Trivia: Lonny Price has had an impressive run in film and television, but he's had even more success on-stage. Born in 1959, the New York native began appearing in off-Broadway and Broadway plays right out of high school, eventually moving his talents backstage as a director, winning accolades for his productions of The Education of H* Y* M* A* N K* A* P* L* A* N, The Rothschilds, Juno, Urban Cowboy, and others. Price also made many small appearances on TV and in film over the years, most notably appearing as Neil Kellerman in Dirty Dancing.

Trivia: Coleman attended a Virginia military school before studying law and serving in the army. While attending the University of Texas, Coleman became attracted to acting, and headed to New York, where he studied at the Neighborhood Playhouse. After stage experience and TV work, Coleman made his movie debut in 1965's The Slender Thread. Minus his trademarked mustache for the most part in the mid-1960s, Coleman specialized in secondary character roles. He began to branch into comedy during his supporting stint as obstetrician Leon Bessemer on the Marlo Thomas sitcom That Girl, but his most memorable role would come in 1980 as the nasty, chauvinistic boss in 9 to 5. He would go on to appear in other films, like On Golden Pond [1981], The Beverly Hillbillies [1993], You've Got Mail [1998], and Moonlight Mile, but the actor found more success in television, appearing on a few cult hits that were tragically cancelled, like Drexell's Class and Madman of the People, as well as The Guardian, Courting Alex, Heartland, and Boardwalk Empire.

Trivia: Was billed early in her career as Pepper January, Comedy with Spice. Wrote for Candid Camera. In 1961, worked with Chicago's Second City improv group. In 1988, replaced Linda Lavin on Broadway in Neil Simon's Broadway Bound. Won a Daytime Emmy in 1990 for Outstanding Talk Show Host for The Joan Rivers Show. In the 1994 biopic Tears and Laughter: The Joan and Melissa Rivers Story, she and her daughter played themselves. Had a lucrative side job pushing her own line of jewelry on QVC. Played herself in the second-season finale of Nip/Tuck. Collected Fabergé eggs. Posthumously nominated for a Grammy award for Best Spoken Word Album for her album Diary of a Mad Diva, in 2014.

Trivia: Making her stage bow at age five in a community production of Alice in Wonderland, Linda Lavin spent the next ten years studying piano under the watchful eye of her stage mother. After majoring in theater arts at William and Mary College, Lavin appeared in stock in New Jersey, then weathered the chorus-audition rounds in New York, making her off-Broadway debut in a 1960 revival of Oh, Kay (1960). Two years later, she reached Broadway in A Family Affair. She went on to play Lois Lane (a la Ethel Merman) in the short-lived 1965 Broadway musical It's a Bird...It's a Plane...It's Superman, and when that show folded she starred in the off-Broadway production Wet Paint, which earned her a Theatre World Award. The musicomedy review The Mad Show followed, then Lavin was selected by director Alan Arkin to play Patsy Newquist (one of her favorite roles, and one that earned her the New York Critics' Outer Circle Award) in Jules Feiffer's Little Murders (1968). She subsequently played all the female roles in 1969's Cop-Out (another of her favorites) and Elaine Navazio in Neil Simon's Last of the Red Hot Lovers. From 1968 onward, Lavin made periodic trips to Hollywood. Her work as detective Janice Wentworth during the 1975-76 season of TV's Barney Miller led to a supporting role in the pilot episode of the proposed series Jerry. CBS nixed Jerry but signed Lavin to a development deal, which of course developed into her ten-season (1976-85) hitch as waitress Alice Hyatt in the popular sitcom Alice. Recalling that her counterpart in the 1975 film Alice Doesn't Live Here Anymore was an aspiring singer, Lavin inked her Alice contract on the assumption that the producers would permit her to sing--which they did, on practically every other network program except Alice. Returning to Broadway after her series folded, Lavin won a Tony award for her performance in Neil Simon's Broadway Bound, and also starred in Gypsy and The Sisters Rosensweig. She also made a brief return to TV as Edie Kurland in the one-season comedy Room for Two (1992). Linda Lavin was at one time married to actor Ron Leibman.

Trivia: esilLiza Minnelli grew up on the front lines of entertainment; her mother was the great singer/actress Judy Garland and her father the director/designer Vincente Minnelli. Minnelli made her first film appearance, uncredited, as Garlands daughter (with co-star Van Johnson) in the last few seconds of In the Good Old Summertime (1948). When Garland shared a 1964 concert engagement at the London Palladium with her 18-year-old daughter, Minnelli's performing career was kickstarted. A year later, Minnelli had won the Tony Award for Flora, the Red Menace -- the youngest performer ever to do so -- and by 1974 had won an Oscar as well, for her performance as Sally Bowles in Bob Fosse's dramatic musical Cabaret. Several of her TV specials, particularly Liza with a Z, received critical acclaim. Despite her auspicious beginnings in show business, her film career after Cabaret has been less than notable, with the possible exception of Arthur (1981) with Dudley Moore and Sir John Gielgud. Married four times, first to cabaret artist Peter Allen, then to Jack Haley, Jr., then to artist Mark Gero, and later to David Gest, for a time she was also linked romantically with Desi Arnaz, Jr., and Peter Sellers. In 1997 Minelli returned to Broadway as the lead in Victor/Victoria, though three short years later she was stricked with a case of viral encephalatis that threatened to leave her wheelchair-bound and unable to sing. Incredibly, following an appearance on the Michael Jackson: 30th Anniversary concert (produced by Gest), she was back on stage, and in 2002 she drew rave reviews for her nostalgic concert special Liza's Back. Always charming in front of the camera, the boyant actress/comedienne could next be seen as Buster's much-older girlfriend Lucille Austero in the shortlived, critically acclaimed, series Arrested Development. Her concert appearances continue to sell out, at which she often performs the music of John Kander and Fred Ebb, who wrote the score for Cabaret.

Trivia: Despite her efforts to be taken seriously as an actress, Brooke Shields has been unable to escape her youth, during which time she found herself in the precarious position of simultaneously being idolized as a late-'70s icon of adolescent wholesome virginal innocence and being constantly photographed in manners verging on the mildly pornographic. Shields' early career was managed and pushed by her mother, Teri Shields, a small-time actress who placed her daughter in front of the camera before she was even one. As the Ivory Snow baby, Shields was once hailed as the "most beautiful baby in America." After spending many years hawking products, she was in such demand that her mother started marketing her under the logo "Brooke Shields & Co." Shields made her feature film debut in Alice Sweet Alice (1976), but did not become a bona fide star until French director Louis Malle cast her as a 12-year-old New Orleans prostitute who becomes the romantic obsession of a much older painter in Pretty Baby (1978). The film was released amidst great controversy because of the scenes in which Shields (or a body double representing her) appeared nude. But while she did participate in some adult scenes, those moments were handled with taste and discretion by Malle and his cinematographer, Sven Nyquist, and the general consensus was that Shields was not exploited in the film. Thus far, her acting in Pretty Baby remains Shields' best. Through her teens, Shields was among the world's top fashion models and her countenance was everywhere. Controversy again stirred when she did some provocative ads for Calvin Kline in which she was seen wearing a too tight pair of jeans and cooed, "Nothing comes between me and my Calvins." This was in contrast to her other ads in which she advised young girls to abstain from sex and a different campaign against smoking. At the peak of her fame, Shields appeared three times on the cover of Life magazine and once on the cover of Time. Her film career picked up around this time with appearances in such venues as King of the Gypsies (1978) and Wanda Nevada (1979), but her best-known film is the so-bad-it's-good The Blue Lagoon (1980) in which she and teenage hunk Christopher Atkins find themselves shipwrecked for years on a desert island. Ostensibly, the film is a tender tale about innocence and true love, but it's primarily a titillating romp filled with plenty of flesh shots of Shields and Atkins' taut, tanned, and partially clad bodies. In 1981, Shields tried her hand with a more serious role in Franco Zeffirelli's tepid teen romance Endless Love, but did not succeed. Shields decided it was time for college and so enrolled in Princeton, where but for the occasional appearance on a Bob Hope television special, made-for-TV movie, or other special event, she immersed herself in college life. While there, she majored in French Literature and also became interested in the theater, gaining experience in two regional productions of Love Letters. Shields graduated from Princeton with honors. Upon her graduation, Shields returned to acting full time and appeared in films that can most kindly be described as mediocre. In 1996, Shields was given her own situation comedy on NBC network's Suddenly Susan, where she played a single career girl struggling to reassemble her life following her breakup with her wealthy fiancé. Though never among the most natural and relaxed of actresses, Shields gradually grew into her role and proved to be a competent, charismatic comedy actress, turning in guest appearances on popular television shows such as That 70s Show, Nip/Tuck, Two and a Half Men, and Hannah Montana after Suddenly Susan went off the air in 2000. Meanwhile, on Broadway, Shields could bee seen in revivals of Grease, Cabaret, and Chicago before taking over the role of Morticia Addams in the Broadway musical version of The Addams Family. In 1997 Shields married tennis great Andre Agassi, but the union only lasted two years and in 2001 she was wed to television producer Chris Henchy.

Trivia: An actor from childhood, the heavy-set, prematurely bald James Coco won an Obie award for his 1959 performance in the off-Broadway The Moon in Yellow River, but his first widespread public attention was gained through his many TV commercial appearances in the early 1960s. He attained Broadway stardom in the offbeat plays of Terence McNally, the best of which was Next, in which Coco portrayed a middle-aged man who through a bureaucratic blunder was ordered to report to his draft board. Playwright Neil Simon was so impressed by Coco that he wrote a stage vehicle for the actor, that dinner-theatre perennial The Last of the Red Hot Lovers. Simon's association with Coco continued through several subsequent plays and into such films as Murder By Death (1975) and The Cheap Detective (1978). Though he'd made his film debut in a bit role in 1964's Ensign Pulver, Coco didn't make an impact in films until after his stage successes; among his more notable starring roles were Sancho Panza in the 1972 film version of Man of La Mancha and the Fatty Arbuckle counterpart in 1975's The Wild Party. Coco starred in two TV series of the 1970s, Calucci's Dept. and The Dumplings, and won an Emmy for a guest shot on a 1983 episode of St. Elsewhere; one of his last TV assignments was as a ne'er-do-well relative on the Tony Danza/Judith Light sitcom Who's The Boss? In his final years, James Coco became as well known for his cooking prowess as his acting achievements, publishing a brace of best-selling cookbooks and--donning chef's hat and apron-- making frequent guest appearances on Hour Magazine and other such TV talkfests.

Trivia: Though Art Carney would grow up to become a shy, retiring, self-effacing man, he was quite the class clown in school. HIs grades never rising above mediocre, Carney excelled in mimicry, performing astonishingly accurate imitations of Franklin D. Roosevelt, Fred Allen, Ned Sparks, and other 1930s luminaries. This skill enabled him to win a number of New York-based amateur contests, and in 1938 landed him a spot as musician/comedian with the Horace Heidt orchestra. Extensive radio work followed, notably Heidt's weekly quiz show Pot of Gold, which when made into a film in 1941 featured Carney in an uncredited role. While serving in WWII, Carney endured a serious leg wound which left him with a permanent limp. Fortunately this infliction did not impede his postwar radio work; he acted on such dramatic programs as Gangbusters and Dimension X, and appeared as a comedy foil for such major stars as Bert Lahr and Henry Morgan. He moved into television in 1948, playing a comic waiter on The Morey Amsterdam Show. Full-fledged stardom came his way in 1951 when he was hired as supporting player for a roly-poly comedian named Jackie Gleason on the Dumont TV Network's Cavalcade of Stars. Though they were never any more than fast friends off-stage, Gleason and Carney immediately developed a warm on-camera rapport that was to remain intact until Gleason's death in 1987. When Gleason moved from Dumont to CBS in 1952, Carney joined him, playing a remarkable array of sharply defined characters on The Jackie Gleason Show, the most famous of which was goofy, gesticulating sewer worker Ed Norton in the series' classic Honeymooners sketches. Ultimately, Carney was to win six Emmy awards, not only for his work on the Gleason show but also for his dramatic performances in such projects as the 1984 TV movie Terrible Joe Moran. He made a successful transition to the Broadway stage in 1959's The Rope Dancers, subsequently appearing in such stage hits as Take Her She's Mine, The Odd Couple (originating the role of Felix Unger), and Lovers. He returned to films in 1965, and nine years later won an Academy Award for his portrayal of an irascible senior citizen in Harry and Tonto. Even at the height of his popularity and activity, Carney suffered from profound emotional problems; a quiet, introspective sort not given to venting anger or displeasure, he assuaged his rage and insecurities with liquor. His alcoholic intake eventually impaired his ability to perform, forcing him to periodically dry out and take stock in himself in various sanitariums and clinics. Though Art Carney was eventually able to overcome his difficulties, he became more reclusive and less active as the years rolled on. The 1980s proved Carney's final active decade in front of the camera, and following roles in St. Helens, The Muppets Take Manhattan, and Firestarted (not to mention numerous small-screen appearances) Carney called it quits following an appearance in the 1993 action flop The Last Action Hero. His subsequent retirement proving a restful departure from the high energy entertainment industry, the beloved Honeymooners star died of natural causes in November of 2003.

Trivia: Elliot Gould was one of Hollywood's hottest actors of the early '70s and though he reached the peak of his popularity years ago, he remains a steadily employed supporting and character actor. Gould's lifelong involvement in show business is partially the result of his mother. In classical stage mother fashion, she made an eight-year-old Gould take numerous classes in performing, singing, and dance, including ballet. She enrolled him in Manhattan's Professional Children's School and then had him perform in hospitals, temples, and sometimes on television. Gould was also a child model. During summers, Gould performed at Catskill mountain resorts. When he was 18, he made it into a Broadway chorus line. Working odd jobs in between minor stage gigs, Gould did not get his big break until he joined the chorus line of the musical Irma La Douce. From there he won the leading role opposite Barbra Streisand in I Can Get It for You Wholesale. Though the two leads got good reviews, the show did not and rapidly closed. During its short run, Gould and Streisand fell in love, and in 1963, married. The following year, Gould made an inauspicious feature-film debut playing a deaf-mute in The Confession (1964). He did much better in his second film, The Night They Raided Minsky's (1968). While Gould's career seemed jammed in neutral, his wife's popularity hit the stratosphere, and for a time, he helped arrange her television appearances. By 1967, after years of being called Mr. Streisand and undergoing analysis, Gould untied the knot with Streisand. Gould became a star in 1969 when his co-starring role in the sex comedy Bob and Carol and Ted and Alice earned him a Best Supporting Actor nomination. After playing Trapper John in Robert Altman's counterculture classic M*A*S*H, Gould at last made it to the big league. Tall, curly-haired, more homely than handsome, laid-back, unconventional, sensitive, and unabashedly Jewish, Gould was tremendously popular with young adults who strongly identified with the often confused and neurotic characters he played. Gould's subsequent few films, notably Getting Straight (1970) and Little Murders, reinforced his counterculture image. For a while, he seemed to be everywhere, but by 1973, his career had already begun tapering off. A powerfully subtle performance as Philip Marlow in Altman's Long Goodbye (1973) proved that Gould had talent to spare, but over the next few years, he chose several independent, under the radar films, like California Split and Capricorn One. Over the coming decades, Gould would eventually find an ideal level of fame and activity, appearing in a massive number of films, like Dangerous Love, Bugsy, Ocean's Eleven (and its sequels), and Contagion. Gould would also enjoy a beloved recurring role on the massively successful sitom Friends as the father of Ross and Monica Geller.

Trivia: Talented, amiable American actor and dancer Gregory Hines began tap dancing at age four with his brother Maurice in an act called the Hines Kids; the two later studied with tap whiz Henry LeTang, renamed themselves the Hines Brothers in 1962, and in 1964, teamed up with their father in an act called Hines, Hines, and Dad. The trio appeared on The Tonight Show and opened for big-name performers at a number of top-flight clubs. Hines left the trio in 1973, then spent five years in Venice, California, living what he called a "hippie" lifestyle and working with a jazz-rock band. In 1978 he returned to New York and, helped by his brother, auditioned for new shows, ultimately landing excellent parts in three musicals (Eubie!, Comin' Uptown, and Sophisticated Ladies); he received Tony nominations for each of the three shows. He finally received a Tony for his performance as Jelly Roll Morton in the Broadway show Jelly's Last Jam. All of this led to invitations from Hollywood, and he debuted onscreen in 1981's horror film Wolfen. He went on to make a few more films before landing a breakthrough role in Robert Evans's and Francis Ford Coppola's The Cotton Club (1984), one of the year's biggest movies; he also served as choreographer for that film. In 1988 he released an album titled Gregory Hines.

Trivia: Gates McFadden (aka Cheryl McFadden) primarily works in television and is best known for playing Dr. Beverly Crusher on the TV series Star Trek: The Next Generation (1987-1994), but she has also done some film work, including the Star Trek film series. McFadden has also worked as a choreographer on The Dark Crystal (1982), Dreamchild (1985), and Labyrinth (1986). McFadden made her film debut in The Muppets Take Manhattan (1984). In the thriller The Hunt for Red October (1990), she played Caroline Ryan, the wife of Jack Ryan (Alec Baldwin) (in the sequel, McFadden was replaced by Ann Archer). In addition to Star Trek: The Next Generation, McFadden has been a semi-regular on Mad About You, The Cosby Show, and Party of Five.

Trivia: Handsome, British stage actor John Bentley entered London's film industry in 1946, where he was immediately put to work grinding out inexpensive detective melodramas. He was seen as radio hero Paul Temple in an entertaining Boy's-Own-Adventure film series, then starred as John Creasey's gentleman sleuth "The Toff" in a brace of second features. Occasionally, Bentley ventured into "A"-picture territory, notably the 1956 Errol Flynn vehicle Istanbul (1956). In 1957, John Bentley starred as Inspector John Derek in the Kenya-filmed TV detective series African Patrol.

Trivia: It might be stretching things to suggest that American comedienne Sandra Bernhard's off-kilter spin on life was caused by her family's moving from the cozy confines of Michigan to the rough-and-tumble expanses of Arizona. One gets the feeling that Bernhard would have been on the outside looking in wherever she went. Utilizing her outsized lips and jutting chin for comic effect, Bernhard became a standup comedian at age 19, and two years later got her first big break as a regular on the short-lived Richard Pryor Show (where the press release misspelled her name as Bernhart). Her act, which like all good comedy acts was better seen than described, consisted of cutting-edge commentary about sexual stereotyping and survival; one felt compelled to laugh lest Bernhard bolt from the stage and physically assault the audience. This dangerous quality carried over into her star-making film role in King of Comedy, as a psychotic fan of talk show host Jerry Lewis. While Bernhard's funkiness worked in this film's favor, it was detrimental to her villainous turn in the 1990 fiasco Hudson Hawk, though she was no worse than any other element of this notorious bomb. A tireless creator of comedy, Bernhard has scored with her 1985 best-selling record album I'm Your Woman, her 1988 solo off-Broadway show Without You I'm Nothing (made into a film in 1990), and her autobiography Confessions of a Pretty Lady. While she spent much of her early career skirting around the subject of her own sexual preferences, in recent years Bernhard has "outed" herself, which has added an extra layer of public fascination to her onetime close friendship with Madonna, as well as her recurring appearances on the TV sitcom Roseanne.