Trivia: Howard Hesseman's early credits have sometimes been hard to trace, mainly because he often billed himself as "Don Sturdy." The mustachioed, prematurely balding Hesseman was a founding member of the San Francisco-based improv troupe The Committee. During his decade-long tenure with this aggregation, he was featured in such films as Petulia (1968) and A Session with the Committee (1970), and showed up on such TV series as The Smothers Brothers Comedy Hour and The Dick Cavett Show. Through the auspices of his Committee cohort Peter Bonerz, Hesseman played a recurring role on TV's The Bob Newhart Show (1972-78), playing the unsuccessful producer of such TV disasters as "The Nazi Hour." His screen roles in the 1970s included a showy part as a harried TV-commercial director in the opening sequence of The Sunshine Boys. In 1978, Hesseman achieved celebrity in the role of counterculture deejay Dr. Johnny Fever (aka Johnny Caravella) on the popular sitcom WKRP in Cincinnati. Following WKRP's cancellation in 1982, he spent two seasons playing Ann Romano's third (and presumably final) husband Sam Royer on the weekly One Day at a Time. From 1986 to 1990, he starred as urbane high school teacher Charlie Moore in TV's Head of the Class. During all this activity, Howard Hesseman continued showing up in feature films, playing such roles as smarmy promoter Terry Ladd in This is Spinal Tap (1984) and child star Patty Duke's manipulative manager/guardian John Ross in the TV biopic Call Me Anna (1989). Over the following several years, Hessman would remain active on screen, appearnig on shows like That 70's Show and Crossing Jordan, and in movies like The Rocker.

Trivia: Gen-X'ers will almost invariably recall actor Brian Robbins; he began his career by starring in a multi-season run as Eric Mardian, a self-styled slickster forced into the same high-school class with a group of nerdy brainiacs, in the Howard Hesseman ABC sitcom Head of the Class (1986-1991). Robbins also appeared in other projects at around the same time, including episodes of Growing Pains, the sci-fi exploitation outing C.H.U.D. 2: Bud the C.H.U.D. (1989) and the family-friendly telemovie Camp Cucamonga (1990). Around 1993, Robbins abandoned acting by stepping behind the camera, as a director, producer, and eventually, executive-level Hollywood studio producer -- and thus achieved far greater success in that venue than he did as a young star. Among other endeavors, Robbins was responsible for such blockbuster series as Smallville, What I Like About You, and One Tree Hill, and features such as the Eddie Murphy comedy Norbit (2007).

Trivia: Best known as Jack Arnold, the husband and father with one of the world's softest hearts, on the period comedy drama The Wonder Years (1988-1993), burly actor Dan Lauria's accomplishments as an actor far outstripped that single characterization. Lauria sustained an impressive and versatile career that encompassed soap operas, situation comedies, long-form features and miniseries, and theatrical work, to name only a few arenas. As a young man, the Brooklyn-born Lauria attended Southern Connecticut State University, where he played collegiate football, then enlisted in the Marines. He received formal dramatic training under coaches Constance Welch (at Yale) and Davey Marlin-Jones (at the Washington Theatre Club) -- both of whom tutored him with an approach resolutely opposed to that of the classic "Method." Lauria then debuted onscreen in the early '80s largely with telemovies, such as the 1983 Without a Trace and the 1985 Brass, and with occasional appearances on sitcoms such as Growing Pains. The Wonder Years, of course, represented one of Lauria's most significant breaks, and he later reflected that it would remain his chief legacy as an actor. After Years wrapped in 1993, Lauria continued his small-screen work. He appeared on such programs as ER, Law & Order, Smallville, and Boy Meets World; played legendary network head Fred Silverman in Behind the Camera: The Unauthorized Story of Charlie's Angels; and played Crawford in the Martin Lawrence comedy vehicle Big Momma's House 2 (2006). He also maintained a busy theatrical schedule, with a particularly strong presence at L.A.'s Coronet Theater.