Trivia: After apprenticing at the Wharf Theater in Provincetown, MA, she debuted on Broadway in 1938 as the lead's understudy in Our Town; the following year her performance in the ingénue part in Life With Father caught film mogul Samuel Goldwyn's attention, and he signed her to a screen contract. Wright debuted onscreen in The Little Foxes (1941), for which she received a Best Supporting Actress Oscar nomination. The following year she was nominated in both the Best Actress and Best Supporting Actress categories for her third and fourth films, The Pride of the Yankees and Mrs. Miniver, respectively; she won the Best Supporting Actress Oscar. She remained busy onscreen through 1959, after which she appeared in only a handful of films during the next three decades. From 1942 to 1952, she was married to novelist and screenwriter Niven Busch; later she married, divorced, and remarried playwright Robert Anderson. In the '70s, she appeared in TV dramas. Her later stage work included Mary, Mary (1962) and the Broadway revival of Death of a Salesman (1975).

Trivia: The son of a circuit-riding Methodist minister, American actor Pat Buttram led a hand-to-mouth existence as a child. He managed to get a scholarship to study theology at Birmingham Southern College, where amateur theatricals captured his enthusiasm. Buttram's first professional job was as a morning announcer at a Birmingham station, bringing home a lofty six dollars per week. Heading for Chicago to see the 1933 World's Fair, Buttram began picking up comedy relief work on radio station WLS's National Barn Dance, where he worked with such stars-to-be as Homer & Jethro and teenaged George Gobel (who would later cite Buttram as his principal comic influence). One of the Barn Dance headliners was singing cowboy Gene Autry, and when Autry inaugurated his starring radio series Melody Ranch in the 1940s, Buttram came aboard as comedy relief. Together, Autry and Buttram would make several pictures at both Republic and Columbia studios (Buttram's first was The Strawberry Roan [1948]); the two also co-starred on Autry's TV show, which ran for 91 episodes in the early '50s. Fast friends but not bosom buddies, Autry and Buttram became a little closer in 1950 when Pat was severely injured in an on-set accident and Gene gave him the encouragement to hang in there even when the doctors had given up hope. Autry retired from acting a multimillionaire in 1956; Buttram, while well off, still had to keep working, so after vetoing the notion of hitting the nightclub trail, he became an immensely popular after-dinner speaker at show-business functions. His subsequent TV roles were in a comical vein, but Buttram made an excellent impression in a feverishly dramatic part in "The Jar," one of the eeriest episodes of The Alfred Hitchcock Hour. In 1965, Buttram was cast as duplicitous peddler Mr. Haney on Green Acres, and for the next five seasons kept audiences in stitches as he sold "Mis-ter Douglas" (Eddie Albert) one useless item after another, delivering his laconic sales pitch in his inimitable singsong voice. Off-camera, Buttram was a successful rancher and stock market speculator, as well as a Civil War buff; he was happily married for many years to one-time Western leading lady Sheila Ryan, who left Pat a widower in 1975. Semi-retired by the 1980s, Pat Buttram made a few welcome appearances on TV (guesting on a Green Acres retrospective special on cable television, and providing a voice for the cartoon series Garfield and Friends) and movies (Back to the Future III [1989]).

Trivia: Bruce MacLeish Dern is the scion of a distinguished family of politicians and men of letters that includes his uncle, the distinguished poet/playwright Archibald MacLeish. After a prestigious education at New Trier High and Choate Preparatory, Dern enrolled at the University of Pennsylvania, only to drop out abruptly in favor of Lee Strasberg's Actors' Studio. With his phlegmatic voice and schoolyard-bully countenance, he was not considered a likely candidate for stardom, and was often treated derisively by his fellow students. In 1958, he made his first Broadway appearance in A Touch of the Poet. Two years later, he was hired by director Elia Kazan to play a bit role in the 20th Century Fox production Wild River. He was a bit more prominent on TV, appearing regularly as E.J. Stocker in the contemporary Western series Stoney Burke. A favorite of Alfred Hitchcock, Dern was prominently cast in a handful of the director's TV-anthology episodes, and as the unfortunate sailor in the flashback sequences of the feature film Marnie (1964). During this period, Dern played as many victims as victimizers; he was just as memorable being hacked to death by Victor Buono in Hush...Hush, Sweet Charlotte (1965) as he was while attempting to rape Linda Evans on TV's The Big Valley. Through the auspices of his close friend Jack Nicholson, Dern showed up in several Roger Corman productions of the mid-'60s, reaching a high point as Peter Fonda's "guide" through LSD-land in The Trip (1967). The actor's ever-increasing fan following amongst disenfranchised younger filmgoers shot up dramatically when he gunned down Establishment icon John Wayne in The Cowboys (1971). After scoring a critical hit with his supporting part in They Shoot Horses, Don't They? (1969), Dern began attaining leading roles in such films as Silent Running (1971), The King of Marvin Gardens (1972), The Great Gatsby (1974), and Smile (1975). In 1976, he returned to the Hitchcock fold, this time with top billing, in Family Plot. Previously honored with a National Society of Film Critics award for his work in the Jack Nicholson-directed Drive, He Said (1970), Dern received an Academy Award nomination for his portrayal of an unhinged Vietnam veteran in Coming Home (1978), in which he co-starred with one-time Actors' Studio colleague (and former classroom tormentor) Jane Fonda. He followed this triumph with a return to Broadway in the 1979 production Strangers. In 1982, Dern won the Berlin Film Festival Best Actor prize for That Championship Season. He then devoted several years to stage and TV work, returning to features in the strenuous role of a middle-aged long distance runner in On the Edge (1986).After a humorous turn in the 1989 Tom Hanks comedy The 'Burbs, Dern dropped beneath the radar for much of the '90s. He would appear in cult favorites like Mulholland Falls and the Walter Hill Yojimbo re-make Last Man Standing (both 1996), as well as The Haunting (1999) and All the Pretty Horses (2000). As the 2000's unfolded, Dern would continue to act, apperaing most notably in film like Monster and Django Unchained.Formerly married to actress Diane Ladd, Bruce Dern is the father of actress Laura Dern.