Trivia: Though she is a classically trained dramatic actress and has played a variety of roles, Sigourney Weaver is still best known for her portrayal of the steel-jawed, alien-butt-kicking space crusader Ellen Ripley from the four Alien movies. The formidably beautiful, 5'11'' actress was born Susan Weaver to NBC president Pat Weaver and actress Elizabeth Inglis. Her father had a passion for Roman history and originally wanted to name her Flavia, but after reading F. Scott Fitzgerald's The Great Gatsby at the age of 14, Weaver renamed herself Sigourney, after one of the book's minor characters. After being schooled in her native New York City, Weaver attended Stanford University and then obtained her master's at the Yale School of Drama where, along with classmate Meryl Streep, she appeared in classical Greek plays. After earning her degree, Weaver was only able to find work in experimental plays produced well away from Broadway, as more conventional producers found her too tall to perform in mainstream works. After getting her first real break in the soap opera Somerset (1970-1976), she made her film debut with a bit part in Woody Allen's Annie Hall in 1977. Weaver had her first major role in Madman which was released just prior to Alien in 1979. Though the role of Ripley was originally designed for Veronica Cartwright (who ultimately played the doomed Lambert), scouts for director Ridley Scott saw Weaver working off-Broadway and felt she would be perfect for the part. The actress' take on the character was laced with a subtlety that made her a new kind of female action hero: Intelligent, resourceful, and unconsciously sexy, Weaver's Ripley was a woman with the guts to master her fear in order to take on a terrifying unknown enemy. Alien proved to be one of the year's biggest hits and put Weaver on Hollywood's A-list, though she would not reprise her character for another seven years. In between, she worked to prove her versatility, playing solid dramatic roles in Eyewitness (1981) and The Year of Living Dangerously (1982), while letting a more playful side show as a cellist who channels a fearsome demon in Ghostbusters (1984). In 1986, Aliens burst into the theater, even gorier and more rip-roaring than its predecessor. This time, Weaver focused more on the maternal side of her character, which only served to make her tougher than ever. Her unforgettable performance was honored with a Best Actress Oscar nomination, and was followed up by Weaver's similarly haunting portrayal of doomed naturalist/animal rights activist Diane Fossey in Gorillas in the Mist (1988). The role won Weaver her second Best Actress Oscar nomination, and that same year, she received yet another Oscar nomination -- this time for Best Supporting Actress -- for her deliciously poisonous portrayal of Melanie Griffith's boss in Working Girl. After 1992's Alien 3, Weaver had her next big hit playing President Kevin Kline's lonely wife in the bittersweet romantic comedy Dave (1993). She then gave a gripping performance as a rape/torture victim who faces down the man who may or may not have been her tormentor in Roman Polanski's moody thriller Death and the Maiden (1994). During the latter half of the decade, Weaver appeared in Alien Resurrection -- perhaps the most poorly received installment of the series -- but increasingly surfaced in offbeat roles such as the coolly fragile Janey in Ang Lee's The Ice Storm and the psychotic, wicked Queen in the adult-oriented HBO production The Grimm Brothers' Snow White (both 1997). In 1999, she starred in the sci-fi spoof Galaxy Quest, making fun of her image as a sci-fi goddess while continuing to prove her remarkable versatility.Weaver's first high-profile project of the new millenium saw her swindling Ray Liotta and Gene Hackman as a sexy con-woman teamed up with Jennifer Love Hewitt. Already into her fifties, Weaver proved she still possessed plenty of sex-appeal even alongside a substantially younger starlet like Hewitt. She played up her sultry side some more in the well-received 2002 indie-comedy Tadpole, but changed gears a bit in 2003, playing a villain in the family sleeper hit Holes.In 2004, Weaver could be seen as part of the ensemble cast in M. Night Shyamalan's summer thriller The Village. She played a tough-as-nails network executive in the satire The TV Set, and provided the voice of the ship's computer in WALL-E. In 2008 she appeared in projects as diverse as Baby Mama and Be Kind Rewind. She had a major role in the box-office blockbuster Avatar - teaming up with director James Cameron again. Her very busy 2011 included the role of a government official in the sci-fi comedy Paul, the girlfriend of a sheltered insurance salesman in Cedar Rapids, and a part in Oren Moverman's cop drama Rampart.Weaver has been married to stage director Jim Simpson since 1984. When not appearing in films, she continues to be active in theater.

Trivia: As a child, Michael Biehn moved from his Alabama hometown to Nebraska and finally Arizona, where he graduated high school. He went to college and later moved to Los Angeles to begin a film career, making his professional stage debut after two years of intensive training. In 1978, Biehn was cast as Mark Johnson, the hard-veneered but vulnerable ward of psychiatrist Robert Reed in the TV series Operation: Runaway. For the next few years, malevolence was Biehn's onscreen strong suit, first as the psycho title character in 1981's The Fan, then as the neofascist military-school upperclassman in The Lords of Discipline (1982). After switching gears with the sympathetic role of futuristic android-hunter Kyle Reese in James Cameron's The Terminator, Biehn became a member of Cameron's informal stock company, playing colorful leading roles in Aliens (1986) and The Abyss (1989). Biehn would remain a prolific actor and a cult favorite for the next few decades, appearing most notably in movies like The Rock, Clockstoppers, and Grindhouse, as well as TV shows like The Magnificent Seven and Hawaii. Biehn would also inhabit the director's chair, helming thrillers like The Victim.

Trivia: One of the salutary byproducts of the TV series Seinfeld is that it created a market in the '90s for sitcoms built around the comedy routines of young, hip New York comics. One of the best of these programs was Mad About You, created by and starring Manhattan-born Paul Reiser. Reiser and Seinfeld share more than a similarity of sitcoms; together with comedians Larry Miller and Mark Schiff, they comprise what has been unofficially dubbed the Four Funniest Men in the World Club, which has met for lunch each New Year's Day for the past several years. Reiser's credentials include a degree from S.U.N.Y.-Binghamton, a short stint as a health food distributor, and a 1982 film debut in Diner. Most of his film roles have been in comedies, though he was effectively cast as a greedy space traveler (who comes to a well-deserved bad end) in 1986's Aliens. Reiser has noted that his weekly series Mad About You, in which he co-starred with Helen Hunt, was based on his relationship with his wife, Paula. In 1995, Paul Reiser took a brief respite from Mad About You to star in the "single dad" comedy Bye Bye Love.As the new decade began, and Mad About You came to a close, Resier appeared in One Night at McCool's, and four years later realized a personal dream by co-starring with Peter Falk in The Thing About My Folks, a film Resier co-wrote as well. He was interviewed in The Aristocrats, and appeared as himself in Funny People. In 2011 he masterminded the very short-lived NBC sitcom The Paul Reiser Show.

Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: Athlete-turned-actress Jenette Goldstein was well suited for her movie debut: James Cameron's pumped-up action sequel Aliens (1986). Born and raised in Los Angeles, Goldstein trained to be a gymnast before deciding she'd rather pursue an acting career. She went to New York and London to study the craft, and was living in Britain when she heard about the Aliens audition. Though she mistakenly thought it was a movie about immigrants, her athletic background as well as acting skills helped her get the role of super-tough Pvt. Vasquez, one of the small band of soldiers pitted against the formidable mother Alien. Buoyed by Aliens' blockbuster success and a Saturn Award for Best Supporting Actress, Goldstein returned to Hollywood. Following a substantial role as one of the vampire gang in Kathryn Bigelow's cult classic Near Dark (1987), Goldstein appeared in several action movies, including The Presidio (1988) and Lethal Weapon 2 (1989), and also revisited science fiction in Star Trek: Generations (1994). Becoming a James Cameron blockbuster regular, Goldstein also played the small yet pointed role of Edward Furlong's foster mother in Terminator 2: Judgment Day (1991) and showed her softer side as a doomed Irish immigrant mom in Titanic (1997). Moving away from big budget genre pictures after Titanic, Goldstein joined the eclectic casts of Fear and Loathing in Las Vegas (1998) and Living Out Loud (1998).

Trivia: Character actor Mark Rolston specialized in everyman portrayals with a slightly understated, tough edge to them. Born in Baltimore, MD, in 1956, Rolston broke into film in the early to mid-'80s and scored his first major feature role with a turn as a private in James Cameron's effects-heavy sci-fi blockbuster Aliens (1986). Within a few years, he began turning up in supporting capacities in numerous additional features; the more visible included Weeds (1987), Prancer (1989), Body of Evidence (1993), Rush Hour (1998), and Martin Scorsese's Best Picture winner The Departed (2006). In 2008, Rolston signed on to play Erickson, who comes face to face with Jigsaw's (Tobin Bell) diabolical traps, in the fifth installment of the gore-soaked Saw franchise. Rolston also made television appearances on programs including Touched by an Angel and NYPD Blue.

Trivia: Examples of stunt man Tip Tipping's work can be seen in such major features as Brazil (1985) and all three entries in the Indiana Jones saga. Tipping's life ended when an aerial stunt went awry.

Trivia: Supporting actor, onscreen from the '60s.

Trivia: Upon graduation from the Actor's Studio, Manhattan-born Lance Henriksen spent nearly two decades playing villains. An agreeable-looking fellow offscreen, Henriksen portrayed the foulest of murderers, rapists, perverts, extraterrestrials, and other antisocial types on the stage (Richard III) and screen. He made his first film, It Ain't Easy, in 1972 (although his studio bios list his screen debut as Dog Day Afternoon in 1975), then concentrated his skills on the melodramatic requirements of The Jagged Edge (1985), Johnny Handsome (1989), Jennifer Eight (1992), Dead Man (1995), and many others. In interviews, Henriksen claimed to "live" his parts while portraying them, which, he admitted, was a self-defeating practice. A close friend of director James Cameron, Henriksen posed for Cameron's preliminary character sketches for the robotic antagonist of the 1984 thriller The Terminator. The producers liked the sketches but not Henriksen, and the role instead went to Arnold Schwarzenegger. In compensation, Cameron saw to it that Henriksen was cast as a heroic android in his 1986 film Aliens.In the years that followed Henriksen gained reputation as an actor who could bring compelling nuance to even the most mundane of roles. Moving into the 1990s Henriksen did indeed appear in a number of forgettable films, but the ones that did leave an impression on audience did so with remarkable zeal. From his menacing role as the head of a tribe of nomadic vampires in Near Dark to a tortured portrayal of a vengeful father in Pumpkinhead, Henriksen's colorful characters consistantly elevated what may have been dismissive, two-dimensional players in the hands of a lesser actor. After reprising his role as Bishop in the troubled Alien 3, Henriksen packed heat as an over the top hunter of human's in Hong Kong action film director John Woo's American debut Hard Target. By this point the dedicated actor had earned a reputation for doing whatever it takes to make his characters truly memorable, and a scene in the climactic showdown of Hard Target found him continuing to chew scenery evern after he accidentally caught on fire (a scene that actually made it into the final cut of the film)! Henriksen's role as a cocky gunfighter in director Sam Raimi's The Quick and the Dead proved without question a highlight of his roles from the '90s. In 1996 Henriksen made quite an impression on television audiences as the lead character in producer Chris Carter's shortlived X-Files spin-off Millennium. As a former FBI profiler with a unique gift for peering into the minds of some of the nation's most feared criminals, Henriksen gained his most notable exposure to date and longtime fans ate it up. Unfortunately the series only ran for three seasons and Henriksen was back to his old bag of tricks in a seemingly undending series if B-movies. It certainly appeared as if Henriksen was becoming less choosy with his roles, and though the integrity he would bring to those roles generally helped him to stay afloat in a sea of forgettable efforts, it appeared as if the waters were finally threatening to overtake him. While it was indeed a relief to see Henriksen back on the big screen in Scream 3, there was little even he could do to make The Mangler 2 more watchable. Fortunately during this period, actors were becoming more prominant in video games, and Henriksen's distinct voice lent notable atmosphere to such efforts as Red Faction II and Four Horsemen of the Apocolypse. Henriksen's role in the suprisingly agreeable horror sequel Mimic: Sentinel helped to lend the movie some weight even if his actual screentime amounted to a little more than ten minutes, and if a wince of pain could be heard following the announcement of his involvement in Hellraiser: Hellworld fans could at least hold out hope for a return to the franchise that helped to launch his career in the long-anticipated Alien vs. Predator. Unfortunately, it didn't, though Henrickson continued to enjoy success in voice roles, among them including When a Stranger Calls (2006), a teen horror film in which he voiced the role of a serial killer who stalks his victims over the phone before hunting them down, and Superman: Braniac Attacks, in which he voiced the character of Brainiac (2006). Henrickson took on a starring role in Abominable (2006), which followed the effort to save a group of girls from death by Yeti. 2007 was another busy year for the actor, who worked in a slew of horror films including Pumpkinhead: Blood Feud and The Seamstress, as well as the crime thriller Bone Dry. In 2008 he joined the cast of Pistol Whipped, an action thriller following a down-and-out man hired to kill a notorious gangster. In 2011 he worked alongside Lauren Holly in Scream of the Banshee, another supernatural horror, and played Henry Gale in The Witches of Oz (2011), a fantasy adventure following the tales of an adult Dorothy Gale battling to keep the Wicked Witch of the West from crossing into her reality.