Trivia: One of the few movie "superstars" truly worthy of the designation, actor Sean Connery was born to a middle-class Scottish family in the first year of the worldwide Depression. Dissatisfied with his austere surroundings, Connery quit school at 15 to join the navy (he still bears his requisite tattoos, one reading "Scotland Forever" and the other "Mum and Dad"). Holding down several minor jobs, not the least of which was as a coffin polisher, Connery became interested in bodybuilding, which led to several advertising modeling jobs and a bid at Scotland's "Mr. Universe" title. Mildly intrigued by acting, Connery joined the singing-sailor chorus of the London roduction of South Pacific in 1951, which whetted his appetite for stage work. Connery worked for a while in repertory theater, then moved to television, where he scored a success in the BBC's re-staging of the American teledrama Requiem for a Heavyweight. The actor moved on to films, playing bit parts (he'd been an extra in the 1954 Anna Neagle musical Lilacs in the Spring) and working up to supporting roles. Connery's first important movie role was as Lana Turner's romantic interest in Another Time, Another Place (1958) -- although he was killed off 15 minutes into the picture. After several more years in increasingly larger film and TV roles, Connery was cast as James Bond in 1962's Dr. No; he was far from the first choice, but the producers were impressed by Connery's refusal to kowtow to them when he came in to read for the part. The actor played the secret agent again in From Russia With Love (1963), but it wasn't until the third Bond picture, Goldfinger (1964), that both Connery and his secret-agent alter ego became a major box-office attraction. While the money steadily improved, Connery was already weary of Bond at the time of the fourth 007 flick Thunderball (1965). He tried to prove to audiences and critics that there was more to his talents than James Bond by playing a villain in Woman of Straw (1964), an enigmatic Hitchcock hero in Marnie (1964), a cockney POW in The Hill (1965), and a loony Greenwich Village poet in A Fine Madness (1966). Despite the excellence of his characterizations, audiences preferred the Bond films, while critics always qualified their comments with references to the secret agent. With You Only Live Twice (1967), Connery swore he was through with James Bond; with Diamonds Are Forever (1971), he really meant what he said. Rather than coast on his celebrity, the actor sought out the most challenging movie assignments possible, including La Tenda Rossa/The Red Tent (1969), The Molly Maguires (1970), and Zardoz (1973). This time audiences were more responsive, though Connery was still most successful with action films like The Wind and the Lion (1974), The Man Who Would Be King (1975), and The Great Train Robbery (1979). With his patented glamorous worldliness, Connery was also ideal in films about international political intrigue like The Next Man (1976), Cuba (1979), The Hunt for Red October (1990), and The Russia House (1990). One of Connery's personal favorite performances was also one of his least typical: In The Offence (1973), he played a troubled police detective whose emotions -- and hidden demons -- are agitated by his pursuit of a child molester. In 1981, Connery briefly returned to the Bond fold with Never Say Never Again, but his difficulties with the production staff turned what should have been a fond throwback to his salad days into a nightmarish experience for the actor. At this point, he hardly needed Bond to sustain his career; Connery had not only the affection of his fans but the respect of his industry peers, who honored him with the British Film Academy award for The Name of the Rose (1986) and an American Oscar for The Untouchables (1987) (which also helped make a star of Kevin Costner, who repaid the favor by casting Connery as Richard the Lionhearted in Robin Hood: Prince of Thieves [1991] -- the most highly publicized "surprise" cameo of that year). While Connery's star had risen to new heights, he also continued his habit of alternating crowd-pleasing action films with smaller, more contemplative projects that allowed him to stretch his legs as an actor, such as Time Bandits (1981), Five Days One Summer (1982), A Good Man in Africa (1994), and Playing by Heart (1998). Although his mercurial temperament and occasionally overbearing nature is well known, Connery is nonetheless widely sought out by actors and directors who crave the thrill of working with him, among them Harrison Ford, Steven Spielberg, and George Lucas, who collaborated with Connery on Indiana Jones and the Last Crusade (1989), where the actor played Jones' father. Connery served as executive producer on his 1992 vehicle Medicine Man (1992), and continued to take on greater behind-the-camera responsibilities on his films, serving as both star and executive producer on Rising Sun (1993), Just Cause (1995), and The Rock (1996). He graduated to full producer on Entrapment (1999), and, like a true Scot, he brought the project in under budget; the film was a massive commercial success and paired Connery in a credible onscreen romance with Catherine Zeta-Jones, a beauty 40 years his junior. He also received a unusual hipster accolade in Trainspotting (1996), in which one of the film's Gen-X dropouts (from Scotland, significantly enough) frequently discusses the relative merits of Connery's body of work. Appearing as Allan Quartermain in 2003's comic-to-screen adaptation of The League of Extraordinary Gentlemen, the seventy-three year old screen legend proved that he still had stamina to spare and that despite his age he could still appear entirely believeable as a comic-book superhero. Still a megastar in the 1990s, Sean Connery commanded one of moviedom's highest salaries -- not so much for his own ego-massaging as for the good of his native Scotland, to which he continued to donate a sizable chunk of his earnings.

Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: Bearing sharp, blue-eyed features and the outward demeanor of an everyday Joe, Ed Harris possesses a quiet, charismatic strength and intensity capable of electrifying the screen. During the course of his lengthy career, he has proven his talent repeatedly in roles both big and small, portraying characters both villainous and sympathetic.Born Edward Allen Harris in Tenafly, NJ, on November 28, 1950, Harris was an athlete in high school and went on to spend two years playing football at Columbia University. His interest in acting developed after he transferred to the University of Oklahoma, where he studied acting and gained experience in summer stock. Harris next attended the California Institute of the Arts, graduating with a Fine Arts degree. He went on to find steady work in the West Coast theatrical world before moving to New York. In 1983, he debuted off-Broadway in Sam Shepard's Fool for Love in a part especially written for him. His performance won him an Obie for Best Actor. Three years later, he made his Broadway debut in George Firth's Precious Sons and was nominated for a Tony. During the course of his career, Harris has gone on to garner numerous stage awards from associations on both coasts. Harris made his screen debut in 1977's made-for-television movie The Amazing Howard Hughes. The following year, he made his feature-film debut with a small role in Coma (1978), but his career didn't take off until director George Romero starred Harris in Knightriders (1981). The director also cast him in his next film, Creepshow (1982). Harris' big break as a movie star came in 1983 when he was cast as straight-arrow astronaut John Glenn in the film version of Tom Wolfe's The Right Stuff. Twelve years later, Harris would again enter the world of NASA, this time playing unsung hero Gene Krantz (and earning an Oscar nomination) in Ron Howard's Apollo 13.The same year he starred in The Right Stuff, Harris further exhibited his range in his role as a psychopathic mercenary in Under Fire. The following year, he appeared in three major features, including the highly touted Places in the Heart. In addition to earning him positive notices, the film introduced him to his future wife, Amy Madigan, who also co-starred with him in Alamo Bay (1985). In 1989, Harris played one of his best-known roles in The Abyss (1989), bringing great humanity to the heroic protagonist, a rig foreman working on a submarine. He did further notable work in David Mamet's Glengarry Glen Ross, and turned in a suitably creepy performance as Christof, the manipulative creator of Truman Burbank's world in Peter Weir's The Truman Show (1998). Harris earned a Best Supporting Actor Oscar nomination for his work. The following year, he could be seen in The Third Miracle, starring as a Catholic priest who finds his faith sorely tested.The new millennium found Harris' labor of love, the artist biopic Pollock, seeing the light of day after nearly a decade of development. Spending years painting and researching the modernist painter, Harris carefully and lovingly oversaw all aspects of the film, including directing, producing, and starring in the title role. The project served as a turning point in Harris' remarkable career, showing audiences and critics alike that there was more to the man of tranquil intensity than many may have anticipated; Harris was nominated for a Best Actor Academy Award for his work. 2001 saw Harris as a German sniper with his targets set on Jude Law in the wartime suspense-drama Enemy at the Gates, and later as a bumbling Army captain in the irreverent Joaquin Phoenix vehicle Buffalo Soldiers. With his portrayal of a well known author succumbing to the ravages of AIDS in 2002's The Hours, Harris would recieve his fourth Oscar nominattion. 2004 found the actor working with Zooey Deschanel for Winter Passing, a psychological drama in which he played a one-time popular novelist who claims he is working on one last book. Harris was praised for his work in Empire Falls (2005), a two-part miniseries from HBO chronicling a middle-aged man who is concerned he has wasted his life, though his work as a scarred stranger with a score to settle in David Cronenberg's award-winning psychological thriller A History of Violence was his biggest success in 2005. In 2007, Harris played a Boston police detective in Ben Affleck's adaptation of author Dennis Lehane's Gone, Baby, Gone. A year later, Harris wrote, starred, directed, and produced Appaloosa, a western following a small town held under the thumb of a ruthless rancher and his crew, and continued to work throughout 2009 and 2010 in films including Once Fallen, Virginia, and The Way Back. Praise came his way once more in 2011's What I Am, a gentle coming-of-age comedy in which Harris plays a teacher who is a catalyst for the friendship of two young boys. In 2012, he earned Emmy and SAG nominations and a Golden Globe award for playing John McCain in the HBO movie Game Change. The next year had him appearing in six films, including playing a detective in Pain & Gain and voicing mission control in Gravity, a throwback to his earlier work in Apollo 13.

Trivia: As a child, Michael Biehn moved from his Alabama hometown to Nebraska and finally Arizona, where he graduated high school. He went to college and later moved to Los Angeles to begin a film career, making his professional stage debut after two years of intensive training. In 1978, Biehn was cast as Mark Johnson, the hard-veneered but vulnerable ward of psychiatrist Robert Reed in the TV series Operation: Runaway. For the next few years, malevolence was Biehn's onscreen strong suit, first as the psycho title character in 1981's The Fan, then as the neofascist military-school upperclassman in The Lords of Discipline (1982). After switching gears with the sympathetic role of futuristic android-hunter Kyle Reese in James Cameron's The Terminator, Biehn became a member of Cameron's informal stock company, playing colorful leading roles in Aliens (1986) and The Abyss (1989). Biehn would remain a prolific actor and a cult favorite for the next few decades, appearing most notably in movies like The Rock, Clockstoppers, and Grindhouse, as well as TV shows like The Magnificent Seven and Hawaii. Biehn would also inhabit the director's chair, helming thrillers like The Victim.

Trivia: Moving easily from comedies to drama, character actor William "Bill" Forsythe has been busy in feature films since the early '80s, when he debuted with a small role in Smokey Bites the Dust (1981). In addition, he frequently appears on television and on stage, where he launched his career. The stocky, moon-faced, and gap-toothed Brooklyn native began acting in local productions in his early teens and by age 16, had become a professional, appearing on and off Broadway. As a young man, Forsythe moved to Southern California. Shortly after his film debut, he also made his first television appearance in the TV-movie The Miracle of Kathy Miller. This started him on a series of guest-starring roles on shows ranging from CHiPS to Fame. At this early stage, Forsythe was usually cast in villainous roles, as in his breakthrough feature Once Upon a Time in America (1984), in which he played the sweet-faced but ruthless gangster Cockeye. One of Forsythe's most memorable performances was also his first lead, that of a rebellious wheelchair-bound patient who turns a hospital ward topsy-turvy, in the ensemble piece The Waterdance (1991). The same year, Forsythe starred as Al Capone in the short-lived television resurrection of The Untouchables. His other television credits include a leading role opposite Emilio Estevez, in Gene Quintano's tribute to spaghetti Westerns A Dollar for the Dead (1998). The actor stayed busy throughout the 2000s, appearing in Scary Movie 3 (2003), Hammerhead (2005), and Freedomland (2006). In 2007 he took on a supporting role in Rob Zombie's reboot of Halloween, and continued to find work (mainly in the horror genre) throughout the late 2000s.

Trivia: A fixture of 1980s TV series and movies, prolific character actor David Morse became a reliable and much lauded supporting presence in feature films from the 1990s onward.Raised in Hamilton, MA, Morse began his professional career after high school, joining the Boston Repertory Theater in 1971. Over the next six years, Morse acted in over 30 productions, amply preparing him for a move to New York theater in 1977. Morse subsequently got his first big movie break when he was cast in the drama Inside Moves (1980). Though Morse proved that he could handle lighter films with Neil Simon's comedy Max Dugan Returns (1983), his detour into television in 1982 was initially more fruitful. As Dr. Jack "Boomer" Morrison, Morse spent six seasons on the esteemed hospital drama St. Elsewhere, co-starring with, among others, Denzel Washington. During his stint on St. Elsewhere, Morse also starred in a diverse collection of TV movies. He was a priest in love with Valerie Bertinelli's nun in Shattered Vows (1984), a prisoner attempting a breakout from Alcatraz in Six Against the Rock (1987), a detective in Down Payment on Murder (1987), and a mental hospital escapee in Winnie (1988). Continuing his presence on the small screen after St. Elsewhere, Morse appeared in several more TV movies, including starring as a deranged kidnapper in Cry in the Wild: The Taking of Peggy Ann (1991).Though he co-starred as a drifter in the indie film Personal Foul (1987) and appeared in Michael Cimino's noir remake The Desperate Hours (1990), Morse did not concentrate most of his energies on feature films until the 1990s. After starring as Viggo Mortensen's brother in Sean Penn's directorial debut, The Indian Runner (1991), Morse moved to more mainstream work with supporting roles in The Good Son (1993), the Alec Baldwin-Kim Basinger version of The Getaway (1994), and medical thriller Extreme Measures (1996). While he appeared in Terry Gilliam's thoughtful La Jetée (1962) remake 12 Monkeys (1995), faced off with Jack Nicholson in Penn's The Crossing Guard (1996), and starred as a janitor-turned-rich man in George B. (1997), Morse really captured audience attention in a concurrent string of high-profile projects. Returning to Alcatraz, Morse projected quiet menace as one of Ed Harris renegade Marines in the blockbuster hit The Rock (1996). Morse tapped his bad self again in the action romp The Long Kiss Goodnight (1996), then cemented his versatility with a small yet vital role as Jodie Foster's gentle father in Contact (1997). Notching his third major summer release in a row, Morse played a SWAT team commander up against Samuel L. Jackson's wrongly accused cop in The Negotiator (1998). Returning to serious blockbuster fare, Morse then co-starred with Tom Hanks as prison guards who witness miracles in The Green Mile (1999). After a foray into comedy with Bait (2000), Morse stole hostage drama Proof of Life (2000) from his glamorous tabloid-ready co-stars Meg Ryan and Russell Crowe with his intense performance as Ryan's kidnapped husband. Even as he became a popular Hollywood second lead, however, Morse wasn't afraid to veer away from the multiplex, winning an Obie Award for Paula Vogel's acclaimed play How I Learned to Drive and putting a believably human face on an utterly hateful character in Lars von Trier's bleak, award-winning musical Dancer in the Dark (2000). Continuing his protean career, Morse appeared in another gentle Stephen King adaptation Hearts of Atlantis (2001) and starred in Diary of a City Priest (2001) for PBS. Morse followed the ill fated Hearts of Atlantis with a lead role in the indie drama The Slaughter Rule (2002), which was well received on the film festival circuit. Morse subsequently returned to series television, and received top billing, in the CBS drama Hack (2002). Starring Morse as an ex-cop-turned-cab driver, Hack was pummeled by critics, but audiences took to Morse's well intentioned, marginalized law enforcer and Hack became a modest ratings success. He had a recurring part on the medical drama House as a police detective driven to put the title character behind bars. In 2007 he played the bad guy in the teen thriller Disturbia. He appeared in a pair of award-winning projects in 2008 - he was a military man in The Hurt Locker, and tackled the role of George Washington in the Emmy-winning miniseries John Adams for HBO. In 2011 he had a major part in Drive Angry, and the next year he was in the family-oriented fantasy film The Odd Life of Timothy Green.

Trivia: Actor John Spencer was born John Speshock to a working-class family in Patterson, NJ, on December 20, 1946. He attended the Professional Children's High School in New York City, and while a student adopted the stage name John Spencer. Spencer began acting in his teens, and landed his first big break was he was cast as Henry Anderson on the TV series The Patty Duke Show. After the end of the show's run, Spencer resumed his education, enrolling at Fairleigh Dickinson University in Teaneck, NJ; he later transferred to New York University. In the early '70s, Spencer began pursuing a career as a stage actor in New York City, and in 1981, he won an Obie award for his performance in the play Still Life. In 1983, Spencer began working in film, appearing in supporting roles in two movies that year, War Games and Echoes. By the mid-'80s, Spencer was working steadily in movies and making frequent television guest shots; he was also earning increasing acclaim for his stage roles, receiving a Drama Desk Award nomination for his role in The Day Room in 1988.However, Spencer's first real brush with fame came in 1990, when he won the role of Tommy Mullany, a tough but goodhearted lawyer, on the hit TV series L.A. Law. While Spencer's regular guy looks seemed to rule him out of leading man roles, his success on L.A. Law established him as a first-call character actor, and he began scoring higher-profile roles in a variety of higher-profile films (such as Presumed Innocent, Copland, Forget Paris, and The Rock), while earning higher billing in made-for-TV movies, and appearing in stage roles as his schedule permitted. In 1999, Spencer's career received yet another boost when he was cast as Chief of Staff Leo McGarry on the acclaimed television series The West Wing; Spencer's work as part of the ensemble cast earned him a Screen Actor's Guild award in 2001 and 2002, and he was nominated for an Emmy five times for Best Supporting Actor, winning in 2002. In the same year that his character Leo suffered a heart attack on West Wing, Spencer sadly suffered the same fate: after a severe attack, he died among friends and family in a Los Angeles hospital in December, 2005. He was 58 years old.

Trivia: John McGinley, often credited as John C. McGinley, has become one of the most prolific character actors in Hollywood since he first got noticed in Oliver Stone's Platoon (1986). The intense, unblinking actor specializes in sarcasm, cynicism, and a used car dealer's unctuous insincerity, meaning he can play either wacky or sinister in both comedies and dramas. Although he has appeared in six Stone films, his breakout performance came in a very different format, as the acerbic and piercingly straightforward Dr. Perry Cox on the hit NBC sitcom Scrubs (2001).McGinley was born on August 3, 1959, in New York City. Growing up in Millburn, NJ, he was more involved in sports than theater. He began studying acting at Syracuse University, continuing at N.Y.U.'s Tisch School of the Arts. McGinley then toiled both on and off-Broadway, as well as two years on the soap opera Another World, scoring his first film role in the Alan Alda-directed Sweet Liberty (1986). It was while he was serving as John Turturro's understudy on the play Danny and the Deep Blue Sea that a casting scout in Stone's employ spotted him and got him an audition for Platoon. McGinley was cast as the sycophantic Sgt. Red O'Neill in the eventual Oscar winner.McGinley followed up Platoon with another one-two punch of Stone movies, Wall Street (1987) and Talk Radio (1988). In interviews, McGinley has described theirs as a "strong working relationship," not a friendship per se with the demanding director. He appeared in a handful of other films before his fourth Stone collaboration, Born on the Fourth of July (1989), which was quickly followed by his first screenwriting effort. McGinley co-scripted and co-starred in the 1990 film Suffering Bastards, alongside Talk Radio's Eric Bogosian.The 1990s were a period of intense work for the actor, who appeared in an average of three movies a year, sometimes as many as seven -- a necessary but no less tricky feat for a character actor earning modest paychecks. The most heralded of these were David Fincher's Seven and Stone's Nixon (both 1995); the most forgettable were Highlander II: The Quickening (1991) and the Steven Seagal starrer On Deadly Ground (1994). For most moviegoers, he remained under the radar.Two showy roles in 1999 ably demonstrated McGinley's facility for comedy. As a callous efficiency expert brought aboard to reorganize (i.e., downsize) the tech firm at the heart of Office Space, McGinley grinned and joked his way through a round of heartless layoffs. A similar oiliness informed his loud, obnoxious, kiss-ass portrayal of a Jim Rome-type sports interviewer in Stone's Any Given Sunday. It was soon after, in 2001, that McGinley was brought aboard for the role destined to identify him beyond any single film. As the default mentor on Scrubs, McGinley alternated hard-knocks frankness, biting wit, and a genuine desire to be left alone, in turn creating a hilarious persona and sealing his fate as an unwitting cult figure to the young surgeons. The sitcom work schedule has given him the necessary stability to spend time with his young son, Max, who has Down's syndrome.

Trivia: Known to many as the Candyman, character actor Tony Todd is known for his extreme height (6'5") and deep voice. The Washington D.C. native cut his teeth with numerous TV appearances throughout the 80's, and went on to appear in movies like Platoon, The Rock, and of course, Candyman. He would also enjoy major arcs on shows like 24 and Chuck.

Trivia: A strikingly handsome actor who projects an image of strength whether playing drama or comedy, Bokeem Woodbine was born in Harlem, NY, on April 13, 1973. A solid student, Woodbine attended the prestigious Dalton School in New York before transferring to the LaGuardia School of Music and Art in the city. At the suggestion of his mother, Woodbine tried to land a job as an extra on a film shooting near his neighborhood; he picked up work as a stand-in, and he attracted the attention of a casting agent who gave him a role as a police informant and drug dealer in the made-for-cable drama Strapped. Woodbine's strong performance won him several key supporting roles in noted films, including Crooklyn, Jason's Lyric, and Dead Presidents. A few years later, Woodbine got to show off his lighter side in the comedies Almost Heroes and Life, as well as the witty action film The Big Hit. Woodbine also began working in episodic television, first with an appearance on The X-Files, and later with guest shots on New York Undercover and The Sopranos, as well as a weekly role on the short-lived series Battery Park and a recurring role on City of Angels.

Trivia: While most recognizable for his portrayal of Leonardo Di Caprio's doomed Italian sidekick in Titanic (1997), actor Danny Nucci had over three dozen film and television credits on his resumé before he even auditioned for the blockbuster. Born in Klagenfurt, Austria, and raised just outside of Venice, Italy, Nucci is the second child of a French Moroccan mother and an Italian father. His family relocated to the States when Nucci was only seven years old. They lived temporarily in Queens, NY, (where Nucci attended P.S. 144 in Forest Hills and P.S. 90 in Kew Gardens) before settling in California's San Fernando Valley. Nucci caught the acting bug as a student at Ulysses S. Grant High School in Van Nuys, CA, when the drama teacher recruited him for a production of West Side Story. Soon afterward, he volunteered to answer phones at a Variety Club charity telethon just for the chance to be on television, which was his first break.Forty auditions later, Nucci began his professional acting career at age 14 with a bit part on the ABC soap opera General Hospital. Roles on Richard Pryer's kids show Pryor's Place, Family Ties, and in the teen science fiction film The Explorers (1985) quickly followed. Yet, Nucci suffered a temporary emotional set back when he did not make the cast of Rob Reiner's Stand by Me (1986), after being called back several times. Devastated, he took a five-year hiatus from feature films in order to polish his skills on the small screen. He appeared on Hotel, The Twilight Zone, Growing Pains, Magnum, P.I., and Tour of Duty, and in numerous television films (including a stint as Keanu Reeves' younger brother in 1986's Brotherhood of Justice), as well as garnered three Young Artist Award nominations. Nucci's performance in the 1987 CBS Schoolbreak Special An Enemy Among Us was so powerful that the network showed the telefilm during prime time. He then played Gabriel Ortega on Falcon Crest from 1988 to 1989 -- earning his fourth Young Artist Award nomination for his performance -- before returning to features as Chris Young's sidekick in the teen comedy Book of Love (1991). This led to a small role in Frank Marshall's Alive (1993), the true story of a Uruguayan rugby team that is stranded in the Andes after a plane crash, starring Ethan Hawke, Vincent Spano, and Illeana Douglas. Work in several television films, B-movies, and independent features ensued, including A Matter of Justice (1993), Ray Alexander: A Taste for Justice (1994), and Blind Justice (1994).Nucci's big break arrived when casting directors tapped him to play Petty Officer Rivetti in Tony Scott's box-office smash Crimson Tide (1995). He held his own opposite the film's stars, Denzel Washington and Gene Hackman, impressing producer Jerry Bruckheimer who immediately cast Nucci as a Navy SEAL in Michael Bay's The Rock with Sean Connery, Nicolas Cage, and Ed Harris. He then appeared as a doomed deputy in the Arnold Schwarzenegger vehicle Eraser (1996), before proving his comedic talent as a paparazzo stalking Bette Midler and Dennis Farina in That Old Feeling (1997).After rapping up his role as Fabrizio De Rossi in 1997's Titanic (which instantly became the world's highest-grossing film), Nucci returned to independent features like the thriller Love Walked In (1998) and the comedy Friends & Lovers (1999). He then joined the supporting cast of producer David E. Kelley's only unsuccessful television series, Snoops. After the show's cancellation, television producer Jonathan Axelrod (who is married to Nucci's Alive co-star, Illeana Douglas) tapped Nucci to star in the CBS sitcom Some of My Best Friends. Based on the independent film Kiss Me, Guido (1997), the show featured Nucci as Frank Zito, a big-hearted wannabe actor from Queens who unknowingly moves in with a gay roommate played by Jason Bateman. Though called "pretty darn funny" by the New York Times, the series was ultimately canceled. Yet, Nucci immediately bounced back with the Sci Fi Channel miniseries Firestarter 2: Rekindled (2002), the sequel to Mark Lester's blockbuster adaptation of the Stephen King novel. The four-part series, which stars Marguerite Moreau, Malcolm McDowell, and Dennis Hopper, gained such a following that the network decided to develop it into a regular series.In the meantime, Nucci completed filming on Monika Mitchell's Break a Leg (2003) with his girlfriend, actress Paula Marshall, before moving on to appear in such acclaimed films as World Trade Center, as well as TV series like The Booth at the End.

Trivia: Smolderingly beautiful actress Vanessa Marcil had a talent for performing from the time she was a little girl. She started out by acting in school plays and in talent shows, eventually winning the role of Brenda Barrett on the daytime soap General Hospital in 1996. Later that same year, she caught the attention of a much wider audience when she was cast opposite Nicolas Cage in the high-octane action thriller The Rock. A few years later, she joined the cast of the tawdry night-time soap Beverly Hills 90210, which she stayed with for two seasons. In 2003, she was cast in the series Las Vegas, a one-hour dramedy about the ins and outs of a high-roller casino. Audiences loved the show and they loved Marcil just as much -- she stayed with the series for multiple seasons. Once Las Vegas ended, Marcil did a few guest spots on shows like Lipstick Jungle and Without a Trace before making a highly-publicized return to General Hospital.

Trivia: With his bald pate and imposing frame -- the press once listed him as 6' tall and 215 pounds -- actor Steve Harris found it relatively easy to usher in a threatening and dominating screen presence when necessary, so it was scarcely surprising that he often found himself cast as heavies on both sides of the law in films such as Street Hunter (1990), The Mod Squad (1999), and The Skulls. Harris escaped from the confines of that typecast, however (and netted a substantial amount of critical attention) with two roles: that of mythical heavyweight Sonny Liston in the 2000 telemovie Muhammad Ali: King of the World, directed by John Sacret Young, and that of defense attorney Eugene Young on the ABC legal drama series The Practice (beginning in 1997). The smashing success of that program opened up many doors for the actor, including roles in Steven Spielberg's sci-fi thriller Minority Report (2002) and the urban seriocomedy Tyler Perry's Diary of a Mad Black Woman (2005). With the grisly horror outing Quarantine (2008) and the Renny Harlin-directed actioner 12 Rounds (2009), it seemed that Harris' career had come full circle. He would go on to appear on shows like Friday Nights and Awake.A native of the Chicago suburb of Westchester, IL, Harris grew up as the son of a homemaker and a bus driver. He initially embarked on a promising football career, with the position of linebacker at Northern Illinois University, but torn ligaments in his ankles made it impossible for him to continue, and he instead hearkened off to the stage, establishing his dramatic roots behind the footlights with roles in regional productions of Julius Caesar and Macbeth.

Trivia: An actress whose fragile, fine-boned beauty has often gotten her cast as emotionally vulnerable, put-upon girlfriends, Claire Forlani has done strong work in this capacity in such films as Basquiat and Meet Joe Black. The daughter of an Italian father and a British mother, she was born in London on July 1, 1972. At the age of 11, she began studying dance and drama at London's Arts Educational School, where she trained for the next six years. She began her professional acting career in 1991, when she appeared in a number of productions for British television.After relocating with her family to San Francisco in 1993, Forlani made her American acting debut with a small but memorable role in the TV miniseries JFK: Reckless Youth (1993) as a young woman who dances her way into the heart and hormones of the young president. She subsequently had a minor part in Police Academy - Mission to Moscow (1994), and then landed more substantial work in Mallrats (1995) after impressing director Kevin Smith with her flawless impression of an immature young American. Forlani's work in Mallrats gave her enough exposure to garner the attention of various casting agents, as evidenced by her central role as the all-too accommodating waitress girlfriend of Basquiat's (1996) eponymous artist (Jeffrey Wright).The actress remained in troubled girlfriend mode for The Last Time I Committed Suicide (1997), in which she played Beat icon Neal Cassady's suicidal paramour, and then literally flirted with death in Meet Joe Black (1998). The film cast Forlani in her biggest role to date, that of a young doctor who falls in love with Death, as personified with blond highlights by Brad Pitt; although the film itself was the object of much critical ire, Forlani escaped relatively unscathed. After playing yet another imperiled girlfriend in Mystery Men (1999), Forlani switched gears to play a neurotic college student who ends up in bed with her best friend (Freddie Prinze, Jr.) in the romantic comedy Boys and Girls (2000). Forliani stayed busy throughout the 2000s, winning praise for her work in the critically acclaimed fantasy drama Northfolk (2003), which also starred James Woods and Nick Nolte. She appeared in director Christopher Guest's playful send-up of Hollywood during awards season, For Your Consideration, in 2006, though she is better known for her portrayal of medical examiner Peyton Driscoll in CSI: NY (2006-2007). In 2008 she joined the cast of the supernatural thriller Not Forgotten to play a supporting role, and returned to the small screen in 2011 to play the part of Igraine in Camelot, a short-lived television series from STARZ.

Trivia: A supporting actor who is probably best known to audiences for his work in High Fidelity, in which he played a shy music geek with a penchant for shoe-gazing and Belle and Sebastian, Todd Louiso began his screen career in the late 1980s. A native of Cincinnati, Ohio, where his father worked as a dancer and choreographer and his mother worked in an advertising agency, Louiso took an early interest in acting. After spending much of his primary and secondary school education in an alternative arts school, he studied film at New York University.Louiso began his career with minor roles in such films as Stella (1989) and Billy Bathgate (1991), the latter of which provided him with an introduction to Tom Stoppard, who was the film's screenwriter. The two formed a friendship which led to Louiso producing and directing the short Fifteen Minute Hamlet, which was based upon Stoppard's play of the same name. The film screened at several festivals, including Sundance, and it earned a fair amount of critical acclaim. While at work on Fifteen Minute Hamlet, Louiso moved to L.A. to further pursue his screen career, and, after appearing in such films as Scent of a Woman (1992), Apollo 13 (1995), and Jerry Maguire (1996), he had his most high profile role to date in Stephen Frears' widely celebrated adaptation of Nick Hornby's High Fidelity (2000).

Trivia: For years, character actor Howard Platt qualified as one of the small screen's most familiar faces. Devoted viewers of 1970s television will easily remember Platt; he played Hoppy the Cop, the quintessentially weird, by-the-book white police officer who made frequent stops at Fred Sanford's junkyard on the hit NBC sitcom Sanford and Son (1972-1977). Additional recurring roles included Dr. Phil Newman on The Bob Newhart Show and Marvin the Jewelry Salesman on Alice. Platt briefly enjoyed a main starring role as airline pilot Captain Doug March on the CBS adventure drama Flying High (1978) opposite Pat Klous and Connie Sellecca; unfortunately, it was canceled in late January 1979, soon after it premiered. He remained active for the following several decades, however, and extended his work into occasional features such as The Cat from Outer Space (1978), Nixon (1995), and The Rock (1996) while establishing himself as a nearly constant presence in theater as an actor and director. In 2008, Platt starred opposite Tim Robbins and Rachel McAdams in the Iraq veteran-themed drama The Lucky Ones.

Trivia: A bald and frequently bespectacled screen presence whose "average Joe" appearance and keen talent allow him the unique ability to truly transform into the character at hand, Willie Garson may have won over Sex and the City viewers as protagonist Carrie's (Sarah Jessica Parker) endlessly loyal friend, but with over a decade of film and television appearances to his credit by that time, his success should certainly be labeled more "long-time coming" than "overnight sensation." Garson began training as an actor at New York's Actor's Institute in his early teens, and in the years following high school graduation he studied theater and psychology at Wesleyan University. It didn't take long for the talented stage and screen presence to find roles following his higher education, with guest appearances in such popular television shows as Family Ties, Mr. Belvedere, and Quantum Leap eventually leading to a supporting role in the well-received made-for-television feature The Deliberate Stranger. If his film roles throughout the majority of the '90s were generally of the thankless variety, Garson nevertheless grew increasingly active thanks to roles in such high-profile features as Groundhog Day, Things to Do in Denver When You're Dead, The Rock, and There's Something About Mary. A three-year stint in a supporting role in NYPD Blue showed Garson lending the series a decidedly human presence as Detective Simone's (Jimmy Smits) landlord. The stage-minded actor never forgot his roots, remaining constantly active with such New York-based theater companies as The Manhattan Theatre Club and The Roundabout Table. A long-time friend of actress Parker, Garson's friendship with the actress no doubt contributed to the easy rapport shared by the duo in the hit HBO series Sex and the City. With subsequent roles in Steven Spielberg's acclaimed sci-fi miniseries Taken, and in addition to such features as Freaky Friday proving that he was as much an "actor's actor" as a crowd-pleaser, Garson's post-Sex and the City career seemed as healthy as ever. He worked steadily in projects such as House of D, Fever Pitch, and in appeared in Jackass: Number Two. He returned to the small-screen as the lead in the series White Collar in 2009. In his increasingly non-existent spare time, Garson can be found reading to school children on a weekly basis as part of the Screen Actors Guild popular "Bookpals" program.

Trivia: Began acting career as a child, appearing in stage musicals including Li'l Abner, The Music Man and Calamity Jane. Won the 1986 Top College Comedian Award, given by the American Collegiate Talent Showcase. Appearances at various comedy clubs in New York landed him a spot on an MTV special in 1989 entitled 5 Funny Guys. Played a gas-station attendant in the 1990 Tony-winning Broadway production of The Grapes of Wrath, which starred Gary Sinise and Lois Smith. Hosted Last Comic Standing in the summer of 2006.

Trivia: With his soulful, deep-set blue eyes and a dark, eerily beautiful countenance, Jim Caviezel has inspired more than a few comparisons to Montgomery Clift. Thus, it was somewhat fitting -- and more than a little ironic -- that Caviezel first broke through to the American public as The Thin Red Line's Private Witt, a character loosely based on Clift's Private Prewitt in From Here to Eternity. A native of Washington state, Caviezel was born in Mount Vernon in 1968, one of five children in a devout Catholic family. A gifted athlete as a young man, he performed brilliantly on the basketball court and dreamt of joining the NBA. He attended Seattle's O'Dea High School, and later Burien Kennedy High, attending Bellevue Community College after graduation (where he continued to play ball), but a foot injury forced him to withdraw from the team and try acting instead. He debuted cinematically with a bit part as an airline clerk in Gus Van Sant's My Own Private Idaho (1991), Caviezel landed an equally minor role in Michael Ritchie's disappointing boxing yarn, Diggstown (1992). Accepted at Juilliard that same year, he declined the school's offer in favor of a supporting role in Lawrence Kasdan's 1994 Wyatt Earp. Unfortunately, this film (like Diggstown) flopped, and for the next several years, Caviezel bounced back-and-forth, between minor roles in big budget Hollywood films like The Rock (1996) and G.I. Jane (1997) and more substantial roles in turkeys such as Bill Couturie's Ed (1996). Fortunately, in 1998, the long-dormant Terrence Malick came calling with a role in his war opus The Thin Red Line (adapted from James Jones's Guadalcanal Diary) and Caviezel struck gold. The film received a number of Oscar nominations including Best Picture, and its stellar ensemble cast, which included Ben Chaplin, Sean Penn, George Clooney, and Nick Nolte, earned almost unanimous acclaim. The following year, Caviezel gained further recognition with his role as one of a group of renegade Civil War soldiers in Ang Lee's Ride With the Devil and his portrayal of a football coach's embittered son in Oliver Stone's Any Given Sunday. In 2000, Caviezel starred in the supernatural thriller Frequency, as a fireman who -- through a supernatural occurrence -- communicates with his long-dead father (Dennis Quaid) over a ham radio. The low-budgeted film became a modest hit.Later that same year, Caviezel starred in Mimi Leder's shameless tearjerker Pay it Forward as a homeless junkie befriended by a young boy (Haley Joel Osment). He then landed a role opposite Jennifer Lopez in the heady romantic drama Angel Eyes (2001); the picture died a quick death at the box office, yet Caviezel's performance in the film dramatically increased his prominence, and critics further took note of the actor's ability.The following year's period adventure The Count of Monte Cristo (2002) boasted a similarly fine lead performance by Caviezel, and though the film - and the actor's work - drew favorable reviews from critics, that motion picture failed to attract audiences. Before embarking on a blood-soaked revenge spree in Highwaymen (2004), Caviezel took a turn as a mysterious former Marine in High Crimes and a lower-key role in the Paul Feig drama I Am David. Audiences who had followed Caviezel's career thus far had no doubt taken note of the actor's vocal religious convictions. With his role as Jesus in Mel Gibson's The Passion of the Christ -- not to mention the actual suffering that he endured when his shoulder was separated during the crucifixion sequence -- the actor pushed to more extreme lengths than almost any performer of his generation. The story of the film is, by now, notorious; in time it became one of the highest grossers in movie history, capping $600 million worldwide, despite savaging critical assessments from many reviewers and accusations of anti-Semitism. Millions viewers flocked to the motion picture and turned it into one of the seminal moviegoing events of 2004, evi.As the 2000's and 2010's rolled on, Caviezel continued to enjoy success as a bankable actor, enjoying success on the new frontier of modern TV with shows like the remake of The Prisoner and the drama Person of Interest

Trivia: Grew up in East Los Angeles. Was inspired to take up acting after a school trip to see the classic film To Kill a Mockingbird. Made TV debut in 1987 and has appeared in guest or recurring roles in some 30 series, including Cagney & Lacey, Knots Landing, China Beach, The X-Files, Star Trek: Deep Space Nine, NYPD Blue, 24, My Name Is Earl, Nip/Tuck and CSI: Miami. Was a regular on The Eddie Files, a Peabody Award-winning math-education program that aired on PBS stations in the late 1990s. Received a 2010 Saturn Award nomination for his role as psychotic drug dealer Tuco on Breaking Bad. Likes to build and ride motorcycles; a bike he owns appeared in a 2008 episode of The Closer.