Trivia: Actor Steve Guttenberg, trained at New York's High School of the Performing Arts, Julliard and the Actors Studio, was already a professional as a teenager, making his off-Broadway debut in a revival of The Lion in Winter. In 1976 he was first seen before the cameras in the made-for-TV Something for Joey. The following year, he made his big-screen bow in The Chicken Chronicles, and within three years was starring in his own weekly TV series, Billy (he was subsequently top-billed in the bizarre 1982 summer-replacement weekly No Soap, Radio. After a flurry of excellent film roles--the foredoomed Barry Kohler in Boys from Brazil (1978), football-obsessed groom-to-be Eddie in Diner (1982), etc.--Guttenberg settled into workaday parts. He seemed to have a propensity for getting involved in film series: he was seen as Michael Kellan in both 3 Men and a Baby and 3 Men and a Little Lady, Jack Bonner in the two Cocoon films, and Mahoney in the first four Police Academy entries. In 1991, Steve Guttenberg made his belated Broadway debut in Prelude to a Kiss. In the decades to follow, Guttenberg would appear in films like Home Team, Domino One, Fatal Rescue, and A Novel Romance, as well as a memorable arc on the cult hit series Veronica Mars. He would also appear on Dancing with the Stars.

Trivia: Trained at the Hagen-Bergdorf studio, actor Daniel Stern hopscotched between stage and films during his first professional years, appearing on Broadway in Sam Shepard's True West and making his movie debut as Cyril in Breaking Away (1979). Biding his time with bits in such films as Stardust Memories (1980) and One Trick Pony (1980), Stern enjoyed a career breakthrough in the role of obsessive record collector Shrevie in Barry Levinson's Diner (1982). While he has been seen in a number of major roles since then, Stern is most fondly remembered for his portrayal of Marv, the Larry Fine-like burglar in the two Home Alone flicks of the early 1990s, and as cowboy wannabe Phil Berquist in Billy Crystal's City Slickers films. Stern's TV contributions include the role of Joey Nathan on the shortliver 1985 weekly Hometown, and a longer stint as the adult Kevin Arnold, the never-seen narrator of The Wonder Years (1989-92). Having previously directed several Wonder Years installments, Daniel Stern made his feature-film directorial bow with the 1993 baseball fantasy Rookie of the Year, and in 1995 functioned as both star and producer of the theatrical feature Tenderfoot. He went on to appear in Celtic Pride, the TV series Regular Joe, A Previous Engagement, and he played Drew Barrymore's father in her directorial debut Whip It.

Trivia: Mickey Rourke originally aspired to careers as a pro baseball player and - later - a championship boxer, but did a 180 away from the ring and cut his chops as an actor instead. Rourke launched his career with small roles in 1941 (1979) and Heaven's Gate (1981) before gaining broader notice as a pyro expert in Body Heat (1981) and one of the raunchier leads in Barry Levinson's Diner (1982). He followed with admirable work in Rumble Fish (1983) and The Pope of Greenwich Village (1984), and gave a bravura performance as fanatically determined police captain Stanley White in Year of the Dragon (1985). When the film was slammed by critics, Rourke defended director Michael Cimino and snubbed all interview requests. He immediately gained a reputation as a perfectionist, agreeing only to work with directors and on projects that met with his high standards. His 1987 performances in Angel Heart, A Prayer for the Dying, and Barfly attest to this, but starring roles in Adrian Lyne's infamous 9 1/2 Weeks (1986) and Zalman King's Wild Orchid (1990) gave him a "Eurotrash" taint, only enhanced by his hot temper and maverick nature. These qualities, however, while career poison in the U.S., did nothing to hurt Rourke's reputation in France, where filmgoers adored him.From the late '80s through the early '90s, the career of this disillusioned actor with the potential of Robert De Niro spiraled down, down, down, with his co-starring appearance in Harley Davidson and the Marlboro Man (1991) just one nadir. He wrote, produced, and starred in Homeboy (1988), a film about a near brain-dead prize fighter. It skipped theatrical release and went straight to home video. The masochistic connection between this film and Rourke's subsequent resumption of his boxing career (from 1991-1994) was undeniable, though he continued to appear sporadically in small films and supporting roles. In 1997, Rourke reprised his role as an s&m fetishist in Another 9 1/2 Weeks, a virtual remake of the original, only sans the redeeming presence of Kim Basinger. Although Rourke's career consisted primarily of direct-to-video titles for several years, he had enough friends and respect among his contemporaries that he hung on to his rebound potential, and his small role in Francis Ford Coppola's 1997 adaptation of John Grisham's The Rainmaker marked something of a comeback. The following year, Vincent Gallo, an unapologetic fan of Rourke's, cast him as the antagonist in Gallo's directorial debut, Buffalo '66; the long-dormant Terrence Malick also cast Rourke in his critically-worshipped Thin Red Line (1998), but Malick excised the actor's scenes from the final cut, probably to reduce the film's whopping length. Rourke showed flashes of his former brilliance in Steve Buscemi's Animal Factory (2000), joined the cast of the Sly Stallone-headlined Get Carter remake that same year, and gave an impressive supporting performance in Sean Penn's police procedural-cum-harrowing study of obsession, The Pledge (2001). Rourke also signed on with director Robert Rodriguez for the third of that helmer's Mariachi films, Once Upon a Time in Mexico, in 2003. As a harbinger of things to come, a powerful creative bond formed between the weathered, iconic Rourke and the tireless director on the Mexico set. In 2005 the duo again teamed for Rodriguez's and Frank Miller's eagerly anticipated big screen adaptation of Miller's Sin City comics. Cast as lovelorn brute Marv, Rourke delivered an impressive performance as an imposing beast of a fellow bent on avenging the death of an angelic prostitute in this stylish noir comic book come to life, which gave him cult status among a new generation of fans. In 2004, Rourke delivered a memorable supporting performance in Tony Scott's Man on Fire alongside Denzel Washington; it marked the first film in a two-picture creative partnership between Scott and Rourke, the second half of which came to fruition with 2005's Domino.2006 saw Rourke appearing in Stormbreaker (co-starring Bill Nighy and Ewan McGregor) with Rourke as the nasty villain opposite Alex Pettyfer's "teen spy" Alex Ryder. Killshot, with Rourke as the hitman who attempts to rub out married Federal Witnesses Diane Lane and Thomas Jane, ended up being sitting on the studio's shelf for nearly three years. The film marked Rourke's first collaboration with Lane since Francis Coppola's critically-championed 1983 cult film Rumble Fish. With the release of 2008's The Wrestler, Rourke pulled off one of the most remarkable career comeback stories of the era. His role as the aging professional grappler Randy "The Ram" earned him the strongest reviews he'd received in over two decades, and secured him his first acting nomination from the Academy as well as a nod from Screen Actors Guild, and he took home the Golden Globe for best actor in a drama. Rourke would enjoy sustained success in the years to follow, appearing in films like Iron Man 2, The Expendables, and Immortals.Rourke was married to Debra Feuer from 1981-89 and Wild Orchid co-star Carre Otis from 1992-1998. Both marriages ended in divorce.

Trivia: Rarely can it be said that an actor is so recognized and of such prominence that a game can be played by connecting him to just about any other celebrity simply through referencing his resumé. Any film buff has most likely participated in a round of Six Degrees of Kevin Bacon, and it's likely that if their opponent was an avid cinephile they came out on the losing end of the match. This should come as no surprise, considering Bacon's extensive and diverse body of work. Born in Philadelphia, PA, in 1958, Bacon received his education at The Circle in the Square (where he became the youngest student to appear in a production) and Manning Street Actor's Theater after leaving home at the age of 18. Two years later, Bacon made his feature debut as the smarmy Chip Diller in director John Landis' beloved frat-house epic Animal House. Following in the next few years with minor roles in such seemingly forgettable films as Hero at Large and Friday the 13th (both 1980), Bacon would re-create his off-Broadway role of a drug-addicted male prostitute in Forty Deuce the same year that he made a memorable appearance as the troubled Timothy Fenwick in Barry Levinson's Diner (1982). Though he had appeared in a few major films and displayed an intriguing range of abilities, it was 1984's Footloose that brought Bacon his breakthrough role. As the big-city boy crusading against the puritanical constraints against dancing imposed by a well-meaning but overbearing fundamentalist minister, Bacon became a teen icon -- an image that, though it propelled him to stardom, would prove difficult to shed. Following Footloose's success with a series of curious failures such as Quicksilver (1986) and White Water Summer (1987), it was on the set of Lemon Sky (also 1987) that Bacon would meet future wife Kyra Sedgwick; the couple exchanged wedding vows the following year. Though he would appear in a few other failed-but-interesting, audience-pleasing thrillers such as Tremors (1989) and Flatliners (1990) in the following years, it was with his role in conspiracy theorist Oliver Stone's JFK (1991) that Bacon found his career revived and began to shed his heartthrob image. Narrowly escaping the Brat Pack trappings of his '80s contemporaries, subsequent roles after JFK may not have all scored direct hits at the box office for Bacon, but audiences were now well aware of his talents and thirsted for more. Bacon would again prove his substantial range in the true story of a brutalized prison inmate opposite Gary Oldman in 1995's Murder in the First. His performance as the disillusioned and broken prisoner, accentuated by his famished and frail skeletal figure, was followed by an equally challenging reality-based role as a member of the troubled Apollo 13 (1995) lunar mission team in director Ron Howard's widely praised film. Proving that he could play sleaze as successfully as slice-of-life, Bacon took a turn for the worse as the sadistic reform-school guard responsible for the rape of a trio of young boys in Sleepers (1996) and as a cop investigating accusations of rape in director John McNaughton's raunchy sex-thriller Wild Things. Bacon's entertaining turn as a receptive father tangled in a mind-bending murder mystery in Stir of Echoes (1999) gained positive reviews, though the intelligent and subtle shocker withered in the shadow of another similarly themed thriller, The Sixth Sense. Though he wasn't visible for the majority of the film, Bacon fell into psychotic territory as the malicious genius consumed by his discovery of the key to invisibility in Paul Verhoeven's sadistic Hollow Man (2000). After an uncredited supporting role in the independent comedy Novocaine, Bacon once again went for the throat in Trapped; and though audiences were generally entertained by the film, it ultimately fell victim to a quick death at the box office due to poor timing (numerous stories of child abductions had been making headlines at the time Trapped was released). Of course with an actor such as Bacon, it was only a matter of time before he once again tackled a substantial dramatic role, and with the release of Mystic River in 2003 audiences found him doing just that. Adapted from the novel of the same name by author Dennis Lehane and directed by Clint Eastwood, Mystic River provided audiences with a brutal, slow-burning study in the effects of violence and the nature of revenge, withBacon's turn as a sympathetic detective playing pitch perfect opposite a mournful performance by Sean Penn. That same year, Bacon showed up in an uncredited role in the Jane Campion thriller In the Cut before taking the lead in the emotional drama The Woodsman.Bacon would continue to work on a variety of projects over the coming years, appearing in everything from the tense period thriller Where the Truth Lies to the ensemble rom-com Crazy, Stupid, Love, to the superhero flick X-Men: First Class. Soon however, the actor found himself hungry for a more substantial project, and he found it with the Billy Bob Thornton directed drama Jane Mansfield's Car in 2012, which found him acting alongside heavyweights like Robert Duvall and John Hurt. In 2013, Bacon turned to television, headlining Fox's drama The Following.In addition to his film work, Bacon has frequently toured with brother Michael, playing upbeat country-folk rock under the alliterate moniker the Bacon Brothers.

Trivia: A descendent of a long line of talented actors including father James and sister Tyne, boyishly handsome screen regular Tim Daly has endured to overcome a post Wings career slump with a successful series of film and television roles. The New York City native first took to the stage in summer stock while studying at Bennington College; he followed graduation with a few seasons at Providence's Trinity Square Repertory and then made his off-Broadway debut in 1984 with Fables for Friends. Daly's film career got off to a healthy start with his role as a young expectant father in Diner (1982), though in the years that followed, the fresh-faced star was relegated mostly to small-screen roles. A Broadway bow opposite Annette Bening in Coastal Disturbances proved that Daly did indeed have the talent to make it as an actor if casting directors could see past his youthful exterior, and with his upcoming role in Wings, the rising star would prove his worth not only at comedy but drama as well. Cast opposite Steven Weber as one of two brothers who own a small Nantucket airline, Daly stayed with Wings through the series' seven-year run (1990-1997). During that time, he also utilized the predictable production schedule as a means to experiment with dramatic roles in a series of memorable made-for-television features. If audiences had pigeonholed Daly as a small-screen lightweight, a role as cult leader David Koresh in In the Line of Duty: Ambush in Waco showed that the versatile actor was capable of much more. Some of Daly's other roles from the mid-'90s may have proved less than memorable, but his vocal contributions to the animated television series Superman (for which he voiced the Man of Steel himself) kept him busy before he landed the role of astronaut James Lovell in the acclaimed HBO miniseries From the Earth to the Moon (1998). As audiences began to realize Daly's talent thanks to memorable parts in Storm of the Century (1999) and an updated version of the television classic The Fugitive, it seemed as if the veteran actor might have finally overcome his youthful outward appearance to command some respect. Though Daly would indeed impress with his role as Dr. Richard Kimble in The Fugitive, the series lasted only one season and it would be two years before he would return to the screen in the made-for-television drama The Outsider. In the years that followed, Daly's film career experienced something of a revival when he was cast in such high-profile releases as Basic (2003) and Against the Ropes (2004). The longtime actor also made his directorial debut in 2004 with the mournful drama Bereft. Daly became well-known for his portrayal of a naturopathic doctor Pete Wilder on NBC's drama series Private Practice. After leaving the show at the end of the 5th season, Daly voiced the character of Superman in Justice League: Doom (2012). This wasn't the first time the actor voiced the legendary superhero; he also worked on the 2010 animated feature Superman/Batman: Apocalypse. Daly maintained his TV roots, with guest arcs on The Mindy Project and Hot in Cleveland, before taking a regular role on Madam Secretary in 2014.

Trivia: Ellen Barkin is one of the most respected, versatile actresses on the screen; she is equally at home playing supporting roles, character roles, and leads -- even as true stardom eluded her. Prior to becoming an actress, Barkin attended the renowned High School for the Performing Arts in New York, studied history and Drama at Hunter College, and attended workshops at The Actors Studio. Barkin debuted on-stage in 1980's Irish Coffee and continued her theater work while appearing the following year in the soap opera Search for Tomorrow. She had roles in various TV movies before making her critically acclaimed film debut as the neglected wife of an obsessive record collector in Barry Levinson's Diner (1982), and subsequently went on to play supporting roles ranging from unhappy wives to white-hot sexpots to a small but vital part as Robert Duvall's troubled daughter in Tender Mercies (1983). Following her appearance in the romantic thriller The Big Easy in 1987, Barkin gained a small but devoted following. While filming the experimental supernatural thriller Siesta (1987), she met her husband, Irish actor Gabriel Byrne, with whom she had two children. (The couple divorced in 1993.) Remaining involved with The Actors Studio when not working, Barkin worked steadily during the late '80s and throughout the '90s -- most notably in Sea of Love (1989) -- and appeared (with Oprah Winfrey) in 1997's Before Women Had Wings, her first TV movie in 13 years. She appeared in Terry Gilliam's adaptation of Fear and Loathing in Las Vegas, as well as the 1999 black comedy Drop Dead Gorgeous. She made a move into indie fare at the beginning of the next decade with parts in Todd Solondz's Palindromes, and Spike Lee's micro-budget drama She Hate Me. She had her most high-profile role in quite some time in 2007 when she was cast in Ocean's Thirteen. Two years later she was in the cop drama Brooklyn's Finest, and two years after that she was the lead in the ensemble dysfunctional family drama Another Happy Day.

Trivia: One of the salutary byproducts of the TV series Seinfeld is that it created a market in the '90s for sitcoms built around the comedy routines of young, hip New York comics. One of the best of these programs was Mad About You, created by and starring Manhattan-born Paul Reiser. Reiser and Seinfeld share more than a similarity of sitcoms; together with comedians Larry Miller and Mark Schiff, they comprise what has been unofficially dubbed the Four Funniest Men in the World Club, which has met for lunch each New Year's Day for the past several years. Reiser's credentials include a degree from S.U.N.Y.-Binghamton, a short stint as a health food distributor, and a 1982 film debut in Diner. Most of his film roles have been in comedies, though he was effectively cast as a greedy space traveler (who comes to a well-deserved bad end) in 1986's Aliens. Reiser has noted that his weekly series Mad About You, in which he co-starred with Helen Hunt, was based on his relationship with his wife, Paula. In 1995, Paul Reiser took a brief respite from Mad About You to star in the "single dad" comedy Bye Bye Love.As the new decade began, and Mad About You came to a close, Resier appeared in One Night at McCool's, and four years later realized a personal dream by co-starring with Peter Falk in The Thing About My Folks, a film Resier co-wrote as well. He was interviewed in The Aristocrats, and appeared as himself in Funny People. In 2011 he masterminded the very short-lived NBC sitcom The Paul Reiser Show.

Trivia: The product of a large, loud Baltimore family, Michael Tucker was fourteen when he first concentrated his excess energy into acting, appearing as a "Lost Boy" in a community theatre production of Peter Pan. On the advice of a high school teacher, Tucker enrolled in the drama department at Carnegie Tech., were he rapidly became one of the prize students. From 1966 through 1976, Tucker played an exhausting variety of roles with such regional companies as the Long Wharf Theater, the Milwaukee Rep and Washington's Arena Stage, supplementing his income as a college acting coach (During his days in Milwaukee, Tucker claimed that he'd previously been the youngest stand-up comedian on the Catskills circuit; then again, he also claimed to be three years younger than he actually was). He made his Broadway bow in a 1976 revival of Trelawny of the Wells. Two years later he began his film career, which gained momentum after his portrayal of restaurateur Bagel in Barry Levinson's Diner (1982) and peaked with solid roles in such Woody Allen films as The Purple Rose of Cairo (1985) and Radio Days (1986). In 1986, Tucker began an eight-season run as Stuart Markowitz on the prime-time TV hit LA Law. The series was produced by Tucker's onetime Carnegie classmate Stephen Bochco, and co-starred Mrs. Tucker, aka actress Jill Eikenberry, who reteamed with her husband in the made-for-TV films Assault and Matrimony (1987) and The Secret Life of Archie's Wife (1990). Outside of LA Law, Michael Tucker's most prestigious TV assignment thus far has been the role of refugee scientist Leo Szilard in Day One, a 1989 docudrama about the Manhattan Project.

Trivia: Studied at the Actors Studio and with Stella Adler, whom he says was the biggest influence in his life. Considers the 1990 action-adventure Delta Force 2 some of his worst work. Has had roles in a number of Darren Aronofsky's films. Imitated some of his mother-in-law's facial expressions for his role as a retired drug-cartel enforcer in Breaking Bad. Doesn't consider himself a character actor, but a "weird-looking romantic lead."

Trivia: A favorite of director Barry Levinson (who once referred to the actor as the his lucky charm), Ralph Tabakin appeared in each of Levinson's films. Theirs was a chance meeting, Tabakin accompanied a group of students to an audition for Diner (1982), Levinson's directorial debut. Born in San Antonio, TX, in 1922, Tabakin was raised in New Orleans, LA, and Richmond, VA. His distinctive features were the result of his World War II tour of duty, that earned him two bronze stars and five purple hearts. Tabakin served as a Federal Aviation Administration engineer following the war, later becoming involved with acting after retirement. Co-founding the Silver Spring Stage and the Maryland Academy of Dramatic Arts, with his wife Madolyn in the late '60s, Tabakin worked in the Washington, D.C. and Baltimore-area theater communities as a director and acting coach, as well as directing the Jewish Community Center of Washington's drama school. After his fateful meeting with Levinson and making his feature debut in Diner, Tabakin appeared almost exclusively in Levinson's films, even taking a recurring role in the director's television creation Homicide: Life on the Street.On May 13, 2000, Ralph Tabakin died of heart disease, in Silver Spring, MD. He was 79.