Trivia: Emmy-winning comic actor Mike Myers seemed destined by fate to link up with Saturday Night Live; when he made his television debut as a commercial actor at age eight, his co-star (playing his mother) was pre-SNL Gilda Radner. Working steadily in his native Canada, Myers was a member of Toronto's Second City troupe, the star of his own TV series Mullarkey and Myers at age 20, and the vee-jay of an all-night Canadian music video show in 1987. In all of these career stepping stones, Myers continued testing out the comic characterizations which would win him fame in his SNL days. His most popular character (which he'd been doing at parties since high school) was spacey teenage couch potato Wayne Campbell, who, with equally airheaded best friend Garth Algar (Dana Carvey), hosted the Aurora, IL, cable-access series Wayne's World. This SNL skit begat a popular like-titled film in 1992, and a less popular 1993 sequel. Despite the tepid response to Wayne's World 2, Mike Myers as Wayne seemed to be more readily acceptable to film fans than Mike Myers as anyone else, as shown by the disappointing 1993 comedy So I Married an Axe Murderer.

Trivia: The ever-fascinating Nancy Travis excelled in edgy, neurotic characterizations during the 1990s; she sounds like a chain-smoker or Valium-popper even when not playing one. Graduating with a BA degree from New York University, Travis apprenticed at Circle in the Square, acted in the touring company of Neil Simon's Brighton Beach Memoirs, and starred on Broadway with Judd Hirsch in I'm Not Rappaport. As a means of continually recharging her creative batteries, she helped found the Naked Angels, an off-Broadway acting troupe. After laboring in virtual anonymity in such TV movies as Malice in Wonderland (1985), Travis was afforded top billing in the 1986 two-parter Harem, lending a little artistry and dignity to an otherwise trivial affair. Her movie breakthrough was in the role of the errant, unmarried British mother Sylvia in Three Men and a Baby (1987) and its 1990 sequel Three Men and a Little Lady. More complex roles came her way in Internal Affairs (1992), The Vanishing (1993) and Chaplin (1993); in the latter film, she appeared as the real-life Joan Barry, whose spiteful and unfounded paternity suit against Charlie Chaplin (Robert Downey Jr.) was the beginning of the end of The Little Tramp's Hollywood career. Even when playing comedy in So I Married an Axe Murderer (1993), Travis retained her ticking-bomb, "don't turn your back on me" aura. Nancy Travis' television credits of the 1990s include her gravelly voiceover work as Aunt Bernice on the animated weekly Duckman (1993- ) and her starring stint on the so-so 1995 sitcom Almost Perfect.

Trivia: Despite spending the first 25 years of his life in Adelaide, Australia, Anthony LaPaglia is best known for playing street-savvy Italian New Yorkers. This was not, however, LaPaglia's original plan. Rather than testing the waters of show business, LaPaglia traveled to the United States intending to pursue a full-time teaching career. As luck would have it, however, one of LaPaglia's odd jobs was a small role in Cold Steel (1987), a low-budget detective drama. LaPaglia began pursuing theater and television in his spare time -- one of his more notable early performances was in 1988's Frank Nitti: The Enforcer -- and considered himself a full-time actor by 1989, when he made his feature-film debut in Slaves of New York. It was 1990, however, when the young actor earned critical recognition for his role as an exceedingly polite mobster in Betsy's Wedding.LaPaglia continued to build his résuméthroughout the early '90s, most of which he spent playing either kindly policemen or good-hearted mobsters, and was delighted to work alongside a variety of noted actors so early in his career. Among those actors were Alan Alda in Betsy's Wedding, Michael Keaton in One Good Cop (1991), and Nathan Lane, Sharon Stone, and Kevin Bacon in He Said, She Said (1992). Later in 1992, LaPaglia could be found playing his first leading role in George Gallo's gangster farce 29th Street. Though the film did not fare particularly well, audiences were nonetheless impressed with LaPaglia's intensity, and he played a more serious gangster with great success opposite Susan Sarandon in The Client (1994). The actor switched gears for his next handful of films; in Mixed Nuts (1994) he played a disillusioned Santa Claus, while Empire Records (1995) found him as a down-on-his-luck store manager, and the Australian-helmed Brilliant Lies (1996) featured him as the defendant in a sketchy sexual-harassment case.Despite a smattering of mediocre films between 1995 and the early 2000s, LaPaglia continued to earn critical acclaim for many of his endeavors, such as Steve Buscemi's directorial debut, Trees Lounge (1996), for which LaPaglia joined a star-studded supporting cast, as well as for his role as a detective in Spike Lee's Summer of Sam (1999). Luckily for him, 2000 and 2001 proved excellent for his career, as it was during this period that he played a wealthy businessman in The House of Mirth and an adulterous police detective in Lantana. In addition to receiving international success, Lantana earned LaPaglia the prestigious Best Actor award from the Australian Film Institute, as well as a nomination from the Film Critics Circle. In the meantime, he was adding several major television credits to his résumé, including a starring role as the head of the FBI's Missing Persons Squad on CBS's Without a Trace, and a recurring role on the long-running sitcom Frasier, a performance for which he would receive an Emmy in 2002. Far removed from his fledgling days as a teacher, 2002 also found LaPaglia working with Val Kilmer for The Salton Sea; Sigourney Weaver for The Guys; Robert De Niro and Billy Crystal in Analyze That; and Eric Stoltz in Happy Hour. In 2003, after filming Manhood with Janeane Garofalo and the late John Ritter, LaPaglia agreed to star in director Josh Sternfeld's Winter Solstice (2004).Over the next several years, LaPaglia would appear in a number of big screen projects, like Balibo (2009), Overnight (2012) and A Good Marriage (2014).

Trivia: The daughter of Canadian actor Christopher Plummer and American stage actress Tammy Grimes, Amanda Plummer grew up on the East Coast with a love of horseback riding and literature. After studying at Middlebury College and the Neighborhood Playhouse, she settled into an acting company in Massachusetts. Plummer made her film debut in the 1981 Western Cattle Annie and Little Britches opposite Burt Lancaster. Working on Broadway, she won the Tony and the Drama Desk award for her performance as Agnes in the 1982 stage production of Agnes of God. She lost the role in the film version to Meg Tilly and stayed in the theater. Some of her stage credits include The Glass Menagerie, You Never Can Tell, and A Taste of Honey. She earned another Tony nomination for her performance in Pygmalion, opposite Peter O'Toole. On television, she earned an Emmy nomination for her recurring role of mentally challenged Alice on L.A. Law.Plummer's feature film work would consist of playing small, fragile, almost invisible characters who nevertheless leave a big impression. On the big screen, Plummer displayed her silent intensity in the non-speaking role of Ellen James in The World According to Garp (1982). She also created the interesting, if little-seen, character of Dagmar in John Patrick Shanley's Joe Versus the Volcano (1990). Her big film breakthrough came about in 1991 in Terry Gilliam's The Fisher King. She played awkward and plain office worker Lydia Sinclair, who inspires the love of a homeless man played by Robin Williams. The next year, she earned her first Emmy award for her role of concentration camp survivor Lusia Weiss in the post-war drama Miss Rose White (1992), a made-for-TV adaptation of an off-Broadway play. In feature films during the late '90s, Plummer often played slightly off-kilter women just on the verge of violent behavior. She was a disturbed sister in So I Married an Axe Murderer and an semi-balanced Castle Rock resident in Needful Things (both 1993). In 1994, she played a partner-in-crime with Tim Roth in Quentin Tarantino's Pulp Fiction. As the gun-pointing Honey Bunny, Plummer gained a lot of exposure with a minimum of screen time. The next year, she played a serial killer in Michael Winterbottom's Butterfly Kiss (1995).Returning to television, Plummer earned another Emmy for the role of Professor Theresa Given in a 1996 episode of Showtime's The Outer Limits. For the rest of the '90s, she continued portraying delicately damaged characters in small independent films like Matthew Bright's Freeway (1996) and Peter Cohn's Drunks (1997). She also appeared in the family film A Simple Wish (1997) and lent her voice to the TV series Stories From My Childhood as well as the animated feature Hercules (1997). In 1999, Plummer revisited her earlier days as a horseback rider to play a member of the title harem in Peter Greenaway's bizarre 8 1/2 Women (1999). In 2003, she played Sarah Polley's food-obsessed co-worker in My Life Without Me. Plummer's projects for 2004 included the horror film Satan's Little Helper and Tobe Hooper's Brew. And while the majority of films Plummer appeared in throughout the early 2000s were generally unremarkable, the veteran actress did make headlines when it was announced that she would play the role of Wiress, a key ally of Katniss Everdeen, in the highly anticipated sequel The Hunger Games: Catching Fire.

Trivia: An Irish actress with strong roots in the theater, Brenda Fricker has excelled onscreen thanks to a matronly appearance that lends itself well to roles which call for an older woman with strong motherly instincts. Fricker started out working in local theater productions in Ireland, and continued on-stage with a stint at the National Theatre in London; before long, the talented rising starlet was taking the stage with both The Royal Shakespeare Company and Great Britain's Court Theater Company. Though, by the mid-'80s, Fricker had already garnered an impressive list of credits thanks to appearances in such made-for-television features as High Kampf (1973) and Your Man from 6 Counties (1976), it was her role as Nurse Roach in the popular U.K. series Casualty that first brought her to the attention of British television viewers. Fricker remained with the series for four years, and it was during that time that she courted international recognition with her role in the acclaimed 1989 drama My Left Foot. Cast as the determined mother of a talented writer and painter who suffers from cerebral palsy, Fricker turned in a memorable performance that placed her high on the list of A-list actors and earned her an Academy Award for Best Supporting Actress. Though such follow-up efforts as the miniseries Relative Strangers (1999) delivered on the promise shown in My Left Foot, it was roles in Home Alone 2: Lost in New York (1992), So I Married an Axe Murderer (1993), and Masterminds (1997) that kept Fricker's face familiar to stateside audiences. In 1998, she stepped into a leading role in the period drama Painted Angels, playing a sympathetic madam. In the early 2000s, Fricker's career continued to flourish on both U.K. and Canadian television, and in roles in such high-profile projects as Veronica Guerin (2003) and Going Down: The Rise and Fall of Heidi Fleiss (2004).

Trivia: Supporting and occasional leading actor Charles Grodin built a successful career playing low-key, uptight, and frequently wholesome comic roles, with occasional turns as an arch-villain. Whereas many funnymen have been popular for their ability to overreact and mug their way around everyday obstacles, Grodin belonged, from the beginning, to the Bob Newhart school of wry comedy that values understatement and subtlety. Grodin learned to act under the guidance of Lee Strasberg and Uta Hagen before making his 1962 Broadway debut opposite Anthony Quinn in Tchin Tchin. Two years later, Grodin made his first film appearance in Joseph Adler's Sex and the College Girl. Though offered the leading role in The Graduate (1967), Grodin refused, thereby providing a lucky break for Dustin Hoffman. In 1968, he played a small but memorable role as a naive obstetrician in Rosemary's Baby, and then tackled another villainous role as heartless navigator Aarfy Aardvark in Mike Nichols's Catch-22. Grodin got his big break when director and Nichols's former comedy partner Elaine May, who had been a longtime friend and mentor of the young actor, cast him in the lead of the Neil Simon-scripted The Heartbreak Kid (1972), in which he played a salesman who falls in love with Cybill Shepherd during his honeymoon. Though Steven Spielberg wanted him to play the role of shark expert Matt Hooper in Jaws (1974), Grodin preferred to direct the play Thieves on Broadway instead. In 1977, Grodin signed for the leading role in the film version. He also added spice as the villain in Warren Beatty and Buck Henry's remake of Here Comes Mr. Jordan (1941), Heaven Can Wait (1978). Since then, Grodin continued as a supporting actor in such films as The Woman in Red (1984) and The Couch Trip (1987). After receiving rave reviews starring opposite Robert De Niro in the 1988 hit comedy Midnight Run, Grodin's career began to slow down. He played the long-suffering patriarch in the first two Beethoven films and turned in a memorable performance in 1993's Dave, but by 1995 Grodin had decided to switch gears, opting to host a talk show. After The Charles Grodin Show ran for several years on CNBC, Grodin later took a gig doing Andy Rooney-esque commentary on CBS's 60 Minutes II.

Trivia: Looking more like the CEO of a law firm than a comedian, Canadian actor Phil Hartman has had a successful career playing against his physical appearance with an off-kilter sense of humor. He entered show business as a graphics designer; among his better-known artistic renderings was the official logo for the rock group Crosby, Stills and Nash. In the early '80s, Hartman was a member of a comedy troupe called the Groundlings, where he made the acquaintance of comedian Paul Reubens. In collaboration with Reubens, Hartman helped create the character of child/man Pee-wee Herman, cowriting the screenplay of Reubens' 1985 movie vehicle Pee-wee's Big Adventure and portraying the grimy Kap'n Karl on the Saturday-morning TV series Pee-wee's Playhouse (1986-90). When asked later on if he was bitter over the way Reubens grabbed all the glory for the Pee-wee concept, Hartman characteristically made a self-deprecating joke, though it was decidedly at Reubens' expense. Before signing with NBC's Saturday Night Live, Hartman appeared as part of a comedy ensemble on the 1985 summer replacement series Our Time. Hartman's greatest comic strength lay in his celebrity impersonations, which he trotted out to maximum effect on both SNL and the Fox cartoon series The Simpsons. Hartman claimed that he had 99 celeb voices in his manifest, including a deadly funny impersonation of President Bill Clinton, which became an audience favorite on SNL and Jay Leno's Tonight Show where he often made guest appearances. Hartman remained with Saturday Night Live from 1986 through 1994, sharing a 1989 Emmy for "outstanding writing;" at the time he left the show (making pointed comments about the deteriorated quality of the writing staff), Hartman had set a record for the largest number of appearances (153) as an SNL regular. In 1995, Phil Hartman began a weekly assignment in the role of a pompous, self-centered (much like Ted Knight's character on The Mary Tyler Moore Show) anchorman on the network sitcom Newsradio. When not appearing on the series, Hartman was a successful TVcommercial voiceover artist and pitchman and also occasionally acted in feature films, including Blind Date (1987), Jingle All the Way (1996) and The Second Civil War (1997). In his personal life, Hartman was totally unlike the characters he usually played and was loved and respected for his humbleness, his affability and his generosity; he frequently donated his time to charities. It was therefore a terrible shock when on May 28, 1998, he was shot to death while sleeping in the bedroom of his Encino, California home. His wife Brynn Hartman committed the murder and then shot herself shortly after police removed the couple's two small children from the premises. Later reports stated that despite putting on a good public face as a couple, the two had been trying for years to resolve their difficulties and that drug and alcohol use on the part of Brynn were a factor in the tragedy.

Trivia: Known for her feline eyes and brash New York attitude, Queens native Debi Mazar began her show business career behind the scenes as a makeup artist for a star-studded clientele, the most lucrative of the bunch being Madonna. Attracted by her unique features, the iconic pop singer cast Mazar in the music videos for "True Blue," "Deeper and Deeper," and "Papa Don't Preach." It wasn't until 1990, however, that Mazar made her film debut as the cokehead girlfriend of Henry Hill (Ray Liotta) in Martin Scorsese's GoodFellas. After portraying a series of small but indelible characters in Oliver Stone's The Doors, Spike Lee's Jungle Fever, and Jodie Foster's Little Man Tate (all 1991), Mazar had developed a small but devoted following and a reputation solid enough to land her the tough-talking role of legal defense secretary Denise Iannello on ABC's legal drama Civil Wars (1991-1993), a role she would reprise for NBC's L.A. Law in 1994.After taking on several more tiny supporting parts throughout the early '90s, including one which would reunite her with Jungle Fever director Spike Lee (in the Oscar-winning Malcolm X [1992]), Mazar made her debut as a lead character in Money for Nothing (1993), a blue-collar crime comedy co-starring John Cusack, with whom she would work for a second time in Woody Allen's Bullets Over Broadway (1994). After a brief performance as a manicurist in television's Witch Hunt (1994), Mazar could be found in the role of a femme fatale alongside Drew Barrymore, Jim Carrey, and Val Kilmer in Batman Forever (1995), and would portray an idealistic HIV-positive thief in Red Ribbon Blues (1995). Red Ribbon Blues wasn't the last time Mazar would delve into the complex world of sex and gender-related prejudice -- in 1996's Girl 6, Mazar co-starred as an anonymous member of a phone sex business, while Things I Never Told You found her playing a transsexual. Shortly afterward, Mazar chewed a respectable amount of scenery as one of Long Island barfly Tommy's (Steve Buscemi) potential hook-ups in 1996's Trees Lounge. The actress continued to exhibit her versatility in a series of roles during 1997, including those of a sleazy television show producer in Meet Wally Sparks, an intergalactic waitress in Space Truckers, and two decidedly more serious performances in the gay & lesbian drama Nowhere and Nick Cassavetes' romantic drama She's So Lovely.With the notable exceptions of bleaching her trademark jet-black tresses for 1998's Frogs for Snakes with Robbie Coltrane, and her role as Debbie De Luca in Michael Mann's tobacco industry exposé The Insider (1999), Mazar spent much of the late '90s on the small screen. After the failure of CBS's sitcom Temporarily Yours (1997), Mazar played lead roles in David and Lisa (a psychological drama co-produced by Oprah Winfrey) and NBC's Witness to the Mob. Following another NBC sitcom appearance in the short-lived Working (1998), the actress starred in 2000's CBS drama That's Life as an advice-dispensing hairdresser. In 2002, Mazar played right-hand woman to multi-millionaire Clark Devlin (Jason Isaacs) in Jackie Chan's The Tuxedo, and went on to offer a poignant monologue in Ten Tiny Love Stories the same year. In 2004, Mazar took on a supporting role in the crime comedy Be Cool with John Travolta and Uma Thurman, and starred in Dennis Brooks' independent film Goodnight, Joseph Parker.She had a major role in 2008's A Beautiful Life, and that same year had a small part in the ensemble of The Women. In 2012 she could be seen in the porn queen biopic Lovelace.

Trivia: A standup comedian who delivers deadpan. surreal jokes, he has occasionally appeared onscreen in supporting roles from 1985.

Trivia: As a multi-talented film and stage performer with an intense comic flair, the diminutive and stocky Jewish-American character actor Alan Arkin built a career for himself out of playing slightly gruff and opinionated yet endearing eccentrics. Though not commonly recognized as such, Arkin's ability extends not only beyond the range of the comedic but far beyond the scope of acting. In addition to his before-the-camera work, Arkin is an accomplished theatrical and cinematic director, an author, and a gifted vocalist.Born March 26, 1934, to immigrant parents of Russian and German Hebrew descent, Arkin came of age in New York City, then attended Los Angeles City College in the early '50s and launched his entertainment career as a key member of the folk band the Tarriers, alongside Erik Darling, Carl Carlton, and Bob Carey. Unfortunately, the Tarriers never managed to find a musical foothold amid the 1960s folk boom -- which, despite the success of a European tour in 1957, encouraged Arkin to leave the group and carve out a niche for himself in another arena.Arkin instead turned to stage comedy and joined Chicago's Second City troupe, then in its infancy. (It officially began in 1959.) From there, Arkin transitioned to Broadway roles, and won a Tony and critical raves for his debut, in Carl Reiner's autobiographical seriocomedy Enter Laughing (1963). He followed it up with the lead in Murray Schisgal's surrealistic character comedy Luv, and made his onscreen debut alongside friend and fellow actor Reiner, for Norman Jewison's frenetic social satire The Russians Are Coming! The Russians Are Coming! The picture not only scored with the public and press (and received a Best Picture nod) but netted Arkin a nomination for Best Actor. He lost to Paul Scofield, for the latter's role as Thomas More in A Man for All Seasons.Arkin evinced pronounced versatility by cutting dramatically against type for his next performance: that of Harry Roat, a psychopath who systematically psychologically tortures Audrey Hepburn, in Terence Young's Wait Until Dark (1967). A return to comedy with 1968's Inspector Clouseau (with Arkin in the Peter Sellers role) proved disastrous. Fortunately, Arkin took this as a cue, and shifted direction once again the following year, with his aforementioned portrayal of Singer in The Heart Is a Lonely Hunter -- a gentle and beautiful adaptation of Carson McCullers' wonderful novel. For the effort, Arkin received a much-deserved sophomore Academy Award nomination for Best Actor, but lost to Charly's Cliff Robertson. The '70s brought mixed prospects for Arkin. He debuted as a film director in 1971, with a screen adaptation of Jules Feiffer's jet-black comedy Little Murders -- a theatrical work that Arkin had previously directed, to rave reviews, off-Broadway. A foray into the subject of American apathy in the face of random violence as it escalated during the late '60s and early '70s, the film tells the story of a sociopathically aggressive woman (Marcia Rodd) who wheedles an apathetic photographer-cum-avant-garde filmmaker (Elliott Gould) into marriage. The film divided journalists sharply. Despite initial reservations and objections, the film aged well with time, and has received renewed critical attention in recent years.Arkin's choice of projects over the remainder of the decade varied dramatically in quality -- from the dregs of Gene Saks' Neil Simon cinematization Last of the Red Hot Lovers (1972) and the tasteless police comedy Freebie and the Bean (1974) to the finely wrought, overlooked comedy-mystery The Seven-Percent Solution (1976) and Arthur Hiller's sensational farce The In-Laws (1979). Alongside his film work during the '70s, Arkin authored two best-sellers: the children's book Tony's Hard Work Day (1972) and an exploration of yoga, Half Way Through the Door: An Actor's Journey Towards the Self (1975). In the late '70s, Arkin made a rare television appearance, delighting younger viewers with a wild and gothic starring role on an episode of Jim Henson's Muppet Show.If the 1970s struck Arkin fans as something of a mixed bag, the actor's career choices suffered during the '80s, perhaps because of the paucity of solid comedic roles available in Hollywood during that decade. A brief list of Arkin's film credits during that period render it surprising that he could even sustain his own career throughout such poor choices: Chu Chu and the Philly Flash (1981), Improper Channels (1981), Full Moon High (1982), Bad Medicine (1985), Big Trouble (1985), and Escape from Sobibor (1987). Arkin did make two wonderful contributions to overlooked '80s comedies, however: 1980's Simon and 1985's Joshua Then and Now. In the first picture, directed by fellow Tarrier vocalist (and former Woody Allen co-scenarist) Marshall Brickman, Arkin plays Simon Mendelssohn, a college professor who falls prey to a nutty government think tank run by Max Wright and Austin Pendleton. Although the film remained an obscurity, Joshua delivers some of Arkin's most impressive onscreen work to date, and doubtless enabled him to pull from his own Jewish heritage in developing the character.The public's decision to snub these two pictures may have foreshadowed Arkin's work in the '90s, when he appeared in several fine, but equally overlooked, efforts. These included: Havana (1990), The Rocketeer (1991), Indian Summer (1993), Bullets Over Broadway (1994), the aforementioned Mother Night (1996), Grosse Pointe Blank (1997), and Slums of Beverly Hills (1998). He delivered a searing performance as the "loser" salesman who robs his company of much-sought-after leads, in James Foley's David Mamet cinematization Glengarry Glen Ross (1992), and offered the only memorable contribution to Andrew Davis' fable Steal Big, Steal Little (1995), as "an opportunist who weighs in with the underdogs and learns the true meaning of decency and friendship...[striking] the perfect blend of cynicism, sincerity, and simpatico." Arkin maintained a comparatively lower profile during the early years of the millennium, aside from outstanding contributions to the otherwise dull farce America's Sweethearts (2001), the gripping telemovie The Pentagon Papers (2003), and the historical biopic And Starring Pancho Villa as Himself (2003). In early 2007, Arkin received his first Academy Award nod in 38 years: a Best Actor nomination that he subsequently won for his hilarious turn in the road comedy Little Miss Sunshine. In that movie, Arkin played the grandfather of an über-dysfunctional family, who is ejected from a nursing home for his freewheeling lifestyle. The character's passions include porn and heroin -- elements that, as used by the film's directors, enable Arkin to provide much of the film's fresh and inspired humor. The part earned him rave reviews, and an Oscar for Best Supporting Actor.He appeared in the dog film Marley & Me in 2008, and that same year reteamed with Steve Carell for the big-screen version of Get Smart. He was the executive producer and co-star of the shaggy-dog crime tale Thin Ice in 2010, and the next year he had a brief cameo as a studio tour guide in The Muppets, and appeared in The Change-Up. He had a major part in Ben Affleck's Argo, a thriller about agents attempting to save American hostages held by Iranians by pretending to be making a Hollywood blockbuster. His portrayal of a showbiz producer who helps pull of the scheme, Arkin captured another Oscar nomination for Best Supporting Actor.Alan Arkin has married and divorced three times, to Jeremy Yaffe, to Barbara Dana, and to Suzanne Arkin. In addition to the legacy engendered by his own career resumé, Arkin has fathered something of an acting dynasty; his three sons, Adam, Matthew, and Tony, are all gifted and accomplished actors, with Adam Arkin (Northern Exposure, Chicago Hope) maintaining a somewhat higher profile than his brothers.

Trivia: Mention the name of actor Michael Richards and it immediately conjures up images of Cosmo Kramer, the wild-haired, well-meaning neighbor-from-hell on the long-running NBC sitcom Seinfeld. But though Kramer is the role for which Richards is best known, it would be unfair to categorize him as a one-note actor, for he had already established a solid career as a comic character actor before landing the role in 1989. A native of Van Nuys, CA, Richards was raised by his mother Phyllis Richards, a medical records librarian. His father, William Richards, an electrical engineer, died when Richards was a toddler. His mother raised him in Culver City, one of L.A.'s centers for movie and television production. When Richards was in the eighth grade, he developed a passion for acting that blinded him to almost all other career options. After high school, he aspired to become a dramatic actor and enrolled in the theater program at Valley College in California. There, however, it quickly became apparent that Richards' genius lay not in drama, but in comedy (he credits his mother for his sense of humor). He did not graduate and was drafted by the Army. After serving two years in Germany, he returned to attend the California Institute of the Arts. He did not earn a degree, however, until he attended Washington State's alternative school, Evergreen State College. After graduating, he returned to Los Angeles and began performing in comedy clubs. In those days, he specialized in a blend of surrealist and zany comedy. He had worked the standup circuit for less than a year when he was tapped by the ABC network to appear in their new sketch series Fridays. Though derided as a direct rip-off of NBC's more successful Saturday Night Live, the show ran from 1980 to 1982. The year the show was cancelled is the year Richards made his feature film debut, in Garry Marshall's comedy Young Doctors in Love (1982). Though Richards subsequently never lacked for work in features and television, he remained relatively obscure until fellow Fridays castmate Larry David called to offer him a part in The Seinfeld Chronicles, a show he had recently developed with comedian Jerry Seinfeld. After a rocky start, the show was renamed Seinfeld and given a regular timeslot. Richard's character Kramer was based on one of David's friends. It took the actor a few episodes to develop his kooky alter ego, but once he did the results were dazzling, garnering Richards a trio of Emmys for Best Supporting Actor in a Comedy Series. Playing Kramer was not always easy for him. In many ways a classic slapstick character, the role's physical demands often exhausted Richards, who also suffered the underlying stress of becoming typecast. Fortunately, the fame accorded him for his television work provided him the opportunity to stretch out on the big screen, as he did in Diane Keaton's Unstrung Heroes (1995). In 1997, Richards received top billing for the first time in Trial and Error, which co-starred Jeff Daniels. In November of 2006, a high profile, on stage meltdown at The Laugh Factory in Los Angeles found Richards labeled a racist for repeatedly screaming "the 'N' word" at a pair of hecklers, and despite a quick apology on Late Night With David Letterman and discussions with leaders in the black community, it appeared Richards had irreparably damaged his reputation. In 2007 Richards retired from stand-up comedy, though his old friend David gave him a shot at a small screen comeback with a brief recurring role on his hit HBO series Curb Your Enthusiasm.

Trivia: South Carolina-born African American comedian Chris Rock grew up in Brooklyn and projected a marked aptitude for comedy early in life. Rock traveled the New York club circuit during his adolescence, so aggressively and persistently that he established himself as a seasoned veteran by his late teens. He happened to be performing at the New York Comedy Strip c. 1984, when his break arrived in the form of an audience visit by one Eddie Murphy. Deeply impressed with the then eighteen-year-old rising star, Murphy cast him in his forthcoming Beverly Hills Cop II (1987), as a parking valet. It hardly constituted a breakout performance, but the role and newfound connection with Eddie Murphy helped Rock land a couple of small supporting roles, and eventually a spot on NBC's hallowed Saturday Night Live, from 1990-93. During his SNL stint, Rock also periodically guest-starred in fellow comedian Keenan Ivory Wayans' African American sketch comedy series In Living Color. In 1991, Rock broke from comedy in favor of a more dramatic role, and his performance as a surprisingly innocent crack addict-cum-informant in Mario Van Peebles' New Jack City attracted a substantial amount of favorable attention; Roger Ebert praised Rock as "effortlessly authentic and convincing."One could argue with some foundation that the role in New Jack City is indicative of Rock's driving force (i.e., the politics of modern society and race within the contextual framework of American culture). Although Rock employs comedic delivery, many of his favorite topics are quite grave, and Rock's ability to confront these issues, cloaked in ribald humor, helped launch his career during the late '90s. While his 1993 screenwriting debut, on Tamra Davis's CB4: The Movie, received lukewarm reviews at best, Rock established himself as a household name after his scathing HBO comedy special Bring the Pain (1996) earned him two Emmy awards and a significantly larger fan base. The same year, he received a third Emmy for his work as a writer and correspondent for Comedy Central's Politically Incorrect with Bill Maher. Then, in 1997, the successes of Rock's stand-up, his contributions to Saturday Night Live and In Living Color, his film roleass, and his work on Bring the Pain collectively inspired HBO to sign Rock for a sketch comedy series, The Chris Rock Show, that ran from 1997 to 2000. The program borrowed the formats of Saturday Night Live and In Living Color, yet it upped the vulgarity, volatility, and presence of hot-button contemporary issues - in addition to the intelligence. In addition to Rock, the program featured a cast of up-and-coming African American comics, such as Wanda Sykes and Mario Joyner. The program ran to sensational reviews. Rock's film career expanded throughout the late '90s, and the young comic won particular notice for his role as a hot-headed law enforcement agent in 1998's Lethal Weapon 4 opposite Danny Glover and Mel Gibson, and later for Kevin Smith's irreverent Dogma(1999), as a bitter apostle of Jesus. He also published a book titled Rock This! with much success. Though Dogma received mixed reviews, in 1999 Rock mounted his second HBO comedy special, Bigger & Blacker, which found the comedian addressing topics from gun control to Bill Clinton and proper parenting techniques. In late 2000, Rock played an obnoxious hitman equipped with an incredibly inventive string of obscenities in Neil La Bute's controversial black comedy Nurse Betty, alongside Renee Zellweger and Morgan Freeman.In 2001, Rock put his screenwriting abilities to the test in Down to Earth, a remake of 1941's Here Comes Mr. Jordan, and again in Pootie Tang, a feature spin-off of one of the characters from The Chris Rock Show. In 2001, Rock voiced one of the characters in Steven Spielberg's A.I.: Artificial Intelligence and another in Osmosis Jones, and rejoined Kevin Smith for a cameo in Jay and Silent Bob Strike Back. In 2002, Rock was one of several comedians featured in Christian Charles' documentary Comedian, and in the same year starred opposite Oscar-winner Anthony Hopkins as a CIA spy in the Joel Schumacher-directed action comedy dud Bad Company. Rock then directed, co-wrote and starred in 2003's Head of State as an unlikely presidential candidate for the Democratic party.Head of State divided critics; most felt nonplussed, or espoused mixed feelings, such as The Los Angeles Times's Manohla Dargis, who mused, " Rock can't set up a decent-looking shot, and… doesn't care about niceties such as character development… but…nonetheless wrings biting humor from serious issues with the… ferocity [of]… Richard Pryor and Lenny Bruce." After Head, Rock's big screen activity diminished just a bit; he voiced Marty the Zebra in the CG-animated, family-oriented features Madagascar (2005) and Madagascar 2 (2008), but his most frequent turn during this period arrived in the form of a new semiautobiographical sitcom on UPN, Everybody Hates Chris, that debuted in September 2005. As written and produced by Rock, it cast Tyler James Williams as a younger version of the comedian, during the early '80s, who lives in the steel-tough area of Bedford-Stuyvesant and is bused, each day, to a school full of Italian Americans. As narrated by Rock, this sweet, gentle, nostalgic and witty program caught everyone off guard and drew outstanding ratings during late 2005 "TV Sweeps"; New York Times correspondent Alessandra Stanley was certainly not alone when she praised it as "charming" and compared it favorably to The Cosby Show - high praise, indeed.In 2007, Rock returned to cinemas, posing a quadruple threat (writer/producer/ director/star) with the adults-only sex comedy I Think I Love My Wife. In that picture (a remake of Eric Rohmer's Chloe in the Afternoon!) Rock plays Richard Cooper, a suburban investment banker saddled with a wife and two kids, who finds it increasingly difficult to avoid delving into a rich world of sexual fantasies, and then to avoid an imminent affair with a gorgeous "old friend" (Kerry Washington) seeking career advice. I Think I Love My Wife took its stateside bow in mid-March 2007, to reviews as mixed as anything in Rock's prior career; most critics either loved or hated it; a few responded ambivalently. Rock took on a supporting role in 2012's What to Expect When You're Expecting, and voiced the character of Marty the Zebra in Madagascar 3: Europe's Most Wanted the same year. He resprised his role in Grown Ups 2 in 2013. In 2014, he wrote, directed and starred in Top Five.

Trivia: Character actor Glenn Vernon had a long and varied career in television, film, and on the stage until his death in late 1999. Immediately after graduating from high school, the young Vernon left his hometown in Massachusetts for New York City, to try his hand at acting. He gained recognition in the early '40s for his efforts in a number of Broadway productions that led RKO Studios to offer him a film contract. He was a contract player with the studio only until the end of that decade, but his involvement in all things acting would continue for the rest of his life.

Trivia: American character actor Robert Nichols appeared in numerous Hollywood and British films during the 1950s. He was particularly prolific during the 1950s. Nichols has also worked on stage and in television.

Trivia: Actor Greg Germann is probably best known as attorney Richard Fish -- the tactless, neurotic litigator who went head-to-head with Ally McBeal in law school, but soon does an about face and hires her, on that character's eponymous Fox comedy drama. Actually, that role only represented the tail end of a long ascent to stardom for the gifted actor. Germann trained as a dramatist at an early age by performing in local stage productions in his childhood home of Golden, CO. In the early '80s, Germann moved to New York City and attended auditions before film producers tapped him for supporting roles in pictures ranging from the eminently forgettable (the 1986 Whoopee Boys) to the outstanding (the 1991 Once Around, the 1994 Imaginary Crimes). Germann found his greatest success, however, in television; after landing regular roles on two short-lived programs, the legal drama Sweet Justice and the sitcom Ned and Stacey (1995), the actor caught the eye of McBeal mastermind David E. Kelley. Kelley praised Germann as an actor so versatile that he could seemingly do anything; unsurprisingly, the role, like the series, lasted five seasons.Germann followed Ally McBeal up with supporting parts in a series of mostly forgettable films, including the direct-to-video Sandlot 2 (2005) and crazylove (2005), before returning to form with a prime role in the Will Ferrell racing comedy Talladega Nights: The Ballad of Ricky Bobby (2006). Germann then landed a regular role as a mentally disturbed diet guru in the decidedly quirky (and short-lived) comedy drama series In Case of Emergency (2007). He also delivered an extraordinary performance as a quiet, compassionate counselor in Monty Lapica's big-screen debut, Self-Medicated (2005). Germann appeared in Quarantine (2008) director John E. Dowdle revamp of [REC] Paco Plaza's Spanish-language horror film [REC], and starred in The Santa Incident, a family-friendly comedy film following a pair of siblings charged with helping Santa back to the North Pole, in 2010. In 2011 he co-starred in the drama Fly Away, and worked with Salma Hayek and Kevin James in the 2012 action comedy Here Comes the Boom.