Trivia: Perhaps the actress most widely identified with corsets and men named Cecil, Helena Bonham Carter was for a long time typecast as an antiquated heroine, no doubt helped by her own brand of Pre-Raphaelite beauty. With a tumble of brown curls (which were, in fact, hair extensions), huge dark eyes, and translucent pale skin, Bonham Carter's looks made her a natural for movies that took place when the sun still shone over the British Empire and the sight of a bare ankle could induce convulsions. However, the actress, once dubbed by critic Richard Corliss "our modern antique goddess," managed to escape from planet Merchant/Ivory and, while still performing in a number of period pieces, eventually became recognized as an actress capable of portraying thoroughly modern characters. Befitting her double-barreled family name, Bonham Carter is a descendant of the British aristocracy, both social and cinematic. The great-granddaughter of P.M. Lord Herbert Asquith and the grandniece of director Anthony Asquith, she was born to a banker father and a Spanish psychotherapist mother on May 26, 1966, in London. Although her heritage may have been defined by wealth and power, Bonham Carter's upbringing was fraught with misfortune, from her father's paralysis following a botched surgery to her mother's nervous breakdown when the actress was in her teens. Bonham Carter has said in interviews that her mother's breakdown first led her to seek work as an actress and she was soon going out on auditions.She made her screen debut in 1985, playing the ill-fated title character of Trevor Nunn's Lady Jane. Starring opposite Cary Elwes as her equally ill-fated lover, Bonham Carter made enough of an impression as the 16th century teen queen to catch the attention of director James Ivory and producer Ismail Merchant, who cast her as the protagonist of their 1986 adaptation of E.M. Forster's A Room With a View. The film proved a great critical success, winning eight Oscar nominations, including Best Picture and Best Director. The adulation surrounding it provided its young star with her first real taste of fame, as well as steady work; deciding to concentrate on her acting career, Bonham Carter dropped out of Cambridge University, where she had been enrolled.Unfortunately, although she did indeed work steadily and was able to enhance her reputation as a talented actress, Bonham Carter also became a study in typecasting, going from one period piece to the next. Despite the quality of many of these films, including Franco Zeffirelli's Hamlet (1990) and two more E.M. Forster vehicles, Where Angels Fear to Tread (1991) and Howards End (1992), the actress was left without room to expand her range. One notable exception was Getting It Right, a 1989 comedy in which she played a very modern socialite. Things began to change for Bonham Carter in 1995, when she appeared as Woody Allen's wife in Mighty Aphrodite and then had the title role in Margaret's Museum. Bonham Carter's work in the film prompted observers to note that she seemed to be moving away from her previous roles, and although she still appeared in corset movies -- such as Trevor Nunn's lush 1996 adaptation of Twelfth Night -- she began to enhance her reputation as a thoroughly modern actress. In 1997, she won acclaim for her performance in Iain Softley's adaptation of The Wings of the Dove, scoring a Best Actress Oscar nomination in the process.After playing a woman stricken with Lou Gehrig's disease opposite offscreen partner Kenneth Branagh in the poorly received The Theory of Flight (1998) and appearing with Richard E. Grant in A Merry War (1998), Bonham Carter landed one of her most talked-about roles in David Fincher's 1999 Fight Club. As the object of Brad Pitt's and Edward Norton's desires, the actress exchanged hair extensions and English mannerisms for a shock of spiky hair and American dysfunction, prompting some critics to call her one of the most shocking aspects of a shocking movie. But Bonham Carter was soon gearing up for another surprising turn in director Tim Burton's Planet of the Apes (2001). If critics were shocked by her unconventional role in Fight Club, they would no doubt be left dumbfounded with her trading of extravagant period-piece costumes for Rick Baker's makeup wizardry as the simian sympathyser to Mark Wahlberg's Homo sapiens' plight.Burton would become Bonham Carter's partner both in film and in life, as the two would go on to cohabitate and have children, as well as continue to collaborate on screen. The actress would appear in Burton's films like Big Fish, Charlie and the Chocolate Factory, Alice in Wonderland, Sweeny Todd, and Dark Shadows. Her often spooky personna in Burton's films no doubt helped her score the role of Beatrix Lestrange in the Harry Potter films, but Bonham Carter would also continue to take on more down to earth parts -- though for an actress of Bonham Carter's image, those roles included that of Queen Elizabeth in The King's Speech, and the crazed Miss Havisham in Great Expectations. She played Madame Thénardier in the 2012 adaptation of Les Misérables, and tackled screen icon Elizabeth Taylor in the television movie Burton & Taylor (2013).

Trivia: Though occasional appearances in American feature films (Muppet Treasure Island, Shrek 2) and sitcoms (Roseanne) highlight her resumé, the hyperkinetic and overmodulated British comedian Jennifer Saunders is indelibly associated with two English series programs: the sketch comedy/variety show French & Saunders and the wild sitcom Absolutely Fabulous, which skewers mercilessly the decadent pretension of British haute couture.Born July 6, 1958, in Sleaford, Lincolnshire, England, to a father stationed in the RAF, Saunders, like many children of military families, acquired and honed a sharp sense of humor at a tender age, perhaps as a way to cope psychologically with being constantly shuttled from town to town. In the late '70s, Saunders enrolled as a student in London's Central School of Speech and Drama, where she met and befriended lifelong collaborator Dawn French while studying to become a drama teacher. French suggested that they respond to an advertisement placed in Stage magazine for aspiring comedians, and the success of that audition yielded a regular on-stage sketch-comedy gig at The Comic Strip Club -- alongside Peter Richardson, Rik Mayall, Nigel Planer, and many other established talents. As this list suggests, the preponderance of comedians at that time were male, which set French and Saunders apart from the pack and placed them in Britain's then-burgeoning "alternative comedy" niche. When the Comic Strip team graduated their skits to the eponymously titled BBC program The Comic Strip Presents... in 1982, French and Saunders moved with them; the original run of that program lasted until 1988, with four- and three-year revivals in 1990 and 1998, respectively.Over the next several years, Saunders co-starred in a number of BBC television series comedies, including Happy Families (1985), Girls on Top (which placed her alongside the legendary Tracey Ullman and Ruby Wax), and -- in occasional cameos -- The Young Ones (1982). Then, in 1987, the BBC granted Saunders and French their own sketch comedy program, aptly titled French & Saunders. That program debuted in 1987 and not only broke untold ground for up-and-coming British comediennes but became a massive hit and ran indefinitely. The pair scripted episodes and starred in them.A sketch in the third season of French & Saunders -- done by Saunders during French's brief sabbatical from the program -- inspired Saunders to create a character for a new series: that of the pill-popping, booze-swilling, outrageously vulgar '60s has-been-turned-PR mogul Edina Monsoon -- played by Saunders herself. Entitled Absolutely Fabulous (and done sans French), the program paired Monsoon with best friend Patsy Stone (Joanna Lumley), the inhabitant of a liquor store and a magazine editor. Episodes found Edina not only contending with the vicissitudes of a debauched lifestyle, but grappling her way through tumultuous relationships with her teenage daughter, Saffron (Julia Sawalha), and naïve mom, known only as Mother and Gran (June Whitfield). The program scored as a massive hit not only in Britain, but on American cable stations. Yet its run was surprisingly short given this popularity; it aired from 1992 to 1993, then resurfaced briefly in 1996, and came around for a third go between 2001 and 2003.As mentioned, Saunders provided one of the voices in 2004's CG-animated Shrek 2 (that of the Fairy Godmother); she also voiced Miss Spink in directors Henry Selick and Michael Cachuela's stop-motion animated fantasy Coraline (2009).Saunders is married to Adrian Edmondson, one of her former on-stage collaborators from the Comic Strip troupe. They have three daughters.

Trivia: The daughter of a high-born British military major, actress Joanna Lumley was a model before entering films with 1968's Some Girls Do. In 1976, she took on the Diana Rigg-like female lead on the British TV action series The New Avengers, costarring Patrick MacNee of the old Avengers. Joanna also costarred in two of Blake Edwards' Pink Panther movies of the '80s. Thoroughly jettisoning her previous cool-glamour image, Joanna Lumley costarred with Jennifer Saunders in the 1993 British TV sitcom Absolutely Fabulous as a pair of boozing, bawdy functionaries in the '90s fashion world (the series was picked up by the American cable network Comedy Central in 1994). So popular was Ms. Lumley's characterization of potty-mouthed, cheap-thrill-seeking Patsy that, shortly after the premiere of Absolutely Fabulous, she was being imitated in TV commercials by comic actor John Cleese!On the big screen she appeared in Cold Comfort Farm, James and the Giant Peach, and The Cat's Meow before returning to her signature role as Patsy Stone for another run of Absolutely Fabulous in 2001. After that she could be seen in Eurotrip, and provided voiceover work in both Doogal and Tim Burton's Corpse Bride. She starred in the series Clatterford, and had a prominent part in the 2011 project Late Bloomers.

Trivia: Attended Catholic school. Describes herself as a tomboy as a child. Enrolled in the International School of Mimodrame of Paris, Marcel Marceau, at age 26. Made her professional debut in Blinded by the Sun at London's National Theatre. Posed as a model in a DIY painting guide, and that work served as artist Jack Vettriano's muse for the lady in red in his painting "The Singing Butler." Got married in Africa in 2002, in a ceremony overlooking Mount Kilimanjaro. Rejected a diet company's offer to be their spokesperson because she doesn't like society's fascination with physical image.

Trivia: One of Britain's most esteemed comic and dramatic character actresses, Kathy Burke is a vibrant presence in films, television, and on the stage. Born in Islington, London, in 1965, she got her start with supporting roles in such films as Alex Cox's Sid and Nancy (1986). It was with her comic roles for BBC television that Burke made her first real impact, particularly as magazine editor Magda on the popular Absolutely Fabulous and as various characters on the Harry Enfield and Chums series. In 1993, she received the Royal Television Society's Best Actress Award for her performance in the BBC production of Danny Boyle's Mr. Wroe's Virgins.Burke gained an introduction to an international audience in 1997 with her astonishing portrayal of an abused, pregnant wife in Gary Oldman's harrowing Nil by Mouth. Awarded the Cannes Festival's Best Actress Award and nominated for a BAFTA, Burke earned some long-overdue recognition for her screen work. The following year, she earned additional recognition with her solid performances in Shekar Kapur's lavishly acclaimed Elizabeth, which cast her as the ailing, vengeful Mary Tudor, and Dancing at Lughnasa, in which she played one of a group of close-knit Irish sisters. Burke then blended comedy and drama in This Year's Love, a romantic ensemble piece that featured her as an airport cleaning woman convinced that anyone who falls in love with her is clearly insane.

Trivia: Best-known to American TV audiences as Saffy, the frighteningly sensible daughter of Edina Monsoon on Absolutely Fabulous, Julia Sawalha has earned a reputation as one of Britain's more beloved comedic actresses.The daughter of respected Jordanian actor Nadim Sawalha (who immigrated to England in the 1960s) and an English mother, Sawalha was born in London on September 9, 1968. Raised in the company of two sisters, she became interested in acting at a young age, and landed her first break when she was chosen to star on the long-running TV series Press Gang. A show about a group of teens who run a youth newspaper, it was produced by Bob Spiers, who would later direct Sawalha in Absolutely Fabulous. Premiering in 1992, Absolutely Fabulous would become one of the most popular TV shows in British history, winning scores of fans on both sides of the Atlantic. For her part, Sawalha earned both respect and recognition for her portrayal of the hilariously uptight Saffy, and her work led to roles in a number of TV miniseries, including the BBC's acclaimed 1995 adaptation of Pride and Prejudice. Although Sawalha made her film debut in 1990, she had her first major big-screen role in Kenneth Branagh's In the Bleak Midwinter (1995), a comedy about a group of actors putting on a production of Hamlet. Cast as the actress who plays Ophelia, the film allowed her to perform alongside Branagh, Richard Briers, Joan Collins, and Jennifer Saunders. The actress finally got a crack at the lead in a major film in 2000, lending her voice to the character of Ginger, the feathered heroine of Peter Lord and Nick Park's Chicken Run. A hugely successful all-poultry retelling of The Great Escape, the film also featured the vocal talents of Mel Gibson, Jane Horrocks, Miranda Richardson, and Imelda Staunton. In addition to her work in Chicken Run, Sawalha kept busy that year with a number of other film and TV projects, including The Final Curtain, a comedy about a rivalry between two British game show personalities.

Trivia: Perhaps best-known to international audiences for her role as Bubble, Edina Monsoon's gloriously vapid assistant on Absolutely Fabulous, Jane Horrocks is a well-established stage and screen actress in her native Britain.Born in Lancashire, England, to working-class parents on January 18, 1964, Horrocks began performing in a non-professional capacity (or "showing off" as she has said) at an early age, wowing her informal audiences with her gift for mimicry. Although an acting career was seen as unrealistic in her Northern English town, Horrocks nevertheless ended up winning a place at London's prestigious Royal Academy of Dramatic Art, where her classmates included Ralph Fiennes, Imogen Stubbs, and Iain Glen. During her studies at RADA, Horrocks was advised to lose her distinctive Lancashire accent. Fortunately, she rejected this "advice;" her decision to nurture her way of speaking would later result in her casting in a number of plum character roles.Following graduation, Horrocks joined the Royal Shakespeare Company. Despite the RSC's prestige, the actress felt unchallenged and underused in her work with the company. Thankfully, she found some form of relief in her collaboration with playwright Jim Cartwright while performing in a production of one of his plays; Cartwright was so impressed with Horrocks' uncanny impersonations of such singers as Edith Piaf and Judy Garland that he promised to write a play expressly to showcase her talents. A few years later, he made good on his promise with The Rise and Fall of Little Voice, a play about a painfully shy girl (Horrocks) possessing a remarkable ability to mimic some of history's most famous singers. Horrocks earned lavish praise for her performance; in 1998, the play was made into a well-received film, Little Voice, in which Horrocks co-starred with Ewan McGregor, Brenda Blethyn, and Michael Caine. Horrocks also began appearing on both the big and small screens during the late '80s, doing supporting work in a number of films and television series. She had her screen breakthrough in Mike Leigh's acclaimed family comedy Life Is Sweet (1991), earning awards from the Los Angeles film critics and the National Society of Film Critics for her portrayal of an anorexic girl who at one point asks her boyfriend (David Thewlis) to lick chocolate off her breasts.Bouncing back and forth between comedy and drama and film and television during the rest of the decade, Horrocks continued to establish herself as one of her country's most versatile performers. The 1998 release of Little Voice brought with it lavish acclaim for the actress, who earned a number of international award nominations and honors for her singular performance in the film.

Trivia: Tall, gangly, and possessed of a frenetic intensity that lends itself to the highly eccentric and often borderline insane characters he plays, British actor Richard E. Grant is nothing if not one of the more distinctive performers to have gained celluloid immortality. His wild eyes and high-strung demeanor occasionally giving him an uncanny resemblance to a meerkat on speed, Grant has been delighting and shocking observers with both his on- and off-screen persona since his 1987 breakthrough in Withnail & I. Born Richard Grant Esterhuysen on May 5, 1957, in Mbabane, Swaziland, Grant had a somewhat distinctive upbringing, thanks in part to his father's job as the Swazi Minister of Education. His parents' divorce when the actor was 11, for example, was the source of a fair amount of scandal in South Africa. For his part, Grant knew early on that he wanted to be an actor, something that was fueled by an infatuation with Barbra Streisand and a steady diet of movies. He followed the career of Donald Sutherland with particularly rapt attention, as, like Grant, Sutherland was tall, thin, long-faced, and hailed from the middle of nowhere.After studying English and Drama at Cape Town University, where he co-founded the multi-racial, avant garde Troupe Theatre Company, Grant headed for London in 1982. He was greeted by a period of unemployment and frustration that lasted for almost five years. The actor eventually began finding work on the stage, and in 1984 was dubbed by Plays and Players magazine as "most promising newcomer" for his performance in Tramway Road at Hammersmith's Lyric Theatre. Ironically enough, given his years of struggle, it was Grant's portrayal of a bitter, pill-popping, unemployed actor in Bruce Robinson's black comedy Withnail & I that finally put him on the map. The film was a genuine cult classic, and Hollywood soon came sniffing around, if only to cast Grant in the 1988 demons-on-the-loose flop Warlock. The following year, the actor again tapped into his reserves of unpleasantness for Robinson, starring as a toxic advertising executive who develops a talking boil in the satirical How to Get Ahead in Advertising. Grant's hilariously vile characterization was considered by many to be the highlight of the film, and further paved the way for greater industry appreciation.Grant subsequently earned recognition on both sides of the Atlantic, thanks to a number of diverse and often peculiar roles in films of widely varying quality. Particularly memorable during the early to mid-'90s were portrayals Anais Nin's well-intentioned but dull husband in Henry & June (1990), the evil billionaire Darwin Mayflower in the spectacularly disappointing Hudson Hawk (1991), an overly insistent screenwriter in Robert Altman's The Player (1992), high society lounge lizard Larry Lefferts in Martin Scorsese's The Age of Innocence (1993), and an outrageous fashion designer that Grant described as a "male Vivienne Westwood" in Altman's disastrous Pret-A-Porter (1994).Despite his eccentric persona, Grant has time and again proven himself more than capable of essaying straight man roles, as he demonstrated in such films as Jack and Sarah (1995), in which he played a grieving widower; The Portrait of a Lady (1996), in which he had a small but memorable role as one of Isabel Archer's most ardent suitors; and the made-for-TV The Scarlet Pimpernel (1999), which cast him as its titular hero. He has also continued to shine in films that impress upon his comedic abilities, as evidenced by his role as Sir Andrew Aguecheek in Trevor Nunn's Twelfth Night (1996) and his portrayal of a disgruntled advertising man in A Merry War (1997) (otherwise known as Keep the Aspidistra Flying), a satirical comedy based upon a novel by George Orwell.Enlisted again by Altman, Grant showed up alongside a star-studded ensemble cast in 2001's critically-acclaimed Gosford Park. Supporting roles continued to suit him well as he would later take on parts in Steven Fry's Bright Young Things and the 2004 John Malkovich-starrer Colour Me Kubrick.

Trivia: Trained at London's prestigious Royal Academy of Dramatic Art, June Whitfield landed her first professional roles on the London stage and became one of Great Britain's most respected comedy actresses. After establishing herself in theater, Whitfield gained further acclaim for appearing opposite Jimmy Edwards and Dick Bently in the classic radio series Take It From Here. She has become one of BBC Radio's most enduring and beloved radio performers; she can be heard reading The News Huddlines, something she has been doing since the 1950s. Despite her radio work, Whitfield is best known on television, where she appeared opposite her longtime professional partner Terry Scott in the popular sitcom Happily Ever After, which ran for a decade and was later renamed Terry and June. She also worked with comedians like Ronnie Barker and Dick Emery. Whitfield began her sporadic film career in Carry On Nurse (1959); she would continue appearing in the venerable Carry On series for many years. Her other film credits include The Spy With a Cold Nose (1966) and Jude (1996). For her many years in the entertainment industry, June Whitfield received the British Comedy Award for Lifetime Achievement in 1994.

Trivia: Famed Feminist. Her first book, The Female Eunuch, was published in 1970 and became an international best seller. In April 1971, debated author Norman Mailer on the topic of women's liberation at New York City's Town Hall. The debate was the subject of the 1979 documentary Town Bloody Hall. Other books include: The Obstacle Race: The Fortunes of Women Painters and Their Work (1979), Sex and Destiny: The Politics of Human Fertility (1984), The Change: Women, Aging and the Menopause (1991), and Slip-shod Sibyls: Recognition, Rejection, and the Woman Poet (1995). In 1999, published a sequel to The Female Eunuch titled The Whole Woman, in which she argued that there had been little progress in the feminist movement. Published a revisionist biography of Anne Hathaway, Shakespeare's Wife, in 2007.

Trivia: Though officially a native of Detroit, MI (where she was born in 1950) rocker-cum-actress Suzi Quatro reaped the most widespread stardom in Great Britain, both as a musician and a thespian. Music was undoubtedly Quatro's strongest suit, and after enduring a several-year stint in a low-level band called the Pleasure Sisters opposite her siblings (later renamed Cradle), her path intersected with that of British producer Mickie Most. He caught Cradle performing in the early '70s while working with Jeff Beck at Motown Studios in Detroit, and though he felt disinterested in signing the group as a whole, he immediately expressed interest in tapping Quatro as a solo act. She achieved stardom in the U.K. thanks to a creative partnership with songwriters Nicky Chinn and Mike Chapman, including an extensive series of Top Ten hits. Quatro's style fused high-energy glitter pop and bubblegum pop with slightly (though not overtly) raunchy lyrics and predated the punk revolution by several years.Quatro briefly returned to the United States in 1977 for a multi-episode run as guitar-playing rocker Leather Tuscadero on the ABC sitcom Happy Days, then kept a somewhat low profile during the '80s, '90s, and 2000s, despite occasional television and stage roles in Britain.