Trivia: With a rangy handsomeness that makes him look as if he would be equally comfortable branding cattle, Matthew McConaughey found fame shortly after making his screen debut in Richard Linklater's 1993 Dazed and Confused. After being cast in two high-profile 1996 films, Lone Star and A Time to Kill, the actor was soon being hailed as one of the industry's hottest young leading men, inspiring comparisons to such charismatic purveyors of cinematic testosterone as Paul Newman and Tom Cruise.A product of Texas, McConaughey was born in Uvalde on November 4, 1969 and raised in Longview. The son of a substitute teacher and a former member of the Green Bay Packers, he excelled in sports as a high school student and was voted "Most Handsome" by his senior class. After graduating, McConaughey spent some time working in Australia and then returned to the States to attend the University of Texas at Austin. It was there that he met producer and casting director Don Phillips, who introduced him to director Linklater, and, after directing from UT in 1993 with a degree in film production, McConaughey was cast in Dazed and Confused. Although his role as Wooderson, a slacker old enough to know better, was relatively small, McConaughey succeeded in winning a degree of immortality with lines like, "That's what I like about high school girls: I keep getting older, they stay the same age." After Dazed, McConaughey took on a number of supporting roles in films of varying quality, appearing in everything from 1994's Return of the Texas Chainsaw Massacre to 1995's Boys on the Side, in which he was cast as Drew Barrymore's straight-arrow cop boyfriend. The latter film won him some notice, heightened a year later when he was cast in John Sayles' acclaimed Lone Star. McConaughey made a distinct impression in his small but pivotal role as the town's beloved late sheriff, Buddy Deeds, and was duly given his first leading role in Joel Schumacher's 1996 adaptation of John Grisham's A Time to Kill. Although the film met with lackluster reviews, McConaughey managed to attract favorable attention, holding his own against Samuel L. Jackson, Kevin Spacey, and Sandra Bullock.Finding himself elected to the throne of Hollywood Golden Boy, a status cemented by his appearance on the cover of the August 1996 Vanity Fair, McConaughey paradoxically followed his initial success with a string of small, largely unseen films before landing a starring role as a property lawyer in Amistad, Steven Spielberg's 1997 slave epic. The same year, he also starred in Contact, playing a New Age theologian in Robert Zemeckis' adaptation of Carl Sagan's best-selling novel. After again collaborating with Linklater in 1998 on The Newton Boys, in which he starred alongside Ethan Hawke, Skeet Ulrich, and Vincent D'Onofrio as the remarkably photogenic family of titular robbers, McConaughey banded together with off-screen pal Bullock on her directorial debut, the short Making Sandwiches, the same year. For all the hype surrounding the beginning of his career, by the time he was cast in the lead role of Ron Howard's EdTV, McConaughey had receded somewhat from the public eye, with many critics noting that despite his talent and physical attributes, the actor seemed to have trouble finding roles that would do him justice. But McConaughey's turn as the laid-back everyman who becomes an overnight celebrity when he allows his life to be broadcast on TV proved a relative success, with the actor winning praise for his endearingly dopey performance. The film itself garnered a number of positive reviews and gave a decent box office performance, and by the end of that year, McConaughey had his name attached to a number of projects, including those of his own production company, J.K. Livin'. In October 1999, McConaughey achieved notoriety of a different sort, when he was arrested for resisting transport after the Austin, Texas police responded to noise complaints about his late-night naked bongo-playing; drug charges against him were dropped for lack of a proper warrant.After submerging in a tense struggle to find a German Enigma machine in order to defeat the Nazis in the taut World War II thriller U-571 (2000), McConaughey sweetened things up a bit by co-starring alongside Jennifer Lopez in the romantic comedy The Wedding Planner (2002). A lightweight comedy that did little to further his appeal as an actor of dramatic or comic range, the film nevertheless kept McConaughey in the public eye and once again warmed him to a public unsure how to approach him after numerous rumors of bizarre behavior. McConaughey's performance as a cocky lawyer forced to re-evaluate his quest for happiness after a life-altering experience in 2001's 13 Conversations About One Thing forced critics and audiences to re-evaluate their approach to the eccentric actor, and he would next re-team with U-571 co-star Bill Paxton for the nail-biter sleeper Frailty (2001). In late 2001 and early 2002 the eccentric actor at last received favorable press after coming to the aid of both woman who fainted at the Toronto International Film Festival and a sound man who suffered a seizure during McConaughey's Access Hollywood interview for Reign of Fire (2002), and though the aforementioned film fared only moderately well at the box office, its kindly star seemed to be back in the public's good graces. McConaughey next opted to lighten things up a bit by co-starring alongside Kate Hudson in the romantic comedy How to Lose a Guy in 10 Days. In 2005, McConaughey and Al Pacino co-headlined D.J. Caruso's gritty gambling thriller Two for the Money. McConaughey stars as Brandon Lang, a onetime collegiate football hero with a knack for picking winners, who unofficially signs on as the protege - and later the nemesis - of Pacino's seedy high-roller. The film brought in only moderate returns and received mixed reviews from the press, but McConaughey fared substantially better with 2006's romantic comedy Failure to Launch. In the latter, he stars alongside Sex and the City star Sarah Jessica Parker as Tripp, a thirtysomething mama's boy whose parents coax him out of the house by setting him up with dreamgirl Paula (Parker). The film shot up to become the primo box office draw on its opening weekend and did incredible business thereafter. McConaughey would spend the 2000's enjoying leading man status, with memorable roels in We Are Marshall, Fool's Gold, Tropic Thunder, and Magic Mike.

Trivia: One of Spain's foremost leading ladies of the 1990s, Penélope Cruz has managed to make her mark with international audiences as well. Born in Madrid on April 28, 1974, Cruz was one of three children of a merchant and a hairdresser. After years of intensive study in ballet and jazz, she broke into acting in 1992. That year, she had starring roles in Jamón Jamón and Belle Epoque, two very disparate films. The former cast her as the desperately poor daughter of a village prostitute, while the latter featured her as one of four lusty daughters of a wealthy man in pre-Franco Spain. Belle Epoque proved to be a huge success, winning nine Goya Awards (the Spanish equivalent of an Academy Award) and an Oscar for Best Foreign Film. Its success gave Cruz a dose of international recognition, and after starring in a number of Spanish films, she enhanced this recognition in 1997 with the Sundance entry Abre los Ojos (Open Your Eyes). That same year, she had a brief but memorable role in Pedro Almodóvar's Carne Trémula (Live Flesh). In 1998, Cruz had her first starring role in an English-language film, playing Billy Crudup's Mexican-American love interest in Stephen Frears' The Hi-Lo Country. She had another go at English later that year in the Spanish-British romantic comedy Twice Upon a Yesterday, which cast her as a Spanish barmaid living in London. In 1999, she returned to Spain to collaborate once again with Almodóvar on Todo Sobre Mi Madre (All About My Mother), a wildly acclaimed film that premiered at Cannes that year.The next two years would prove to be a critical turning point in both Cruz's personal and professional life, with increasingly visible roles in large-scale Hollywood productions as well as a developing relationship with one Tinseltown's most popular leading men. Gaining notice for her roles in All the Pretty Horses in 2000 and Blow the following year, it appeared as if Cruz's career had suddenly kicked into overdrive. After starring alongside Nicolas Cage in the underperforming Captain Corelli's Mandolin in 2001, Cruz dove back into familiar territory with director Cameron Crowe's remake of Abre los Ojos, Vanilla Sky (2001). Developing a close relationship with lead Tom Cruise as his much publicized breakup with Nicole Kidman drew to a close, the pair soon found themselves the center of considerable paparazzi attention as they became Hollywood's hottest new couple.While "Cruz & Cruise" outlasted most celebrity couplings born on movie sets -- even generating wedding talk -- the duo went their separate ways in 2004. Perhaps not coincidentally, Cruz's career took a backseat to her paramour's while she was dating him; between 2001 and 2004, most of her roles were either minor ones in uncelebrated American indies (Waking Up in Reno, Masked and Anonymous, Noel) or meatier ones in foreign films that failed to gain traction in the States (Fanfan la Tulipe, Don't Move, Bandidas). Luckily, the actress rebounded with a performance thought by many critics to be the best of her career, when she re-teamed with one of her earliest champions, Pedro Almodóvar, for his nostalgic, bittersweet Volver in 2006. Warm, witty, and biting, Cruz's performance kept her name in the running for many year-end awards, even garnering her her first Oscar nomination for Best Actress.In 2008, Cruz earned strong reviews for her work in Elegy, but it was her turn in Woody Allen's Vicky Cristina Barcelona that garnered her Best Supporting Actress nods from the Hollywood Foreign Press, the Screen Actors Guild, and winning the trophy in that category from the Academy.She was nominated the next year for the Golden Globe, the Screen Actors Guild, and the Oscar for her sexy supporting turn in Rob Marshall's big-screen adaptation of the hit Broadway musical Nine. Despite the film itself doing poorly, Cruz proved that she'd found a solid career trajectory as the 2010's progressed, appearing in projects like Pirates of the Caribbean: On Stranger Tides.

Trivia: Making an art out of portraying dysfunctional losers and likable freaks, Steve Zahn worked for years before getting his due as one of the most engaging and unconventionally gifted actors in Hollywood. Hailing from Marshall, MN, where he was born in 1968, Zahn was first introduced to improvisational acting in high school. Following a year at Gustavus-Adolphus College, he was accepted at the prestigious American Repertory Theater in Cambridge, MA, where he trained for two years. After completing his tenure there, Zahn settled in Hoboken, NJ, and tried to support himself with acting in New York, working a variety of odd jobs on the side. He found work in various theater productions, including a 13-month road tour of Bye, Bye Birdie, which provided both steady employment and an introduction to his wife, who was a dancer in the musical.Zahn's break came when he was cast in Sophistry, a play that also starred Ethan Hawke. His performance was seen by Ben Stiller, who offered him a role in his upcoming film, Reality Bites. Zahn took the part of Sammy, Winona Ryder's amiable, slightly conflicted gay friend. The film, which was released in 1994, was actually Zahn's second feature, the first being the 1993 drama Rain Without Thunder. Reality Bites met with relative success and helped to jump-start not only Zahn's career, but those of Ben Stiller and Janeane Garofalo, as well. Zahn proceeded to take a significant role in Eric Bogosian's play SubUrbia and his work in the production led to his casting in the 1995 submarine thriller Crimson Tide, starring Denzel Washington. The following year, he won a leading role in Tom Hanks' That Thing You Do! and subsequently re-created his SubUrbia role for the play's film adaptation, which also featured Giovanni Ribisi and Parker Posey. In 1998, Hollywood began to take notice of the actor, as he was featured in four different films. Three of them, You've Got Mail, Out of Sight, and The Object of My Affection, proved to be box-office successes; the other one, Safe Men, was released into general obscurity. The following year, Zahn made an appearance in the romantic comedy Forces of Nature, co-starring Ben Affleck and Sandra Bullock, and had a leading role in Happy, Texas, which was released at Sundance. For his performance as a con artist forced to play gay, Zahn won a special acting award at the festival, a much-deserved token of appreciation for an actor as underrated as he is original.In the years that followed, Zahn elevated his portrayal of lovable losers to a virtual art form. Though he would head up an impressive cast in the 2000 feature Chain of Fools, the film would be inexplicably relegated to cinematic limbo and audiences would next catch an unexpected glimpse of the rising star in director Michael Almereyda's Hamlet (2000). If the following year's Saving Silverman found Zahn back to his usual antics, abysmal reviews and poor audience reaction quickly sunk the romantic comedy and audiences would catch their next glimpse of him in John Dahl's edge-of-your-seat thriller Joy Ride (also 2001). His portrayal of Drew Barrymore's character's well-intending but hopeless husband in the 2001 comedy drama Riding in Cars with Boys showed a dramatic side many audiences had yet to experience from Zahn, and after a brief break from the screen Zahn returned in 2003 with a pair of high profile comedies. After joining comedian/actor Martin Lawrence as one half of a pair of hapless security guards in the 2003 comedy National Security, Zahn attempted to bring up baby opposite actor/comedian Eddie Murphy in the family friendly comedy Daddy Day Care. A series of supporting performances in Shattered Glass, Speak and Employee of the Month (all 2004) were quick to follow, ensuring that audiences who couldn't get their fill of Zahn's unique and endearing quirkiness wouldn't be left out in the lurch for long.Behind the camera, Zahn has provided vocal work for such family films as Stuart Little (as well as its 2002 sequel), Doctor Dolittle 2 and Chicken Little (2005). In 2006, Zahn again tried his hand at more dramatic work with a role in the Werner Herzog POW film Rescue Dawn, but soon he was going back to his comedic roots with 2008's Sunshine Cleaning and Strange Wilderness. He was one of the stars of the thriller A Perfect Getaway in 2009. Zahn then changed gears by taking on the role of dad Frank Heffley in the Diary of a Wimpy Kid series.

Trivia: African American character actor Glynn R. Turman was first introduced to the general public as Lew Miles, teen-aged son of Dr. Harry Miles (Percy Rodrigues) and his wife, Alma (Ruby Dee), during the 1968-1969 season of the prime-time TV soap opera Peyton Place. Turman went on to star as Chicago high schooler Leroy "Preach" Jackson in the 1975 film sleeper Cooley High. Settling into character roles in the 1980s, Turman was most often seen as judges, military officers, police detectives, and well-to-do patriarches. A departure from these "establishment" assignments was Turman's star turn in the 1981 TV-movie Thornwell, in which he portrayed real-life soldier James Thornwell, who accused the U.S. Army of subjecting him to illegal mind-controlling drugs. Turman's weekly series roles have included Secretary of State LaRue Hawkes in 1985's Hail to the Chief, and Colonel Bradford Taylor (aka "Dr. War") in the popular Cosby Show spin-off A Different World (1988-1993); he also appeared in the 1983 pilot episode of Manimal as Ty Earl, a role essayed by Michael D. Roberts in the series proper. In the 2000s, Turman played the memorable role of fictional Baltimore mayor Clarence V. Royce on the critically acclaimed HBO series The Wire. Also on HBO, he appeared in a few episodes of the psychotherapy drama In Treatment, winning an Emmy for Outstanding Guest Actor in a Drama Series for his role as the tough, strict father of Blair Underwood's troubled fighter pilot. In the years to come, Turman would remain active on screen, appearing on shows like The Defenders and House of Lies.

Trivia: Whether on stage or the big screen, Delroy Lindo projects a powerful presence that is virtually impossible to ignore. Though it was not his first film role, his portrayal of manic depressive numbers boss West Indian Archie in Spike Lee's Malcolm X (1992) is what first attracted attention to Lindo's considerable talents. Since then, his star has slowly been on the rise and the actor has had steady opportunity to display his talent in a number of diverse films.The son of Jamaican parents, Lindo was born in London, England, on November 18, 1952. He was raised in Lewisham, England, until his teens, when he and his mother moved across the Atlantic to Toronto. Following a move to the U.S. a short time later, he became involved in acting, eventually graduating from San Francisco's renowned American Conservatory Theater. After graduation, he landed his first film role, that of an Army sergeant in More American Graffiti (1979). He would not appear in another film for a decade, spending the intervening years on the stage. In 1982, Lindo debuted on Broadway in Master Harold and the Boys, directed by the play's author, Athol Fugard. Six years later, he earned a Tony nomination for his portrayal of Harold Loomis in Joe Turner's Come and Gone.Although possessing obvious talent and the potential for a distinguished career, Lindo found himself in something of a rut during the late '80s. Wanting someone more aggressive and appreciative of his talents, he changed agents (he'd had the same one through most of his early career). It was a smart move, but it was director Spike Lee who provided the boost that the actor's career needed. The director was impressed enough with Lindo to first cast him in Malcolm X and then as patriarch Woody Carmichael in his semi-autobiographical comedy Crooklyn (1994), a role for which Lindo earned some long overdue praise. 1995 proved to be another big year for the actor, as he landed substantial supporting roles in two major films, playing a mercurial drug dealer in Barry Sonnenfeld's Get Shorty and another drug dealer in Lee's Clockers. The following year, he could be seen in yet another villainous role in Feeling Minnesota. However, he also proved that he could portray the other side of the law, in the Mel Gibson thriller Ransom, in which he played an FBI agent, and John Woo's Broken Arrow, which cast him as a colonel. He made good as baseball player Satchel Paige in the upbeat Baseball in Black and White that same year, winning himself an NAACP Image nomination in the process.Following a turn as a jaded angel opposite Holly Hunter in Danny Boyle's A Life Less Ordinary (1997), Lindo returned to a more earthly realm, further proving his talent for playing shadesters in The Cider House Rules (1999), in which he portrayed a cider house foreman who impregnates his daughter, and Romeo Must Die (2000), a loose adaptation of Romeo and Juliet that cast him as a vengeful mob boss. Following roles in Gone in Sixty Seconds (2000), Heist (2001), and The Last Castle (also 2001), Lindo re-teamed with Romeo star Jet Li for another high-kicking action opus, The One, in late 2001. Supporting roles in such high profile Hollywood films as The Core, Sahara, and Domino kept Lindo in the public eye over the course of the following decade, and in 2009 the actor lent his voice to the character of Beta in the runaway Pixar hit Up.

Trivia: William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school, Macy studied under playwright David Mamet, with whom he would be frequently associated throughout his career. After college, Macy was a member of Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman." Macy also continued his theater work, forming the Atlantic Theatre Company with Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as Mamet's directorial debut, House of Games (1987) and Woody Allen's Radio Days (1987). In 1991, he won a more substantial role, in Mamet's Homicide, and subsequently began to find work in more well-known films, including Benny and Joon and The Client.Macy finally got a shot at a leading role with his turn in Mamet's Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in Joel Coen and Ethan Coen's Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year, Macy's star rose a little higher, thanks to his work in three high-profile films, Wag the Dog, Air Force One, and Paul Thomas Anderson's Boogie Nights. He was similarly lauded for his versatility through work in such films as Psycho and Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in Mystery Men, a gay sheriff in Happy, Texas, and a member of the ensemble cast of Paul Thomas Anderson's Magnolia. Despite the fact that Macy drew praise for his turn as a reluctant hit man in the 2000 drama Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in Jurassic Park III. As always Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as Focus and Stealing Sinatra. Surprisingly, it was just such work that netted Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries Out of Order, Macy went wide with the theatrical hit Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director David Mamet in the widely-praised but little-seen crime drama Spartan. Macy has also continued to do television work, appearing on such series as Spencer, Law & Order, and ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason), Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys. In 2005, Macy returned to home turf with the Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing." Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager, Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped, Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness. Meanwhile, the trades reported the everpresent Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.In 1997, William H. Macy married Felicity Huffman, with whom he appeared in Magnolia.

Trivia: After the death of his mother when he was 10, he and his brother chose to live in a children's home in London instead of being sent to America to reside with a relative. He stayed in foster care for eight years. Aspired to be a professional rugby player as a teen. Was introduced to acting after following a girl he was interested in to an audition for a play. Was once employed by the British government's social security office. Penned the autobiographical TV film, Storm Damage, in 2000. Wrote the well-received play The Sons of Charlie Paora, which opened in London's Royal Court in 2004. Landed the role of Robert Hawkins on Jericho after his first audition.

Trivia: Born January 26th, 1966, Rainn Wilson is best known for playing über-nerd Dwight Schrute on the NBC comedy The Office, actor Rainn Wilson parlayed a Broadway career into screen work that began with a role on the daytime soap One Life to Live. Bit parts in features such as Galaxy Quest and Almost Famous soon followed before Wilson landed the part of apprentice mortician Arthur on HBO's Six Feet Under during the show's third season. After Six Feet Under bowed in 2005, Wilson was cast in his most prominent role to date, the aforementioned Dwight Schrute, the resident oddball on the critically acclaimed U.S. version of The Office. Wilson so embraced the part that he even personally penned a weblog by the character on the NBC website. In 2006, Wilson was the fourth lead in Ivan Reitman's fantasy romantic comedy My Super Ex-Girlfriend, and a year later he scored his first starring feature role in the children's sci-fi adventure The Last Mimzy.

Trivia: Born Patrick G. Duggan on March 24, 1945, Patrick Malahide grew up in the Thames Valley west of London in the village of Pangbourne, where Kenneth Grahame wrote about Mole, Toad, and Rat in the 1908 children's classic The Wind in the Willows. Malahide's Irish immigrant parents each held down two jobs to send Patrick and their other two children to the best schools. Patrick attended St. Anne's Primary and then the Douai School of the Benedictine Abbey at Upper Woolhampton, Berkshire. At both schools, Patrick received an excellent education and learned to mix with upper-class children and mimic the articulation and cadence of their speech. Thus, he was unwittingly preparing himself for film roles requiring an understanding of class-conscious societies and a mastery of accents. Such roles included his portrayal of Sir John Conroy in the 2001 TV miniseries Victoria and Albert, Captain Claude Howlett in the 1999 TV miniseries All the King's Men, and the Rev. Casaubon in the 1994 TV miniseries Middlemarch. After attending Edinburgh University, where he studied literature and psychology and performed with a dramatic society, he taught English at a boys' school in Wokingham. Soon, however, he abandoned the classroom for the stage, managing and directing at a small theater and acting in the plays of Henrik Ibsen, Noel Coward, Anton Chekhov, and Arthur Miller. After performing in London, he signed on with the Royal Lyceum Theatre in Edinburgh, playing roles in the dramas of Shakespeare and other classic authors, accepted television roles, and earned critical acclaim in 1981 in a tour de force one-man show, Judgement [writer's note: the British spelling of the word "judgment" is correct here], in which he tells the audience why he resorted to cannibalism to survive as a Russian officer in a Nazi prison. Then came worldwide recognition from productions such as The Killing Fields (1984), the TV miniseries The Singing Detective (1985), A Month in the Country (1987), the TV docudrama Investigation: Inside a Terrorist Bombing (1990), A Man of No Importance (1994), U.S. Marshals (1998), and Billy Elliot (2000).