Trivia: Once relegated to decorative parts for years and long acknowledged as the wife of Tom Cruise, Nicole Kidman spent the latter half of the 1990s and the first decade of the new millennium earning much-deserved critical respect. Standing a willowy 5'11" and sporting one of Hollywood's most distinctive heads of frizzy red hair, the Australian actress first entered the American mindset with her role opposite Cruise in Days of Thunder (1990), but it wasn't until she starred as a homicidal weather girl in Gus Van Sant's 1995 To Die For that she achieved recognition as a thespian of considerable range and talent. Though many assume that the heavily-accented Kidman hails from down under, she was actually born in Honolulu, Hawaii, on June 20, 1967, to Australian parents. Her family, who lived on the island because of a research project that employed Kidman's biochemist father, then moved to Washington, D.C. for the next three years. After her father's project reached completion, Nicole and her family returned to Australia.Raised in the upper-middle-class Sydney suburb of Longueville for the remainder of the 1970s and well into the eighties, Kidman grew up infused with a love of the arts, particularly dance and theatre. Kidman took refuge in the theater, and landed her first professional role at the age of 14, when she starred in Bush Christmas (1983), a TV movie about a group of kids who band together with an Aborigine to find their stolen horse. Brian Trenchard-Smith's BMX Bandits (1983) -- an adventure film/teen movie -- followed , with Kidman as the lead character, Judy; it opened to solid reviews. Kidman then worked for the gifted John Duigan (The Winter of Our Dreams, Romero) twice, first as one of the two adolescent leads of the Duigan-directed "Room to Move" episode of the Australian TV series Winners (1985) and, more prestigiously, as the star of Duigan's acclaimed miniseries Vietnam (1987).In 1988, Kidman got another major break when she was tapped to star in Phillip Noyce's Dead Calm (1989). A psychological thriller about a couple (Kidman and Sam Neill) who are terrorized by a young man they rescue from a sinking ship (Billy Zane), the film helped to establish the then-21-year-old Kidman as an actress of considerable mettle. That same year, her starring performance in the made-for-TV Bangkok Hilton further bolstered her reputation. By now a rising star in Australia, Kidman began to earn recognition across the Pacific. In 1989, Tom Cruise picked her for a starring role in her first American feature, Tony Scott's Days of Thunder (1990). The film, a testosterone-saturated drama about a racecar driver (Cruise), cast Kidman as the neurologist who falls in love with him. A sizable hit, it had the added advantage of introducing Kidman to Cruise, whom she married in December of 1990.Following a role as Dustin Hoffman's moll in Robert Benton's Billy Bathgate (1991), and a supporting turn as a snotty boarding school senior in the masterful Flirting (1991), which teamed her with Duigan a third time, Kidman collaborated with Cruise on their second film together, Far and Away (1992). Despite their joint star quality, gorgeous cinematography, and adequate direction by Ron Howard, critics panned the lackluster film.Kidman's subsequent projects, My Life and Malice ( both 1993), were similarly disappointing, despite scattered favorable reviews. Batman Forever (1995), in which she played the hero's love interest, Dr. Chase Meridian, fared somewhat better, but did little in the way of establishing Kidman as a serious actress even as it raked in mile-high returns at the summer box office. Kidman finally broke out of her window-dressing typecasting when Gus Van Sant enlisted her to portray the ruthless protagonist of To Die For (1995). Directed from a Buck Henry script, this uber-dark comedy casts Kidman as Suzanne Stone, a television broadcaster ready and eager to commit one homicide after another to propel herself to the top. Displaying a gift for impeccable comic timing, she earned Golden Globe and National Broadcast Critics Circle Awards for Best Actress. Further critical praise greeted Kidman's performance as Isabel Archer in Jane Campion's 1996 adaptation of Henry James' The Portrait of a Lady. Now regarded as one of the hottest actresses in Hollywood, Kidman starred opposite George Clooney in the big-budget action extravaganza The Peacemaker (1997) and opposite Sandra Bullock in the frothy Practical Magic (1998). In 1999, Kidman starred in one of her most controversial films to date, Stanley Kubrick's Eyes Wide Shut. Adapted from Arthur Schnitzler's Traumnovelle and cloaked in secrecy from the beginning of its production, the film also stars Cruise as Kidman's physician husband. During the spring and summer of 1999, the media unsurprisingly hyped the couple's onscreen pairing as the two major selling points. However, despite an added measure of intrigue from Kubrick's death only weeks after shooting wrapped, Eyes Wide Shut repeated the performance of prior Kubrick efforts by opening to a radically mixed reaction.As the new millennium arrived, problems began to erupt between Kidman and Tom Cruise; divorce followed soon after, and the tabloids swirled with talk of new relationships for the both of them. She concurrently plunged into a string of daring, eccentric film roles much edgier than what she had done before. The trend began with a role in Jez Butterworth's Birthday Girl (2001) as a Russian mail order bride, and Baz Luhrmann's Moulin Rouge (2001), which cast her, in the lead, as a courtesan in a 19th century Paris hopped up with late 20th century pop songs. The picture dazzled some and alienated others, but once again, journalists flocked to Kidman's side.Following this success (the picture gleaned a Best Picture nod but failed to win), Kidman gained even more positive notice for her turn as an icy mother after the key to a dark mystery in Alejandro Amenabar's spooky throwback, The Others. When the 59th Annual Golden Globe Awards finally arrived, Kidman received nominations for her memorable performances in both films. Though it couldn't have been any further from her flamboyant turn in Moulin Rouge, Kidman's camouflaged role as Virginia Woolf in the following year's The Hours (2002) (she wears little makeup and a prosthetic nose), for which she delivered a mesmerizing and haunting performance, kept the Oscar and Golden Globe nominations steadily flowing in for the acclaimed actress. The fair-haired beauty finally snagged the Best Actress Oscar that had been so elusive the year before. Post-Oscar, Kidman continued to take on challenging work. She played the lead role in Lars von Trier's Dogville, although she declined to continue in Von Trier's planned trilogy of films about that character. She swung for the Oscar fences again in 2003 as the female lead in Cold Mountain, but it was co-star Renee Zellweger who won the statuette that year. Kidman did solid work for Jonathan Glazer in the Jean-Claude Carriere-penned Birth, as a woman revisited by the incarnation of her dead husband in a small child's body, but stumbled with a pair of empty-headed comedies, Frank Oz's The Stepford Wives and Nora Ephron's Bewitched (both 2005), that her skills could not save. She worked with Sean Penn in the political thriller The Interpreter in 2005. For the most part, Kidman continued to stretch herself with increasingly demanding and arty roles throughout 2006. In Steven Shainberg's Fur: An Imaginary Portrait of Diane Arbus, Kidman plays controversial housewife-cum-photographer Diane Arbus. Meanwhile, Kidman returned to popcorn pictures by playing Mrs. Coulter in Chris Weitz's massive, $150-million fantasy adventure The Golden Compass (2007), adapted from Philip Pullman's His Dark Materials series of books. She also headlined the sci-fi thriller The Invasion, a loose remake of the classic Invasion of the Body Snatchers. Also in 2007, Kidman teamed up with Noah Baumbach for a starring role as a supremely dysfunctional mother in Margot at the Wedding (2007). The actress then set out to recapture her Moulin Rouge musical success with a turn in director Rob Marshall's 8 1/2 remake Nine (2009), teamed up with indie cause-célèbre John Cameron Mitchell and Aaron Eckhart for the psychologically-charged domestic drama Rabbit Hole (2010), and starred opposite Jennifer Aniston and Adam Sandler in the Dennis Dugan-helmed comedy Go With It (2011). Kidman would spend the next few years continuing her high level of activity, appearing in movies like Trespass and The Paperboy.

Trivia: Possessing a chameleon-like ability to disappear into his characters, which frequently renders him unrecognizable save for his piercing eyes, it's no wonder that Javier Bardem chose to pursue a career as an actor given his family's long history in show business. Always hesitant to play the same type of character twice, the very foundation of Bardem's career is his remarkable ability to so immerse himself in character that audiences never even see the actor. Each role is a transformation that occurs both mentally and physically, and Bardem's hesitance to embrace celebrity culture and make a conscious effort to break into the American market has only served to make him more alluring to stateside filmmakers. Born the youngest member of a family of actors in Las Palmas de Gran Canaria, Canary Islands, Spain, in 1969, Bardem's first role came at the age of six with the film El Picaro (aka The Scoundrel). Bardem was a shy boy who immediately took to acting, and numerous television roles as well as a stint touring with an independent theater company found the young rugby enthusiast increasingly dedicated to the stage. An interest in painting led Bardem to study at Madrid's Escuela de Artes y Officios, but following a series of odd jobs and the realization that he would never develop the skills to become a great artist, he eventually drifted back into acting. Moving into the 1990s, Bardem's collaborations with such filmmakers as Pedro Almodóvar (High Heels [1991] and Live Flesh [1997]) and J.J. Bigas Luna (Jamón Jamón [1992] and Huevos de Oro [1994]) found his popularity as a Spanish screen star growing. Goya-nominated for his performances in both Jamón Jamón and Huevos de Oro, Bardem took home the award for his roles in Dias Contados (1994) and Boca a Boca (1995), and it was becoming increasingly clear that a formidable international talent was emerging. Though some may have regarded Bardem as little more than a beefcake sex symbol due to his steamy early roles, a turning point came with the release of 2000's Before Night Falls. A thoughtful look at the life of Cuban poet and novelist Reinaldo Arenas, Bardem took over the role after Benicio Del Toro abandoned the it, and his physical transformation stunned audiences worldwide. Arenas was an ultimately tragic figure who eventually committed suicide while living in poverty in New York City, and Bardem prepared tirelessly for the role by changing his diet, immersing himself in Arenas' works, and traveling to Cuba to speak with those who knew the writer personally and to learn the Cuban dialect. In addition to drawing the actor international accolades, the role also found Bardem making history as the first Spanish actor ever to be nominated for an Academy Award. Though the offers came flooding in following the success of Before Night Falls, Bardem remained steadfast in his resistance to the Hollywood system. Turning down roles in such blockbusters as The World is Not Enough, it became increasingly obvious that Bardem was indeed sincere in his intentions to remain thoughtful about his career choices. Following his role in actor John Malkovich's directorial debut, The Dancer Upstairs (2002), Bardem's role as an unemployed dockworker in Fernando León de Aranoa's Mondays in the Sun (also 2002) again found the actor drawing praise. Though the film ultimately didn't take home the Oscar for Best Foreign Film, it did net Bardem another Best Lead Actor Goya in addition to being voted Best Film at the awards.In 2004 Bardem joined forces with director Alejandro Amenabar for the euthenasia drama The Sea Inside , earning solid reviews for his work as a man fighting to die with dignity. He bolstered his status as an international leading man with Milos Foreman's Goya's Ghosts in 2006, but the following year would bring Bardem the most substantial praise of his career to that point with his work in the Coen Brothers No Country for Old Men. His portrayal of the remorseless, amoral killer earned him nearly unanimous praise and several year end accolades including the Best Supporting Actor prize from the Screen Actors Guild, the Golden Globes, and the Academy Awards.He followed up the career defining work playing Fidel Castro in Steven Soderbergh's biopic Che, and was a red-blooded Spanish lover in Woody Allen's Vicky Cristina Barcelona. In 2010 he earned rave reviews for his work in Alejandro Gonzalez Inarritu's Biutiful. In 2012 he joined an ever-growing list of actors who have played the bad guy in a James Bond film when he appeared in that capacity in Skyfall.

Trivia: Is bilingual in English and Ukrainian due to her parents' Ukrainian heritage. Became interested in performing at the age of 3 when she participated in a poetry recital. Studied at the American Musical and Dramatic Academy. Made her Broadway debut as Billie Dawn in a stage production of Born Yesterday opposite Jim Belushi. Played Vanda in a 2011 Broadway production of David Ives' Venus in Fur, a role that led to her first Tony award. Named Stage Star of the Year by New York Magazine in 2011. Featured in Forbes' 2011 list of Top 30 Under 30 in entertainment.

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: John Rubinstein was born in Los Angeles in 1946, the same year that his celebrated father, 59-year-old concert pianist Arthur B. Rubinstein, became an American citizen. A fine musician in his own right, John has worked on the scores of such films as The Candidate (1972) and Jeremiah Johnson (1972). The younger Rubinstein is, however, far better known as an actor. He made a well-received Broadway debut in the popular musical Pippin and later co-starred in Children of a Lesser God and A Soldier's Tale. A familiar TV and movie face since 1970, Rubinstein starred in the 1972 theatrical feature Pippin, was featured as Meredith Baxter's ex-husband in the Mike Nichols-produced TV series Family (1976-1980), and was cast as MGM mogul Irving Thalberg in the 1980 TV movie The Silent Lovers. He was most familiar for his three-season (1984-1986) portrayal of uptight attorney Harrison K. Fox on the tongue-in-cheek private eye weekly Crazy Like a Fox. John Rubinstein is married to actress Judy West.

Trivia: Has the words "Mister Baby" tattooed on her back, which is a reference to a character in the 1989 film Mystery Train. Had her first recurring TV role on the ABC series State of Grace, in which she played a young Jewish girl who has an unlikely friendship with a Catholic girl in 1965 North Carolina. Made her movie debut in the George Clooney film Three Kings, in which her father also had a small role. Had her first kiss, with costar Michael Cera, in a scene of the Fox show Arrested Development. Has been vocal about her disappointment with how Fox handled Arrested Development, claiming that there was little acknowledgment for the show's Emmy wins and too many time-slot changes. Was greeted by a rollerblading Drew Barrymore when she went to the audition for Whip It, although she admitted that she "wasn't very aware that [roller derby] was still going on."

Trivia: Was born on Valentine's Day. Credits an elementary-school theater teacher with inspiring him to act. Played competitive soccer, basketball and ice hockey as a youngster. Has appeared in stage productions of Shakespeare's Much Ado About Nothing, A Midsummer Night's Dream and Two Gentlemen of Verona. Played Chip on the daytime soap opera The Guiding Light. Was waiting tables in New York when he auditioned and landed his role in the ABC sitcom Better With You. Also worked as a barback at a club and a receptionist at a gym. Is a fan of Bill Murray, Harold Ramis, Buster Keaton and Jim Carrey.

Trivia: For fans of the cult-favorite series Arrested Development, Tony Hale's spectacled face is all too familiar. He charmed and terrified a legion of fans as Buster, the most titularly immature of the adult siblings on the show from 2003 to 2006, but Hale's career has extended far beyond the borders of this one tragically canceled series. He attended the Young Actors Theatre in his home state of Florida, and in 1992 earned a degree in journalism from Alabama's Samford University. He went on to earn his master's from the School of Communication and the Arts at Regent University in Virginia before moving to New York to begin his professional acting career. In addition to various TV appearances, Hale filled out his résumé in these early years with commercials, including an iconic ad for Volkswagen in which he enthusiastically lip synced to "Mr. Roboto" by Styx from the front seat of a VW Golf. He also helped found a Christian ministry called the Haven, which is geared toward artistically minded parishioners. In addition to Arrested Development, Hale has appeared in other major films and TV shows like Stranger Than Fiction and Unaccompanied Minors. Appearances on such popular shows as Chuck, Numb3ers, Community, Justified, and Veep made him something of a small screen staple following the cancellation of Arrested Development, and in addition to his many live-aciton roles, Hale has also lent his distinctive voice to animated features like 2008's The Tale of Despereaux.

Trivia: Making her stage bow at age five in a community production of Alice in Wonderland, Linda Lavin spent the next ten years studying piano under the watchful eye of her stage mother. After majoring in theater arts at William and Mary College, Lavin appeared in stock in New Jersey, then weathered the chorus-audition rounds in New York, making her off-Broadway debut in a 1960 revival of Oh, Kay (1960). Two years later, she reached Broadway in A Family Affair. She went on to play Lois Lane (a la Ethel Merman) in the short-lived 1965 Broadway musical It's a Bird...It's a Plane...It's Superman, and when that show folded she starred in the off-Broadway production Wet Paint, which earned her a Theatre World Award. The musicomedy review The Mad Show followed, then Lavin was selected by director Alan Arkin to play Patsy Newquist (one of her favorite roles, and one that earned her the New York Critics' Outer Circle Award) in Jules Feiffer's Little Murders (1968). She subsequently played all the female roles in 1969's Cop-Out (another of her favorites) and Elaine Navazio in Neil Simon's Last of the Red Hot Lovers. From 1968 onward, Lavin made periodic trips to Hollywood. Her work as detective Janice Wentworth during the 1975-76 season of TV's Barney Miller led to a supporting role in the pilot episode of the proposed series Jerry. CBS nixed Jerry but signed Lavin to a development deal, which of course developed into her ten-season (1976-85) hitch as waitress Alice Hyatt in the popular sitcom Alice. Recalling that her counterpart in the 1975 film Alice Doesn't Live Here Anymore was an aspiring singer, Lavin inked her Alice contract on the assumption that the producers would permit her to sing--which they did, on practically every other network program except Alice. Returning to Broadway after her series folded, Lavin won a Tony award for her performance in Neil Simon's Broadway Bound, and also starred in Gypsy and The Sisters Rosensweig. She also made a brief return to TV as Edie Kurland in the one-season comedy Room for Two (1992). Linda Lavin was at one time married to actor Ron Leibman.

Trivia: An alumnus of Eastern New Mexico University, American actor Ronny Cox received one the best early film showcases an actor could ask for. In 1972, he was cast as one of the four unfortunate rafters in Deliverance; it was Cox who engaged in the celebrated "dueling banjos" sequence with enigmatic albino boy Hoyt J. Pollard. Two years later, Cox found himself in Apple's Way, a homey TV dramatic weekly described as a "modern Waltons". Most of his subsequent roles were in this benign, All-American vein--and then Cox shocked his followers by portraying Jerry Rubin in the 1975 PBS TV drama The Trial of the Chicago Seven. During this telecast, Cox became one of the first (if not the first) actors to mouth a now-familiar expletive of disgust on American television. As his physique thickened and his hairline thinned in the 1980s, Cox was much in demand in films as a corporate villain, notably in Paul Verhoeven's Robocop (1984) and Total Recall (1990). The flip side of this hard-nosed screen image was his portrayal of the apoplectic but scrupulously honest police chief in Eddie Murphy's Beverly Hills Cop films.

Trivia: Son of writer-director Howard Franklin, he began working on film sets at the age of 17. Worked as an assistant to magician-actor Ricky Jay and producer Stuart Cornfeld. Received an award for excellence from the Stella Adler Studio of Acting. Had recurring roles on New Girl, Veep and black-ish at the same time in 2016.

Trivia: Clark Gregg has spun a successful career on the New York stage into a growing profile in motion pictures and television as an actor, writer, and director. Clark Gregg's career as an actor began when he was a student at New York University, where he became a protégé of noted playwright and director David Mamet. Mamet cast Gregg in his first film role -- a small part in 1988's Things Change -- and that same year he made his off-Broadway debut in Howard Korder's play A Boy's Life. With Mamet's help, Gregg co-founded the esteemed Atlantic Theater Company in New York in the late '80s, and in 1990, Gregg made his Broadway debut in Aaron Sorkin's drama A Few Good Men. Through the 1990s, Gregg gave a number of strong supporting performances in such films as Clear and Present Danger, The Usual Suspects, and Magnolia, with Gregg earning a Best Supporting Actor nomination at the Independent Spirit Awards for his striking turn as a transsexual in the independent feature The Adventures of Sebastian Cole. In television, Gregg scored recurring roles on the shows The Commish and Sports Night, as well as guest appearances on Sex and the City and The West Wing. And he remained a near-constant presence on the New York stage, earning Outer Critics Circle, Obie, and Drama Desk nominations for his work. Gregg also began directing for the stage, including well-received productions of Mamet's Edmond and Kevin Heelan's Distant Fires. In the late '90s, Gregg developed an interest in screenwriting, and began working on a supernatural thriller in his spare time. As chance would have it, Gregg's script came to the attention of Robert Zemeckis, who was eager to direct a thriller; Gregg's first screenplay became What Lies Beneath, which starred Michelle Pfeiffer and Harrison Ford, and became a major box-office success. He continued to work in a variety of indie and big-budget films including Lovely & Amazing, the Steven Spielberg sci-fi film A.I., Spartan, and In Good Company. In 2006 he landed a recurring role on the well-respected CBS sitcom The New Adventures of Old Christine. He became part of the Marvel universe when he took the part of Agent Coulson in Iron Man, a role he would return to in different comic-book adaptations. He returned to screenwriting and directing with the 2008 adaptation of Chuck Palahniuk's novel Choke. His steady acting career continued with the indie hit (500) Days of Summer and Mr. Popper's Penguins.

Trivia: Has made horror films, but physically can't stand gore on screen.Worked with the famous Steppenwolf Theatre Company.Acting credits include television, movies and theater.Has worked with Martin Scorsese, George Clooney, Julia Roberts, Tom Hanks and Ben Affleck.Best known for his role in Argo (2012).

Trivia: Typically cast as an American everyman -- in many ways, the most challenging of roles to play -- the slightly stocky Hollywood character actor Brian Howe began his career during the mid-'90s, as an occasional guest player on episodes of such series as Law & Order (as a variety of different characters) and the short-lived sitcom The Bonnie Hunt Show (as Sammy Sinatra). Howe re-teamed with the venerable Hunt for a small role in his first feature, which the actress directed: the romantic comedy Return to Me, starring Minnie Driver and David Duchovny. Supporting turns in an uneven series of films ensued, ranging from Iain Softley's ill-advised sci-fier K-PAX (2001) to Steven Spielberg's buoyant comedy drama Catch Me If You Can (2002). Howe received fourth billing on series creator Barry Kemp's short-lived sitcom A Minute With Stan Hooper (2003), then landed a trio of supporting roles in A-listers during 2006: one in the Robin Williams farce RV, another in the Will Smith sudser The Pursuit of Happyness, and a third in Tony Scott's sci-fi actioner Déjà Vu. Clint Eastwood cast him in the 2008 drama Gran Torino. He appeared in the 2011 action film I Am Number Four, and in 2012 Howe appeared as Randy Scheunemann in the made-for-HBO docudrama Game Change.

Trivia: Was previously an NCAA all-conference wide receiver.Worked for Ford Motor Company and McCall's magazines prior to his acting career.First credited role was Ron J Sleek in the 1987 comedy Firehouse.First recurring television role was Lou Carello in the comedy series Kate & Allie from 1988 to 1989.Has lent his voice to various DC animated series, such as Batman Beyond, Teen Titans, Batman: The Brave and the Bold, and Batman vs Robin.

Trivia: Began dancing at age 7. At age 15, won his first IDSF World Championship, the first American ever to do so. Joined Dancing with the Stars in season 13, paired with Elisabetta Canalis. Co-owner, with his brother Maksim and fellow DWTS pro Tony Dovolani, of Dance With Me Dance Studios.