Trivia: Jennifer Lopez's first serious screen role in Gregory Nava's 1995 Latino melodrama My Family followed years of training in television movies and series. Like Rosie Perez, Lopez began her career as a Fly Girl -- a dancer on the sketch comedy series, In Living Color -- and appeared in music videos by Puff Daddy and Janet Jackson. Her big break came in 1997 when she appeared in the title role of Nava's Selena, the story of the successful Tejano singer who was tragically murdered in 1995. Lopez was at first cast as a femme fatale -- due in no small part to her classic Latina beauty (she was born in the Bronx to parents of Puerto Rican descent) -- and worked almost exclusively with acclaimed directors: Francis Ford Coppola (Jack, 1996), Oliver Stone (U-Turn, 1997), and Bob Rafelson (Blood and Wine, 1996). In 1998, she had one of her most acclaimed roles, starring opposite George Clooney in Out of Sight, Steven Soderbergh's adaptation of the Elmore Leonard novel. Cast as a deputy federal marshal who falls for a charming criminal (Clooney), Lopez won raves for her tough, sexy performance, and in the process, she became the highest paid Latina actress in Hollywood history. That same year, she earned an introduction to a new generation of fans by lending her voice to the popular Antz (1998). The lavish but much more adult-oriented thriller The Cell (2000) followed shortly thereafter, bringing Lopez one of her first number-one openings. In an attempt to curry favor from the rom-com crowd, Lopez lightened things up a bit opposite Matthew McConaughey in 2001's romantic comedy The Wedding Planner. Though Lopez was consistently smooth in her frequent transitions from actress to songstress, her next role in the supernatural romance Angel Eyes (2001) failed to click with audiences and critics alike, and her role in the cathartic revenge thriller Enough (2002) likewise disappeared from theaters shortly after its release. Though Maid in Manhattan (2002) was ultimately relegated to a similar fate as her last few films, few could anticipate the outright hostility with which her 2003 comedy Gigli would be greeted. In the movie, Lopez was cast as a female gangster assigned to keep an eye on a kidnapper (played by then-real-life-boyfriend Ben Affleck) who is holding a psychologically challenged young boy hostage. The harsh public backlash against the film was likely due (at least in part) to over-saturated media coverage of the duo's tumultuous off-screen relationship. Though the film's failure wasn't exactly what one would call a career-ender for either star, their shoddy onscreen dynamic reportedly led director Kevin Smith to excise most of Lopez' role in the Affleck-starrer Jersey Girl.Finally, in 2005, it appeared the actress' string of bad box-office luck had possibly reached its end. Teaming up with Jane Fonda for the latter thespian's first feature in over a decade, Lopez scored a modest hit with the comedy Monster-In-Law. The Lasse Hallstrom-helmed drama An Unfinished Life followed later the same year with Lopez opposite heavy-hitters Robert Redford and Morgan Freeman. Lopez married singer Marc Anthony in 2006, and gave birth to twins in 2007. She subsequently worked less over the next few years, opting to spend time with her family. Lopez would get back into acting with the 2010 romantic comedy The Back-up Plan, but sadly, she and Anthony would separate in 2011. She continued to slip effortlessly between film, music and television, including taking a job as a judge on American Idol, setting up a residency in Las Vegas and starring and producing in her own show on NBC, Shades of Blue.

Trivia: An actress with a face that, like it or not, burns itself into your memory, not to be forgotten once initially exposed, feisty young actress Juliette Lewis once commented that her ability to look alternately attractive and repellant was a key element to her success, claiming that many attractive actresses simply can't be ugly if needed. Ugly she was as a viscously sadistic serial killer in Oliver Stone's notorious Natural Born Killers, in sharp contrast with her role as the virtually seductive cyberpunk-siren in the futuristic Strange Days. Born June 21, 1973, in Los Angeles, CA, Lewis had a distinct wild streak from her earliest days. Daughter of graphic artist/actor Geoffrey Lewis, Lewis realized her dreams of becoming an actress at the age of seven, turning those dreams into reality by becoming a professional actress at the age of 12. Distressed at the obstacles refraining her from fully immersing herself in her dreams (namely school and her parents), Lewis became legally emancipated at 14, gaining exemption from child-labor laws and the ability to work more than five hours a day. The final obstacle, high school, Lewis hurdled by dropping out at the age of 15, earning her equivalency exam with the aid of a tutor. That same year, she was arrested for being underage in an underground disco.Moving to Hollywood and living for a short period with actress Karen Black while seeking work, Lewis moved into an apartment with friends, finally finding the independence she had so diligently pursued. The payoff for her persistence was not far behind, as Lewis soon landed a role in the Showtime-produced Home Fires (1987). Following up with light comedic roles in the suburban extraterrestrial comedy My Stepmother Is an Alien (1988), and taking the role of Audrey in the third installment in the vacation series National Lampoon's Christmas Vacation, Lewis was well on her way to fully achieving her dreams of stardom. Her dramatic turn as Amanda Sue Bradley in Too Young to Die, the true story of the first minor to receive the death penalty, earned Lewis well-deserved praise and the recognition that would carry her forward into more challenging territory.Lewis' breakthrough role came in the form of the awkward and rebellious daughter flirting with a psychotic Robert De Niro in Martin Scorsese's Cape Fear, a role that earned her an Oscar nomination. More mature roles began to follow such as Johnny Depp's love interest in What's Eating Gilbert Grape and in her first foray into the mind of a serial killer, Kalifornia (both 1993). Her most notorious role to date, as the homicidal Mallory to Woody Harrelson's psychopathic Micky in the controversial and numbingly hyperkinetic ode to excess Natural Born Killers, displayed her remarkably enthusiastic ability for boundless exorbitance. With a few exceptions, namely 1999's The Other Sister, Lewis' post-Natural Born Killers career was filled with supporting roles and ensemble parts. She was the pregnant kidnapping victim in the noirish The Way of the Gun and played Jennifer Lopez's best friend in the domestic-violence thriller Enough. In 2003, Lewis played Luke Wilson's excessively unfaithful wife in Old School. Director Todd Phillips enjoyed working with her so much he cast her in 2004's high-profile comedic retooling of TV's Starsky and Hutch.She kept working steadily in a variety of projects including The Darwin Awards, Catch and Release, Drew Barrymore's rollerderby comedy Whip It, and she teamed up again with Todd Philips for his 2010 comedy Due Date. She appeared in the ensemble drama August: Osage County, an adaptation of the Pulitzer Prize-winning play, in 2013. Lewis then joined two television series at the same time, playing a detective in Secrets and Lies and a bartender in Wayward Pines, from executive producer M. Night Shyamalan. Both shows premiered in the spring of 2015.

Trivia: Most fans got their first taste of Dan Futterman when he played the son of Robin Williams in 1996's The Birdcage. Futterman actually began his professional acting career in 1991, however, when he was cast in the stage production of Club Soda just two years after he graduated from Columbia University. He continued with other successful stage roles, like Louis Ironson in the Broadway production of Angels in America in 1993.It was around this same time that Futterman began his on-screen career, appearing in the TV movie Daughters of Privilege, and in his first feature-film role with the critically acclaimed The Fisher King in 1991. Steady work continued to come until the 32-year-old actor was cast in a recurring role in the series Judging Amy in 1999. He stayed with the show until its run ended in 2005. It was around this time that another of Futterman's projects got off the ground as well; he'd been working on a screen adaptation of Gerald Clarke's book Capote, and it was in 2005 that the script's final product was released in theaters to a flood of success and praise. The film was nominated for five Oscars, and star Philip Seymour Hoffman took one home for Best Actor. Futterman would go on to write the successful HBO series In Treatment, as well as the film Foxcatcher.Futterman would also continue to appear in front of the camera, appearing in films like A Mighty Heart and Hello, I Must Be Going.

Trivia: Tall, outdoorsy, easygoing, and known for giving consistently well-wrought, naturalistic performances, Fred Ward seems to have all the makings of a leading man, but for some reason he has had more success in supporting and character roles. He became an actor after a three-year Air Force stint and time spent studying at New York's Herbert Berghof Studio and in Rome. While in Italy he dubbed Italian movies and worked as a mime until he made his debut in two Roberto Rossellini films. Upon returning stateside in the early '70s, Ward spent time working in experimental theater and doing some television work. He made his first American film appearance playing a truck driver in Ginger in the Morning (1973). His first major role came in the Clint Eastwood vehicle Escape From Alcatraz (1979) as fellow escapee John Anglin. For Ward, 1983 was a very good year as he played key roles in three major films, Uncommon Valor, as an anguished Vietnam vet-turned-sculptor, Silkwood, as a brave union activist, and in a scene-stealing performance as Virgil "Gus" Grissom in Philip Kaufman's The Right Stuff. In 1985, Ward starred in Remo Williams: The Adventure Begins, a James Bond-ian spy thriller; this was to be the film that made Ward a leading man. Unfortunately, it fizzled at the box office. This led to more leading roles, but again, none were particularly successful and he returned to major supporting roles. Notable performances from the '90s include that of a beaten-down, humiliated cop in Miami Blues, (Ward also co-produced it), a fascinating portrayal of author Henry Miller in Henry & June (both 1990), and as the studio security chief in The Player (1992). His role alongside Kevin Bacon in 1990's Tremors found Ward's comic abilities sharp and in tact, and after again appearing alongside Tim Robbins in the 1992 satire Bob Roberts, the talented actor would continue through the 1990s with role in The Naked Gun 33 1/3: The Final Insult (1994), and the Keanu Reeves thriller Chain Reaction (1996). Increasingly busy into the new millennium, Ward continued to move effortlessly between television and film roles, displaying his sense of humor in Joe Dirt and Corky Romano (both 2001), and his penchant for action in The Chaos Factor (2000) and Full Disclosure the following year. He worked continuously in projects such as Enough and Sweet Home Alabama (both 2002), the Bob Dylan vehicle Masked and Anonymous, and appeared briefly on the hit television series Grey's Anatomy. In 2010 he was part of the cast of The United States of Tara, and the next year he appeared in the crime comedy 30 Minutes or Less.

Trivia: Character actor Bill Cobbs began his acting career relatively late in life after working odd jobs in Cleveland, OH. At the age of 36, he moved to New York and joined the Negro Ensemble Company, making his Broadway debut in First Breeze of Summer. His film career started in the late '70s with small film roles and guest appearances on television. In the early '80s, he worked on several performances for the NBC Live Theatre series and a PBS anthology with Ossie Davis and Ruby Dee. Usually cast as the token old black man dispensing words of wisdom, Cobbs' weathered-yet-honest looks got him several guest spots on TV shows from Good Times to The West Wing. He did end up with a few reoccurring roles on sitcoms like The Slap Maxwell Story, The Gregory Hines Show, and The Michael Richards Show. He even had a part in The Others, the NBC sci-fi drama answer to The X-Files. Perhaps his most memorable television appearance is his role as Regina Taylor's father on I'll Fly Away as well as in the TV movie version I'll Fly Away: Then and Now. Throughout his film career, he has built a long list of credits playing kindly fathers, grandfathers, and even Moses (in The Hudsucker Proxy). He was Whitney Houston's manager in The Bodyguard, an old man in New Jack City, and Grandpa Booker in The People Under the Stairs. Though he appears in nearly all genres of Hollywood films, he occasionally gets meatier roles in made-for-TV dramas like Carolina Skeletons, Nightjohn, and Always Outnumbered. In 2002, he played wisened elders in Sunshine State, Enough, and Sweet Deadly Dreams.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: A versatile performer whose career spans stage, screen, and television roles, in addition to commercial work and musical recording activity, Janet Carroll first drew the attention of audiences with her portrayal of Tom Cruise's mother in the 1983 Risky Business. Over the following decades, she went on to grace similar character roles in such big-screen outings as Secret Admirer (1985), Memories of Me (1988), and Family Business (1989). During the 1990s and 2000s, Carroll placed a heightened emphasis on television work, appearing on such series as Touched by an Angel, Ally McBeal, Scrubs, and Brothers & Sisters, as well as playing recurring roles on Murphy Brown, Married...With Children, and Melrose Place. Meanwhile, Carroll also began promulgating brands including Diet Coke, Holiday Inn, and Outback Steakhouse in television spots, delivered portrayals in stage productions including Elektra, Shadow of Heroes, Gypsy, and Mame, and traveled extensively as the vocalist with a seven-piece swing, jazz, and blues band.

Trivia: Best known in the mid-'90s for playing the earnest but often fumbling Dr. John Carter on the hit television drama ER, Noah Wyle has also appeared in a few feature films, notably Swing Kids in which he played a chillingly ardent member of the Hitler Youth. The son of an electrical engineer and an orthopedic nurse, Wyle was raised in Hollywood. He attended a boarding school and, while growing up, dreamed of becoming a basketball player. Lacking the height and the necessary skill, he turned toward acting. After graduation, he had the opportunity to go to college, but turned it down in favor of studying acting with Larry Moss. Wyle supported himself by working as a busboy and gained experience on stage, a venue he dearly loves. In 1990, he landed his first television role, albeit a very small one, in the NBC miniseries Blind Faith. In 1991, he made his feature film debut as the contented son Ask in the family drama Crooked Hearts (1992). More supporting roles followed, including a turn as Sir Lancelot in Guinevere, a made-for-cable look at the famed Arthurian queen as told from a feminist perspective. In 1997, Wyle starred in the independent drama The Myth of Fingerprints as a 23-year-old who has trouble getting over a breakup with his girlfriend. He had a memorable turn as Steve Jobs in the made-for-TV docudrama Pirates of Silicon Valley in 1999, and two years later he was in the cult favorite Donnie Darko. In 2004 he finished his work as a regular on ER after 11 years on the hit program, though he would return for the series finale three years later. Though he worked steadily, he returned to episodic TV for the scci-fi series Falling Skies.

Trivia: Played Lt. Schrank in a touring production of West Side Story for almost five years after college. A 2005 comedy he starred in, Full Disclosure, became the No. 1 downloaded short film on iTunes. Plays guitar.

Trivia: Sandra Nelson has achieved much screen attention, with a lot of her parts occurring on television series and movies. Cult lovers may recognize her in roles like her guest-starring one on Star Trek Voyager, and she can also be found in smaller parts in more mainstream pieces like the motion picture Life as a House, directed by Irwin Winkler in 2001. Carving out a niche for herself in the genre of drama, much of her experience has been playing roles on the more serious end of the performance scale. Officially a citizen of both the United States and Canada, she speaks fluently both Canadian French and American English. Having gained credited onscreen appearances by the early '90s appearing largely in dramatic roles, much of her experience came through television. In 1992, she was featured on the TV series Highlander, and counterbalanced her dramatic role there with an appearance in the comedy film The Halfback of Notre Dame in 1995. Maternal Instincts, also starring Delta Burke, featured Nelson in a leading role, and marked a professional return to both television and drama, this time in a film with a psychotic tone. In addition to several smaller roles in made-for-TV movies during the mid- to late-'90s, Nelson was featured on the daytime drama The Young and the Restless during the 1997-1998 season. She would also get involved in romantic drama as Marayna in an episode of Star Trek Voyager. As the 20th century came to a close, she could be found emerging more into the feature-length realm, making an appearance in The Dance in 1999. She appeared in Arthur A. Seidelman's modern Western film By Dawn's Early Light, which originally aired on television in 2000. In 2001, she played a small role in the contemplative drama Life as a House, starring Kevin Kline, and Kristin Scott Thomas.

Trivia: Proving that there is a reason for the existence of the cliché "tall, dark, and handsome," Dylan McDermott has won many a heart, as well as many a critical nod, for his role on the Emmy-winning television series The Practice. The actor struggled for years before landing his part as a lawyer on the show in 1997. Since then, the critical appreciation he has garnered has been complemented by his regular appearances in the style sections of a number of magazines, making him one of the most visible actors in Hollywood.Born October 26, 1962, in Waterbury, CT, McDermott had a tumultuous childhood. After his parents' divorce, his mother died when the actor was very young. McDermott was, by his own account, something of a delinquent, but his life began to turn around when he discovered acting as a teenager. His interest in the theater was given an additional boost by his stepmother, the playwright Eve Ensler. Ensler encouraged the actor, whom she formally adopted when he was 19, and he began training for his career at New York's Neighborhood Playhouse. After acting in stage productions such as Neil Simon's Biloxi Blues, McDermott made his film debut as platoon leader Sgt. Franz in 1987's Hamburger Hill. His next notable role was as Julia Roberts' husband in Steel Magnolias. Despite being part of one of the biggest hits of 1989, real fame eluded McDermott, who secured limited recognition for his reported real-life role as Roberts' boyfriend rather than for his acting in the film.After appearing in leading man roles in a string of disappointing films, including Jersey Girl with Jami Gertz, McDermott's luck began to change, with a part in Clint Eastwood's 1993 smash In the Line of Fire. The following year, he got a lead role as Elizabeth Perkins' lawyer love interest in Miracle on 34th Street. The relative success of that film was inversely proportional to McDermott's next, the ill-received Woody Harrelson vehicle The Cowboy Way (1994). McDermott rebounded somewhat with his leading role as Holly Hunter's love interest in the following year's Home for the Holidays, but it wasn't until two years later, when he appeared in a few episodes of Ally McBeal and landed his role on The Practice, that McDermott began to find true success. Winning a 1999 Emmy nomination and a Golden Globe award for his work on the show, the actor (who by this point was also the subject of numerous articles and Best Dressed photos with his wife, stage actress Shiva Ashfar) found previously closed doors being opened, most notably in the form of a big-screen starring role in the 1999 romantic comedy Three to Tango, co-starring Matthew Perry and Neve Campbell. Increasingly in demand as a television actor in the following years, McDermott turned up in the boardroom jungle series Big Shots and the short-lived police drama Dark Blue before shattering small screen taboos as a cheating husband who unwittingly moves his family into a haunted house in the twisted FX Network series American Horror Story. In 2012, as if to balance the morbidity of his latest television endeavor, the handsome and versatile actor flexed his comic chops opposite Will Ferrell and Zach Galifianakis in the election year political comedy The Campaign. He also appeared in the teen pic The Perks of Being a Wallflower, playing the lead character's father. McDermott returned to TV shortly thereafter, starring in the short-lived Hostages before taking the lead in Stalker.