Trivia: Born the daughter of an Illinois minister on June 23, 1957, Frances McDormand attended West Virginia's Bethany College and later studied acting at the prestigious Yale Drama School. After her graduation, McDormand could be seen gaining professional experience in numerous stage productions across the country. In 1984, McDormand made her film debut playing a somewhat dim-witted adulterous wife in the Coen brothers' Blood Simple, thus beginning an association that would culminate in her marriage to director Joel Coen. Despite winning critical acclaim for her performance, it would be four years, save for a cameo in the Coens' Raising Arizona (1987) and various small roles, before she would be featured in another major film production. In the meantime, McDormand's stage career flourished, and she received a Tony nomination for the 1987 Broadway production of A Streetcar Named Desire. She also did periodic television work, co-starring on the short-lived detective drama Legwork (1987) and appearing in a recurring role on Hill Street Blues.In 1988, McDormand found her way back into the Hollywood spotlight, and won an Oscar nomination for her role as a Klan wife who testifies against a good ol' boy sheriff in Alan Parker's Mississippi Burning. Her film career picked up significantly afterwards, and led to appearances in a wide variety of well-wrought dramas, including Ken Loach's controversial Hidden Agenda (1990), which featured the actress one of a group of American attorneys working to improve prisoner rights throughout a war-torn Ireland. 1990 would also find her playing a small role in the Coens' Miller's Crossing, which led to a similar performance in Robert Altman's Short Cuts. In 1996, McDormand won a Best Actress Academy Award for her portrayal of sheriff Marge Gunderson in Fargo, yet another Coen brothers film. The following year, she co-starred as a German doctor in Bruce Beresford's WWII drama Paradise Road, and then tried her hand at children's films with a starring role in Madeline (1998).In 2000, McDormand made memorable supporting appearances in two films. First was the part of an adulterous academic wife in Curtis Hanson's overlooked Wonder Boys; late that year she could be seen playing the well-meaning, yet unarguably overprotective mother in Cameron Crowe's critically successful coming-of-age drama Almost Famous. The latter would net her another Supporting Actress nomination. In 2001, McDormand could be seen playing a camped-out version of a film noir lush in the Coens' The Man Who Wasn't There. Her subsequent role in 2002's Laurel Canyon -- as an aging, wild-child record producer -- earned her critical hosannas, even if the film was little-seen. The issue picture North Country offered her the challenge of playing a working-class woman gradually succumbing to Lou Gehrig's disease, and in early 2006, earned her another Best Supporting Actress nomination. She followed it up with an acid-tongued role in the ensemble comedy-drama Friends With Money.Over the next several years, McDormand would continue to appear in several acclaimed films, including Burn After Reading, This Must Be the Place, and Moonrise Kingdom.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school, Macy studied under playwright David Mamet, with whom he would be frequently associated throughout his career. After college, Macy was a member of Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman." Macy also continued his theater work, forming the Atlantic Theatre Company with Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as Mamet's directorial debut, House of Games (1987) and Woody Allen's Radio Days (1987). In 1991, he won a more substantial role, in Mamet's Homicide, and subsequently began to find work in more well-known films, including Benny and Joon and The Client.Macy finally got a shot at a leading role with his turn in Mamet's Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in Joel Coen and Ethan Coen's Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year, Macy's star rose a little higher, thanks to his work in three high-profile films, Wag the Dog, Air Force One, and Paul Thomas Anderson's Boogie Nights. He was similarly lauded for his versatility through work in such films as Psycho and Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in Mystery Men, a gay sheriff in Happy, Texas, and a member of the ensemble cast of Paul Thomas Anderson's Magnolia. Despite the fact that Macy drew praise for his turn as a reluctant hit man in the 2000 drama Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in Jurassic Park III. As always Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as Focus and Stealing Sinatra. Surprisingly, it was just such work that netted Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries Out of Order, Macy went wide with the theatrical hit Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director David Mamet in the widely-praised but little-seen crime drama Spartan. Macy has also continued to do television work, appearing on such series as Spencer, Law & Order, and ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason), Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys. In 2005, Macy returned to home turf with the Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing." Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager, Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped, Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness. Meanwhile, the trades reported the everpresent Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.In 1997, William H. Macy married Felicity Huffman, with whom he appeared in Magnolia.

Trivia: With a cool stoic gaze suggesting unmentionable thoughts lurking somewhere deep behind those deep, blank eyes, popular character actor Peter Stormare offered American audiences slightly discomforting comic relief in Joel and Ethan Coen's popular dark comedy Fargo (1996), though his versatility and adaptability have since led him to roles in everything from major Hollywood blockbusters to the stripped-down Dogma 95 efforts of eccentric Danish director Lars von Trier's Dancer in the Dark (2000). Born Peter Rolf Stormare in Arbra, Sweden, on August 27th,1953, the dynamic Nordic actor began his career with an 11-year stint with the Royal National Theater of Sweden. Aside from appearing in such productions as Don Juan and The Curse of the Starving Class, Stormare would pen such original plays as El Paso and The Electric Boy. Later earning positive critical reception in such classic Shakespearian productions as King Lear, the actor made his big-screen debut, and began a 15-year association with legendary Swedish director Ingmar Bergman, with a brief appearance in Fanny and Alexander in 1982. Later earning positive critical reception for his role in the legendary filmmaker's stage adaptation of Shakespeare's Hamlet in 1988, Stormare continued to gain career trajectory with numerous memorable stage and film roles in his native country. In 1990, Stormare became the Associate Artistic Director at the Tokyo Globe Theatre and made his American screen debut as a neurochemist who questions Robin Williams' experimental medical tactics in the touching Awakenings. Subsequently appearing in numerous international films (Freud's Leaving Home [1991] and Damage [1992]), Stormare hit his stateside stride with his chilling turn as a woodchipper-happy kidnapper in Fargo. Though he would continue to make appearances in such Swedish efforts as Ett Sorts Hades and Bergman's In the Presence of a Clown (1996 and 1997 respectively), his Hollywood star was on the rise with memorable roles in such increasingly mega-budgeted efforts as The Lost World: Jurassic Park (1997) and Armageddon (1998). Equally adept in comparatively low-budget efforts such as director George Romero's Bruiser (2000) and the aforementioned Dancer -- two roles which couldn't possibly be more polar opposites -- Stormare branched out into sitcom territory with his turn as Julia Louis-Dreyfuss' enamored superintendent in the ill-fated Watching Ellie in 2002. It wasn't long before Stormare was back on the silver screen, and with the same year potential blockbuster triple threat of The Tuxedo, Windtalkers, and Minority Report, it appeared as if Stormare's unique talents were as in-demand as ever. 2002 also found the established actor branching out with his role as producer of the romantic comedy The Movie Nut and His Audience.In 2005 he joined the cast of The Brothers Grimm in the role of an interogator, and took on a regular role in the television drama Prison Break. Stormare made guest appearances on a variety of television stand-outs throughout the 2000s, among them including Weeds, Monk, Entourage, and Hawaii Five-0.

Trivia: First earning an international reputation in opera and musical comedy, Harve Presnell made his feature-film debut in the film adaptation of the hit Broadway musical The Unsinkable Molly Brown playing opposite Debbie Reynolds. Though he has spent the bulk of his career on the stage, Presnell periodically appeared in other films through the '70s. After taking no film roles in the '80s, Presnell re-emerged in the Coen brothers' Fargo (1996) and continued to play character roles in films such as Julian Po (1997) and Saving Private Ryan (1998).

Trivia: Character actor John Carroll Lynch first gained notice for his performance as Frances McDormand's sweet and supportive husband in the Coen brother's critically acclaimed Fargo. He subsequently appeared on the ABC sitcom The Drew Carey Show as the title character's cross-dressing brother. The role was initially a recurring one, but Lynch was eventually added as a full-time cast member. Along the way, he also popped up in a number of small roles in large films like 1997's Volcano and 2000's Gone in 60 Seconds.Following the cancellation of The Drew Carey Show, Lynch switched gears from comedy to drama, but stayed on the small screen, taking a role on HBO's bleak and bizarre Carnivàle. That stint was followed by a season on the CBS legal drama Close to Home. And in 2007, he was cast alongside Anthony Anderson and Cole Hauser in Fox's post-Hurricane Katrina cop show K-Ville. That same year, he could be seen on the big-screen in David Fincher's Zodiac. Lynch would remain an active perormer for years to come, appearing in movies like Shutter Island and Crazy, Stupid, Love, as well as starring on TV shows like Body of Proof.

Trivia: Minneapolis native Melissa Peterman studied theater at Minnesota State University before moving into the professional sphere, starring in over 600 performances of the Hey City Theater production of Tony n' Tina's Wedding. Her first film role came in 1996, when she was cast as Hooker #2 in the Cohen Brothers classic Fargo. Peterman went on to find her big break with a starring role on the sitcom Reba in 2001. She would also appear in several popular shows over the coming years, like American Dad! and Rita Rocks. In 2009, Peterman took on hosting duties on the reality series The Singing Bee.

Trivia: During his first few decades as an actor, Bill Macy took whatever was readily available: poetry-reading jobs, movie bits, comedy-record gigs (he's the operatic cabdriver in the classical music lampoon The Wurst of PDQ Bach) and off-Broadway stage assignments. While appearing in the 1969 "nudie" musical Oh! Calcutta, the 45-year-old Macy gained attention, critical and otherwise, for appearing au naturel in one of the comedy sketches. Evidently he enjoyed the sensation; even in his days of TV prominence, Macy was known to disrobe at parties and public functions whenever he'd been too generous in his participation at the bar. In the early 1970s, Macy was cast in several small roles in the TV properties of producer Norman Lear; this led to a lengthy (72-78) engagement as Walter Findlay, husband of fiery feminist Maude Findlay (Bea Arthur) on the popular sitcom Maude. Since that time, Bill Macy has thrived in film and stage character parts, and has co-starred in two TV weeklies, Hanging In (79) and Nothing in Common (87).

Trivia: A self-described B-movie actor, Bruce Campbell can claim to have scaled the casualty-littered mountain of cult movie stardom. First attaining more notoriety than fame for his performance in Sam Raimi's The Evil Dead (1983), which he also executive produced, Campbell went on to star in that movie's two sequels and a number of other schlock-tastic films. He has also occasionally ventured into more reputable territory, thanks to such films as the Coen brothers' The Hudsucker Proxy (1994).Hailing from Royal Oak, MI, where he was born June 22, 1958, Campbell attended Western Michigan University. When he was only 21, he and two of his Detroit friends, Sam Raimi and Rob Tapert, scraped together 350,000 dollars to make a low-budget horror film. The result, completed piecemeal over four years, was The Evil Dead, an exuberantly awful piece of filmmaking that featured Campbell as its demon-battling hero. The film first earned notoriety in England, and after being personally endorsed by author Stephen King when it was screened at Cannes, it was eventually released in the U.S. in 1983.The Evil Dead II: Dead By Dawn followed in 1987, and the third installment in the series, Army of Darkness, was released in 1992. Both were enthusiastically embraced by fans of the series and less so by critics, but one thing that impressed both groups was Campbell's work in both films, thanks in part to his uncanny ability to make it through an entire performance without blinking once.In addition to the Evil Dead films, Campbell has acted in a number of other low-budget films, and, in the case of the Coens' The Hudsucker Proxy and a blink-and-you-miss-it cameo in Fargo (1996), a handful of fairly respectable projects as well. He has also acted frequently on television, most notably in the weekly Western The Adventures of Brisco County, Jr. and Jack of all Trades. In 2001 Campbell made his literary debut with If Chins Could Kill: Confessions of a B-Movie Actor. A humorously detailed account of his rise to B-movie stardom, If Chins Could Kill detailed, among other things, Campbell's uniquely diverse fanbase as well as his relationship with longtime friend and frequent collaborator Sam Raimi. When fans embraced the freewheeling semi-autobiography with more zeal than even Campbell himself may have anticipated, a succesful speaking tour was soon followed by a sophomore novel, the satirical Make Love the Bruce Campbell Way. A highly fictionalized look at what it may be like for Campbell to land a substantial role in a high-profile Hollywood production, Make Love the Bruce Campbell way found the sarcastic B-movie idol hobnobbing with co-star Richard Gere and offering directorial advice to veteran director Mike Nichols. Yet Campbell was hardly one to forget where his bread was truly buttered, and following his brief literary detour, it was time to head back to the big screen for a pair of memorable cameos in pal Raimi's Spider-Man and Spider-Man 2, the longtime actor and emerging producer was finally ready to make his feature directorial debut with the outlandish sci-fi comedy The Man with the Screaming Brain. Despite helming the occasional Xena and Hewrcules episode, Campbell had yet to tackle feature films and when the opportunity arose to direct a script that he himself had written, everything just seemed to fall into place. Though the critics weren't so kind, fans were more than willing to indulge as their favorite film and television star finally got a chance to shine on his own. After voicing his most famous character in a pair of Evil Dead videogames, it was finally time for Campbell to return to the role of Ash on the big screen - albiet in a decidedly meta-manner - when he stepped into the role of an actor named Bruce Campbell who is mistaken for the demon-slayer that he played in the movies and forced to to battle with the legions of hell in the 2006 horror comedy They Call Me Bruce; a film that also afforded Campbell his sophomore feature directorial credit. That same year, Campbell would also team with May director Lucky McKee for the chilling horror film The Woods. Campbell found television success in the role of a good natured ex-Navy Seal on Burn Notice beginning in 2007, and lent his voice to animated features including Cloudy with a Chance of Meatballs and Cars 2. Campbell reunited with Raimi for Oz the Great and Powerful (2013), and helped produce the 2013 revamp of The Evil Dead.