Trivia: Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher. Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films. Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars. After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner. After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression. The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. Martin would remain a vital comedic actor in the years to come, appearing in films like Baby Mama and It's Complicated.

Trivia: After rising to fame in a series of hit Woody Allen comedies, Diane Keaton went on to enjoy a successful film career both as an actress and as a director. Born Diane Hall on January 5, 1946, in Los Angeles, she studied acting at Manhattan's Neighborhood Playhouse School of the Theater and in 1968 understudied in Hair. On Broadway she met actor/director Allen and appeared in his 1969 stage hit Play It Again, Sam. In 1970, Keaton made her film debut in the comedy Lovers and Other Strangers and rose to fame as the paramour of Al Pacino's Michael Corleone in the 1972 blockbuster The Godfather. That same year, she and Allen -- with whom Keaton had become romantically involved offscreen -- reprised Play It Again, Sam for the cameras, and in 1973 he directed her in Sleeper. The Godfather Part II followed, as did Allen's Love and Death. All of these films enjoyed great success, and Keaton stood on the verge of becoming a major star; however, when her next two pictures -- 1976's I Will, I Will for Now and Harry and Walter Go to New York -- both flopped, she returned to the stage to star in The Primary English Class.In 1977, Allen released his fourth film with Keaton, Annie Hall. A clearly autobiographical portrait of the couple's real-life romance, it was a landmark, bittersweet, soul-searching tale which brought a new level of sophistication to comedy in films. Not only did the film itself win an Academy Award for Best Picture, but Keaton garnered Best Actress honors. That same year, she also headlined the controversial drama Looking for Mr. Goodbar. Two more films with Allen, 1978's Bergmanesque Interiors and the 1979 masterpiece Manhattan followed; however, when the couple separated, Keaton began a romance with Warren Beatty, with whom she co-starred in the 1981 epic Reds; she earned a Best Actress nomination for her work in Beatty's film. Continuing to pursue more dramatic projects, she next co-starred in 1982's Shoot the Moon, followed by a pair of box-office disappointments, The Little Drummer Girl and Mrs. Soffel. The 1986 Crimes of the Heart was a minor success, and a year later she made her directorial debut with the documentary Heaven. Keaton's next starring role in the domestic comedy Baby Boom (1987) was a smash, and after close to a decade apart, she and Allen reunited for Radio Days, in which she briefly appeared as a singer. Upon starring in 1988's disappointing The Good Mother, she began splitting her time between acting and directing. In between appearing in films including 1990's The Godfather Part III, 1991's hit Father of the Bride, and 1992's telefilm Running Mates, she helmed music videos, afterschool specials (1990's The Girl with the Crazy Brother), and TV features (1991's Wildflower). She even directed an episode of the David Lynch cult favorite Twin Peaks. After stepping in for Mia Farrow in Allen's 1993 picture Manhattan Murder Mystery, Keaton essayed the title role in the 1994 TV biopic Amelia Earhart: the Final Flight and in 1995 made her feature-length directorial debut with the quirky drama Unstrung Heroes. After co-starring with Bette Midler and Goldie Hawn in the 1996 comedy smash The First Wives Club, she earned another Oscar nomination for her work in Marvin's Room. In 1998, Keaton starred in The Only Thrill and followed that in 1999 with The Other Sister. She subsequently stepped into another familial role in 2000's Hanging Up with Meg Ryan and Lisa Kudrow. Despite participating amongst a star-studded cast including veterans Goldie Hawn, Garry Shandling, Charlton Heston, and Warren Beatty, 2001's Town & Country was not particularly well-received among audiences or critics. In 2003, Keaton played Jack Nicholson's love interest in director Nancy Meyers's Something's Gotta Give (for which she received a Best Actress Oscar nomination) and executive produced director Gus Van Sant's avant-garde Elephant), which won Best Director and Golden Palm awards at the 2003 Cannes Film Festival. Keaton would spend the ensuing years appearing frequently on screen in films like Because I Said So, Mad Money, and Darling Companion.

Trivia: The son of a steel-executive father and concert violinist mother, Ontario native Martin Short attended McMasters University, where he graduated in 1972 with a degree in social work. If you haven't spotted Short at your local youth center or settlement house, it's because he decided to pursue a performing career, encouraged by his fellow McMasters classmates Eugene Levy and Dave Thomas. Making his professional debut in a 1973 Toronto production of Godspell, Short joined Levy and Thomas at the Second City improv troupe in Edmonton, Alberta in 1977. Two years later, Short made his first film, Lost and Found, and also co-starred on the critically lauded but little-seen American sitcom The Associates. It was while appearing on SCTV Network 90 from 1982 through 1983 and Saturday Night Live from 1984 through 1985 that Short attained stardom with such distinctive comic characterizations as supercilious showbiz promoter Jackie Rogers Jr. and pointy-headed nerd Ed Grimley (this last-named character was spun off into an amusing Saturday morning cartoon series in 1989). He also scored big yocks with his devastating, dead-on impressions of such icons as Jerry Lewis and Katharine Hepburn (a lifelong Jerry Lewis fan, Short was invited to join Lewis as co-host of a cable-TV Martin and Lewis retrospective in 1993; he has yet to share the spotlight with the real Ms. Hepburn). Though an extremely likeable screen presence, the puckish Short has, like many of his Second City brethren, frequently been cast in films far beneath his talents, hitting bottom with 1994's Clifford. Happily, he has been extremely well-served in such films as Three Amigos (1986), Innerspace (1989), and the 1992 remake of Father of the Bride, in which he had an unbearably funny cameo as epicene wedding planner Franck Eggelhoffer. In 1993, Short made his Broadway debut, assuming the old Richard Dreyfuss role in a musical adaptation of the 1977 film The Goodbye Girl. The following year, Martin Short had another go at television, headlining the weekly (but not for long) Seinfeld rip-off The Martin Short Show. Subsequently donning a fat suit as Jiminy Glick in the Comedy Central talk-show parody Primetime Glick, Short skewerd Hollywood ni a way that only an insider could and in 2004 the character took the lead in his own feature -- Jiminy Glick in Lalawood. Meanwhile, guest appearances on Curb Your Enthusiasm, Arrested Development, Damages, Weeds, and How I Met Your Mother kept him busy as ever. Beginnig in 2010, Short voiced The Cat in the Hat in the popular PBS Kids series The Cat in the Hat Knows a Lot About That!, and in 2012 he essayed a variety of wacky characters in the musical comedy I, Martin Short, Goes Home, which found him reunited with a number of his former SCTV co-stars including Joe Flaherty and Eugene Levy.

Trivia: One of the Culkin clan of child actors, Kieran Culkin emerged from older brother Macauley Culkin's considerable shadow in the late 1990s. Born and raised in New York, Culkin made his movie debut playing his sibling's cousin in the blockbuster family comedy Home Alone (1990). Along with returning for the sequel Home Alone 2: Lost in New York (1992), Culkin bolstered his presence as a cute foil playing Steve Martin's young son in Father of the Bride (1991) and Father of the Bride Part II (1995). Despite his parents' well-publicized custody battle over their acting brood in the mid-1990s, Culkin continued to work steadily, finally graduating to starring status in The Mighty (1998). As a physically challenged boy who forms a deep bond with an illiterate classmate, Culkin displayed his dramatic abilities as well as comedic, proving that he could be more than just an adorable face. Culkin followed up his lead turn with prominent supporting roles as another little brother in the teen romantic comedy She's All That (1999), Meryl Streep's teenage son in Music of the Heart (1999), and one of the orphans in The Cider House Rules (1999).After playing at the Sundance Film Festival, The Dangerous Lives of Altar Boys earned strong reviews for Culkin's performance as one of the imaginative, restless Catholic schoolboys grappling with adolescence and dour nun teacher Jodie Foster in the 1970s. A rare teen film with a brain, Altar Boys became an art house success. Delving into the rarified world of the genteel poor, and enhancing Culkin's status as an "alternative" teen lead, Igby Goes Down starred Culkin as the titular alienated son who must deal with harridan mother Susan Sarandon and superficial brother/romantic rival Ryan Phillippe while pondering whether he'll suffer the same fate as his schizophrenic father Bill Pullman.

Trivia: Lead actor, onscreen from the '80s.

Trivia: For his role in the Broadway production of M. Butterfly, talented stage and screen actor B.D. Wong (born Bradley Darryl Wong) would enter into history as the only actor ever to be honored with a Tony, a Drama Desk Award, an Outer Critics Circle Award, a Clarence Derwent Award, and a Theater World Award for a single performance. Proving equally adept onscreen, Wong's memorable early roles in The Freshman (1990) and Father of the Bride (1991) found him simultaneously attempting to break out of the Asian-American cinema stereotype while seeking out roles that would expand his dramatic capabilities. A native of San Francisco whose musical experimentation during his childhood eventually lead to the discovery of acting, Wong's parents were consistently supportive in nurturing his creative energy. Wong worked his way into Bay Area community theater while still a student at Lincoln High School, and his association with the San Francisco Unified School District proved an essential component in developing his skills as an actor. Following his subsequent graduation from San Francisco State University Wong moved to New York City, where he performed in dinner theater and off-Broadway productions. After making his professional bow in a New York Town Hall production of Androcles and the Lion, Wong began to essay small television roles on such series as Simon & Simon and Sesame Street about the time of his feature debut in The Karate Kid II (1986). Soon thereafter, Wong received coaching from Donald Hotton to prepare for his role in M. Butterfly, and following much critical acclaim, Wong slowly gained onscreen momentum with roles in Jurassic Park (1993) and the HBO AIDS-drama And the Band Played On (both 1993). In his constant search to portray original and diverse characters, Wong had a recurring role as Father Ray Makuda on the HBO series Oz. Subsequent performances included roles in Seven Years in Tibet (1997), voice work in the animated Disney film Mulan (1998), and the crime thriller The Salton Sea (2002). Television viewers became acquainted with Wong through his role on Law and Order: Special Victim's Unit.

Trivia: Character actor Richard Portnow has worked steadily in theater, feature films, and on television for many years. On stage, he has appeared both on and off Broadway, as well as in many regional productions, and at London's Royal Court Theatre. Portnow made his feature film debut with a bit part in Susan Seidleman's Desperately Seeking Susan (1985). On television, Portnow has guest starred on many series, including Seinfeld, NYPD Blue, and The Nanny.

Trivia: Actress Barbara Perry began her career in the early 1930s, debuting in the 1933 movie Counselor-at-Law when she was just 10 years old. Her career would really kick into gear some years later, when the blonde beauty reached adulthood, appearing in several films and TV shows throughout the '40s and '50s, like The Thin Man, The Hathaways, and The Dick Van Dyke Show. Perry's filmography would continue to grow as the decades went on, and many would remember her for roles like Doris Williams on The Andy Griffith Show, Mrs. Thompson on My Three Sons, and Mrs. Bentley on Bewitched. She later appeared on shows like Newhart, Married...with Children, and How I Met Your Mother, and in movies like 1991's Father of the Bride, 1997's Just Write, and 2010's The Back-up Plan.

Trivia: A gifted comic actor who also won acclaim as a writer and director, Eugene Levy was born on December 17, 1946, in Hamilton, Ontario, the home of McMaster University, where he enrolled after graduating from Westdale High School in the same city. Levy studied film at McMaster, and, in 1967, became vice president of the McMaster Film Board, a student film group where he met fellow aspiring moviemaker Ivan Reitman. (Other McMaster students at the time included Martin Short and Dave Thomas.) In 1970, Reitman began work on a low-budget horror movie called Cannibal Girls and cast Levy as Clifford Sturges. One of his co-stars was a struggling actress named Andrea Martin, who would later work alongside Levy's old pals Short and Thomas -- as well as John Candy and Joe Flaherty -- on the short-lived Canadian sitcom The David Steinberg Show. Levy and Martin's paths crossed again when they were cast in the Toronto production of the musical Godspell; the cast also included Gilda Radner and Paul Shaffer, in addition to Short, Candy, and Thomas. After Godspell closed in 1973 (just in time for the long-delayed Cannibal Girls to finally hit the grind-house circuit), Levy joined the Toronto company of the famed improvisational Second City comedy troupe, in which Candy and Flaherty were already cast members. After two years as a part of Second City, Levy, Candy, and Flaherty decided to move to California to try their luck in the States; they didn't fare well at first, but their idea for a television series about a ramshackle, low-budget television station eventually blossomed into Second City TV, or (SCTV, for short). While the show, ironically, brought Levy and his friend's back to Toronto (where it was shot), it also became a solid hit in Canada and developed a loyal cult following in the U.S., and, moreover, launched the careers of Levy, Flaherty, Thomas, Candy, Short, Martin, and Catherine O'Hara in America. (After SCTV's initial run ended in 1981, NBC brought the show back in an extended version called SCTV Network 90, which featured a higher budget, more guest stars, and ran until 1983. Levy also won two Emmy awards as a member of the show's writing staff.) Levy and Candy also created an acclaimed spin-off from the show based around their characters of polka musicians Stan and Yosh Shmenge, a 1984 cable special entitled The Last Polka. By the mid-'80s, Levy had become a familiar face on both episodic television and in movies, albeit almost always in comic supporting roles. In 1989, he began working behind the camera again, directing a special for his old partner Martin Short, and, in 1992, made his feature directorial debut with the John Candy/Jim Belushi comedy Once Upon a Crime. In 1996, however, Levy scored a bigger breakthrough when he and Christopher Guest began writing a screenplay for a mockumentary about a small town theater troupe. Waiting for Guffman became a surprise hit and gave Levy a meaty comic role as stage-struck dentist Allan Pearl. In 1999, the actor won another high-profile success with the blockbuster hit American Pie, in which he played the understanding but terminally non-hip father of hormonally charged teenager Jim (Jason Biggs); Levy reprised the role in the 2001 sequel American Pie 2 and again in 2003's American Wedding. Levy and Guest teamed up again in 2000 for the comedy, Best in Show, for which the two received a Best Screenplay nomination from the Writers Guild of America. He and Guest also co-wrote and starred in another 2003 mockumentary, A Mighty Wind, a parody about '60s folk musicians who reunite for a tribute concert several years after their heyday.For a few years after, it began to look as if Levy's primary occupation was reprising his role as Jim's dad in a series of lackluster, straight-to-video American Pie sequels -- with appearances in high profile films like A Night at the Museum: Battle of the Smithsonian and Ang Lee's Taking Woodstock becoming few and far between. In 2011, however, the comedy veteran received the prestigious distinction of being appointed a Member of the Order of Canada -- one of the nation's highest civilian honors -- before rejoining his former SCTV castmates in the made-for-television movie I, Martin Short, Goes Home, serving up a slice of nostalgia in American Reunion, and appearing opposite Tyler Perry in the 2012 comedy Madea's Witness Protection.