Trivia: Son of a London stockbroker, British actor Leslie Howard worked as a bank clerk after graduating from London's Dulwich School. Serving briefly in World War I, Howard was mustered out for medical reasons in 1918, deciding at that time to act for a living. Working in both England and the U.S. throughout the 1920s, Howard specialized in playing disillusioned intellectuals in such plays as Outward Bound, the film version of which served as his 1930 film debut. Other films followed on both sides of the Atlantic, the best of these being Howard's masterful star turn in The Scarlet Pimpernel (1934). In 1935, Howard portrayed yet another disenchanted soul in The Petrified Forest, which co-starred Humphrey Bogart as a gangster patterned after John Dillinger. Howard was tapped for the film version, but refused to make the movie unless Bogart was also hired (Warner Bros. had planned to use their resident gangster type, Edward G. Robinson). Hardly a candidate for "Mr. Nice Guy" -- he was known to count the lines of his fellow actors and demand cuts if they exceeded his dialogue -- Howard was nonetheless loyal to those he cared about. Bogart became a star after The Petrified Forest, and in gratitude named his first daughter Leslie Bogart. Somehow able to hide encroaching middle-age when on screen, Howard played romantic leads well into his late 40s, none more so than the role of -- yes -- disillusioned intellectual Southern aristocrat Ashley Wilkes in the 1939 classic Gone with the Wind. In the late 1930s, Howard began dabbling in directing, notably in his starring films Pygmalion (1938) and Pimpernel Smith (1941). Fiercely patriotic, Howard traveled extensively on behalf of war relief; on one of these trips, he boarded a British Overseas Airways plane in 1943 with several other British notables, flying en route from England to Lisbon. The plane was shot down over the Bay of Biscay and all on board were killed. Only after the war ended was it revealed that Howard had selflessly taken that plane ride knowing it would probably never arrive in Lisbon; it was ostensibly carrying Prime Minister Winston Churchill, and was sent out as a decoy so that Churchill's actual plane would be undisturbed by enemy fire.

Trivia: The daughter of a Massachusetts lawyer, American actress Bette Davis matured with a desire to become an actress upon her graduation from Cushing Academy, but was turned away from Eva LeGallienne's Manhattan Civic Repertory in New York. Undaunted, Davis enrolled in John Murray Anderson's Dramatic School, where everyone (including classmate Lucille Ball) regarded her as the star pupil. After a 1928 summer season with director George Cukor's stock company in Rochester, NY (where she worked with future co-star -- and rival -- Miriam Hopkins), Davis went on to Broadway, starring in Broken Dishes and Solid South before Hollywood called. Dazzling on-stage, Davis was signed to a contract by Universal in 1930. After an unimpressive debut in Bad Sister in 1931, however, Davis was out of work, but picked up by Warner Bros. soon thereafter. Davis applied herself with white-hot intensity to becoming a star with that company, and after a major role in the 1932 George Arliss vehicle The Man Who Played God, a star she became. Still, the films at Warner Bros. were uneven, and it wasn't until the studio loaned out Davis to play the bravura role of Mildred in RKO's Of Human Bondage (1934) that the critics began to take notice. An Oscar nomination seemed inevitable for her performance in Bondage, but Davis was let down by Warner Bros., which didn't like the fact that her best appearance had been in a rival's movie, and it failed to get behind her Oscar campaign (although there was a significant write-in vote for the actress). But, in 1935, Davis excelled as a self-destructive actress in the otherwise turgid film Dangerous, and an Oscar was finally hers. And when Warner Bros. subsequently failed to give Davis the top roles she felt she then merited, the actress went on strike and headed for England. She lost a legal battle with the studio and came back, but it acknowledged her grit and talent by increasing her salary and giving her much better roles. In 1939 alone, Davis starred in Dark Victory, Juarez, The Private Lives of Elizabeth and Essex, and The Old Maid. But she didn't get the plum role of the season -- Scarlet O'Hara in Gone With the Wind -- because Warner Bros. wouldn't loan her to David O. Selznick unless Errol Flynn was chosen to play Rhett Butler (a piece of casting both Selznick and Davis violently opposed). But Davis had already had her turn at playing a Southern belle in Jezebel (1938), which won her second a Oscar. As her star status increased in the 1940s, Davis found that it would have to be at the expense of her private life -- she would be married and divorced four times, admitting toward the end of her life that her career came first, last, and always. A fling at being her own producer in 1946 was disappointing, and her contract with Warner Bros. petered out in 1949 with a string of unsuccessful films. Davis made a spectacular comeback in 1950 when she replaced an ailing Claudette Colbert in the role of Margot Channing in the Oscar-winning All About Eve. Though suffering from a bone disease that required part of her jaw to be removed, Davis continued to work in films throughout the '50s; but, in 1961, things came to a standstill, forcing the actress to take out a famous job-wanted ad in the trade papers. In 1962, Davis began the next phase of her career when she accepted the role of a whacked-out former child star in What Ever Happened to Baby Jane? This led to a string of gothic horror films that did little to advance Davis' reputation, but kept her in the public eye. It was also in 1962 that Davis penned her thoughtful and honest autobiography The Lonely Life. Working in movies, TV, on-stage and on one-woman lecture tours into the '70s, Davis may have been older but no less feisty and combative; her outspokenness may have unnerved some of her co-stars, but made her an ideal interview subject for young film historians and fans. In 1977, Davis received a Lifetime Achievement Award from the American Film Institute, an honor usually bestowed upon performers who were retired or inactive. Not Davis. She kept at her craft into the '80s, even after a stroke imposed serious limitations on her speech and movement. Amidst many TV movies and talk-show appearances, Davis gave one last memorable film appearance in The Whales of August (1987), in which she worked with another venerable screen legend, Lillian Gish. Though plagued with illness, Davis was formidable to the end -- so much so that when she died in France at the age of 82, a lot of her fans refused to believe it.

Trivia: Fresh out of the University of Chicago, brunette actress Frances Dee began securing extra roles in Hollywood, and by 1930 was co-starring with Maurice Chevalier (at his personal request) in Playboy in Paris. No winsome lass she, Frances truly came to life in parts calling for headstrong, uninhibited behavior. She was at her all-time best in Blood Money (1933), playing a thrill-seeking socialite with a pronounced masochistic streak. Hollywood saw Frances differently, and persisted in casting her in sedate roles that anyone could have played; it was disheartening, for example, to watch her play straight woman to Clifton Webb in Mister Scoutmaster (1953). Offscreen, Frances Dee was, for nearly sixty years, the wife of film star Joel McCrea, and the mother of actor Jody McCrea. In 2004, Dee passed away due to complications from a stroke.

Trivia: The daughter of a Michigan architect, actress Kay Johnson was on Broadway at age 19, following training at the American Academy of Dramatic Arts. She was lured to Hollywood during the "talkie boom" of 1929. Though she'd established her stage reputation in poised, sophisticated roles, Johnson's earliest film appearances were a pair of ridiculous, risible leading-lady assignments in Cecil B. DeMille's gloriously goofy Dynamite (1929) and Madam Satan (1930). While she enjoyed a handful of major roles in the 1930s (notably in 1934's Of Human Bondage, directed by her first husband John Cromwell), Johnson had to settle for second leads and supporting parts for most of her film career. After 10 years' retirement, Kay Johnson made one final screen appearance in the 1954 western Jivaro.

Trivia: British actor Reginald Owen was a graduate of Sir Herbert Beerbohm Tree's Academy of Dramatic Arts. He made his stage bow in 1905, remaining a highly-regarded leading man in London for nearly two decades before traversing the Atlantic to make his Broadway premiere in The Swan. His film career commenced with The Letter (1929), and for the next forty years Owen was one of Hollywood's favorite Englishmen, playing everything from elegant aristocrats to seedy villains. Modern viewers are treated to Owen at his hammy best each Christmas when local TV stations run MGM's 1938 version of The Christmas Carol. As Ebeneezer Scrooge, Owen was a last-minute replacement for an ailing Lionel Barrymore, but no one in the audience felt the loss as they watched Owen go through his lovably cantankerous paces. Reginald Owen's film career flourished into the 1960s and 1970s. He was particularly amusing and appropriately bombastic as Admiral Boom, the cannon-happy eccentric neighbor in Disney's Mary Poppins (1964).

Trivia: The last in a long line of British actors, Reginald Denny left school at 16 to enter the family trade. His first important assignment was the role of Prince Danilo in a travelling company of The Merry Widow. He first came to the U.S. in a 1912 production of Quaker Girl, then returned to England to star in musical productions. After World War I service as a Lieutenant in the 112th squadron of the British Flying Corps, Denny appeared in several Broadway productions and made his film bow at the New Jersey-based world film studios. Hired on the basis of his finely tuned physiques, Denny starred in Universal's boxing short-subject series The Leather Pushers before being promoted to features. During the 1920s, Denny was one of Universal's most popular stars, headlining a series of frothy domestic comedies, most of which co-starred Laura LaPlante and were directed by William A. Seiter. In talkies, Denny's British accent made it difficult for him to continue in the "all-American" roles he'd been playing at Universal, but he continued to flourish as a character actor, showing up in everything from Romeo and Juliet (1936) to Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1937). He also played the "silly ass" second lead of Algy in several Bulldog Drummond "B" pictures. Since his World War I experience, Denny remained active in aviation; he was a pioneer in the field of radio-controlled aircraft. In fact, the U.S. Navy prototype radio aircraft TDD was named in his honor (the initials stood for Target Drone Denny). A busy actor on films and television into the 1960s, Reginald Denny returned to Broadway in 1958 to replace Robert Coote as Col. Pickering in My Fair Lady.

Trivia: A busy child actor in his native London, Reginald Sheffield was 12 years old when he made his film debut in 1913. Sheffield's later movie credits included the starring role in the 1923 version of David Copperfield. Moving to Hollywood in 1929, he was unable to secure leading parts, but kept active as a character actor until his death in 1957. His more memorable Hollywood roles included Secretary of War Newton Baker in Wilson (1945), President Ulysses S. Grant in Centennial Summer (1946), and Julius Caesar in The Story of Mankind (1957); he also essayed small roles in both versions of De Mille's The Buccaneer. Reginald Sheffield was the father of Johnny Sheffield, who rose to fame as Boy in the Tarzan films of the 1930s and 1940s, and who later starred in Monogram's Bomba the Jungle Boy series.

Trivia: Not to be confused with the present-day film editor of the same name, British actor Pat Somerset had been in the military before making his film bow in the Eve two-reel comedy series of 1918. With his performance in 1928's Hangman's House, Somerset became a "regular" in the non-Western films of director John Ford. His army experience served him well when he was called upon to play British-India officers in such films as Bonnie Scotland (1935) and Wee Willie Winkie (1937). Active in films until 1937, Pat Somerset was one of the charter members (and charter officers) of the Screen Actors Guild.

Trivia: Onscreen from 1912, Australian-born Frank Baker was the brother of that country's foremost silent-screen action hero, Snowy Baker. Like Snowy, Frank settled in Hollywood in the 1920s and embarked on a long career as a stuntman and bit player. Rarely onscreen for more than minutes, Baker later portrayed Major Martling in the 1935 serial The New Adventures of Tarzan, George Davis in Clark Gable's Parnell (1937), Lord Dunstable in That Forsyte Woman (1949), and even General Robert E. Lee in Run of the Arrow (1957). Retiring in the mid-'60s, Frank Baker spent his final years at the Motion Picture Country House and Hospital. He died in 1980 at the age of 88.

Trivia: A dignified if somewhat corpulent British stage veteran, Evelyn Beresford joined the large British contingency in Hollywood during World War II. Usually cast as rather grand dowagers, Beresford was a virtual dead ringer for the aged Queen Victoria, whom she portrayed twice, in Buffalo Bill (1944) and Annie Get Your Gun (1950).

Trivia: The son of a patent medicine manufacturer, American actor Alan Hale chose a theatrical career at a time when, according to his son Alan Hale Jr., boarding houses would post signs reading "No Dogs or Actors Allowed." Undaunted, Hale spent several years on stage after graduating from Philadelphia University, entering films as a slapstick comedian for Philly's Lubin Co. in 1911. Bolstering his acting income with odd jobs as a newspaperman and itinerant inventor (at one point he considered becoming an osteopath!), Hale finally enjoyed a measure of security as a much-in-demand character actor in the 1920s, usually as hard-hearted villains. One of his more benign roles was as Little John in Douglas Fairbanks' Robin Hood (1922), a role he would repeat opposite Errol Flynn in 1938 and John Derek in 1950. Talkies made Hale more popular than ever, especially in his many roles as Irishmen, blusterers and "best pals" for Warner Bros. Throughout his career, Hale never lost his love for inventing things, and reportedly patented or financed items as commonplace as auto brakes and as esoteric as greaseless potato chips. Alan Hale contracted pneumonia and died while working on the Warner Bros. western Montana (1950), which starred Hale's perennial screen cohort Errol Flynn.

Trivia: Busy in films from 1921 to 1949, actress Tempe Pigott was generally cast as gabby cockneys. In the talkie era, she could usually be found playing drunken harridans or slovenly slum landladies. Her larger roles include the excitable Mrs. Hawkins in Dr. Jekyll and Mr. Hyde (1931) and the long-suffering Mrs. Hudson in the 1933 Sherlock Holmes opus A Study in Scarlet (1933). Though her role as Dwight Frye's hateful Auntie Glutz was unfortunately cut from Bride of Frankenstein (1935), Tempe Pigott was well represented in other Universal horror films, notably Murders in the Rue Morgue (1932) and Werewolf of London (1935).