Trivia: Although she initially gained fame for her real-life role as Brad Pitt's girlfriend, Gwyneth Paltrow went on to build a solid reputation as one of the leading actresses of her generation. Repeatedly summoning comparisons to such classic presences as Grace Kelly, the blonde, blue-eyed Paltrow has won acclaim for her parts in a number of films, most notably Shakespeare in Love, for which she won a Best Actress Oscar in 1999.The daughter of actress Blythe Danner and producer/director Bruce Paltrow, Paltrow was born in Los Angeles on September 28, 1972. When she was 11, her family moved to Massachusetts so that her father could direct summer stock productions -- it was there that the actress began to receive theatrical training under her parents' tutelage. Schooled at Manhattan's exclusive Spence School, Paltrow went on to study anthropology at the University of California before deciding to drop out to pursue her acting career. She got her first screen role in the 1991 movie Shout and in the same year she played the young Wendy in Steven Spielberg's Hook.Two years later, Paltrow made her first significant impression with a chilling turn as a young con artist in Flesh and Bone. She went on to minor but memorable roles in Mrs. Parker and the Vicious Circle (1994) and Jefferson in Paris (1995) before earning her first true taste of fame with her part as Brad Pitt's wife in Seven (1995). Unfortunately, she got more attention for her status as the actor's girlfriend than for her work in the film, becoming one of the world's most photographed arm ornaments.However, the actress was able to come into her own the following year with the title role in Douglas McGrath's adaptation of Emma. She won acclaim for her work and her flawless British accent, and the same year she could be seen in two more films: The Pallbearer, with David Schwimmer, and Paul Thomas Anderson's Hard Eight. However, it was not until 1998 -- having broken off her engagement with Pitt the previous year -- that Paltrow became better-known for her acting than for her ability to look good in designer evening gowns. That year, she had starring roles in no less than five films. Although both Hush and A Perfect Murder proved disappointments, and Great Expectations received mixed reviews, Paltrow's two English excursions, the comedy Sliding Doors and John Madden's Shakespeare in Love, netted positive receptions. The latter film drew particular acclaim, eventually winning seven Academy Awards, including Best Picture and Best Actress for Paltrow.The following year, she had the lead in another high-profile project, Anthony Minghella's The Talented Mr. Ripley. Starring opposite Matt Damon, Jude Law, and Cate Blanchett, Paltrow took part in a film that boasted one of the most photogenic collections of young stars that audiences had seen that year and it further enhanced her reputation as one of the most celebrated members of her generation to step in front of a camera. As photogenic as she may be, however, Paltrow's healthy sense of humor would give the delicate actress the gusto she needed to take on the role of a 300-pound object of funnyman Jack Black's affection in the Farrelly brothers' cheerfully offensive Shallow Hal in 2001. With roles in The Anniversary Party, Possession, and Wes Anderson's The Royal Tenenbaums that same year, Paltrow's versatility and popularity showed no signs of waning - even if the subsequent flight attendant comedy View From the Top didn't even climb high enough at the box office to take a nosedive.Of course the failure of View From the Top could not be placed squarely on the shoulders of Paltrow, and given the film's troubled production history it's a small wonder that the film was released at all. If that film had simply been a glazed-over comedy that gave its starlet little chance to shine, Paltrow would close out the year with a commendable and notably heavier performance in Sylvia. A film based on the life of literary legend Sylvia Plath, Sylvia couldn't have been more different than A View From the Top and provided Paltrow with a role she could truly sink her teeth into. Both her performance as well as the film itself fared fairly well through the duration of its limited art-house run, despite the fact that Plath's real life daughter Frieda Hughes publicly denounced the endeavor. The film also provided Paltrow with the opportunity to appear onscreen opposite her real-life mother Danner, who also played her ill-fated character's mother in the film.In the wake of her accolades from Sylvia, Paltrow closed out 2003 by wedding Coldplay singer Chris Martin. The new family would soon expand five months later with the birth of their first child, a girl they bestowed with the unique moniker Apple Martin. But family life didn't slow Paltrow's film career too much. By Autumn she could be seen opposite Jude Law in the sci-fi actioner Sky Captain and the World of Tomorrow, and before the close of the year, audiences could catch her in director John Madden's Proof. Paltrow played a supporting role in the drama Infamous in (2006), and co-starred with Joaquin Phoenix in the 2008 romantic drama Two Lovers. Paltrow appeared in Iron Man (2008) and Iron Man 2 (2011) as the loyal assistant of zillionaire and hero du jour Tony Stark. The actress played a brief but vital role in Steven Soderbergh's Contagion in 2011, and reprised her role of Pepper Potts for the summer blockbusters The Avengers in 2012 and Iron Man 3 in 2013.

Trivia: Possessing the kind of tall, dark good looks that could easily get him mistaken for David Duchovny's British brother, Jeremy Northam has impressed transatlantic audiences as the type of actor who can make everything from giant cockroaches to Jane Austen look sexy.The fourth child of two Cambridge University professors, Northam was born in Cambridge on December 1, 1961. Following his family's move to Bristol in 1972, he got his first taste of the theatrical world when he took a backstage job at a local playhouse. He went on to study English at London University, but after deciding that acting was his true vocation, left school to pursue his career. Drama studies at the Bristol Old Vic Theatre School, a stint as a singing waiter, and a role in the 1987 TV movie Suspicion followed. In 1989, Northam got his first -- albeit unexpected -- big break when, as an understudy in a production of Hamlet, he took over at the last minute for Daniel Day-Lewis, who suffered a nervous breakdown one night during his performance as the title character. Receiving positive notices for his impromptu portrayal, the actor found further acclaim the following year, with his performance as Edward Voysey in the Royal National Theatre's production of The Voysey Inheritance. Northam won an Olivier Award for Outstanding Newcomer for his work, and after appearing in 1992's Wuthering Heights and the 1995 Canadian feature Voices, he traveled to Los Angeles, where he landed a leading role in The Net (1995) within five days of his arrival. Playing Jack Devlin, Northam managed to make a mark on audiences as the charismatic villain who tries to off heroine Sandra Bullock while still finding time to sleep with her. Later that year, the actor appeared as a ne'er-do-well of a different sort, when he played one of Dora Carrington's army of lovers in Carrington. Although his role was essentially limited to a brief maritime seduction of the illustrious lady (played by Emma Thompson), Northam had already landed the considerably more substantial part of Mr. Knightley in Douglas MacGrath's 1996 adaptation of the Austen novel Emma. Starring opposite Gwyneth Paltrow, Northam won both critical praise and the distinction of being that year's thinking woman's luxury import.The following year, the actor played a supporting role in Steven Spielberg's Amistad and then went on to explore completely different territory with a turn as Mira Sorvino's husband in the big-budget giant cockroach thriller Mimic. In 1998, Northam played another married man when he starred as Parker Posey's husband in the romantic comedy The Misadventures of Margaret. He then returned to the world of corsets and BBC English, first as a lawyer in David Mamet's 1999 adaptation of Terence Rattigan's The Winslow Boy and then as An Ideal Husband in Oliver Parker's adaptation of Oscar Wilde's play. Having gotten the gentrified leading man role down to an science, Northam next went in an entirely different direction as a con man forced to pose as accomplice Steve Zahn's gay lover in a small Texas town in Happy, Texas, which had its premiere at the 1999 Sundance Film Festival.

Trivia: One of the most compelling actors of her generation, Toni Collette has enjoyed a career that can only be described as unpredictable. Moon-faced, cat-eyed, and possessing a presence that conveys both dignity and eccentricity, Collette had her breakthrough in P.J. Hogan's hit 1994 comedy Muriel's Wedding. As the film's title character, an overweight, ABBA-loving woman who is obsessed with getting married, the Australian actor earned both critical raves and audience recognition across the globe. She also earned plenty of opportunities to be typecast into similar roles -- particularly as she had gained over 18 kilos to play the part of Muriel -- but managed to skillfully avoid this by appearing in a variety of films that had nothing to do with ABBA, matrimony, or weight issues.Born in Sydney, Australia, on November 1, 1972, Collette became interested in acting as a child. She made her stage debut at the age of 14 in a school production of Godspell, and went on to attend the National Institute of Dramatic Art. Quitting the prestigious school after less than two years in order to work with a talented stage director, she appeared in a number of plays and in 1991 made her screen debut in Spotswood, acting in the company of Anthony Hopkins and a then unheard-of Russell Crowe.Three years later, Collette had her big break with Muriel's Wedding, a sleeper hit in both Australia and the U.S. Following the hoopla surrounding the film's success, the actor appeared in a number of small films, including the 1996 comedy Cosi and Clockwatchers (1997), a poignant office comedy that featured Collette, Lisa Kudrow, Parker Posey, and Alanna Ubach as dissatisfied temps.Recognized by keen-eyed observers as Gwyneth Paltrow's shy friend Harriet in Douglas McGrath's 1996 adaptation of Emma, and as the Angie Bowie-esque wife of a glam rocker in Todd Haynes' much maligned Velvet Goldmined (1998), Collette found her biggest audience to date -- as well as some of her biggest raves -- in M. Night Shalyaman's The Sixth Sense (1999). Cast as the mother of a young boy (Haley Joel Osment) who sees dead people, Collette earned a Best Supporting Actress Oscar nomination for her performance. Unfortunately, she followed the film with Shaft (2000), more or less wasting her talents in the role of a woman who the titular private dick has to save from the bad guys. Collette's talents were put to greater use in the made-for-TV movie Dinner With Friends (2001), which cast her as a woman who breaks up with her husband (Greg Kinnear) after 12 years of marriage. The movie, which also starred Andie MacDowell and Dennis Quaid, won warm reviews, particularly for the strong ensemble work of its four principle actors. Collette's subsequent workload reflected her growing popularity; in addition to Stephen Daldry's The Hours (2001), which she starred in alongside a cast that included Meryl Streep, Nicole Kidman, Julianne Moore, and Ed Harris, she also appeared opposite Hugh Grant in the 2002 adaptation of author Nick Hornby's About a Boy. Collette continued to take on small-scale projects like the Hollywood satire The Last Shot. She co-starred with Nia Vardelos in Connie & Carla, a film that came nowhere close to equaling the sleeper success of Vardelos' My Big Fat Greek Wedding, but did showcase Collette's fine singing voice. The next year Collette gave a strong performance opposite Cameron Diaz in the underappreciated In Her Shoes. 2006 found her stretching both her comedic and dramatic muscles by co-starring in the psychological thriller The Night Listener as well as the sleeper hit independent comedy Little Miss Sunshine opposite Steve Carell and Greg Kinnear.The actress would go on to contiunue her reputation, consistently appearing in critically acclaimed films like The Night Listener, Jesus Henry Christ, The Black Balloon, and Towelhead, in addition to finding a suitable outlet for her talents on the small screen, playing a mother with multiple personalities in the Diablo Cody penned HBO series United States of Tara.

Trivia: The daughter of an English dancer and an Italian painter, Greta Scacchi was born in Milan, Italy, though she was primarily raised in London. Around the age of 15, Scacchi moved with her family to Australia, where she held a series of odd jobs; among the most unique were cowgirl and Italian interpreter. Two years later, Scacchi moved back to London in hopes of establishing an acting career for herself. Her first step was training at the prestigious Old Vic Theatre, to the displeasure of her father, who, by that point, had become estranged from the family. Before long, Scacchi began appearing in small stage productions and commercials, which were enough to snare the attention of filmmaker Dominik Graf, who cast her in the 1982 German thriller Das Zweite Gesicht. Scacchi learned to speak German strictly for the role.For nearly eight years, Scacchi performed almost exclusively for British stage and television productions, though, particularly after her 1984 portrayal of the title role in the TV-movie version of Camille, she was slowly building a fan following within the U.S. It was her role in a modernized Chekhov play, however, that would earn her attention from Hollywood. Her first American film was Presumed Innocent (1990), in which she portrayed the seductive attorney whose liaison with the married Harrison Ford precipitates her rather nasty murder. Two years later, Scacchi could be found at her seductive best opposite Tim Robbins in director Robert Altman's showbiz comedy The Player; she would star in a similarly themed film 11 years later (Henry Jaglom's Festival in Cannes).Despite her success on the big screen, Scacchi continued her work on television rather than pursuing a full-time film career, partly because it provided more opportunities to perform in classic roles -- in addition to co-starring in productions of Macbeth and The Odyssey, the young actress won an Emmy for her performance alongside Ian McKellen and Alan Rickman in Rasputin (1996). Her film roles were generally met with praise; in Emma (1996), Scacchi was held in very high esteem by both critics and co-star Gwyneth Paltrow, though her most significant role came in the film The Red Violin (1998). The Canadian-Italian production was a surprise success, and Scacchi's portrayal of a novelist embroiled in an affair with a British composer (Jason Flemyng) certainly contributed to film's numerous Genie awards (a highly prestigious Canadian film honor) and its Golden Globe win for Best Foreign Film. In 1999, Scacchi appeared in a unique film that took place entirely inside a women's bathroom (the aptly titled Ladies Room), which also featured Lorraine Bracco and John Malkovich. Scacchi continued her international acting career in 2004, when she starred in both Baltic Storm and Sotto Falso Nome.

Trivia: Scottish, versatile, and for a long time underappreciated, Alan Cumming is chameleon-like in both his choice of roles and his ability to inhabit them convincingly. Born January 27, 1965, in Perthshire, Scotland, Cumming studied drama at the Royal Scottish Academy of Music and Drama before embarking on a career that would have its roots on the stage. For years, Cumming worked steadily in the theater as a member of repertory companies, such as the Royal Shakespeare Company. In 1992 he had his film debut in the largely unheard of Prague, which was essentially a historical overview of the city. In 1994 American audiences were introduced to the sound of Cumming's voice thanks to his role as the narrator of Black Beauty, but it wasn't until 1995 (Cumming's other 1994 film, Second Best notwithstanding) that they actually saw him, this time via his small but memorable role as a Russian computer programmer in Goldeneye.Wider exposure followed, thanks to two successful films. The first, Circle of Friends (1995), featured Cumming as Minnie Driver's slimy, unwelcome suitor, and the second, 1996's Emma, saw Cumming playing yet another unwelcome suitor, this time to Gwyneth Paltrow. More sympathetic roles followed in For My Baby, Buddy, and Romy and Michele's High School Reunion (in which he played a sweetly awkward nerd with a crush on Lisa Kudrow), all released in 1997. Work in Spice World came next in 1998, as did the stage role that was to give Cumming critical acclaim, a host of awards, and the wider respect he deserved. That role was Cabaret's Emcee, and Cumming managed to make the character -- previously the sole territory of Joel Grey -- all his own, giving a wickedly delicious performance that was unabashedly dark, sly, androgynous, and altogether terrifying. His performance won him all three New York theater awards: a Tony, a Drama Desk, and an Outer Critics Circle. This triumph resulted in a new range of opportunities for the actor, one of which was the chance to be a part of what was to be Stanley Kubrick's last film, Eyes Wide Shut (1999). Although Cumming's role as a hotel desk clerk was a small one, the actor turned in a sly and insinuating performance that reflected his ability to make the most out of even the most limited opportunities.Cumming was subsequently given almost unlimited opportunities to showcase his flamboyance in Julie Taymor's Titus, her 1999 adaptation of Shakespeare's Titus Andronicus. In his role as the queen's (Jessica Lange) debauched lover, he gave a performance that was as over-the-top and rococo as the film itself, leading some critics to say his portrayal had a little too much in common with a Christmas ham.Fortunately, Cumming surprised critics and audiences alike when he directed, with Jennifer Jason Leigh, The Anniversary Party (2001), a marital comedy-drama that starred him and Leigh as a husband and wife whose anniversary party exposes the many flaws of their fragile marriage. Featuring a cast that included Kevin Kline, Phoebe Cates, Gwyneth Paltrow, John C. Reilly, and Jennifer Beals, the film, which was shot on digital video, earned a fairly warm reception from critics, many of whom praised Cumming for his work both behind and in front of the camera.Cumming took the part of the bad guy in the first Spy Kids movie, a role he would repeat in the film's first two sequels. He also played the evil corporate manipulator in Josie and the Pussycats. He appeared in the musical remake of Reefer Madness in 2004, and that same year voiced a cat in the live action Garfield the movie. He worked steadily in a variety of projects including Gray Matters, Eloise: Eloise in Hollywood, and Dare, but found his biggest critical success on the small screen as part of the cast in the highly-respected CBS drama The Good Wife which began its run in 2009.

Trivia: Ranked among Great Britain's most esteemed stage actresses, Juliet Stevenson also occasionally lends her talent to film and television productions. In film, she received the most acclaim for Truly, Madly, Deeply (1991). A graduate of London's Royal Academy of Dramatic Art, she first made waves in classical theater in the early '80s. She also occasionally worked in more modern productions, such as Ariel Dorfman's Death and the Maiden, for which Stevenson originated the role of the vengeful Paulina. In 1987, Stevenson entered television in the British/American film Helix/The Race for the Double Helix (1987). She followed this up with several feature films, making her American debut co-starring with Gwyneth Paltrow in Emma (1996).

Trivia: Ewan McGregor rocketed to fame over a short period of time, thanks to a brilliant turn as a heroin addict in Trainspotting and the good fortune of being selected by George Lucas and co. to portray the young Obi-Wan Kenobi in the Star Wars prequel Star Wars: Episode I -- The Phantom Menace. Because Menace arrived amid concomitant fanfare and massive prerelease expectations in early summer 1999, McGregor's appearance in the new trilogy drew a whirlwind of media attention and elicited a series of roles in additional box-office blockbusters, launching the then 28-year-old actor into megastardom. Born on March 31, 1971, in the Scottish town of Crieff, on the southern edge of the Highlands, McGregor joined the Perth Repertory Theatre after high school graduation and subsequently trained at the Guildhall School of Music and Drama. His studies at Guildhall led to a key role in Dennis Potter's 1993 Lipstick on Your Collar, a made-for-television musical comedy set during the Suez Crisis. That same year, McGregor received first billing in the British television miniseries Scarlet & Black, an adaptation of Henri Beyle Stendhal's 1830 period novel about a young social climber in post-Napoleonic, late 19th century Europe. McGregor made a well-pedigreed cinematic debut, with a bit part in Bill Forsyth's episodic American drama Being Human (1993), starring Robin Williams. The picture, however, undeservedly flopped and closed almost as soon as it opened, rendering McGregor's contribution ineffectual. The actor continued to turn up on television on both sides of the Atlantic until late 1996; some of his more notable work during this period includes his turn as a beleaguered gunman in an episode of ER and the Cold War episode of Tales From the Crypt, in which he plays a vampiric thief. McGregor landed his cinematic breakthrough role with Danny Boyle's noirish, heavily stylized Shallow Grave (1994). In that film, he essays the role of Alex, a journalist who finds himself in a horrendous position after a murder. He appeared in Carl Prechezer's little-seen British surfing parable Blue Juice (1995) and Peter Greenaway's The Pillow Book (1996) before losing almost 30 pounds and shaving his head for his turn as heroin addict Mark Renton in Trainspotting, his sophomore collaboration with Danny Boyle, which gained the attention of critics and audiences worldwide. McGregor then took a 180-degree turn (and projected unflagging versatility) by portraying Frank Churchill in the elegant historical comedy Emma (1996).McGregor continued to work at an impressive pace after Emma, with appearances in Brassed Off (1996), Nightwatch (1998), The Serpent's Kiss (1997), and yet another project with Danny Boyle, the 1997 fantasy A Life Less Ordinary. (The latter film concludes on a raffish note, with an animated puppet of Ewan McGregor dressed in a kilt that bears the McGregor family tartan). In 1998, the actor signed to appear in the Star Wars prequels. (Lucas' decision to hire McGregor for Obi-Wan in the Star Wars prequels was hardly capricious; his uncle, Denis Lawson, had appeared as Wedge Antilles, decades earlier, in the original three installments of the series.) That same year, McGregor contributed a fine performance to Todd Haynes' Velvet Goldmine, with his portrayal of an iconoclastic, Iggy Pop-like singer during the 1970s glam rock era.As the new millennium dawned, McGregor had a full slate of projects before him, including several for his own production shingle, Natural Nylon, co-founded by McGregor and fellow actors Jude Law, Sean Pertwee, Sadie Frost, and fellow Trainspotter Jonny Lee Miller. Pat Murphy's biopic Nora (2000, co-produced by Wim Wenders' banner Road Movies Filmproduktion and by Metropolitan pictures), represented one of the first films to emerge from this production house. As a dramatization of the real-life relationship between James Joyce and Nora Barnacle, Nora stars McGregor as Joyce and Susan Lynch as the eponymous Nora. The actor stayed in period costume for his other film that year, Baz Luhrmann's Moulin Rouge. Set in 1899 Paris, it stars McGregor as a young poet who becomes enmeshed in the city's sex, drugs, and cancan scene and embarks on a tumultuous relationship with a courtesan (Nicole Kidman). Following a turn in Black Hawk Down (2001), McGregor reprised his role as a young Obi-Wan Kenobi in the eagerly anticipated Star Wars: Episode II -- Attack of the Clones. 2003 saw McGregor taking advantage of an odd quirk. Years prior, a magazine had commented on the uncanny resemblance between the young Scotch actor and the legendary Albert Finney as a young man. In dire need of a twenty- or thirty-something to portray Finney's younger self for his fantasy Big Fish, Tim Burton cast McGregor in the role; he fit the bill with something close to utter perfection. In that same year's erotic drama Young Adam (directed by David Mackenzie and originally screened at the 2003 Cannes Film Festival), McGregor plays one of two barge workers unlucky enough to dredge up the nearly naked corpse of a young woman. The young actor also starred alongside Renée Zellweger, who, fresh from the success of Chicago, played the unlikely love interest of McGregor's preening, sexist Catcher Block in Down With Love, director Peyton Reed's homage to '60s romantic comedies. McGregor returned to the role of Obie-Wan Kenobi once again in 2005 for Star Wars: Episode III -- Revenge of the Sith, the final film in George Lucas' epic saga. That same year, he lent his voice to the computer-animated family film Robots and starred opposite Scarlett Johansson in Michael Bay's big-budget sci-fi actioner The Island. He also secured the lead role of Sam Foster, a psychiatrist attempting to locate a suicidal patient, in Finding Neverland director Marc Forster's follow-up to that earlier hit, the mindbender Stay. Though that picture died a quick death at the box office, McGregor returned the following year as Ian Rider, a secret agent whose assassination sparks the adventure of a lifetime for his young nephew, in Geoffrey Sax's Alex Rider: Operation Stormbreaker. The film only had a limited run in the U.S., and was panned by critics.In late 2006, McGregor once again demonstrated his crossover appeal with turns in two much artier films: Scenes of a Sexual Nature and Miss Potter. The former -- Ed Blum's directorial debut, from a script by Aschlin Ditta -- is an ensemble piece about the illusions and realities in the relationships of seven British couples over the course of an afternoon on Hampstead Heath. The latter -- director Chris Noonan's long-awaited follow-up to his 1995 hit Babe -- is a biopic on the life of the much-loved children's author Beatrix Potter (played by Renée Zellweger). McGregor portrays Norman, her editor and paramour.McGregor was next cast in Marcel Langenegger's 2007 thriller The Tourist as Jonathan, an accountant who meets his dream girl at a local strip club but immediately becomes the prime suspect when the woman vanishes, and is accused of a multimillion-dollar theft. Over the coming years, McGregor would appear in a number of successful films, like Incendiary, Cassandra's Dream, I Love You, Phillip Morris, Amelia, Beginners, and Haywire.McGregor married French-born production designer Eve Mavrakis in 1995, with whom he has three children.

Trivia: With her moony eyes, broad forehead, and chiseled facial features, British actress Polly Walker embodies a direct throwback to an earlier era -- a reincarnation of late '60s glamour goddesses such as Twiggy and Veruschka. Unsurprisingly, she continues to earn frequent comparisons to these mod cover girls in the press. Walker's depth and breadth as an actress, however, arguably far exceed that of her predecessors.Born in 1966, Walker received classical training as an actor with that crème de la crème of acting ensembles, the Royal Shakespeare Company (or RSC). She demonstrated extraordinary versatility in her early Hollywood roles, which included everything from an assassin (in the Harrison Ford-headlined 1992 political thriller Patriot Games) to the coke-snorting, gossip-mad denizen of a Manhattan apartment complex in the Joe Eszterhas-scripted erotic thriller Sliver (1993) -- both for Aussie import director Phillip Noyce. Additional features in which Walker appeared through the end of the 1990s include Restoration (1994), Talk of Angels (1998), and Peter Greenaway's 8 1/2 Women (1999), opposite Amanda Plummer and Toni Collette. Walker earned a whole new generation of fans with her impassioned portrayal of Atia of the Julii in the HBO series Rome (2005-2007), about the evolution of the titular city from Republic to Empire.Walker's resumé also includes a few guest appearances on the series Waking the Dead and a key role in the short-lived thriller series State of Play (both in the U.K.). She was particularly memorable and impressive -- and had an opportunity to draw on her classical roots -- with her portrayal of Lucetta, the epileptic and expectant mistress of Michael Henchard, in the made-for-television Thomas Hardy adaptation The Mayor of Casterbridge (2001). In the years to come, Smith would remain active on screen, appearing on series like Caprica and Prisoners Wives.

Trivia: A respected character actress who is also part of one of Britain's most celebrated show business families, Sophie Thompson has brought life to a bevy of characters on the stage, screen, and television. The daughter of actors Eric Thompson and Phillyda Law, and the younger sister of actress Emma Thompson, Sophie Thompson was born in London in 1962. She began acting at a very young age and had already done TV work by the time she attended the Old Vic Theatre School. Following two seasons with the Old Vic, the actress transferred her talents to the West End for a number of prestigious Shakespearean productions, including Judi Dench's Much Ado About Nothing and Derek Jacobi's Hamlet, as well as countless contemporary works by the likes of Tennessee Williams and Tom Stoppard. Over the course of her stage career, Thompson has earned many honors, most notably two Olivier nominations for Best Supporting Actress for her work in Alan Ayckbourne's Wildest Dreams and Company, and a Clarence Derwent Award for her performance in the former.Onscreen, Thompson has appeared to memorable effect in a variety of films, often stealing the light from her more prominent co-stars. Although she made her film debut in 1982 with an uncredited role as a prostitute in The Missionary, it was not until the 1990s that she began to gain any sort of recognition amongst filmgoers. Thompson did hilarious work in the 1994 hit Four Weddings and a Funeral, playing a bride whose very vocal and energetic wedding night antics cause no end of discomfort for a hapless Hugh Grant. She also provided priceless support in a pair of Jane Austen adaptations, first in Roger Michell's acclaimed 1995 film adaptation of Persuasion, in which she played Mrs. Musgrove, the heroine's disagreeable hypochondriac sister and then in Douglas McGrath's Emma (1996), which saw her play the socially inept Miss Bates. The latter film allowed Thompson to act alongside her mother, who, in no great stretch of casting, portrayed Mrs. Bates, her onscreen mother. Although she has repeatedly demonstrated her comedic ability in a number of films, Thompson is equally well-suited to drama, as she memorably demonstrated in Dancing at Lughnasa (1998), a drama about five close-knit Irish sisters that cast her as a simple-minded and ultimately tragic young woman.

Trivia: An esteemed actress, known both for her portrayals of flinty, dry-witted women and her real-life role as the mother of actresses Emma and Sophie Thompson, Phyllida Law has been acting in her native Britain for over 40 years. Born in Glasgow, Scotland, in 1932 and married to fellow actor Eric Thompson until his death in 1982, Law has spent much of her career working as a character actress both on television and in film. She has done particularly notable work in Douglas McGrath's 1996 adaptation of Jane Austen's Emma, which cast her as the meddlesome Mrs. Bates (and daughter Sophie Thompson as her equally meddlesome daughter Miss Bates); Alan Rickman's acclaimed drama The Winter Guest, in which she and daughter Emma starred as an estranged mother and daughter; and Nigel Cole's Saving Grace (2000), a comedy in which she portrayed the busybody neighbor of a woman (Brenda Blethyn) who has taken to growing pot in her backyard. An accomplished performer on stage, screen, and even radio plays, Law also authored books in which she discussed her experiences caring for her mother, who suffered from dementia, with refreshing, light hearted humor and wit.

Trivia: As the grizzled warrior Campbell in Braveheart, James Cosmo impressed filmgoers worldwide. His impassioned performance made it seem possible that such a man as Campbell really existed 700 years ago, a man who cared so much about his beloved Scotland that he could endure the bite of an English arrow, break it off, and go on fighting with Achillean fury. But it was not only Cosmo's formidable acting skills -- honed in scores of film and television productions dating back to the '60s -- that animated his performance. It was also his real-life love of Scotland. He believes his native country, small as it is, has a thousand and one other stories to tell just as exciting as Braveheart, and he has enlisted himself as actor, producer, and financier to bring them to the movie screen. For example, he singlehandedly engineered a project to construct Scotland's first film studio on a 40-acre site near Inverness. Both novice and experienced filmmakers will be welcome to reserve any of its sound stages. A nearby William Wallace Theme Park, named after the rebel leader depicted in Braveheart, will present reenactments of Wallace's rebellion against England between 1297 and 1305. Cosmo also was the brainchild of a major film project about Scottish poet Robert Burns (1759-1796), a national hero who attracted 30,000 mourners to his funeral. Cosmo selected Edinburgh as the setting, Scottish writer Alan Sharp to pen the script, and Scottish composer Derek William Dick to write an overture. The film, entitled Clarinda, centers on the love affair between Burns and an Edinburgh woman, Agnes Maclehose. Another Scottish writer, the great historical novelist Sir Walter Scott, provided the material for a triumphal Cosmo performance in the TV miniseries Ivanhoe, shown worldwide. Cosmo portrayed Ivanhoe's estranged father, Lord Cedric, with the same fiery spleen of Campbell in Braveheart. However, Cosmo does not perform only in films about the age of the horse and sword. In the critically acclaimed Trainspotting, he played the father of an Edinburgh heroin addict. Cosmo also portrayed a World War II POW in the heralded 2001 film To End All Wars, Mr. Weston in the 1996 Gwyneth Paltrow version of Jane Austen's Emma, and an oil-rig worker in the 1994 TV series Roughnecks. In addition, he was the voice of Thelonius, an orangutan, in Babe: Pig in the City. Cosmo grew up in Clydebank in west central Scotland, where he received an education in a stalwart brick-and-mortar high school while the smell of the sea invaded classrooms and beckoned aspiring young adventurers to set sail for exotic climes. Clydebank was a shipbuilding city; there, craftsmen puzzled together great Cunard liners, including the Queen Elizabeth II. Although Cosmo did not go to sea, he did set sail for a journey through the world of drama. For his outstanding work onscreen and his charitable work off, he received the lifetime achievement award of the Sunday Mail/McEwan's People's Film Festival.

Trivia: British actress Kathleen Byron made her first film Young Mr. Pitt in 1941, shortly after completing her training at the Old Vic. At first a standard-issue ingenue, Byron displayed a dominant willfulness that resulted in roles as schemers and prevaricators. After big-budget films like A Matter of Life and Death (1946) and Black Narcissus (1948) - giving a rivetting performance in the latter as an insane nun - Ms. Byron was consigned to budget-feature films like The Gambler and the Lady (1952) and Profile (1954). She made several pilgrimages to Hollywood in the 1940s and 1950s, but her only American film was MGM's Young Bess (1953), set in England. Kathleen Byron remained in films until the 1980s, though she appeared less frequently and the roles diminished in significance.

Trivia: British actor and theatrical director John Franklyn-Robbins was primarily involved with performing and helming classic theater. He began appearing in his first films in 1949 and continued to do occasional film work through the early '90s. In 1956, he came to radio where he appeared as an actor, a narrator, and a reader. Franklyn-Robbins also worked on television.

Trivia: Only applied to one drama school (Welsh College of Music and Drama) because she didn't believe she'd be accepted - she was. Played Eliza Doolittle in the school's production of My Fair Lady at Porthcawl Comprehensive School. Was going to give up acting, at one point in her career, and retrain to become a solicitor. Gained her Equity card by doing assistant stage manager work as well as appearing as a Teenage Mutant Ninja Turtle in the pantomime Dick Whittington in Porthcawl alongside veteran Welsh entertainer Stan Stennett. Recorded the 2009 Comic Relief single: (Barry) Islands In The Stream, a cover of the 1983 Dolly Parton/Kenny Rogers song, along with Robin Gibb, Tom Jones and Rob Brydon (with Rob and Ruth as their Gavin And Stacey characters, Bryn and Nessa).

Trivia: Won a scholarship to get Oxford Drama School. Is well known for his portrayal of 'baddie' Jez Quigley on Coronation Street. Met his wife on the set of Coronation Street. Likes working in America and hopes to continue his acting career there. Favourite actors include: Gary Oldham, Anthony Hopkins, Meryl Streep and Kenneth Cranham - who he worked with on Rome.