in 2007 he played Judge Turpin in Tim Burton's adaptation of Sweeney Todd. E reteamed with the director for Alice in Wonderland in 2010, and the next year saw the final installment of the Harry Potter franchise hitting screens. In 2013, he played President Ronald Reagan in Lee Daniels' The Butler and club owner Hilly Kristal in CBGB. The following year, Rickman directed his second feature film, A Little Chaos, and also appeared in the film as King Louis XIV. Rickman died in 2016, at age 69.

Trivia: Born October 28th, 1967, Georgia native Julia Roberts was raised in a fervently pro-theater environment. Her parents regularly hosted acting and writing workshops, and both of the Roberts children (Julia and her brother Eric) showed an interest in the performing arts at an early age. Ironically enough, Eric was the first to break into film; in 1978, one year after their father died of lung cancer at 47, Eric Roberts starred in director Frank Pierson's psychological drama King of the Gypsies. Though her older brother would go on to have a solid acting career, it was, of course, Julia Roberts who earned a spot among Hollywood's elite.After making her film debut in Blood Red -- which wouldn't be released until 1989, despite having been completed in 1986 -- and appearing in several late '80s television features, Roberts got her first real break in the 1988 made-for-cable drama Satisfaction. That role, consequently, led to her first significant supporting role -- a feisty pizza parlor waitress in 1989's Mystic Pizza with Annabeth Gish, Lili Taylor, and a then 19-year-old Matt Damon. While Mystic Pizza was not a star-making film for Roberts, it certainly helped earn her the credentials she needed to land the part of Shelby, an ill-fated would-be mother in Steel Magnolias. The 1989 tearjerker found her acting alongside Sally Field and Shirley MacLaine, and culminated in an Oscar nomination for Roberts. While the success of Steel Magnolias played no small part in launching Roberts' career, and undoubtedly secured her role in the mediocre Flatliners (1990) with former flame Kiefer Sutherland, it was director Garry Marshall's romantic comedy Pretty Woman with Richard Gere that served as her true breakthrough role. Roberts' part in Pretty Woman (a good-hearted prostitute who falls in love with a millionaire client) made the young actress a household name and cemented what would become a permanent spot in tabloid fodder. Roberts broke off her engagement with Sutherland in 1991, just three days before they were scheduled to be married, and surprised the American public in 1993, when she began her two-year marriage to country singer Lyle Lovett. Roberts' personal life kept her name in the spotlight despite a host of uneven performances throughout the early '90s (neither 1991's Dying Young or Sleeping With the Enemy garnered much acclaim), as did a reputed feud with Steven Spielberg during the filming of Hook (1991). Luckily, Roberts made decidedly less embarrassing headlines in 1993, when her role alongside future Oscar winner Denzel Washington in The Pelican Brief reaffirmed her status as a dramatic actress. Her career, however, took a turn back to the mediocre throughout the following year; both Prêt-à-Porter and I Love Trouble proved commercial flops, and Mary Reilly (1996) fizzled at the box office as well. The downward spiral reversed directions once again with 1996's Michael Collins and Conspiracy Theory with Mel Gibson, and led to several successful comic roles including Notting Hill with Hugh Grant, Runaway Bride, and most notably, My Best Friend's Wedding with Rupert Everett and a then virtually unknown Cameron Diaz. Roberts' biggest success didn't present itself until 2000, though, when she delivered an Oscar-winning performance playing the title role in Steven Soderbergh's Erin Brockovich. The film, based on the true story of Erin Brockovich, a single mother who, against all odds, won a heated battle against corporate environmental offenders, earned Roberts a staggering 20-million-dollar salary. Officially the highest paid actress in Hollywood, Roberts went on to star in 2001's America's Sweethearts with Billy Crystal, Catherine Zeta-Jones, and John Cusack, as well as The Mexican with Brad Pitt. While on the set of The Mexican, Roberts met cameraman Danny Moder, whom she would marry in 2001 almost immediately after ending a four-year relationship with fellow actor Benjamin Bratt. Indeed, 2001 was a banner year for Roberts; in addition to America's Sweethearts and The Mexican, Roberts starred in the crime caper Ocean's Eleven, in which she rejoined former co-stars Brad Pitt and Matt Damon, and acted for the first time with George Clooney and Don Cheadle. Julia Roberts worked with Soderbergh once again in 2002's Full Frontal, which, despite a solid cast including Mary McCormack and Catherine Keener, among others, did not even begin to fare as well as Erin Brockovich. Confessions of a Dangerous Mind (2002), which featured Roberts as a femme fatale alongside George Clooney, Sam Rockwell, and Drew Barrymore did much better, and preceded 2003's Mona Lisa Smile with young Hollywood's Julia Stiles, Kirsten Dunst, and Maggie Gyllenhaal. In 2004, Roberts signed on for the sequel to Ocean's Eleven -- the aptly titled Ocean's Twelve. A supporting performance in the animated 2006 feature The Ant Bully marked the glamorous Hollywood beauty's first foray into the world of animation, which she would continue for Christmas of 2006 with the role of everone's favorite selfless spider in Charlotte's Web. In the coming years, Roberts would reteam with Tom Hanks for Charlie Wilson's War in 2007, and then again for Larry Crowne in 2011. In the meantime, the A-lister would keep busy with a critically acclaimed performance in 2010's Eat, Pray, Love, in which she portrayed a divorcee on a journey of self discovery, and 2012's retelling of Snow White, Mirror, Mirror.

Trivia: One of the screen's most consistently solid performers and least recognized personalities, British actor Ian Hart has appeared in an enviably diverse number of films over the course of the '90s. To say that Hart has a chameleon-like quality would be something of an understatement; one of the reasons for the lack of audience recognition afforded to him is his ability to completely disappear in his roles, exchanging full-bodied characterizations for any trace of the actor responsible for them.Little is known about Hart's background aside from the fact that he got his start in regional theatre and on such BBC television programs as the popular series Eastenders. One thing that is certain is that Hart's Liverpool origins and uncanny resemblance to John Lennon were responsible for getting him his first big break. In 1992, he was chosen to play Lennon in Christopher Munch's The Hours and Times (1992), a film that examined the relationship between Lennon and Beatles manager Brian Epstein. Two years later, Hart again played the musician in Backbeat, Iain Softley's account of the relationship between Lennon, Beatle Stuart Sutcliffe (Stephen Dorff), and Sutcliffe's girlfriend Astrid Kirchherr (Sheryl Lee). The film earned a number of strong notices and was fairly successful at the box office, with Hart earning particular acclaim for his portrayal of Lennon.Following a starring role as a shell-shocked young Welshman in The Englishman Who Went up a Hill but Came Down a Mountain (1995), Hart embarked on a series of projects that read like a who's who list of gritty, socially conscious British films. For director Ken Loach, he played a dedicated young journalist who gets caught up in the Spanish Civil War in Land and Freedom (1995); that same year, he won the Venice Film Festival's Volpi Cup for his portrayal of a psychotic Northern Irish Protestant gangster in Thaddeus O'Sullivan's Nothing Personal. The following year, Hart played Martin Donovan's lover in the relentlessly intense child abuse drama Hollow Reed and had a substantial supporting role in Neil Jordan's Michael Collins, a biographical epic about the legendary and controversial Irish rebellion leader.The following year, Hart again collaborated with Jordan, this time on The Butcher Boy. He also returned to the milieu of the post-war rock scene as a club manager in Jez Butterworth's Mojo. In one of his rare U.S. outings, Hart played the owner of a Lower Manhattan diner in Amos Poe's comedy-thriller Frogs for Snakes (1998); that same year, he appeared in American director Ted Demme's Monument Avenue, a drama about a group of Irish-American toughs in Boston.1999 brought with it another collaboration for Hart and Jordan; this time it was on an adaptation of Graham Greene's The End of the Affair, a World War II romance that featured Hart as a cockney detective. That same year, he starred as a nerdy, emotionally unstable comic book enthusiast who finds love in an unlikely place in the ensemble comedy This Year's Love and played a doltish ex-boyfriend in Michael Winterbottom's acclaimed ensemble drama Wonderland. Over the next several years, Hart would remain active on screen, appering on series like The Virgin Queen, Dirt, and Luck, as well as in films like Blind Fight, Within the Whirlwind, and Hard Boiled Sweets.

Trivia: A former teacher, burly Irish actor Brendan Gleeson spent the 1990s earning an increasing amount of acclaim for his work in a variety of films, most notably John Boorman's The General (1998). Gleeson, who made his feature film debut in Jim Sheridan's The Field (1990), first made an impression on audiences in the role of Hamish, William Wallace's hulking ally in Braveheart (1995).In 1997, the actor was given his first crack at a starring role in I Went Down, a likeable black comedy that cast him as a thick-skulled hitman. The role brought him a greater dose of recognition and respect on both sides of the Atlantic, but it was Boorman's The General (shot right after I Went Down wrapped) that truly demanded -- and received -- international attention. The story of real-life Irish criminal Martin Cahill, the film featured Gleeson in its title role, and his cocky, assured portrayal of Cahill was widely deemed the best part of an altogether excellent film. The numerous plaudits he won for his performance included awards from Boston and London film critics.His career flourishing, it was only a matter of time before Gleeson had the opportunity to expand his resumé to include the occasional Hollywood blockbuster. That opportunity came by way of John Woo's Mission: Impossible 2 (2000), which cast Gleeson, surprisingly enough, as one of the film's resident villains. After carefully balancing his roles between the mainstream and the more low-key, character-driven films in later 2000 and into 2001 (he gained notice for his starring role as a philanderous, boozing TV chef turned sensitive amnesiac in the romantic comedy Wild About Harry [2000]), Gleeson headed back to Hollywood with his lively turn as Lord Johnson-Johnson in Steven Spielberg's A.I. Appearing in Trainspotting director Danny Boyle's zombie thriller 28 Days Later the following year, it wasn't long before Gleeson was once again gracing stateside cinemas with appearances in such high-profile films as Martin Scorsese's Gangs of New York (2002) and the Kurt Russell police detective thriller Dark Blue (2003).Gleeson remained a presence in high-profile films over the ensuing two years. In 2004 he could be seen in both the M. Night Shyamalan brain-bender The Village and the sweeping historical epic Troy. The following year found the actor in another pair of big-budget Hollywood films, the box-office dud Kingdom of Heaven and the fourth installment in the Harry Potter franchise, Harry Potter and the Goblet of Fire. Subsequent years found him re-teaming with 28 Days Later star Cillian Murphy for the Neil Jordan comedy Breakfast on Pluto and reprising his role of Alastor "Mad Eye" Moody in Harry Potter and the Order of the Phoenix (2007).He had a memorable turn in the Irish comedy In Bruges in 2008. Two years later he returned as Mad Eye for the final Harry Potter movie. That same year he turned in one of his best performances in The Guard. He played opposite the Oscar nominated Glenn Close in Albert Nobbs in 2011, and enjoyed roles in a couple of high-profile Hollywood films - The Raven and Safe House the next year.

Trivia: Born in County Tyrone in Northern Ireland, character actor Gerard McSorley has played a lot of bad guys during his prolific acting career. He started with a theater background working with Jim Sheridan at the Project Theater. In 1981 he joined Dublin's Abbey Players, Ireland's national theater company. After a small role in the TV movie S.O.S. Titanic, he made his film debut in Neil Jordan's debut film, Danny Boy. He went on to appear in Jordan's later film work Michael Collins and The Butcher Boy. In 1993 he appeared in In the Name of the Father, directed by Jim Sheridan. He would continue to work with the director at his Hell's Kitchen production company in Dublin on the films Some Mother's Son, The Boxer, Agnes Browne, and Bloody Sunday. He was also in Atom Egoyan's Felicia's Journey, Alan Parker's Angela's Ashes, and Thaddeus O'Sullivan's Ordinary Decent Criminal. As a voice actor, he narrated the film Dancing at Lughnasa as well as the television documentary series In Search of Ancient Ireland. He's also worked extensively on Irish television. In 2003 he can be seen as the psychotic gangster John Gilligan in Joel Schumacher's Veronica Guerin.

Trivia: Bearing the sort of sensual, androgynous looks that would have landed him in Calvin Klein ads if he hadn't gone into acting, Jonathan Rhys-Meyers has been making a name for himself in roles that call for a certain kind of alluringly deviant behavior. Since 1996, Rhys-Meyers has given trouble a good name in such films as Velvet Goldmine and The Governess. Born July 27, 1977, in Dublin, Ireland, Rhys-Meyers led a tumultuous childhood after his father abandoned his family when the actor was only two and a half. His troubles accumulated as he grew older, culminating with his being kicked out of school at the age of 16. Rhys-Meyers took to hanging about in pool halls, where he was discovered by a casting agent. The agent encouraged him to audition for the film War of the Buttons; when Rhys-Meyers failed to get the part, he gave up on acting. However, he was soon asked to do some commercials, which in turn led to his film debut with a small role in A Man of No Importance (1994). A starring role as an errant runaway in The Disappearance of Finbar (1996) followed, as did a brief but memorable turn as the assassin of the titular hero in Michael Collins (1996). After more film work, including a supporting role as Brad Renfro's nemesis in Telling Lies in America, Rhys-Meyers landed the lead in Todd Haynes' much-anticipated Velvet Goldmine (1998). Despite the hype surrounding the director's celebration of and requiem for the early-'70s glam rock scene, as well as the presence of actors Christian Bale, Toni Collette, and Ewan McGregor, the film was far from a critical or box office smash, despite developing a loyal cult following. However, Rhys-Meyers continued to stay busy, making The Governess with Minnie Driver the same year and Michael Radford's B. Monkey the next (the film would eventually be released the following year). In 1999, he starred in a number of high-profile projects: in addition to Mike Figgis' The Loss of Sexual Innocence, he appeared as part of a "hot young things" lineup in Ang Lee's Ride With the Devil, starring with such up-and-comers as Tobey Maguire and Skeet Ulrich, and then turned his talents to interpreting Shakespeare in Titus, Julie Taymor's adaptation of Titus Andronicus.While continuing to appear in independent, left-of-center films such as Prozac Nation and Happy Now, Rhys-Meyers had a bit of a mainstream breakthrough when the indie comedy Bend It Like Beckham became a surprise hit in 2003. This might have made the actor's unique face more familiar to movie makers, as he was soon seen with Reese Witherspoon in the period movie Vanity Fair, and in the Oliver Stone epic Alexander. These main-stream successes were nothing, however, compared to the coveted role of Elvis Presley that he won in 2005. The high-profile CBS mini series Elvis exposed Rhys-Myers to American audiences like never before, and he picked up a Golden Globe Award for his performance. That same year, the Irish lad starred with Scarlett Johansson in the Woody Allen drama Match Point. Widely regarded as the best movie from the legendary director in well over ten years, the role helped to cement Rhys-Myer's position in American cinema, as evidenced by the fact that he soon afterward joined the cast of action thriller Mission Impossible III.

Trivia: Tall, sandy-haired British actor Charles Dance trained for a career in graphic design at Plymouth College of Art and Leicester College of Art. Dance developed a taste for the theatre by listening to the reminiscences of two elderly actors who ran a pub in his Dover neighborhood. He joined the Royal Shakespeare Company at the age of 29, and made his first film, the James Bond picture For Your Eyes Only, six years later. Dance's widest professional exposure came in 1984 when he appeared in "The Jewel in the Crown," a 14-part British TV production seen in the U.S. on Masterpiece Theatre. Charles Dance's best-remembered performances have been as D.W. Griffith in Good Morning Babylon (1987); the role of Meryl Streep's husband in Plenty (1985); the title part in the 1990 TV adaptation of Phantom of the Opera; and the displaced "imaginary" villain in Arnold Schwarzenegger's The Last Action Hero (1993).

Trivia: Attended The Gaiety School of Acting in Dublin. Directed absurdist comedy Couch, which premiered at the 2000 Dublin Fringe Festival. Co-wrote the plays Too Much Of Nothing and One Too Many Mornings with writing partner Mark O'Halloran. Won the Licille Lortel Award for Best Actor in a Play in 2006 for his role in The Lieutenant of Inishmore. Won the 2006 Theater World Award for his portrayal of Padraic in The Lieutenant of Inishmore; his Broadway debut. A video of his audition for the role of Davos in Game Of Thones was leaked on the internet in 2011. Worked with Irish theatre companies The Abbey, Druid, and Passion Machine.

Trivia: An acclaimed author of fiction, Neil Jordan entered films in 1981 as script consultant on John Boorman's King Arthur tale Excalibur. He made a documentary on the making of Boorman's film, and after scripting Traveler, wrote and directed his first film, the stylish drama Angel (aka Danny Boy) in 1982. Jordan attracted international attention with his horror tale The Company Of Wolves (1985) and his crime drama Mona Lisa (1986). He then came to the U.S., where he helmed two unimpressive comedies, High Spirits (1988) and We're No Angels (1989). Back in Ireland, Jordan strengthened his reputation with The Miracle (1991), a touching drama about Irish teens, and then scored a major hit with his striking drama of the IRA, The Crying Game (1992).In 1994, he returned to horror and Hollywood with his big-budget Anne Rice adaptation Interview with the Vampire (1994), but afterward, went back again to Ireland to make the highly acclaimed Michael Collins (1996), starring Liam Neeson, and The Butcher Boy, which earned Jordan a Silver Bear from the 1997 Berlin Film Festival.