Trivia: With his rugged good looks and icon status, Clint Eastwood was long one of the few actors whose name on a movie marquee could guarantee a hit. Less well-known for a long time (at least until he won the Academy Award as Best Director for Unforgiven), was the fact that Eastwood was also a producer/director, with an enviable record of successes. Born May 31, 1930, in San Francisco, Eastwood worked as a logger and gas-station attendant, among other things, before coming to Hollywood in the mid-'50s. After his arrival, he played small roles in several Universal features (he's the pilot of the plane that napalms the giant spider at the end of Tarantula [1955]) before achieving some limited star status on the television series Rawhide. Thanks to the success of three Italian-made Sergio Leone Westerns -- A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966) -- Eastwood soon exchanged this limited status for bona fide international stardom.Upon his return to the U.S., Eastwood set up his own production company, Malpaso, which had a hit right out of the box with the revenge Western Hang 'Em High (1968). He expanded his relatively limited acting range in a succession of roles -- most notably with the hit Dirty Harry (1971) -- during the late '60s and early '70s, and directed several of his most popular movies, including 1971's Play Misty for Me (a forerunner to Fatal Attraction), High Plains Drifter (1973, which took as its inspiration the tragic NYC murder of Kitty Genovese), and The Outlaw Josey Wales (1976). Though Eastwood became known for his violent roles, the gentler side of his persona came through in pictures such as Bronco Billy (1980), a romantic comedy that he directed and starred in. As a filmmaker, Eastwood learned his lessons from the best of his previous directors, Don Siegel and Sergio Leone, who knew just when to add some stylistic or visual flourish to an otherwise straightforward scene, and also understood the effect of small nuances on the big screen. Their approaches perfectly suited Eastwood's restrained acting style, and he integrated them into his filmmaking technique with startling results, culminating in 1993 with his Best Director Oscar for Unforgiven (1992). Also in 1993, Eastwood had another hit on his hands with In the Line of Fire. In 1995, he scored yet again with his film adaptation of the best-selling novel The Bridges of Madison County, in which he starred opposite Meryl Streep; in addition to serving as one of the film's stars, he also acted as its director and producer.Aside from producing the critical and financial misstep The Stars Fell on Henrietta in 1995, Eastwood has proven to be largely successful in his subsequent efforts. In 1997, he produced and directed the film adaptation of John Berendt's tale of Southern murder and mayhem, Midnight in the Garden of Good and Evil, and he followed that as the director, producer, and star of the same year's Absolute Power, 1999's True Crime, and 2000's Space Cowboys. With Eastwood's next movie, Blood Work (2002), many fans pondered whether the longtime actor/director still had what it took to craft a compelling film. Though some saw the mystery thriller as a fair notch in Eastwood's belt, many complained that the film was simply too routine, and the elegiac movie quickly faded at the box office. If any had voiced doubt as to Eastwood's abilities as a filmmaker in the wake of Blood Work, they were in for quite a surprise when his adaptation of the popular novel Mystic River hit screens in late 2003. Featuring a stellar cast that included Sean Penn, Tim Robbins, and Kevin Bacon, Mystic River was a film that many critics and audiences cited as one of the director's finest. A downbeat meditation on violence and the nature of revenge, the film benefited not only from Eastwood's assured eye as a director, but also from a screenplay (by Brian Helgeland) that remained fairly faithful to Dennis Lehane's novel and from severely affecting performances by its three stars -- two of whom (Penn and Robbins) took home Oscars for their efforts. With Eastwood's reputation as a quality director now cemented well in place thanks to Mystic River's success, his remarkable ability to craft a compelling film was nearly beginning to eclipse his legendary status as an actor in the eyes of many. Indeed, few modern directors could exercise the efficiency and restraint that have highlighted Eastwood's career behind the camera, as so beautifully demonstrated in his 2004 follow-up, Million Dollar Baby. It would have been easy to layer the affecting tale of a young female boxer's rise from obscurity with the kind of pseudo-sentimental slop that seems to define such underdog-themed films, but it was precisely his refusal to do so that ultimately found the film taking home four of the six Oscars for which it was nominated at the 77th Annual Academy Awards -- including Best Director and Best Picture. Eastwood subsequently helmed two interrelated 2006 features that told the story of the Battle of Iwo Jima from different angles. The English-language Flags of Our Fathers relayed the incident from the American end, while the Japanese-language Letters from Iwo Jima conveyed the event from a Japanese angle. Both films opened to strong reviews and were lauded with numerous critics and industry awards, with Letters capturing the Golden Globe for Best Foreign Language film before being nominated for a Best Picture Academy Award. Nowhere near slowing down, Eastwood would direct and star in the critically acclaimed Gran Torino, as well as helming critical favorites like Invictus, the Changeling, Hereafter, and J. Edgar, racking up numerous awards and nominations. In 2014, he helmed the film adaptation of the Broadway musical Jersey Boys, to mixed reviews, and the biographical adaptation American Sniper.A prolific jazz pianist who occasionally shows up to play piano at his Carmel, CA restaurant, The Hog's Breath Inn, Eastwood has also contributed songs and scores to several of his films, including The Bridges of Madison County and Mystic River. Many saw his critically championed 1988 film Bird, starring Forest Whitaker (on the life of Charlie "Bird" Parker), as the direct product of this interest. Eastwood also served as the mayor of Carmel, CA, from 1986 until 1988.

Trivia: Character actor of films and television, Paul Brinegar specialized in playing feisty, grizzled cowboy sidekicks. Fans of the Western series Rawhide may remember Brinegar for playing Wishbone, the grumbly old cook. He was also known for playing Lamar Pettybone on the early-'80s television series Matt Houston. Born and raised in New Mexico, he headed to California as a young man and made his feature film debut in Larceny (1948). From there, he launched a steady film career that slowed down considerably in the late '50s, after he began appearing on television but did not end until 1994, when Brinegar made his final screen appearance, as a stagecoach driver, in the 1994 film version of Maverick.

Trivia: Hissable movie heavy Dan Duryea was handsome enough as a young man to secure leading roles in the student productions at White Plains High School. He majored in English at Cornell University, but kept active in theatre, succeeding Franchot Tone as president of Cornell's Dramatic Society. Bowing to his parents' wishes, Duryea sought out a more "practical" profession upon graduation, working for the N. W. Ayer advertising agency. After suffering a mild heart attack, Duryea was advised by his doctor to leave advertising and seek out employment in something he enjoyed doing. Thus, Duryea returned to acting in summer stock, then was cast in the 1935 Broadway hit Dead End. The first of his many bad-guy roles was Bob Ford, the "dirty little coward" who shot Jesse James, in the short-lived 1938 stage play Missouri Legend. Impressed by Duryea's slimy but somehow likeable perfidy in this play, Herman Shumlin cast the young actor as the snivelling Leo Hubbard in Lillian Hellman's The Little Foxes. This 1939 Broadway production was converted into a film by Sam Goldwyn in 1941, with many members of the original cast -- including Duryea -- making their Hollywood debuts. Duryea continued playing supporting roles in films until 1945's The Woman in the Window, in which he scored as Joan Bennett's sneering "bodyguard" (that's Hollywoodese for "pimp"). Thereafter, Duryea was given star billing, occasionally in sympathetic roles (White Tie and Tails [1946], Black Angel [1946]), but most often as a heavy. From 1952 through 1955, he starred as a roguish soldier of fortune in the syndicated TV series China Smith, and also topped the cast of a theatrical-movie spin-off of sorts, World for Ransom (1954), directed by Duryea's friend Robert Aldrich. One of the actor's last worthwhile roles in a big-budget picture was as a stuffy accountant who discovers within himself inner reserves of courage in Aldrich's Flight of the Phoenix (1965). In 1968, shortly before his death from a recurring heart ailment, Duryea was cast as Eddie Jacks in 67 episodes of TV's Peyton Place. Dan Duryea was the father of actor Peter Duryea, likewise a specialist in slimy villainy.

Trivia: Because the two actresses tended to play the same type of overwrought roles in the mid-1950s, juvenile stars Patty McCormick and Patty Duke were sometimes mistaken for one another during this period. But once seen in her starmaking role as the homicidal preteen Rhoda Penmark in The Bad Seed (in which she starred on Broadway in 1954 and in the film version in 1956), Patty McCormick can never be confused with anyone else. A pro from the age of four, McCormick was in films from 1951 and TV from 1953. After Bad Seed, she was second-billed as a bratty child star in the theatrical-film Kathy O' (1957) and was headlined in her own 1958 sitcom, Peck's Bad Girl. The uniqueness that characterized McCormick's appearances as a child evaporated when she reached maturity; though she was more than competent playing disturbed teenagers in films like The Miniskirt Mob (1967) and The Young Runaways (1968), these were parts that could have been played equally well by a dozen other young actresses. She acted sporadically into the 1970s and 1980s, her longest assignment being the role of Jeffrey Tambor's upwardly mobile wife on the TV sitcom The Ropers. In 1995, Patty McCormick starred in the direct-to-video Mommy, playing a grown-up edition of the murderous Rhoda from The Bad Seed.

Trivia: Paul Carr has been a very busy actor since the '50s on-stage, in television, and in films, after starting his screen career with Alfred Hitchcock. Born in New Orleans in 1934, he grew up in the town of Marrero, in Jefferson Parish, LA. As a teenager, he had an interest in music as well as acting. After a short stint in the Marine Corps in his teens, he began his acting career with a role in a New Orleans production of Billy Budd, and by the mid-'50s was working on live televsion out of New York City, including appearances on Studio One and Kraft Television Theater, while continuing theatrical work in stock companies in Ohio and Michigan, with roles such as Peter Quilpe in The Cocktail Party, Haemon in Antigone, Jack in The Rose Tattoo, and Hal Carter in Picnic, as well as a summer tour in Fifth Season with Chico Marx. Carr made his movie debut in 1955 with a small uncredited role in Alfred Hitchcock's fact-based thriller The Wrong Man. That same year, he portrayed a prisoner of war in the Theatre Guild's production of Time Limit on Broadway. His film career continued with a much larger role in Alfred Werker's The Young Don't Cry (1957), starring James Whitmore and Sal Mineo, and that same year he appeared in the jukebox movie Jamboree. He worked steadily on television in the late '50s and early '60s with guest spots and supporting roles in a lot of Westerns such as Trackdown, Rawhide, The Rifleman, and The Virginian. Later he appeared in detective shows and medical and war dramas, such as 77 Sunset Strip, Dr. Kildare, and Twelve O'Clock High, interspersed with occasional film work, including Captain Newman, M.D. (1963). He had a recurring role as one of the submarine Seaview's junior officers on Voyage to the Bottom of the Sea in its black-and-white season, and played other parts of the show subsequently. Carr was all over the tube on Burke's Law, Combat, Gunsmoke, and a dozen other shows in the middle of the decade. In 1965, Carr won the role of Bill Horton, the physician son of protagonist Dr. Tom Horton on Days of Our Lives, which kept him busy for the subsequent year. He was later a regular on General Hospital and The Doctors, and between the three soap operas, Carr had put in a lot of time portraying dedicated medical practitioners. He may be remembered best, however, for his appearance on a pop-culture institution that has been exumed and re-examined by the public en masse: In 1966, he was seen in the second Star Trek pilot episode, "Where No Man Has Gone Before," portraying Lt. Kelso, the affable Enterprise officer who is strangled telekinetically by the ship's rapidly mutating helmsman. Carr has gone on to work in dozens of television shows --everything from Get Smart, Mannix, The Rockford Files, and Murphy Brown, to miniseries and features, both made-for-television (The Deadly Tower). In 2001, his voice was heard in Blood: The Last Vampire, as the school's headmaster.