Trivia: The product of a tough, impoverished upbringing, African American actor Robert Guillaume fought his way out of the St. Louis slums by virtue of talent, persistence and an unwillingness to bow down to anyone. After military service and college, Guillaume held down short-term jobs ranging from cook to streetcar conductor, all the while training his voice for potential musical comedy work--training that paid off with his first Broadway show, 1961's Kwamina. Among his many stage credits were the musical versions of Golden Boy (with Sammy Davis Jr.) and Purlie Victorious, and the long-running review Jacques Brel is Alive and Well and Living in Paris. When New York stage work was scarce, Guillaume created his own opportunities by giving one-man concerts. After guesting in several of the black-oriented TV sitcoms of the 1970s, Guillaume was cast in 1977 as the imperious, outspoken family retainer Benson in the daytime-drama parody Soap (the actor would be first to admit that many of Benson's more contentious traits sprang from Guillaume's own prickly personality). The role won Guillaume a 1978 Emmy as "Outstanding Supporting Actor." In 1979, Guillaume carried over his Soap role into his own starring series, the now classic sitcom Benson, which ran until 1986 and which won Guillaume another Emmy, this time as "Outstanding Lead Actor." Robert Guillaume also headlined the appropriately titled 1989 series The Robert Guillaume Show, wherein for approximately five months he starred as divorced marriage counselor Edward Sawyer. In the several years to follow, Guillaume would star in shows like Sports night, as well as a number of films like Big Fish and Satin.

Trivia: Supporting actress, onscreen from 1961. She played the housekeeper in the TV sitcom Benson.

Trivia: While his name might suggest a birthplace somewhere in France -- or at the very least Quebec -- actor Rene Auberjonois was born in New York City. However, his well-to-do parents were of noble European blood, thus French was the language of choice in his household. Despite his first-born-American status, Auberjonois was shunned by many of his schoolmates as a foreigner, and teased for having a "girl's" name. As a defense mechanism, Auberjonois became the class clown, which somehow led naturally to amateur theatricals. The influence of such neighborhood family friends as Burgess Meredith and Lotte Lenya solidified Auberjonois' determination to make performing his life's work. He was cast in a production at Stratford (Ontario)'s Shakespeare company by John Houseman -- another neighbor of his parents' -- and after moving with his family to England, Auberjonois returned to complete his acting training at Carnegie-Mellon University. There he decided to specialize in character parts rather than leads -- a wise decision, in that he's still at it while some of his handsomer and more charismatic Carnegie-Mellon classmates have fallen by the wayside. Three years with the Arena Stage in Washington, D.C. led Auberjonois to San Francisco's American Conservatory Theatre, of which he was a founding member. Movie and TV work was not as easy to come by, so the actor returned to New York, where he won a Tony for his Broadway role in the musical Coco. An introduction to director Robert Altman led Auberjonois to his first film, M*A*S*H (1970), in which he introduced the character that would later be fleshed out on TV as Father Mulcahy (with William Christopher in the role). He worked in two more Altman films before he and the director began to grow in opposite directions. More stage work and films followed, then TV assignments; Auberjonois' characters ranged from arrogant dress designers to snooty aristocrats to schizophrenic killers on film, while the stage afforded him more richly textured roles in such plays as King Lear and The Good Doctor. In 1981, Auberjonois was cast as Clayton Endicott III, the terminally fussy chief of staff to Governor Gatling on Benson. Like so many other professional twits in so many other films, Auberjonois' job was to make life miserable for the more down-to-earth hero, in this case Robert "Benson" Guillaume. Blessed with one of the most flexible voiceboxes in show business, Auberjonois has spent much of his career providing voice-overs for cartoon characters in animated projects like the Disney's The Little Mermaid, The Legend of Tarzan, Justice League, and Pound Puppies. In 1993, Rene Auberjonois assured himself a permanent place in the hearts of "Trekkies" everywhere when he was cast as Odo (complete with understated but distinctive "alien" makeup) on the weekly syndicated TV show Star Trek: Deep Space Nine, which he appeared on until 1999.Auberjonois would remain extremely active on screen in the years to come, appearing in movies like The Patriot, and on shows like Boston Legal.