Trivia: With a rangy handsomeness that makes him look as if he would be equally comfortable branding cattle, Matthew McConaughey found fame shortly after making his screen debut in Richard Linklater's 1993 Dazed and Confused. After being cast in two high-profile 1996 films, Lone Star and A Time to Kill, the actor was soon being hailed as one of the industry's hottest young leading men, inspiring comparisons to such charismatic purveyors of cinematic testosterone as Paul Newman and Tom Cruise.A product of Texas, McConaughey was born in Uvalde on November 4, 1969 and raised in Longview. The son of a substitute teacher and a former member of the Green Bay Packers, he excelled in sports as a high school student and was voted "Most Handsome" by his senior class. After graduating, McConaughey spent some time working in Australia and then returned to the States to attend the University of Texas at Austin. It was there that he met producer and casting director Don Phillips, who introduced him to director Linklater, and, after directing from UT in 1993 with a degree in film production, McConaughey was cast in Dazed and Confused. Although his role as Wooderson, a slacker old enough to know better, was relatively small, McConaughey succeeded in winning a degree of immortality with lines like, "That's what I like about high school girls: I keep getting older, they stay the same age." After Dazed, McConaughey took on a number of supporting roles in films of varying quality, appearing in everything from 1994's Return of the Texas Chainsaw Massacre to 1995's Boys on the Side, in which he was cast as Drew Barrymore's straight-arrow cop boyfriend. The latter film won him some notice, heightened a year later when he was cast in John Sayles' acclaimed Lone Star. McConaughey made a distinct impression in his small but pivotal role as the town's beloved late sheriff, Buddy Deeds, and was duly given his first leading role in Joel Schumacher's 1996 adaptation of John Grisham's A Time to Kill. Although the film met with lackluster reviews, McConaughey managed to attract favorable attention, holding his own against Samuel L. Jackson, Kevin Spacey, and Sandra Bullock.Finding himself elected to the throne of Hollywood Golden Boy, a status cemented by his appearance on the cover of the August 1996 Vanity Fair, McConaughey paradoxically followed his initial success with a string of small, largely unseen films before landing a starring role as a property lawyer in Amistad, Steven Spielberg's 1997 slave epic. The same year, he also starred in Contact, playing a New Age theologian in Robert Zemeckis' adaptation of Carl Sagan's best-selling novel. After again collaborating with Linklater in 1998 on The Newton Boys, in which he starred alongside Ethan Hawke, Skeet Ulrich, and Vincent D'Onofrio as the remarkably photogenic family of titular robbers, McConaughey banded together with off-screen pal Bullock on her directorial debut, the short Making Sandwiches, the same year. For all the hype surrounding the beginning of his career, by the time he was cast in the lead role of Ron Howard's EdTV, McConaughey had receded somewhat from the public eye, with many critics noting that despite his talent and physical attributes, the actor seemed to have trouble finding roles that would do him justice. But McConaughey's turn as the laid-back everyman who becomes an overnight celebrity when he allows his life to be broadcast on TV proved a relative success, with the actor winning praise for his endearingly dopey performance. The film itself garnered a number of positive reviews and gave a decent box office performance, and by the end of that year, McConaughey had his name attached to a number of projects, including those of his own production company, J.K. Livin'. In October 1999, McConaughey achieved notoriety of a different sort, when he was arrested for resisting transport after the Austin, Texas police responded to noise complaints about his late-night naked bongo-playing; drug charges against him were dropped for lack of a proper warrant.After submerging in a tense struggle to find a German Enigma machine in order to defeat the Nazis in the taut World War II thriller U-571 (2000), McConaughey sweetened things up a bit by co-starring alongside Jennifer Lopez in the romantic comedy The Wedding Planner (2002). A lightweight comedy that did little to further his appeal as an actor of dramatic or comic range, the film nevertheless kept McConaughey in the public eye and once again warmed him to a public unsure how to approach him after numerous rumors of bizarre behavior. McConaughey's performance as a cocky lawyer forced to re-evaluate his quest for happiness after a life-altering experience in 2001's 13 Conversations About One Thing forced critics and audiences to re-evaluate their approach to the eccentric actor, and he would next re-team with U-571 co-star Bill Paxton for the nail-biter sleeper Frailty (2001). In late 2001 and early 2002 the eccentric actor at last received favorable press after coming to the aid of both woman who fainted at the Toronto International Film Festival and a sound man who suffered a seizure during McConaughey's Access Hollywood interview for Reign of Fire (2002), and though the aforementioned film fared only moderately well at the box office, its kindly star seemed to be back in the public's good graces. McConaughey next opted to lighten things up a bit by co-starring alongside Kate Hudson in the romantic comedy How to Lose a Guy in 10 Days. In 2005, McConaughey and Al Pacino co-headlined D.J. Caruso's gritty gambling thriller Two for the Money. McConaughey stars as Brandon Lang, a onetime collegiate football hero with a knack for picking winners, who unofficially signs on as the protege - and later the nemesis - of Pacino's seedy high-roller. The film brought in only moderate returns and received mixed reviews from the press, but McConaughey fared substantially better with 2006's romantic comedy Failure to Launch. In the latter, he stars alongside Sex and the City star Sarah Jessica Parker as Tripp, a thirtysomething mama's boy whose parents coax him out of the house by setting him up with dreamgirl Paula (Parker). The film shot up to become the primo box office draw on its opening weekend and did incredible business thereafter. McConaughey would spend the 2000's enjoying leading man status, with memorable roels in We Are Marshall, Fool's Gold, Tropic Thunder, and Magic Mike.

Trivia: The daughter of Goldie Hawn, Kate Hudson bears more than a passing resemblance to her famous mother in both looks and onscreen vivacity. Born in Los Angeles on April 19, 1979, Hudson made her screen debut in 1998. She first earned notice for her work in 200 Cigarettes (1999), an ensemble film that cast her as naive Cindy out on a date with caddish Jack (Jay Mohr). Although the film proved to be a substantial critical and commercial disappointment, Hudson's performance was singled out for some of the scant praise the film did receive. The following year, she could be seen starring opposite fellow up-and-comer Joshua Jackson in Gossip, a drama centered on the disastrous side effects of rumor-mongering on a college campus.If critical recognition had eluded her in the past, it certainly caught-up with her at the 2000 Golden Globe Awards, where she took home the Best Supporting Actress award for her performance in Cameron Crowe's Almost Famous. Engulfed in the Hollywood hype machine following her winning role in Almost Famous, it seemed as if Hudson was set to follow her mother in taking the film industry by storm. After soaking in her nowfound fame in the early years of the new millennium, Hudson emerged from a whirlwind schedule of fashion shoots and awards shows to appear in the romantic war drama The Four Feathers in 2002. Though The Four Feathers was quickly and unceremoniously relegated to box-office obscurity, Hudson fired back with an almost surefire hit when she starred opposite quirky heartthrob Matthew McConaughey in the romantic comedy How to Lose a Guy in 10 Days (2003). While subsequent roles in Alex and Emma, Le Divorce, and Raising Helen did little to elevate Hudson's already-comfortable star status, a venture into the unknown in the curiously original but largely underseen Skeleton Key at least showed the actress' willingness to explore new territory onscreen. Back in the realm of comedy, Hudson would do her best to tolerate onscreen husband Matt Dillon's eccentric best-friend when the down-on-his-luck Dupree (Owen Wilson) arrives on their doorstep looking for a place to stay in the farcical summer comedy You, Me and Dupree (2006). Hudson joined with Mathew McConaughey for a second time for the romantic comedy Fool's Gold (2008), and starred in another rom-com, My Best Friend's Girl, the same year. Hudson gained recognition for her previously unknown dance skills thanks to her performance in filmmaker Rob Marshall's musical film Nine, which also featured Daniel Day-Lewis, Marion Cotillard, Penelope Cruz, and Nicole Kidman. In 2010, the actress starred in the film adaptation of Jim Thompson's The Killer Inside Me.Hudson conitnued to rotate between lighter romantic comedies and heavier dramas, appearing in Something Borrowed in 2011, followed by political thriller The Reluctant Fundamentalist (2012), Larry David's TV movie Clear History (2013) and the drama Good People (2014). She also took a recurring gig on Glee, playing a dance instructor, allowing Hudson to showcase her singing skills and dancing chops.

Trivia: Certainly one of the most distinctive looking men ever to be granted the title of movie star, Donald Sutherland is an actor defined as much by his almost caricature-like features as his considerable talent. Tall, lanky and bearing perhaps the most enjoyably sinister face this side of Vincent Price, Sutherland made a name for himself in some of the most influential films of the 1970s and early '80s.A native of Canada, Sutherland was born in New Brunswick on July 17, 1935. Raised in Bridgewater, Nova Scotia, he took an early interest in the entertainment industry, becoming a radio DJ by the time he was fourteen. While an engineering student at the University of Toronto, he discovered his love for acting and duly decided to pursue theatrical training. An attempt to enroll at the London Academy of Music and Dramatic Art was thwarted, however, because of his size (6'4") and idiosyncratic looks. Not one to give up, Sutherland began doing British repertory theatre and getting acting stints on television series like The Saint. In 1964 the actor got his first big break, making his screen debut in the Italian horror film Il Castello dei Morti Vivi (The Castle of the Living Dead). His dual role as a young soldier and an old hag was enough to convince various casting directors of a certain kind of versatility, and Sutherland was soon appearing in a number of remarkably schlocky films, including Dr. Terror's House of Horrors and Die! Die! Darling! (both 1965). A move into more respectable fare came in 1967, when Robert Aldrich cast him as a retarded killer in the highly successful The Dirty Dozen. By the early '70s, Sutherland had become something of a bonafide star, thanks to lead roles in films like Start the Revolution without Me and Robert Altman's MASH (both 1970). It was his role as Army surgeon Hawkeye Pierce in the latter film that gave the actor particular respect and credibility, and the following year he enhanced his reputation with a portrayal of the titular private detective in Alan J. Pakula's Klute.It was during this period that Sutherland became something of an idol for a younger, counter culture audience, due to both the kind of roles he took and his own anti-war stance. Offscreen, he spent a great deal of time protesting the Vietnam War, and, with the participation of fellow protestor and Klute co-star Jane Fonda, made the anti-war documentary F.T.A. in 1972. He also continued his mainstream Hollywood work, enjoying success with films like Don't Look Now (1973), The Day of the Locust (1975), and Fellini's Casanova (1976). In 1978, he won a permanent place in the hearts and minds of slackers everywhere with his portrayal of a pot-smoking, metaphysics-spouting college professor in National Lampoon's Animal House.After a starring role in the critically acclaimed Ordinary People (1980), Sutherland entered a relatively unremarkable phase of his career, appearing in one forgettable film after another. This phase continued for much of the decade, and didn't begin to change until 1989, when the actor won raves for his starring role in A Dry White Season and his title role in Bethune: The Making of a Hero. He spent the 1990s doing steady work in films of widely varying quality, appearing as the informant who cried conspiracy in JFK (1991), a Van Helsing-type figure in Buffy The Vampire Slayer (1992), a wealthy New Yorker who gets taken in by con artist Will Smith in Six Degrees of Separation (1993), and a general in the virus thriller Outbreak (1995). In 1998, the actor did some of his best work in years (in addition to the made-for-TV Citizen X (1995), for which he won an Emmy and a Golden Globe) when he starred as a track coach in Without Limits, Robert Towne's biopic of runner Steve Prefontaine. In 2000, Sutherland enjoyed further critical and commerical success with Space Cowboys, an adventure drama that teamed the actor alongside Tommy Lee Jones, Clint Eastwood, and James Garner as geriatric astronauts who get another chance to blast into orbit.Sutherland didn't pause as the new millennium began, continuing to contribute to several projects a year. He won a Golden Globe for his performance in the 2003 Vietnam era HBO film Path to War, and over the next few years appeared in high-profile films such as The Italian Job, Cold Mountain, and Pride and Prejudice, while continuing to spend time on smaller projects, like 2005's Aurora Borealis. The next year, Sutherland appeared with Mira Sorvino in the TV movie Human Trafficking, which tackled the frightening subject matter of modern day sexual slave trade. He also joined the cast of the new ABC series Commander in Chief, starring Geena Davis as the American vice president who assumes the role of commander in chief when the president dies. Sutherland's role as one of the old boys who is none too pleased to see a woman in the Oval Office earned him a Golden Globe nomination in 2006, as did his performance in Human Trafficking. In 2006, Sutherland worked with Collin Farrell and Salma Hayek in one of screenwriter Robert Towne's rare ventures into film direction with Ask the Dust. Sutherland has also earned a different sort of recognition for his real-life role as the father of actor and sometimes tabloid fodder Kiefer Sutherland. The elder Sutherland named his son after producer Warren Kiefer, who gave him his first big break by casting him in Il Castello dei Morti Vivi. In 2009 he voiced the part of President Stone in the film Astro Boy, an adventure comedy for children. Sutherland played a supporting role in the action thriller The Mechanic (2011), and joined the cast of The Hunger Games in the role of the coldhearted President Stone.

Trivia: Despite the fact that his excrement-flinging moment of glory in director Danny Boyle's flamboyant adaptation of the Irvine Welsh novel Trainspotting would forever leave an impression on adventurous filmgoers, and regardless of subsequent appearances alongside such Hollywood heavies as Ben Affleck in high-profile Hollywood releases like Pearl Harbor, actor Ewen Bremner has yet to achieve the level of success of Trainspotting cohorts Ewan McGregor and Robert Carlyle. An Edinburgh native whose art teacher parents actively supported his creative pursuits, Bremner first received widespread exposure when, at age 17, the theater workshop play in which he appeared transferred from Scotland to London's Royal Court. Subsequently making his feature debut with the U.K. television drama Heavenly Pursuits (1985), Bremner would take on supporting roles in Prince of Jutland (1994) and Judge Dredd (1995) before being catapulted into the international limelight as the hapless "Spud" in Trainspotting. Despite having essayed the lead as Renton in the popular stage adaptation of Trainspotting, Bremner no doubt made quite an impression with audiences in the key supporting role, his alternately pathetic and sympathetic put-upon character offering some of the film's finest comic moments. The following year, Bremner attempted to bypass the hype by taking some time off and pondering his future as an actor. Though such subsequent films as The Life of Stuff (1997) and The Acid House (1998, again adapted from the works of Welsh) contained Trainspotting's edgy humor, their attempts to be "hip" were notably strained, and neither film fared well at the box office. Bremner's role as the titular character in eccentric wonder-boy director Harmony Korine's Julien Donkey-Boy found him again overlooked when the film failed to click with critics and audiences, but the undaunted Bremner would soon crack up audiences with his supporting role as "Mullet" in Guy Ritchie's stylized follow-up to Lock, Stock and Two Smoking Barrels, Snatch (2000). With his role in director Michael Bay's high-profile 2001 war film Pearl Harbor, the talented actor proved his versatility once and for all by essaying the role of a wholeheartedly patriotic American soldier fighting in WWII. When Bremner stepped back into fatigues the very next year for a supporting role in Ridley Scott's Black Hawk Down, it appeared as if he might finally be achieving the success that had previously eluded him. The next year, he appeared as none other than legendary surrealist Salvador Dali in the U.K. television drama Surrealissimo: The Trial of Salvador Dali, and in the following few years, he would balance such high-profile Hollywood releases as The Rundown (2003) and Around the World in 80 Days (also 2003) with such foreign gems as the Swedish film Sweet Dreams. He was in 2004's Alien vs. Predator, and the next year played an Inspector in Woody Allen's Match Point. He was part of the ensemble in the original version of Death at a Funeral, and reteamed with Allen for 2010's You Will Meet a Tall Dark Stranger. In 2011 he appeared alongside Ewan McGreggor in the drama Perfect Sense, and also appeared in the spy drama Page Eight.

Trivia: Frequently cast as a working-class hard man, British actor Ray Winstone gained his first dose of international recognition for his brutal portrayal of an abusive, alcoholic family patriarch in Gary Oldman's Nil by Mouth (1997).Born in Hackney, London, on February 19, 1957, Winstone spent much of his youth as an amateur boxer. He first stepped into the ring at the age of 12 and over the course of the next several years won over 80 medals and trophies. Reportedly deciding to give acting a try because he was tired of getting hit, Winstone studied drama for a couple of years at the Corona School. He got his first break when director Alan Clarke cast him in the BBC's televised production of Scum (1977), a harsh depiction of life in a Borstal for young offenders. Due to its content, the film was banned before being released theatrically two years later. Winstone began appearing in other films that same year, notably the Who's Quadrophenia.Winstone continued to work in both film and television throughout the next decade, doing most of his work in countless TV series. In 1994, he earned strong notices for his starring role in Ken Loach's Ladybird, Ladybird. Three years later, Winstone's harrowing performance in Oldman's Nil by Mouth garnered him a Best Actor BAFTA nomination, as well as recognition on both sides of the Atlantic. He subsequently could be seen in a number of diverse projects, ranging from Face, Antonia Bird's 1997 crime drama, to the romantic comedy Martha, Meet Frank, Daniel and Laurence (1998) to Tim Roth's The War Zone (1999), in which Winstone earned further acclaim as the abusive patriarch of a wildly dysfunctional family. Also in 1999, he could be seen playing a loan shark who gives Anjelica Huston a hard time in Huston's Agnes Browne.Winstone gained wide international notice for his starring role in 2000's Sexy Beast, holding his own opposite Ben Kingsley, who earned an Academy Award nomination for his performance. He followed that up with a well-received part in 2001's Last Orders and parlayed his success into a supporting role in Anthony Minghella's 2003 star-studded Civil War drama Cold Mountain. He continued to work steadily appearing in a variety of films including Martin Scorsese's Best Picture winner The Departed, Beowulf, Fool's Gold, Indiana Jones and the Kingdom of the Crystal Skull, Hugo, and Snow White and the Huntsman.

Trivia: After cutting his teeth on the stand-up comedy circuit on the East Coast, comic Kevin Hart got his big break when he was cast in the Judd Apatow series Undeclared in 2000. The then 21 year old had grown up using his sense of humor to help his family cope with issues like his father's drug addiction and incarceration, and eventually learning to thrive in the stand-up scene helped give Hart the tenacity to make it on a national scale, both on stage and on screen. Hart would headline several successful national stand-up tours over the coming years, in addition to his successful movie career, which would find him appearing in a host of films like Soul Plane, Fool's Gold, The Five Year Engagement, This is the End. In 2014, he had a trio of hits, Ride Along, About Last Night and Think Like a Man Too. His success continued into the following years, headlining The Wedding Ringer and Get Hard in 2015, and Ride Along 2 and a stand-up film, What Now? in 2016.

Trivia: Best-known as teenage son Theo on the legendary sitcom The Cosby Show, Malcolm-Jamal Warner had already made a handful of TV appearances when he joined the show's cast in 1984. The precocious 14 year old showed up for the last day of casting, but quickly won over the producers and remained with the show until it ended its run in 1992. Warner would go on to try his hand at several other projects, starring in the comedy series Here and Now until 1993 and taking on the role of The Producer on the children's series The Magic School Bus from 1994 to 1997. Warner would also star in the sitcom Malcolm & Eddie starting in 1996, staying with the show until 2000. In 2003, the actor began appearing on the sci-fi series Jeremiah and continued with the show until it was canceled in 2004. Warner would then take on the recurring role of Bernie on the sports-oriented comedy Listen Up in 2005, and subsequently kept busy making appearances on shows like Dexter and The Cleaner. In 2009, Warner found yet another outlet for his talents on the small screen, joining Sherri Shepherd on the sitcom Sherri. Though the series didn't last, it did provide Warner's television career with a satisfying second wind that was highlighted by a leading role on the BET comedy series Reed Between the Lines (which won him an Image Award), and a recurring character on NBC's Community.