Trivia: More coolly charismatic than drop-dead handsome, Richard Gere was one of the most successful sex symbols of the '80s and early '90s. Possessing something of an actual talent in addition to his good looks, Gere has proven himself to be a versatile actor since first starring as the pick-up artist who creeps out Diane Keaton in Looking For Mr. Goodbar. Capable of playing everything from romantic leads and action heroes to medieval knights and ruthless villains, Gere has moved beyond his role as cinematic eye candy to become one of the more enduring actors of his generation. Born in Philadelphia on August 31, 1949, Gere had a strict Methodist upbringing in upstate New York. Following his 1967 high school graduation, he studied philosophy and film at the University of Massachusetts -- only to leave school to pursue an acting career two years later. Gere became a professional actor and sometime musician, performing theatrically in Seattle and New York and attempting unsuccessfully to form a rock band. In 1973 the young actor landed in London, where he gained prominence playing Danny Zuko in Grease, a role he would later reprise on Broadway. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew.Back in the U.S., Gere made his feature film debut in 1974 with a tiny part in Report to the Commissioner. He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head; following Gere's turn in the 1977 Looking for Mr. Goodbar, he and Shepard would again collaborate in Terrence Malick's breathtaking Days of Heaven (1978). In 1979, Gere won considerable theatrical acclaim for his performance in the Broadway production of Martin Sherman's Bent, and the next year enjoyed his first shot at screen stardom with the title role in Paul Schrader's American Gigolo. Though the film was not a major critical or box-office success, it did earn recognition for the actor, who had taken the role after John Travolta turned it down. Gere did not become a real star until he appeared opposite Debra Winger in An Officer and a Gentleman in 1982, but his bona fide celebrity status was jeopardized with roles in several poorly received films including King David (1985). A lead role in Francis Ford Coppola's 1984 The Cotton Club also failed to perk up the actor's career; despite a legendary director and stellar cast, the film received mixed reviews and poor box-office turnout. With no recent major successes behind him by the end of the decade, it looked as if Gere's career was in a tailspin. Fortunately, he abruptly pulled out of the dive in 1990, first as a cop/crime lord in Mike Figgis' Internal Affairs and then as a ruthless businessman who finds true love in the arms of prostitute Julia Roberts in the smash romantic comedy Pretty Woman. Back in the saddle again, Gere continued to star in a number of films, including Sommersby (1993), Intersection (1994), and First Knight (1995). In 1996, he was highly praised for his portrayal of an arrogant hot-shot attorney in Primal Fear, and in 1999 found further financial, if not critical, success starring opposite Julia Roberts in Runaway Bride. The following year the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in Robert Altman's aptly titled Dr. T & the Women; many critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. In 2002, Gere played the too-perfect-for-words husband to Diane Lane in Unfaithful. While the film was not a huge critical success, Gere was praised for a game performance, and Lane was nominated for an Oscar. Unfortunately for Gere, a starring role in The Mothman Prophecies didn't do too much for his resume -- while critics once again lauded the actor's intensity, the film itself was widely hailed as too slow-paced to properly showcase his talents. Luckily, the same couldn't be said for his performance in the multiple Oscar winning Chicago, which found Gere in the role of another hotshot lawyer, this time alongside a diverse and talented cast including Catherine Zeta-Jones, Renée Zellweger, and Queen Latifah. In 2004, Gere starred opposite Jennifer Lopez and Oscar-winning Hollywood veteran Susan Sarandon in Peter Chelsom's Shall We Dance?.On- and offscreen, Gere uses his acting clout to promote his various political ventures. A devout Buddhist, Gere has been deeply involved with the struggles surrounding the Dalai Lama and the worldwide struggle for human rights -- the documentaries Return to Tibet (2003) and Shadow Over Tibet: Stories in Exile (1994) featured Gere as a prime interviewee, while 1997's Red Corner starred the versatile actor as a victim of a grossly corrupt Chinese court system.In 2005, Gere played a professor of religious studies in director David Siegel's drama Bee Season, and enjoyed success in 2007 with The Hoax, an edgy biographical drama, and The Hunting Party, a political tragi-comedy in which he played a discredited reporter mistaken as a member of a CIA hit squad. The actor joined the casat of Nights in Rodanthe in 2008, and worked with Hilary Swank in Amela, the 2009 Amelia Earhart biopic. Gere took on the role of a burnt out cop in Training Day (2009), director Antoine Fuqua's gritty crime drama Brooklyn's Finest.

Trivia: An actor of unusual talent, Edward Norton attained almost instant stardom with his film debut in 1996's Primal Fear. For his thoroughly chilling breakthrough performance as a Kentucky altar boy accused of murder, Norton was credited with saving an otherwise mediocre film and further rewarded with Golden Globe and Oscar nominations. Remarkably disconnected from all of the hype that is usually associated with fresh talent, Norton has gone on to further prove his worth in such films as American History X, The People vs. Larry Flynt, and Fight Club.The son of a former Carter Administration federal prosecutor and an English teacher, as well as the grandson of famed developer James Rouse, Norton was born in Boston on August 18, 1969. He was raised in the planned community of Columbia, MD, and from an early age was known as an extremely bright and somewhat serious person. His interest in acting began at the age of five when his babysitter, Betsy True (who went on to become an actress on stage and screen), took him to a musical adaptation of Cinderella. Shortly after that, Norton enrolled at Orenstein's Columbia School for Theatrical Arts, making his stage debut at the age of eight in a local production of Annie Get Your Gun. Although young, Norton already exhibited an unusual amount of professionalism and took his subsequent roles seriously. After high school, he studied astronomy, history, and Japanese at Yale, and was also active in the university's theatrical productions. After earning a history degree, Norton spent a few months in Japan and then moved to New York, where he worked for the Enterprise Foundation, a group devoted to stopping urban decay. Again, Norton continued acting at every opportunity and eventually decided to become a full-time actor. In 1994, he appeared in Edward Albee's Fragments after deeply impressing the distinguished playwright during an audition. Norton then joined the New York Signature Theater Company, which frequently premieres Albee's plays. With a number of off-Broadway credits to his name, Norton won his role in Primal Fear after being chosen out of 2,100 hopefuls. He nabbed the part after telling casting directors in a flawless drawl that he was a native of eastern Kentucky, the same area where the character came from; legend has it that the actor watched Coal Miner's Daughter to learn the accent. The intensity of Norton's screen test readings stunned almost all who saw them, and the actor became something of a hot property even before the film was released. The same year, Norton was cast as Drew Barrymore's affable fiancé in Woody Allen's tribute to Hollywood musicals, Everyone Says I Love You. Like all of the other actors in the film (excepting Barrymore), Norton did his own singing, further impressing audiences and critics alike with his versatility. Then, as if two completely different films in one year weren't enough, Norton again wowed audiences that same year with his portrayal of a determined defense attorney in Milos Forman's widely acclaimed The People vs. Larry Flynt. In 1998, Norton turned in two more stellar performances. The first was as Matt Damon's low-life buddy, the appropriately named Worm, in Rounders. The fact that Norton's work was more or less overshadowed by the film's lackluster reviews was almost negligible when compared to the controversy surrounding his other major project that year, American History X. Norton's stunningly powerful portrayal of a reformed white supremacist won him an Oscar nomination, but the film itself was both a box-office disappointment and the subject of vituperative disassociation on the part of its director Tony Kaye, who insisted that Norton and the studio had edited his film beyond recognition. Despite such embittered controversy, Norton managed to emerge from the mess relatively unscathed. After serving as one of the narrators for the acclaimed documentary Out of the Past the same year, he went on to star opposite Brad Pitt and Helena Bonham Carter in Fight Club in 1999. Though that film garnered a mixed reaction at the box office, a stellar DVD release helped the film to form a solid fan base and Norton next moved on to the slightly more successful crime drama The Score (2001). After dropping a full-fledged bomb with his appearance as a naive children's show host in Danny DeVito's black comedy Death to Smoochy, Norton assisted love interest Salma Hayek by offering an uncredited re-write of the script. Norton would also make a brief appearance as Nelson Rockefeller in the film. Drawn to the mystique of screen villain Hannibal Lecter, Norton's next major film was that of FBI agent Will Graham in the well-recieved 2002 thriller Red Dragon. Though a virtual remake of Michael Mann's 1986 effort Manhunter, Red Dragon stood tall enough on its own terms to gain the respect of both fans of the previous version as well as fans of the book. His appearance as a drug dealer celebrating one last night on the town before serving a prison term in Spike Lee's 25th Hour drew decent enought reviews, though its ultimate take at the box office proved fairly disappointing. An appearance in the high profile 2003 remake The Italian Job caused something of a rift in industry headlines when Norton made it publicly known that his participation in the film was strictly a result of contractual obligation, and in 2005 the actor would return to quieter, more challenging territory with his portrayal of a delusional cowboy wannabe in Dahmer director David Jacobson's Down in the Valley. A headlining performance as a turn-of-the-century Vienna magician who uses his powers to win the love of the woman he longs for in the romantic fantasy The Illusionist found Norton making a particularly powerful impression opposite Paul Giamatti and Jessical Biel, and later that same year he would return to the screen in director John Curran's screen adaptation of W. Somerset Maugham's novel The Painted Veil. Meanwhile, the sneaking suspicion that Norton wasn't quite living up to early career expectations was growing difficult to ignore; though his turn as Bruce Banner in 2008's The Incredible Hulk drew generally favorable reviews (it didn't hurt that the film itself was markedly more exciting than Ang Lee's misguided 2003 take on the material), Norton's next film Pride and Glory proved somewhat forgettable, and his quirky duel role in Tim Blake Nelson's Leaves of Grass only received a limited theatrical release before getting lost in the shuffle. Poor reviews for Norton's 2010 film Stone didn't help much to reinvigorate his career, and when it was announced that Mark Ruffalo would be taking over the role of Banner in Joss Whedon's all-star comic book romp The Avengers, some feared that the actor's previous rift with Marvel Studios had come back to haunt him.In 2012, when he took high-profile roles in two eagerly anticipated films -- Wes Anderson's Moonrise Kingdom and Tony Gilroy's The Bourne Legacy, and two years later he earned rave reviews for his supporting turn as a monstrously egotistical and hugely talented actor in Alejandro Inarritu's Birdman, a part that earned him an Oscar nomination and a slew of other industry accolades.

Trivia: The daughter of respected off-Broadway playwright Romulus Linney, Laura Linney was born in New York City on February 5, 1964. Her parents divorced when she was six months old. Thanks to her father's job, Linney grew up working in the theater, both behind the scenes and, in her late teens, on the stage. Following prep school in Massachusetts, she attended both Brown University and Juilliard, and she was soon appearing in a number of Broadway productions. She garnered notice for her roles in plays like The Seagull and Six Degrees of Separation, and won particular acclaim for her performance in Hedda Gabler.Linney made her onscreen debut in 1992 with a small role as a teacher in Lorenzo's Oil. The following year, she had a brief but pivotal role as Kevin Kline's presidential mistress in Dave, appeared in Searching for Bobby Fischer, and landed a lead as one of the protagonists of Armistead Maupin's acclaimed Tales of the City, which aired on PBS. Linney later reprised her role as Mary Ann Singleton for More Tales of the City in 1998. Following leads in two box-office failures, A Simple Twist of Fate (1994) and Congo (1995), Linney had a supporting role as Richard Gere's lawyer/ex in Primal Fear (1996). Based on the strength of her performance, Clint Eastwood chose her to play his daughter -- another lawyer -- in Absolute Power the following year. In 1998, Linney sent up her wholesome, fresh-scrubbed appearance to great effect as Truman Burbank's wife in Peter Weir's highly acclaimed The Truman Show.The actress finally came into her own in 2000, thanks to two very different parts in two highly acclaimed independent features. Writer/director Kenneth Lonergan's You Can Count on Me featured Linney as Sammy, a small-town single mother whose placid life takes some interesting turns when she's visited by her errant brother Terry (Mark Ruffalo). Aided by Lonergan's precise script and her own copious note-taking, Linney turned in her most nuanced, accomplished performance to date. Critics paid attention: after its much-heralded debut at the 2000 Sundance Film Festival, the film went on to garner a slew of recognition for its lead actress, including Best Actress of the Year awards from the National Society of Film Critics and the New York Film Critics Circle, and an eventual Oscar nomination for Best Actress. Linney further polished her reputation with a supporting turn as the icy Bertha Dorset in director Terence Davies' adaptation of Edith Wharton's The House of Mirth, released in late 2000.She continued working steadily and garnered great critical respect throughout the next decade. In addition to returning for Further Tales of the City, she was one of the many talented actors who appeared in the controversial The Laramie Project. She had a few big-budget films that missed their mark in The Mothman Prophecies and The Life of David Gale, but those came around the same time as her superb turn as Sean Penn's wife in Mystic River, and as one of the few Americans in the very British romantic comedy Love Actually. She continued to earn strong reviews as the headstrong wife to Liam Neeson's Kinsey, and in 2005 offered a subtle but penetrating portrayal of a selfish mother and divorcee opposite Jeff Daniels in The Squid and the Whale. The next year she acted opposite Robin Williams in Barry Levinson's political and social satire Man of the Year.In 2007 Linney offered a spot-on portrayal of a dissatisfied Manhattan wife and mother in The Nanny Diaries, and earned a wealth of strong reviews for her work in Tamara Jenkins' The Savages. Playing a neurotic woman opposite Philip Seymour Hoffman as her brother, Linney scored her third Academy Award nomination.2008 brought Linney her fourth Golden Globe nomination, and first win, for the portrayl of first lady Abigail Adams in the acclaimed HBO miniseries John Adams. In the following years, Linney would continue to appear in several projects, including movies like Morning and The Details, and the acclaimed Showtime series The C Word.

Trivia: Intense, versatile African-American actress Alfre Woodard attended Boston University, then made her stage bow in 1974 with Washington, D.C.'s Arena Stage. After a few minor appearances in films like Remember My Name (1978) and H.E.A.L.T.H (1979), the Tulsa, OK, native was nominated for an Oscar for her performance as Geechee in 1983's Cross Creek. She went on to further television acclaim during the decade, appearing on St. Elsewhere and winning Emmys for her recurring roles on Hill Street Blues and L.A. Law, and an ACE award for the made-for-cable Mandela (1987). In film, the actress consistently shone in roles that featured her as unconventional women who usually had a troubled past; after a memorable appearance in Miss Firecracker (1989), she went on to star in such films as Lawrence Kasdan's Grand Canyon (1991) and John Sayles' Passion Fish (1992), for which she won a Golden Globe nomination. Other notable film appearances included those in Rich in Love (1993), Crooklyn (1994), and Maya Angelou's Down in the Delta, in which Woodard played a single mother with drug and alcohol problems who returns to her family's southern hometown. In 1999, the actress starred in two films, Funny Valentines and Mumford, Lawrence Kasdan's tale of a small-town psychologist.Woodard has also continued to work in television, earning considerable acclaim for her performances. In 1995, she won an Emmy nomination and a Screen Actors Guild Best Actress Award for her performance in the The Piano Lesson, and two years later won an Emmy, a Golden Globe, and a SAG Award for her portrayal of the title character of Miss Evers' Boys, a nurse who consoled many of the subjects of the notorious 1930s Tuskeegee Study of Untreated Blacks with Syphilis. In addition, she has done a fair amount of narration, lending her voice to a variety of television documentaries.The actress reteamed with HBO in 2003 for the film Unchained Memories, and took on a starring role on ABC's Desperate Housewives in 2006. In addition to appearing on a variety of popular television shows (Hill Street Blues, St. Elsewhere, The Practice, Homicide: Life on the Street). Woodard played the part of a woman falsely accused of drug trafficking in the 2009 drama American Violet, and was nominated for yet another Emmy in 2010 for her work on HBO's hit drama True Blood.

Trivia: A distinctive-looking, grey-haired British character actor, John Mahoney worked onstage in his teens, and moved to the U.S. at 19. In his mid-30s, while employed as an editor in Chicago, he decided to renew his interest in acting, and he enrolled in classes at a local theater co-founded by playwright David Mamet; he landed a role in a Mamet play and left his job for the part. At the urging of actor John Malkovich, he went on to join Chicago's celebrated Steppenwolf Theater; eventually he appeared in more than 30 plays. For his work in the Broadway play House of Blue Leaves he won a Tony and a Clarence Derwent Award. For his work in the lead role of Orphans (on Broadway and in Chicago) he won a Theater World Award. He still lives in Chicago, and maintains his connection with Steppenwolf. Mahoney debuted onscreen in Mission HIll (1982), but his screen breakthrough came in his fifth film, Barry Levinson's popular comedy Tin Men (1987); afterwards he went on to better parts in more noteworthy movies, and has avoided typecasting in a busy screen career. Mahoney's TV credits include Favorite Son and House of Blue Leaves, in which he reprised his stage role; he has since achieved wide popularity as Martin Crane, Frasier Crane's crochety father, on the NBC sitcom Frasier.

Trivia: Born the daughter of an Illinois minister on June 23, 1957, Frances McDormand attended West Virginia's Bethany College and later studied acting at the prestigious Yale Drama School. After her graduation, McDormand could be seen gaining professional experience in numerous stage productions across the country. In 1984, McDormand made her film debut playing a somewhat dim-witted adulterous wife in the Coen brothers' Blood Simple, thus beginning an association that would culminate in her marriage to director Joel Coen. Despite winning critical acclaim for her performance, it would be four years, save for a cameo in the Coens' Raising Arizona (1987) and various small roles, before she would be featured in another major film production. In the meantime, McDormand's stage career flourished, and she received a Tony nomination for the 1987 Broadway production of A Streetcar Named Desire. She also did periodic television work, co-starring on the short-lived detective drama Legwork (1987) and appearing in a recurring role on Hill Street Blues.In 1988, McDormand found her way back into the Hollywood spotlight, and won an Oscar nomination for her role as a Klan wife who testifies against a good ol' boy sheriff in Alan Parker's Mississippi Burning. Her film career picked up significantly afterwards, and led to appearances in a wide variety of well-wrought dramas, including Ken Loach's controversial Hidden Agenda (1990), which featured the actress one of a group of American attorneys working to improve prisoner rights throughout a war-torn Ireland. 1990 would also find her playing a small role in the Coens' Miller's Crossing, which led to a similar performance in Robert Altman's Short Cuts. In 1996, McDormand won a Best Actress Academy Award for her portrayal of sheriff Marge Gunderson in Fargo, yet another Coen brothers film. The following year, she co-starred as a German doctor in Bruce Beresford's WWII drama Paradise Road, and then tried her hand at children's films with a starring role in Madeline (1998).In 2000, McDormand made memorable supporting appearances in two films. First was the part of an adulterous academic wife in Curtis Hanson's overlooked Wonder Boys; late that year she could be seen playing the well-meaning, yet unarguably overprotective mother in Cameron Crowe's critically successful coming-of-age drama Almost Famous. The latter would net her another Supporting Actress nomination. In 2001, McDormand could be seen playing a camped-out version of a film noir lush in the Coens' The Man Who Wasn't There. Her subsequent role in 2002's Laurel Canyon -- as an aging, wild-child record producer -- earned her critical hosannas, even if the film was little-seen. The issue picture North Country offered her the challenge of playing a working-class woman gradually succumbing to Lou Gehrig's disease, and in early 2006, earned her another Best Supporting Actress nomination. She followed it up with an acid-tongued role in the ensemble comedy-drama Friends With Money.Over the next several years, McDormand would continue to appear in several acclaimed films, including Burn After Reading, This Must Be the Place, and Moonrise Kingdom.

Trivia: Character actor Terry O'Quinn's film career began (and almost ended!) with a role as Captain Minardi in the notorious Michael Cimino failure Heaven's Gate (1980). O'Quinn rose to prominence in Joseph Ruben's 1987 sleeper The Stepfather, as the ostensibly mild-mannered title character (of multiple names), who has this irksome habit of going psychopathic and slaying families who don't meet his exacting standards. Though O'Quinn went on to play leads in other films, he quickly became a television circuit staple (and an instantly recognizable face), in regular series and made-for-TV movies. His weight was more effectively felt in showy supporting roles like Howard Hughes in Disney's The Rocketeer (1991). On TV, O'Quinn became a regular on the daytimer The Doctors and the prime-timer Jag (1995). O'Quinn struck gold in 2004 as a member of the ensemble cast in the hit prime-time adventure drama Lost, on ABC. As Locke, an enigmatic character with a hidden personal attachment to the Pacific Island on which his plane crashes, O'Quinn managed to convey an ambiguous and understated sense of menace. The actor would go on to appear on the remake of Hawaii Five-0.

Trivia: Gaining notice in the early '90s for his Emmy-winning portrayal of Detective Francis Xavier "Frank" Pembleton on the popular television police drama Homicide: Life on the Street, tireless Chicago native Andre Braugher remained with the show through 1998 while simultaneously building a feature career with roles in such theatrical releases as Primal Fear (1996) and City of Angels (1998). A graduate of Stanford University who also received a M.F.A. from the prestigious Juilliard School, Braugher claims to have originally taken up acting to meet girls. He later changed his major after realizing his true calling during a production of Hamlet, and his first professional role came in a performance at the Berkley Shakespeare Festival. Making the leap from stage to screen with the 1989 civil war drama Glory proved an eye opening experience, and following numerous appearances as Detective Winston Blake in a series of made-for-TV Kojak features, Braugher held onto his badge by joining the cast of Homicide in 1993. Later alternating successfully between film and television, Braugher was voted one of the "50 Most Beautiful" people in a 1997 issue of People magazine; the following year, the handsome actor turned down a prominent role in the sci-fi drama Sphere in order to spend more time with his family. Jumping back into features in 2000, roles in Frequency, Duets and A Better Way to Die proved that Braugher was still in top form, and, in 2002, he turned back to the small screen with the made-for-TV feature Hack (and later reprised his role when the feature was turned into a weekly series). Following a role in the made-for-TV feature A Soldier's Girl (2002), Braugher joined the cast of the television remake of the Stephen King vampire chiller Salem's Lot (2004), then returned to television - and changed camps to tap into the underground element - on the weekly crime drama Thief. As Nick Atwater, one of the most genial and principled of all television criminals (!), Braugher evoked an unusual ethical balance in his character and tapped into the fence's deep-seated devotion to his family, even as he drummed up a fiery intensity from episode to episode. Successive years found the actor moving into supporting roles in Hollywood A-listers with a heightened emphasis on effects-heavy action, adventure and fantasy-themed material; projects included Poseidon (2006), Fantastic Four: Rise of the Silver Surfer (2007) and Stephen King's The Mist (2007).Braugher would star in the TV mini-series The Andromeda Strain in 2008, before taking on a role in the cult favorite comedy series Men of a Certain Age from 2009-2011. He would also enjoy a recurring role on House M.D., and play a memorable supporting role in the Angelina Jolie action flick Salt.

Trivia: With the sort of GQ looks that command attention both onscreen and off, longtime actor Steven Bauer has come a long way since making an impression in Brian De Palma's controversial 1983 crime drama Scarface. A native of Cuba whose family fled to Miami shortly after Fidel Castro came to power in 1956, Bauer began his education at Miami-Dade Community College, where a walk-on role in the play Summer and Smoke sparked a lifelong love of acting. He transferred to the University of Miami and continued to hone his craft in such plays as Of Mice and Men, and by the time he moved to New York, Bauer was ready to study under the tutelage of acclaimed acting coach Stella Adler. It was during this time that auditions for Scarface were announced, and with his confidence bolstered by a handful of supporting roles in film and television, Bauer proved that he could hold his own opposite Al Pacino. Cast as the titular character's close friend and partner in crime, the young actor's powerful performance drew a Golden Globe nomination for Best Supporting Actor. Although the film's notable violence and profanity ultimately provoked a backlash from both Hollywood and the viewing public, Bauer's career maintained its upward trajectory when, the following year, the handsome rising star took the lead in the romantic thriller Thief of Hearts.Throughout the '80s, roles in such high-profile films as Running Scared (1986) and Gleaming the Cube (1989) helped maintain Bauer's presence on the big screen, but it was a role in the 1990 television miniseries Drug Wars: The Camarena Story that earned him his second Golden Globe nomination and proved he could give a commanding lead performance. Increasingly relegated to low-budget thrillers and forgettable, straight-to-video fare, he had occasional roles in such films as Raising Cain (1992) and Wild Side (1995). In 2000, Bauer shared a Screen Actor's Guild award for Best Ensemble Performance in the acclaimed Steven Soderbergh crime drama Traffic, in which the actor portrayed jailed drug kingpin Carlos Ayala. The roles that immediately followed, however, seemed to offer Bauer little room to expand his talent, though his performance in the popular, but short-lived TV series UC: Undercover at least served to keep him in the spotlight before joining an impressive cast in the 2003 Bob Dylan drama Masked and Anonymous. Married to actress Melanie Griffith for the majority of the '80s, the couple divorced in 1987. Bauer married Ingrid Anderson in 1989.

Trivia: While other students at Berkeley were weaving flowers in their hair and blowing weed, Joe Spano was laying the groundwork for an acting career. After establishing himself on the San Francisco theatrical scene, Spano began showing up on screen in such supporting roles as Vic in American Graffiti (1974) and Ace in Roadie (1980). From January 1981 through May 1987, Spano could be seen on a weekly basis as Henry Goldblume, the bespectacled and bowtied community affairs officer on the TV series Hill Street Blues. In 1992, Joe Spano made his Broadway debut in a revival of Arthur Miller's The Price.

Trivia: The slightly gritty and wizened Cuban-American actor Tony Plana boasts a resumé that is no less than extraordinary. Whatever the limitations of Hispanic typecasting, Plana soared high above them from the time of his debut in the early '80s, seeking out roles in several of Hollywood's most respected and venerable films -- ethnically themed and otherwise. He first culled attention as Rudy in Luis Valdez's stylized, theatrical period piece Zoot Suit (1981), starring a then-unknown Edward James Olmos. Plana's subsequent efforts read like a best-of early-'80s cinema; he tackled An Officer and a Gentleman (1982), Love and Money (1982), Valley Girl (1983), and El Norte (1983), all within a few years of one another. Plana was particularly effective as Fr. Manuel Morantes in John Duigan's wondrous, overlooked biopic Romero (1989, about archbishop and activist Oscar Romero) and as Carlos Bringuier in Oliver Stone's JFK (1991). In the 2000s, Plana unveiled a heightened interest in television, gracing the casts of such series as Ally McBeal and The Drew Carey Show as an occasional guest performer. Plana is best known to younger viewers, however, for two small-screen portrayals: that of cutthroat terrorist Omar in 24, and -- on a very different note, Ignacio -- the widower dad of the title character -- on the comedy drama Ugly Betty. Educationally, Plana trained in the drama programs at Loyola Marymount University and London's Royal Academy of Dramatic Art. He made the leap from acting to directing with two projects: A Million to Juan (1994, co-helmed with Paul Rodriguez) and The Princess and the Barrio Boy (2000). The latter constitutes Plana's directorial debut. It tells of a young well-to-do Hispanic woman (Marisol Nichols) who bucks convention by falling for a working-class boy, and simultaneously attempts to stand in the way of her father's marriage to a wicked lover.

Trivia: As adept at psychological drama as she is at broad physical comedy, Maura Tierney has fashioned one of the more enviable careers in Hollywood, moving with ease between lead and supporting roles on both the big and small screens. The daughter of a prominent Boston politician and a part-time real estate agent, Tierney was born and raised in the city's affluent Hyde Park district. She moved down the coast to attend New York University in the mid-'80s and quit just shy of receiving her diploma in order to join the neighboring Circle in the Square performance school. Despite her love for the city, the burgeoning actress decided to relocate to L.A. in the late '80s to find work. Although her first parts were dead-end bit roles on failed sitcom pilots, Tierney did meet her future husband, actor Billy Morrisette, when they were both fired from the set of a doomed Ralph Macchio series.It was Circle in the Square alumnus Richard Shepard who would give Tierney her first small film role, in his Manhattan-set screwball comedy The Linguini Incident (released in 1992). A lead role in a B-movie parody, Dead Women in Lingerie, did little to advance her career -- the actress has since purged the title from her official CV -- and she continued to toil in minor roles in low-profile TV shows and films before a last-minute casting choice landed her the lead in the sitcom pilot "The Station." Renamed NewsRadio for its March 1995 premiere, the ensemble comedy proved to be Tierney's breakthrough. As the over-achieving news producer Lisa Miller, the actress got a chance to showcase her heretofore unseen comic abilities: sly and ambitious but with a self-deprecating good humor, Tierney evoked a sort of late-millennium Mary Tyler Moore.Her buoyant work in NewsRadio won her meaty supporting roles in the hit comedies Liar Liar (1997) and Forces of Nature (1999); meanwhile, her noteworthy turn in the sleeper Primal Fear (1996) convinced casting directors that she could play heavier roles in films such as Primary Colors (1997) and Instinct (1999). Also during the series' four-year run, Tierney landed the plum role of a single mom who falls for hockey player Bruce Willis in a romantic comedy titled "The Broadway Brawler." After just two weeks' shooting, however, purported "creative differences" brought the project to a permanent halt.A signature leading role still eluding her, Tierney leapt at the opportunity to join the cast of NBC's flagship hour-long drama E.R. in late 1999. As Abby, the OB-GYN nurse working her way through med school, the actress began to nurture what she hoped would be a deeper, more complex character than afforded her in previous vehicles. Meanwhile, Tierney began work on her husband's directorial debut, an independent comedy titled Scotland, P.A. (2001), in which she plays a would-be fast-food matriarch who will stop at nothing to get to the top. Soon after, the actress landed a prime role in Insomnia (2002), director Christopher Nolan's much-anticipated follow-up to his twisty art-house hit Memento (2001). She finished out her run on ER, while still managing to score roles in big-screen fare such as Melvin Goes to Howard, Welcome to Mooseport, Baby Mama, and Semi-Pro.

Trivia: A boyishly handsome boxer-turned-actor who turned in his gloves for real after making his screen debut as a pugilist in the 1992 drama Gladiator, New York-born film and television star Jon Seda rose through the ranks in the '90s to make a name for himself as a bit player in such high-profile films as Carlito's Way and Twelve Monkeys -- though it wasn't until his 1997 debut on television's Homicide: Life on the Streets that audiences truly sat up and took notice. Those who had been following Seda's career since his early days had little doubt that the rising young star had what it took to make it as an actor, and following an Independent Spirit Award-winning role as a flawed but well-meaning husband and father in the 1994 drama I Like It Like That, major offers quickly began pouring in. An impressive run in the mid-'90s found Seda turning up in everything from such high-profile Hollywood fare as Primal Fear to such little-seen efforts as New York Cop and Michael Cimino's The Sunchaser -- the latter of which offered Seda in a particularly memorable role as a terminally-ill juvenile delinquent who kidnaps his doctor in hopes of finding a mythical healing lake. Following an impressive turn in the hit HBO prison series Oz, Seda hit his stride on the small screen with a turn as Detective Paul Falsone on Homicide: Life on the Street. By this time Seda was becoming a familiar face to audiences, and in 2000, he once again laced up his boxing gloves for a role opposite Jimmy Smits in the well-received feature Price of Glory. Despite his prominence and success in film and television, it still seemed as if Seda was awaiting the breakout role that would truly make him a household name. In 2002 he proved that he could carry a film when he took the lead in the street-gang drama King Rikki, with a role on the 2004 UPN series Kevin Hill, marking what fans hoped would be a successful return to the small screen.

Trivia: Grew up on various military bases because his father was in the Air Force. First on-air job was as a disc jockey at a country and Western radio station; reading the news on-air hooked him on broadcast journalism. Began his TV career in 1981 at a CBS affiliate in New York; was also a news anchor in Los Angeles and Chicago. Joined MSNBC in 2000. His knowledge of airplanes helped him land his first anchor role in 2000 when an Air France Concorde crashed near Paris. Has been an anchor on Weekend Today, Dateline NBC, and NBC Nightly News. In 2015 became the first African American to be named permanent solo anchor of a nightly newscast when he replaced Brian Williams on NBC Nightly News. Appeared as a newscaster in The Fugitive, Primal Fear and Miracle on 34th Street; and as himself on 30 Rock. Earned the nickname "Iron Pants" for not wanting to leave the anchor chair whenever there is breaking news.

Trivia: The son of a musician, African American actor Clarence Williams III was raised by his grandmother. While attending his local YMCA branch as a teenager, Williams became interested in dramatics. After a two-year hitch with the Air Force, he began his acting career, making his New York debut in 1960's The Long Dream. Williams amassed an impressive list of Broadway credits, and in 1966 was artist in residence at Brandeis University. Still, he remained an unknown commodity in Hollywood until 1968, when he was cast as "hip" undercover cop Linc Hayes on the popular TV weekly The Mod Squad. After the series' cancellation in 1973, Williams divided his time between stage and film work, occasionally functioning as a director. Among his better-known assignments of recent years was the role of Prince's father in Purple Rain (1984) and the recurring part of Roger Hardy in the cult TV series Twin Peaks (1990). Clarence Williams III is married to actress Gloria Foster.