Trivia: A graduate of the University of Dubuque, Tony Danza was busy with a profitable if not spectacular career as a boxer when he began tentatively moving into acting. His first important TV role was, appropriately, as erstwhile boxer Tony Banta on the popular sitcom Taxi. During his Taxi years, Danza built up the screen image of the pugnacious, not overly bright lug with a golden heart. In 1984, Danza was cast as Tony Micelli, the widowed housekeeper of divorced career woman Angela Bower (Judith Light), on the weekly domestic comedy Who's the Boss? enjoying a popular eight-season run. Danza's first starring film role in She's Out of Control (1988), as the overprotective father of teenager Ami Dolenz, was more or less an extension of his TV work; the actor demonstrated a wider range in the supporting role of a dying baseball player in the 1994 remake of Angels in the Outfield. He executive produced The Jerky Boys movie, and continued to appear in projects such as the remake of 12 Angry Men, Glam, and The Garbage-Picking, Field Goal-Killing, Philadelphia Phenome. At the start of the next century he made a handful of appearances as himself on animated shows like Family Guy and King of the Hill, and he appeared in the made-for-TV holiday film Stealing Christmas.

Trivia: Though she is normally recognized as Angela Bower, the prissy, executive counterpart to Tony Danza's rough-hewn Italian nanny on the long-running television series Who's the Boss?, Judith Light considers her crowning achievement to be her activism in the fight against AIDS and gender discrimination. Born in Trenton, NJ, Light discovered her passion for the performing arts at a Pennsylvania summer camp at 12 years old. Light's high school drama teacher later encouraged her to attend the prestigious Carnegie Mellon University, and the young actress found herself with a role in a Broadway production of A Doll's House by the mid-'70s. Despite her initial success, however, Light still found herself extraordinarily poor, at one point living on only ten dollars per week. Rather than holding her back, though, poverty not only increased Light's determination to act, but to use it as a tool in the fight against all forms of bigotry.Light's big break came in the form of One Life to Live, the Emmy-winning soap opera, which offered the aspiring actress a role that brought with it a steady paycheck until the inception of Who's the Boss? in 1983. In addition to her sitcom performances, Light starred with great success in The Ryan White Story, a docudrama concerning the real-life fight of a hemophiliac who contracted the AIDS virus through a blood transfusion. In addition to having established herself as one of the first celebrity activists in the battle against HIV and AIDS, Light also became a passionate volunteer for a variety of charitable organizations including Heart Strings and Project Angel Food.In 1998, after a long, successful stint in the television-movie world, Light flexed her comedy muscles again for The Simple Life, a short-lived television series featuring Light as a big-shot businesswoman whose move to the country is far from what she had expected. A year later, Light immersed herself in Wit, the Pulitzer Prize-winning play revolving around a brash, no-nonsense cancer victim's slow acceptance of her own mortality. In 2004, Light starred in The Stones, a CBS television series. She would go on to star on Ugly Betty and Law & Order: Special Victim's Unit as Judge Elizabeth Donnelly.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: Born and raised in Brooklyn to Italian-American parents, actress Alyssa Milano started acting on the stage in a national tour of Annie at the age of eight. She rose to teen stardom as the tomboyish Samantha Micelli on the ABC sitcom Who's the Boss, which ran from 1984-1992. Never really making the transition to feature films, she appeared in sleazy made-for-TV movies, provocative ad campaigns, and nude photographs. In one of her more prominent TV performances, she portrayed Amy Fisher in Casualties of Love: The "Long Island Lolita" Story on CBS in 1993. Her few feature film credits include the quirky romantic comedy Hugo Pool and the thriller Below Utopia, starring Ice-T. She joined the cast of Melrose Place on FOX for the 1997-1998 season before moving over to the WB for Charmed, co-starring Shannen Doherty and Holly Marie Combs. In the late '90s, she released several pop/rock albums, which did quite well in Japan. Since the popularity of Charmed, she's appeared in major television ad campaigns and the comedies Kiss the Bride, Buying the Cow, and Dickie Roberts: Former Child Star. She would go on to enjoy TV runs on My Name is Earl and Romantically Challenged, and movies like Hall Pass and New Year's Eve. In 2013, she returned to being a series regular on TV in the primetime soap Mistresses. After winning several legal battles involving her nude images on the Internet, Milano helped to launch the index safesearching.com.

Trivia: Actor Danny Pintauro first made an impression with audiences as the terrified little boy in the 1983 horror film Cujo. The wide-eyed, blond-haired boy next found his niche on the popular sitcom Who's the Boss?, on which he played the role of Jonathan. After the series ended in 1992, Pintauro initially had trouble finding roles as an adult actor, but after taking time off to study English and theater at Middlesex County College in Edison, NJ, and Stanford University, he found a successful career on the stage, starring in productions such as The Velocity of Gary.

Trivia: A character actor with a deadpan delivery, Earl Boen is known to many for the role of psychiatrist Peter Silberman in Terminator, a role he reprised for the hit sequel Terminator 2: Judgement Day, as well as for Terminator 3: Rise of the Machines. A veteran of TV, film, and stage, Boen spent decades racking up a résumé packed with literally hundreds of appearances beginning in the early '70s. Many of Boen's credits came in the form of single-episode guest appearances on TV shows like The Paper Chase and M*A*S*H, while others took the form of recurring roles, like that of adman Jim Petersen on the sitcom Who's the Boss?, a role Boen would reprise for five episodes between 1984 and 1986. Boen also worked extensively in animation, lending his voice to cartoons like Justice League, Kim Possible, and Pirates of Dark Water, as well as many video games, such as World of Warcraft, Call of Duty, and EverQuest.

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.