Trivia: Gloriously flamboyant American entertainer Bette Midler was born in Honolulu, HI, to the only Jewish family in the neighborhood. After dropping out of a drama class at the University of Hawaii, she took a tiny role in the 1966 film Hawaii, playing a seasick boat passenger (though it's hard to see her when viewing the film). Training for a dancing career in New York, Midler made the casting rounds for several months before finally winning a chorus role, and then the featured part of Tzeitel, in the long-running Broadway musical Fiddler on the Roof.It helps to do something well that no one else does, and Midler found her forte by singing at the Continental Baths, a gay hangout in New York. Most bath house performers were painfully bad, but Midler established herself by combining genuine talent with the tackiness expected of her. As the "Divine Miss M," Midler did an act consisting of campy (and dirty) specialty numbers; dead-on imitations of such earlier performers as the Andrews Sisters and Libby Holman; and the most outrageously revealing costumes this side of Bob Mackie. Soon she outgrew the bath houses and went on to nightclub and recording-artist fame, earning a Grammy Award in 1973. After several years of sell-out tours, Midler re-entered films as the star of The Rose, a 1979 film à clef loosely based upon the life and times of Janis Joplin. The film was a success, but it failed to establish Midler as a dramatic actress; audiences, particularly gay fans, still preferred the Divine Miss M. Jinxed (1982), Midler's next film, lived up to its name with well-publicized production squabbles between Midler, the director, producers, and a few of her co-stars. Following the film's failure, Midler wasn't seen onscreen until she signed a contract with Disney in 1986. Establishing a new film identity as a character comedienne, Midler sparkled in Down and Out in Beverly Hills (1986), and was even better as a loudmouthed kidnap victim in Ruthless People (1987). Using her restored film stature, Midler set up her own production company and produced Beaches (1988), a pals-through-the-years saga that proved to be a four-hankie audience favorite. Once again attempting to establish herself as a tragedian, Midler starred in Stella (1989), a poorly-received remake of 1937's Stella Dallas. For the Boys (1992), offered Midler in tons of old-age makeup as a Martha Raye-style USO star (Raye responded to this "tribute" by suing the studio). The subsequent Scenes From a Mall (1991), which paired Midler with Woody Allen, and witchcraft fantasy Hocus Pocus (1993) also failed to truly showcase her talents. She rebounded somewhat in 1995 with a role in the wildly acclaimed Get Shorty, and had even greater success the following year co-starring with Diane Keaton and Goldie Hawn in The First Wives Club. In 1999, Midler played herself in two films: the TV mockumentary Jackie's Back and Get Bruce!, a big-screen documentary about legendary comic writer Bruce Vilanch. In addition to her film work, Midler still performs live concerts to sold-out crowds and continues to release albums, including Bathouse Bette, a tribute to her early singing days. In 1993, she scored an enormous success in a superb TV adaptation of the Broadway musical Gypsy. And, in 2000, Midler extended her talents to television, starring as herself in the aptly-named sitcom Bette. Though she would only appear in a handful of films over the next decade, Midler remained quite active on stage and television, even earning an Emmy nomination for Bette Midler: The Showgirl Must Go On in 2011.

Trivia: A goggle-eyed, ditzy blonde, Goldie Hawn's looks alone make her a natural for the kind of breathless comedy in which she originally made her name. Though she has built a lucrative career with her screen persona of a vivacious, giggly, and befuddled naif, Hawn's onscreen antics conceal her real-life level-headedness: Beneath the wide expanse of her blue eyes lies a shrewd, intelligent, and multi-talented woman. Born November 21st, 1945, Hawn was the daughter of a musician in Washington, D.C., though she grew up in a Jewish neighborhood in suburban Maryland. At the age of three, she took her first dance lesson, and by the age of 17, she was managing a dance studio while studying drama at American University. In 1964, she danced professionally at the Texas Pavilion of the New York World's Fair, and then began appearing in chorus lines in such musicals as Kiss Me Kate, Guys and Dolls, and The Boyfriend. She eventually moved to California, where her first break came when an agent saw her dancing on the Andy Griffith Show and cast her in Good Morning World, a short-lived comedy series. From there she was cast as a dancer in an innovative comedy-variety show hosted by comedians Dan Rowan and Dick Martin. It was on Laugh-In (1968-1970) that Hawn became popular. Originally a dancer on the show, her bikini-clad body painted with funny slogans and designs, she was given a few lines and proved herself a talented performer in a winning, air-headed way.Hawn made her first foray into feature films as a dancer in The One and Only, Genuine, Original Family Band (1968). Her acting debut came a year later playing Walter Matthau's ditzy, bohemian mistress in Cactus Flower (1969); she won an Oscar for her role, making it an inarguably auspicious debut. Later that year she appeared opposite Peter Sellers in There's a Girl in My Soup. These first two films and the subsequent Dollars (1971) utilized Hawn's "blonde" persona, but in 1972, she hinted that she concealed more than a talent for perkiness and comedy when she played a young woman who helps her blind lover deal with his past in Butterflies Are Free. Hawn showed even more depth as a wife who springs her husband from jail in hopes of keeping her child in Sugarland Express, Steven Spielberg's 1973 feature-film directorial debut. Two years later, she starred as Warren Beatty's girlfriend in Shampoo, further exhibiting her capacity as both a comedic and dramatic actress.Subsequently, Hawn continued to work steadily throughout the '80s and '90s, appearing in films of widely varying quality. Some highlights include the successful Private Benjamin (1980), for which Hawn earned her second Best Actress Oscar nomination, Seems Like Old Times (1982), and The First Wives Club (1996), in which she co-starred with Diane Keaton and Bette Midler. Hawn has two children by her second husband, comedian Bill Hudson, and one by her companion since 1986, actor Kurt Russell. She and Russell met on the set of Swing Shift (1984) and have since starred together in such films as Overboard (1987). Following daughter Kate Hudson's success in the wake of Almost Famous (2000), Hawn hit the big screen again in the notorious box-office bomb Town and Country (2001). Though that film did little to re-ignite her appeal as a box office draw, her turn as a free spirited former groupie in the following year's The Banger Sisters drew favorable reviews from critics and audiences and proved a solid indicator that the talented comic actress still had what it takes to bring in the laughs.

Trivia: After rising to fame in a series of hit Woody Allen comedies, Diane Keaton went on to enjoy a successful film career both as an actress and as a director. Born Diane Hall on January 5, 1946, in Los Angeles, she studied acting at Manhattan's Neighborhood Playhouse School of the Theater and in 1968 understudied in Hair. On Broadway she met actor/director Allen and appeared in his 1969 stage hit Play It Again, Sam. In 1970, Keaton made her film debut in the comedy Lovers and Other Strangers and rose to fame as the paramour of Al Pacino's Michael Corleone in the 1972 blockbuster The Godfather. That same year, she and Allen -- with whom Keaton had become romantically involved offscreen -- reprised Play It Again, Sam for the cameras, and in 1973 he directed her in Sleeper. The Godfather Part II followed, as did Allen's Love and Death. All of these films enjoyed great success, and Keaton stood on the verge of becoming a major star; however, when her next two pictures -- 1976's I Will, I Will for Now and Harry and Walter Go to New York -- both flopped, she returned to the stage to star in The Primary English Class.In 1977, Allen released his fourth film with Keaton, Annie Hall. A clearly autobiographical portrait of the couple's real-life romance, it was a landmark, bittersweet, soul-searching tale which brought a new level of sophistication to comedy in films. Not only did the film itself win an Academy Award for Best Picture, but Keaton garnered Best Actress honors. That same year, she also headlined the controversial drama Looking for Mr. Goodbar. Two more films with Allen, 1978's Bergmanesque Interiors and the 1979 masterpiece Manhattan followed; however, when the couple separated, Keaton began a romance with Warren Beatty, with whom she co-starred in the 1981 epic Reds; she earned a Best Actress nomination for her work in Beatty's film. Continuing to pursue more dramatic projects, she next co-starred in 1982's Shoot the Moon, followed by a pair of box-office disappointments, The Little Drummer Girl and Mrs. Soffel. The 1986 Crimes of the Heart was a minor success, and a year later she made her directorial debut with the documentary Heaven. Keaton's next starring role in the domestic comedy Baby Boom (1987) was a smash, and after close to a decade apart, she and Allen reunited for Radio Days, in which she briefly appeared as a singer. Upon starring in 1988's disappointing The Good Mother, she began splitting her time between acting and directing. In between appearing in films including 1990's The Godfather Part III, 1991's hit Father of the Bride, and 1992's telefilm Running Mates, she helmed music videos, afterschool specials (1990's The Girl with the Crazy Brother), and TV features (1991's Wildflower). She even directed an episode of the David Lynch cult favorite Twin Peaks. After stepping in for Mia Farrow in Allen's 1993 picture Manhattan Murder Mystery, Keaton essayed the title role in the 1994 TV biopic Amelia Earhart: the Final Flight and in 1995 made her feature-length directorial debut with the quirky drama Unstrung Heroes. After co-starring with Bette Midler and Goldie Hawn in the 1996 comedy smash The First Wives Club, she earned another Oscar nomination for her work in Marvin's Room. In 1998, Keaton starred in The Only Thrill and followed that in 1999 with The Other Sister. She subsequently stepped into another familial role in 2000's Hanging Up with Meg Ryan and Lisa Kudrow. Despite participating amongst a star-studded cast including veterans Goldie Hawn, Garry Shandling, Charlton Heston, and Warren Beatty, 2001's Town & Country was not particularly well-received among audiences or critics. In 2003, Keaton played Jack Nicholson's love interest in director Nancy Meyers's Something's Gotta Give (for which she received a Best Actress Oscar nomination) and executive produced director Gus Van Sant's avant-garde Elephant), which won Best Director and Golden Palm awards at the 2003 Cannes Film Festival. Keaton would spend the ensuing years appearing frequently on screen in films like Because I Said So, Mad Money, and Darling Companion.

Trivia: Dan Hedaya has played a wide variety of characters on the stage, screen, and television. Fans of the long-running sitcom Cheers will remember Hedaya for his portrayal of barmaid Carla's grease bag husband Nick Tortelli. Following studies in literature at Tufts University, Hedaya launched his acting career. He then went on to act in the New York Shakespeare Festival for many years. Hedaya made his feature film debut in The Passover Plot (1975). Since 1980, Hedaya has appeared in over 20 feature films, and is frequently cast as cops, criminals, or rough-edged regular joes. In Blood Simple (1984), he got the opportunity to play a leading role as Marty, the jealous husband who hires a creepy detective to kill his faithless wife. It is on television, that Hedaya has found most of his work. He has guest-starred on numerous shows ranging from police and courtroom dramas like Hill Street Blues and Law and Order, to sitcoms such as Family Ties.

Trivia: Born Susan Williams Antonia Stockard Channing Schmidt on February 13, 1944, Channing is the daughter of a wealthy shipping executive, and became interested in the dramatic arts while attending college at Radcliffe. After graduating in the mid-sixties, Channing joined Boston's experimental Theater Company. Several unsuccessful Broadway auditions later, she landed a lead role in a Los Angeles production of Two Gentlemen of Verona. Eventually, Channing made it to Broadway, and won a Tony for her performance in A Day in the Death of Joe Egg.In the early '70s, Channing appeared in several small television roles, and made her big screen debut in 1971's The Hospital. In 1973, the actress starred in the Joan Rivers-penned black comedy The Girl Most Likely To..., a TV movie about an overweight college girl who loses weight, gets cosmetic surgery, and sets off in hopes of getting even. Channing's first major film role came two years later, when she starred in Mike Nichols' The Fortune with Jack Nicholson and Warren Beatty. It wasn't until 1978, however, that Channing would win her most memorable role to date -- tough gal Rizzo in the retro-musical Grease. Interestingly enough, although she was cast as a teenager, the actress was in her early thirties when she was chosen for the film. Around the same time, Channing starred in two similar and short-lived sitcoms: Stockard Channing in Just Friends and The Stockard Channing Show. By 1980, Channing's film career was idling in neutral, so she focused her energies on the theater, though she began showing up in various supporting film roles in the mid to late eighties. In 1993, she was nominated for an Oscar and a Golden Globe for playing the formidable Upper East Side matron of Six Degrees of Separation; the role had also earned her a Tony nomination when she performed it in the film's stage version. Channing subsequently made steady appearances in both film and television, and co-starred as a witch in Practical Magic with Nicole Kidman and Sandra Bullock, as well as The First Wives Club, Moll Flanders, Edie & Pen, and An Unexpected Family. In 2000, Channing would play one of the more eccentric residents of a small Oklahoma town in Where the Heart Is. After filming Other Voices in 2001, which was screened at the prestigious Sundance Film Festival, Channing would receive a solid amount of critical success for her role in The Business of Strangers (2001), in which she starred as a high-level corporate player who saves her own job only to find out her boss is a rapist. In between filming a variety of television and documentary appearances - namely, Confessions of an Ugly Stepsister (2002), A Girl Thing (2001), Out of the Closet, Off the Screen: The William Haines Story (2001), and New York Firefighters: The Brotherhood of 9/11 (2002) -- Channing joined up with Oscar-winner Angelina Jolie in Stephen Herek's Life or Something Like It. In 2003, Channing made a cameo appearance in Bright Young Things, and went on to co-star in Le Divorce with Kate Hudson, Glenn Close, and Matthew Modine during the same year. The actress also signed on with the legendary Woody Allen in Anything Else, in which she played a middle-aged mother determined to land a role in a cabaret production. She would find particular success on the small screen over the coming years, with a starring role as first lady Abbey Bartlet on The West Wing.

Trivia: Broadway actor Victor Garber was born on March 16th, 1940 in London, Ontario, Canada. Through years of working on-stage, he has earned several Tony and Drama Desk nominations. He earned his first Obie award for his performance in Wenceslas Square at the 1988 New York Shakespeare Festival. Some of his other stage credits include Macbeth, Sweeney Todd, Damn Yankees, and Yasmina Reza's Art. After playing Jesus on-stage in Toronto, Garber reprised his role in David Greene's 1973 film musical Godspell. He joined Greene again to play the lead in Liberace: Behind the Music (1988).Staying busy with theater, Garber occasionally acts in supporting roles on the big screen. He appeared in two of Nora Ephron's feature comedies: Sleepless in Seattle (1993) and Mixed Nuts (1994). He also appeared in the tense drama Exotica in 1994, directed by fellow Canadian Atom Egoyan. Throughout the '90s and beyond, he appeared in countless TV movies, from Woman on the Run: The Lawrencia Bembenek Story (1993) to Torso: The Evelyn Dick Story (2002). Some of his mainstream feature appearances include small parts in The First Wives Club, Titanic, and Legally Blonde. Meanwhile, he regularly appeared in a Canadian television mystery series, Criminal Instincts, based on the novels by Gail Bowen, starting with the first installment Love and Murder in 2000. He played Inspector Phillip Menard to head police detective Joanne Kilborne (Wendy Crewson). He also had a very comfortable home in Disney movies during this time, as he played the dad in Tuck Everlasting, the king in Rodgers & Hammerstein's Cinderella, and Daddy Warbucks in Rob Marshall's 1999 TV feature Annie.In 2001, Garber was cast as another dad in the dramatic spy series Alias. He played Jack Bristow, the CIA agent dad of Sydney Bristow (Jennifer Garner). He earned an Emmy nomination for his work on the show. Characters for 2003 included a mayor in the ABC musical The Music Man and a detective in the independent drama Home Room. The actor continued his work in Alias until 2005, and enjoyed further success on the television series' Justice and Eli Stone. In 2008, the actor took on the role of Mayor Moscone for the Academy Award-winning Milk, and lent his voice to Kung Fu Panda 2 in 2011.

Trivia: Breathes there a theatergoer or film fan on Earth who has not, at one time or another, fallen in love with the sublimely brilliant British comedic actress Dame Maggie Smith? The daughter of an Oxford University pathologist, Smith received her earliest acting training at the Oxford Playhouse School. In 1952, she made her professional stage bow as Viola in Twelfth Night. Four years later she was on Broadway, performing comedy routines in Leonard Sillman's New Faces of 1956; that same year, she made her first, extremely brief screen appearance in Child in the House (she usually refers to 1959's Nowhere to Go as her screen debut).In 1959, Smith joined the Old Vic, and in 1962 won the first of several performing honors, the London Evening Standard Award, for her work in the West End production The Private Ear/The Public Eye. Her subsequent theatrical prizes include the 1963 and 1972 Variety Club awards for Mary Mary and Private Lives, respectively, and the 1990 Tony Award for her performance in the Broadway play Lettice and Lovage. In addition, Smith has won Oscars for The Prime of Miss Jean Brodie (1969) and California Suite (1978), and British Film Academy awards for A Private Function (1985), A Room With a View (1986), and The Lonely Passion of Judith Hearne (1987).These accolades notwithstanding, Smith has had no qualms about accepting such "lightweight" roles as lady sleuth Dora Charleston (a delicious Myrna Loy takeoff) in Murder By Death (1976), the aging Wendy in Steven Spielberg's Peter Pan derivation Hook (1991), and the Mother Superior in Whoopi Goldberg's Sister Act films of the early '90s. During the same decade, she also took more serious roles in Richard III (1995), Washington Square (1997), and Tea With Mussolini (1999). On a lighter note, her role in director Robert Altman's Gosford Park earned Smith her sixth Oscar nomination. She earned a whole new generation of fans during the first decade of the next century when she was cast as Professor McGonagall in Harry Potter and the Sorcerer's Stone, a part she would return to for each of the film's phenomenally successful sequels. She worked in other films as well including Divine Secrets of the Ya-Ya Sisterhood, Becoming Jane, and Nanny McPhee Returns. In 2010 she earned rave reviews for her work in the television series Downton Abbey.Made a Dame Commander in 1989, Smith was elected to the Theatre Hall of Fame in 1994. Previously married to the late actor Sir Robert Stephens, she is the wife of screenwriter Beverly Cross and the mother of actors Toby Stephens and Chris Larkin.

Trivia: Gangly, sweet-faced actor Bronson Pinchot was born in New York and raised in California, then returned to the East Coast to study at the Yale School of Drama. The common misconception is that Pinchot sprang fully grown as a comedian with his performance as an effete, bizarrely accented art gallery assistant in Beverly Hills Cop (1984). Actually he'd been in films since 1982, including Risky Business, but his Cop appearance was his breakthrough role, and was instrumental in his receiving the starring assignment of Balki Bartokomous ("Doan be reedeeculus!"), ingenuous immigrant from the mythical country of Mypos, in the popular TV sitcom Perfect Strangers (1986). Pinchot and his co-star, Mark-Linn Baker, worked together as though they'd been a team for years. In fact, they did have something in common: Both had appeared in Woody Allen films, and both had had their scenes cut before release. Since the cancellation of Perfect Strangers, Bronson Pinchot has appeared in important feature-film roles, generally amusing in nature; he was far less funny as the megalomaniac villain of the 1995 Stephen King TV miniseries The Langoliers. He appeared in Courage Under Fire, Slappy and the Stinkers, and Boardheads. In the 21st century he could be seen in Second Best, Icemaker, Cluster, and Pure Country 2: The Gift. He also found stead work in animated film lending his vocal talent to projects like Babes in Toyland, Quest for Camelot, and Lady and the Tramp II: Scamp's Adventure.

Trivia: A child performer who went on to become an adult actor in one of the more radical transformations in the history of the American entertainment industry, Sarah Jessica Parker has captained both a career and a public image that could be accurately classified under the heading Revenge of the Nerd. As a pubescent actor most famous for her roles in the acclaimed high school-set TV series Square Pegs and in the big screen's Footloose and Girls Just Want to Have Fun, Parker played the skinny girl with frizzy hair who was either the sidekick or underdog; when she wasn't cleaning up after Lori Singer in Footloose, she was battling snotty rich girls for the right to dance on local television in Girls Just Want to Have Fun. However, thanks to perseverance, talent, a fabulous stylist, and an HBO series called Sex and the City, Parker had emerged, by the end of the 1990s, as one of the most glamorous and employable actors around, known as much for the designer frocks she wore to awards ceremonies as for her work on the screen.Born in Nelsonville, OH, on March 25, 1965, as the fourth of eight siblings, Parker grew up in relative poverty following the divorce of her mother, an elementary school teacher, and her father, an aspiring writer. Raised by her mother and often out-of-work stepfather, she trained as a dancer and singer, bringing home paychecks from a young age. As a fledgling actor, Parker landed her first TV show at the age of eight; in 1976, after winning her first Broadway role in The Innocents, her family moved to New Jersey to encourage her career. Parker worked on the stage for the next few years, touring -- with four of her siblings -- in the national company of The Sound of Music and getting her first major break when she was chosen to take over the title role of Annie on Broadway, from 1979 to 1980.Continuing her training at the American Ballet Theater and the New York Professional Children's School, Parker made her film debut in the 1979 Rich Kids, which co-starred John Lithgow, Trini Alvarado, and Olympia Dukakis. In 1982, she won her first starring role in the aforementioned Square Pegs, and then received additional attention thanks to her role as Lori Singer's best friend and Chris Penn's girlfriend in the 1984 hit Footloose. The following year, Parker kept on dancing -- this time alongside a very young Helen Hunt -- in the similarly winning Girls Just Want to Have Fun. The actor's success in both films paved the way for steady work through the rest of the decade; in addition to her work on the big screen, Parker also starred in a number of TV shows, including the 1986 miniseries A Year in the Life and the drama series Equal Justice.The early '90s saw Parker segue into more adult roles, playing the Southern Californian creation SanDeE* alongside Steve Martin in L.A. Story (1991), then earning both critical and cult credibility as Nicholas Cage's fiancée in Honeymoon in Vegas (1992) and as the wife of consummate schlockmeister Ed Wood in Tim Burton's celebrated 1994 film about Wood's life and times. Offscreen, as well, she was garnering notice for her attachment to actor Matthew Broderick; Parker -- who had been in high-profile relationships with Robert Downey Jr. and John F. Kennedy Jr. -- married Broderick in 1997.Following a turn as Mia Farrow's daughter in the widely panned Miami Rhapsody (1995), supporting work in The First Wives Club and Burton's Mars Attacks! (both 1996), and a number of New York productions (including Sylvia, for which she earned a Drama Desk Award nomination), Parker landed the starring role of New York sex columnist Carrie Bradshaw on the new HBO series Sex and the City. Touted by some observers as the luckiest break in the actor's career to date, the show, which focused on the sex lives of four close friends (played by Parker, Kim Cattrall, Cynthia Nixon, and Kristin Davis) became a huge hit among both critics and viewers, ensuring Parker -- who won the Golden Globe for her work in 2000, 2001and 2002 -- both steady employment and an unimpeachably chic image that was eons removed from the bony elbows and frizzy bangs of her days as a square peg.Parker continued to appear in film roles during and after the Carrie Bradshaw years; among them include a starring role in The Family Stone (2005), and a supporting role in the 2008 comedy drama Smart People. In 2010 she starred in Sex and the City 2, and played a devoted mother attempting to balance her family with her career in 2011's comedy drama I Don't Know How She Does It.

Trivia: A student of dance since she was four, Elizabeth Berkely has been in show business since the age of nine. She got her start in television appearing in over a dozen series, the best-known of which is Saved By the Bell, in which she played proto-feminist high school student Jesse Spano from 1989 to 1991. Berkely made her feature film debut billed as Macrame Girl in the Patrick Swayze/Keanu Reeves vehicle Point Break (1991). In 1995, Berkely gained national notoriety and proved that she had come a long way since Jesse Spano when she played the trashy, determined, and frequently naked lead in the Joe Esterhaz-penned, Paul Verhoeven-directed Showgirls (1995), a glitzy exploitation film that, while one of the year's biggest stinkers, gained popularity on the midnight movie circuit, especially among drag queens. While such negative publicity as was received by Showgirls can be instant death to a budding career, Berkely has continued to appear in films such as The First Wives Club (1996), and such television series' as The L Word and CSI Miami.

Trivia: Actress Jennifer Dundas made her debut playing Gloria Vanderbilt as a child in the NBC miniseries Little Gloria, Happy at Last. She entered feature films playing little sister Lilli in The Hotel New Hampshire (1984). In addition to her continuing career in film, Dundas has a busy stage career and has performed with various theater companies and at the New York Shakespeare Festival.

Trivia: Over her long career, character actress Eileen Heckart has distinguished herself on stage, television, and in feature films. Tall and thin with sharp angular features, she often plays outspoken, strong-willed, and highly intelligent women. Fans of The Mary Tyler Moore show from the 1970s will remember Heckart for playing Mary's brassy Aunt Flo. Trained at the American Theater Wing following studies at Ohio State University, Heckart was on Broadway in the early '40s and appeared in numerous major productions. For the 1957-1958 theater season, Heckart earned a New York Drama Critics Award for her work in The Dark at the Top of the Stairs. She has won six Tony nominations during her stage career and in the late '90s was inducted into the Theater Hall of Fame. Heckart began her sporadic television career in 1952 and made her feature-film debut with Miracle in the Rain (1956). She earned a Best Supporting Actress Oscar nomination that year for her work in The Bad Seed (1956); she was also awarded a Golden Globe for the film. In 1972, she won a Best Supporting Actress Oscar in 1976 for her role in Butterflies Are Free. In 1967, Heckert received an Emmy for Win Me a Place at Forest Lawn. She won her second one in 1994 for a 1993 appearance on the sitcom Love & War. In addition to her many kudos, Heckart has also been awarded three honorary doctorates.

Trivia: Blonde and buoyant actress Heather Locklear had the distinction of co-starring simultaneously in two weekly series within a year of her 1981 TV debut. Locklear played Steven Carrington's long-suffering wife Sammy Jo on Dynasty, then went down the block to essay the role of ever-imperiled lady cop Stacy Sheridan on T.J. Hooker. Since that time, Locklear has made several efforts to establish herself as a comedienne, ranging from a forgettable sitcom to her wiselipped heroine in Return of the Swamp Thing (1991). Far better at inducing feminine envy than laughs, Locklear was later seen as elegant villainess Amanda Woodward, on the Fox Network series Melrose Place, a show she is credited as saving from cancellation with her sexy but catty performance. Numerous television roles followed -- including appearances in Two and a Half Men, Boston Legal, and Hannah Montana -- and in 2009 Locklear returned to the character of Amanda Woodward in the shortlived Melrose Place revival series. When not participating in series television, Locklear has functioned as spokesperson for the Health and Tennis Corporation of America. Locklear was for several years married to rock star Tommy Lee; after their breakup she wed yet another rocker, Bon Jovi guitarist Richie Sambora. Lee in turn married another blonde TV icon, Baywatch star Pamela Anderson.

Trivia: American actor Stephen Collins was endowed with the sort of prep-school handsomeness that could adapt to heroics and villainy with equal aplomb. A graduate of Amherst and a veteran of the Broadway stage, Collins made his film bow in a microscopic role in All the President's Men (1976). He was seen to better advantage with a whole crop of relative newcomers in Joan Micklin Silver's low-budget Between the Lines (1977), then graduated to "A" parts in "A" pictures, such as the role of Decker in Star Trek: The Motion Picture (1978). Television has always been kind to Stephen Collins: he received substantial acting assignments in the 1977 anthology Best Sellers (as David Spaulding in the "Rhineman Exchange" story arc), the 1982 Indiana Jones derivation Tales of the Gold Monkey (lead role, as Jake Cutter), the 1988 weekly Tattinger's (title role), and the 1990 middle-age-angst sitcom Working it Out (as David Stewart). Eventually he became known for his role as the family patriarch in the Christian-oriented series 7th Heaven (1996-2003). In 2012, Collins played a supporting role in The Farrelly brothers' film reboot of Three Stooges. He would continue to work on television as well, taking guest spots on shows like The Office and Devious Maids, and a recurring role on the second season of Revolution.

Trivia: Often noted for her striking feature debut as a gun-toting seductress in the Coen brothers' noirish gangster crime thriller Miller's Crossing (1990), Marcia Gay Harden has since bounced between disparaging disappointment and critical prosperity, and is commonly praised for her chameleon-like ability to immerse herself in characters that are often the polar opposite of the cheerfully optimistic actress.Born in La Jolla, CA, on August 14, 1959, as the third of five children in a military family, Harden's clan moved constantly. Her passion for drama sparked by a period that the family spent in Greece (when she attended Athenian plays), Harden studied drama in college, earning a B.A. in theater from the University of Texas, and an M.F.A. in theater from New York University. After graduation, Harden continued to hone her acting talents on stage in Washington, D.C. Immediately evincing an innate ability to portray a wide range of characterizations, Harden earned two Helen Hayes Award nominations - one for her role in Beth Henley's Crimes of the Heart and one for her role in The Miss Firecracker Contest. Angels in America brought Harden to Broadway, where she found further success in earning both Tony Award and Drama Desk nominations, as well as winning the Theater World Award for Best Actress. Though she had made an impressive screen debut in Miller's Crossing, disappointment soon followed with a slew of critically shunned successes mixed with a series of creative misfires. Though discouraged in the critics' failure to recognize what Harden considered to be some of her best work, Harden began to focus less on Hollywood validation for happiness, and instead shifted her attention to refining her acting abilities. Moving from quirky dramatic roles, such as her manipulative character in Crush (1992), to quiet dramas like 1996's The Spitfire Grill, and such mainstream efforts as The First Wives Club (also 1996) and Meet Joe Black (1998), Harden felt comfortable in a wide variety of roles. She also occasionally compromised on her choice of material during this period (perhaps out of necessity) - such as the dumb-dumb comedy Spy Hard, with Leslie Nielsen, and the 1997 Absent Minded Professor rehash Flubber (starring Robin Williams).But her fortunes began to turn with a supporting role in Ed Harris' long-anticipated Jackson Pollock biopic Pollock (2000) that finally brought the actress much-deserved, mainstream critical recognition for her work. Reunited with Harris from their pairing in an earlier stage production of Sam Shepard's Simpatico, Harden's role as Pollock's dysfunctional muse earned her the Best Supporting Actress Oscar at the 2000 Academy Awards. The dawning years of the new millennium were undeniably kind to the tireless actress, and after a trio of made-for-television movies in the year 2000 Harden essayed the role of a stylish but enigmatic catalyst to a mystery with decidedly comic undertones in Susan Seidelman's Gaudi Afternoon, and portrayed the NASA engineer love interest of Tommy Lee Jones's crop duster, Hawk, in Clint Eastwood's Space Cowboys; Harden and Eastwood forged a strong professional bond and would work together again, several years later.A brief foray into sitcom territory followed soon thereafter, when Harden co-starred with Richard Dreyfuss in shortlived television series The Education of Max Bickford (2001), and the following year, she stuck to the small screen for the mini-series Guilty Hearts and the made-for-television feature King of Texas (the latter earning her a a Golden Sattelite nomination for Best Actress in a Motion Picture Made for Television). An adaptation of Shakespeare's King Lear set in the Old West, King of Texas found Harden essaying the role of cattle-baron John Lear's (Patrick Stewart) eldest daughter. Equally busy in 2003, Harden abandoned the small screen to work with some of the most acclaimed filmmakers in Hollywood. Following her second onscreen assignment for Clint Eastwood - in his deeply flawed but commendable ensemble piece Mystic River - Harden essayed the role of a mother attempting to adopt a South American girl in longtime indie filmmaker John Sayles' Casa de Los Babys and provided a key supporting performance in Mike Newell's Mona Lisa Smile. She contributed to the disappointing (and eminently forgettable) Gene Hackman/Ray Romano onscreen pairing Welcome to Mooseport (as president Hackman's campaign manager) but fared better by joining the cast of Richard Linklater's remake The Bad News Bears, starring Billy Bob Thornton (Harden plays the mom who brings Thornton's slovenly Morris Buttermaker in to coach the team). After relatively limited work throughout 2005 - including a small-scale voiceover assignment as Willa Cather in Joel Geyer's Willa Cather: the Road is All and Mrs. Merriman in the heartwarming family drama Felicity: An American Girl Adventure - Harden's activity crescendoed over the course of 2006, with appearances in no less than three A-list features. These entailed work in multiple genres, and suggested a broad array of fun and challenging characterizations. In Lasse Hallstrom's late 2006 docudrama The Hoax, Harden plays Edith Irving, the wife of scam artist Clifford Irving (portrayed by Richard Gere) during his notorious early-1970s scheme to forge an autobiography of the late Howard Hughes. In Paul Weitz's American Dreams, she plays yet another matron - this time the wife of American president Dennis Quaid, as the generally clueless fellow (!) is sent on a nationally-broadcast talent program. And Harden joins the celebrity-studded ensemble of the more conventional Dead Girl - a murder mystery directed by Karen Moncrieff, whose cast members include Harden, Giovanni Ribisi, Brittany Murphy, Piper Laurie, Josh Brolin, and Mary Steenburgen. The plot recalls Ray Lawrence's Lantana, in its investigation of several seemingly-unrelated lives that intersect in unforeseen ways as the mystery surrounding a woman's death is gradually disclosed to the characters and audience. In 2007 she acted in both The Hoax and Sean Penn's Into the Wild. She joined the cast of the hit show Damages in the second season. In 2009 she played a concerned mother in the roller derby comedy Whip It, and played a harried school administrator in Detachment for director Tony Kaye in 2011.Offscreen, Harden married property master and occasional location scout Thaddaeus Scheel (Boys on the Side, Houseguest, The Spitfire Grill) in 1996. The couple has three children.

Trivia: Catholic University was the alma mater of American actor Philip Bosco -- or would have been if he hadn't been expelled. Bosco would not collect a college degree until age 27, after a long stint as an Army cryptographer. Most comfortable in classical stage roles, Bosco has found it expedient to don modern garb for most of his movie work. After a one-shot screen appearance in 1968's A Lovely Way to Die, Bosco didn't step before the movie cameras again until 1983, making up for the lost years with supporting appearances in such films as Trading Places (1983), The Pope of Greenwich Village (1984), Three Men and a Baby (1987), Working Girl (1988) and Shadows and Fog (1992). Philip Bosco won a Tony Award for his performance in the popular door-slamming farce Lend Me a Tenor.

Trivia: As the son of multi-talented comedic genius Carl Reiner (Your Show of Shows), Rob Reiner instantly outgrew his father's legacy to establish himself as an independent force in multiple facets of the entertainment industry. Born in the Bronx in 1945, Reiner moved to Los Angeles with his folks at the age of 12 (not coincidentally, the very same year that the NYC-based Caesar's Hour, with Carl Reiner as a regular contributor, wrapped) and soon began acting in regional theater and improv ensembles. After appearing on various episodes of Alfred Hitchcock Presents from the age of 16 and studying drama at UCLA, Reiner co-founded the improvisational comedy troupe The Session, then made his onscreen cinematic debut in his father's Enter Laughing (1967) and contributed scripts (in his dad's vein) to CBS's controversial The Smothers Brothers Comedy Hour. His first massive break arrived when he landed the role of Mike "Meathead" Stivic, the liberal, Polish son-in-law to Carroll O'Connor's racist working stiff Archie Bunker, on Norman Lear's groundbreaking network hit All in the Family. In 1971, Reiner wed Penny Marshall (the sister of another comic demagogue, Garry Marshall); the marrieds frequently appeared together on ABC's The Odd Couple. Reiner earned two Emmys for All in the Family, but ended his role in 1978 (after seven seasons) as the series transitioned into Archie Bunker's Place. A now-forgotten telemovie followed -- the romantic comedy More Than Friends, written by and starring Reiner and Marshall (and directed by future Cheers progenitor James Burrows) -- but by that point, the Reiners' marriage was in disarray; a divorce ensued in 1979, followed by several years of inactivity on Reiner's end.Reiner bounced back as a director, however (and then some) in 1984, with the hysterical mockumentary This Is Spinal Tap, ostensibly a spoof of The Song Remains the Same, The Kids Are Alright, The Last Waltz, and other mid-'70s concert films, about a gleefully moronic glam rock band (Christopher Guest, Michael McKean, and Harry Shearer) whose hits include "Sex Farm," "Smell the Glove," and "Hellhole." The picture became a sensation (a massive cult hit), led to several Reiner-less follow-ups with the principal cast (Waiting for Guffman, Best in Show, A Mighty Wind), and -- most importantly -- launched Reiner as a directorial force. He helmed a cute and charming sophomore effort, the teen comedy The Sure Thing (1985), which boasts two superb lead performances by John Cusack and Daphne Zuniga, and demonstrates great taste and sensitivity, but failed to make a splash despite solid reviews (Roger Ebert declared it "a small miracle" and Variety assessed it as "sweetly old fashioned" and "appealing.") The following year, the director struck box-office gold with his third effort, Stand by Me (1986). In this coming-of-age saga, adapted from a Stephen King short story by Ray Gideon and Bruce A. Evans, Reiner successfully blends comedy, drama, and sentiment, and elicits exemplary performances from an ensemble of teenage performers including River Phoenix and Wil Wheaton, in his story of a bunch of adolescent boys who venture out to find a local boy's corpse. For his fourth effort, Reiner helmed the legendary William Goldman's adaptation of his own 1973 fantasy novel, The Princess Bride (which had purportedly floated around Hollywood for 13 years), and scored in the process -- especially with young viewers, who immediately warmed to Cary Elwes' dashing adventurer and Robin Wright's heroine. (The picture's neat comic turns by Billy Crystal, Wallace Shawn, and Andre the Giant stretched its appeal to older viewers, as well.) Reiner followed this up with another four-star blockbuster, and one of the most lucrative (and affable) pictures of 1989, the romantic comedy When Harry Met Sally, written by Nora Ephron. It sports exceptional lead performances by Crystal and Meg Ryan, and -- in one of the most infamous movie bits of the past few decades, a cameo by Reiner's own mother, Estelle, who provides the film's funniest line.Reiner began the 1990s with another Stephen King outing: Misery, a claustrophobic horror picture adapted from a 1987 King novel. In directing the picture, Reiner elicited exceptional performances from James Caan and Kathy Bates. The latter won a Best Actress Academy Award for her portrayal of the psychopathic ex-nurse Annie Wilkes, who confines Caan's author in her home and forces him to write a new manuscript under the duress of torture and threatened homicide. With a trio of A-list actors including Jack Nicholson, Tom Cruise, and Demi Moore, the director's late 1992 courtroom thriller A Few Good Men (adapted by Aaron Sorkin from his play) earned a Best Picture Oscar nomination and another Golden Globe nomination for Reiner. Unfortunately, this marked the beginning of a decline, of sorts, for Reiner. He then helmed 1994's god-awful family-friendly comedy North (reviled by just about everybody). The following year's The American President charmed audiences, but 1996's Ghosts of Mississippi struck most viewers as uneven. In 1999, Reiner produced, directed, and co-starred in The Story of Us, a romantic comedy starring Michelle Pfeiffer and Bruce Willis, but it opened up to mediocre reviews. (Ebert gave it one star and moaned, "Watching it is like taking a long trip in a small car with the Bickersons"; Janet Maslin observed that it "offers such an arthritic vision of middle-aged marriage that it feels like the first Jack Lemmon comedy made expressly for the baby-boom generation.") Perhaps riled by these disappointments -- and seeking greater immersion in California politics -- Reiner took several years off as a director, until 2003's Alex & Emma, a romantic comedy about writer's block starring Luke Wilson and Kate Hudson. With one or two exceptions, critics universally panned the picture (giving Reiner his most terrible reviews to date). 2005's Rumor Has It..., yet another romantic comedy starring Jennifer Aniston as a woman who goes off in search of her family's roots, also opened to dismal reviews and lackluster box office, despite the star appeal of Aniston and her male lead, Kevin Costner. In 1987, Reiner co-founded Castle Rock Productions (the company's name refers to a fictional town created by Stephen King). In addition to directing and producing, Reiner has also pursued an acting career on the side, with supporting roles and cameos in such films as Postcards From the Edge (1990), Sleepless in Seattle (1993), Bullets Over Broadway (1994), The First Wives Club (1996), Primary Colors (1998), EDtv (1999), The Muse (1999), The Story of Us (1999), and The Majestic (2001). Later, he delivered a performance as Wirschafter in his own Alex & Emma (2003) and cameo'd as himself in the 2003 David Spade comedy Dickie Roberts: Former Child Star. Between 2004 and 2006, Reiner joined Whoopi Goldberg, Mandy Patinkin, William H. Macy, and others to voice the late Christopher Reeve's CG-animated feature Everybody's Hero, about a boy who attempts to retrieve a talking baseball bat from a crooked security guard. In 2007 he had one of his biggest late-career successes directing Jack Nicholson and Morgan Freeman in The Bucket List. Three years later he made the little-seen comedy Flipped. Reiner married his second wife, Michele Singer Reiner, in 1989.

Trivia: Lead actor, onscreen from the '70s. He is the brother of actor David Naughton.

Trivia: Socialite Ivana Trump initially gained national recognition as the first wife of billionaire Donald Trump, to whom she was wed from 1977 to 1992. Born Ivana Marie Zelnickova in 1949, she grew up in Gottwaldov, Czechoslovakia, just south of Prague, and established herself as a champion skier at an early age. After earning her masters in the dual arenas of physical education and languages, Ivana spent a number of years professionally coaching ski racers with then-paramour George Syrovatka in Montréal, Canada, then shifted gears and moved into modeling for the Audrey Morris agency during the 1970s -- a line of work that inadvertently brought her to New York City and introduced her to Donald Trump in 1976. The two married within a year and had three children: Ivanka Trump, Donald Trump Jr., and Eric Trump. As Mrs. Trump, Ivana worked for many years as vice president of interior design for the Trump Organization. Following their much-publicized and ballyhooed divorce (an event that occupied an inordinate number of tabloid pages and headlines), she established two of her own companies, Ivana, Inc. and Ivana Haute Couture; graced numerous print advertisements for a plethora of brands; and significantly (like her ex-husband) moved into work as on-camera talent, as the subject of her own Lifetime network biography special, Intimate Portrait: Ivana Trump (2001) and the host of her own reality television special, Ivana Young Man on the Oxygen Channel. The program traveled behind the scenes to witness Trump guiding an affluent young socialite into marriage with the proper suitor.

Trivia: Born Kathryn Lee Epstein in 1953, Kathie Lee Gifford is a singer and television personality best-known for co-hosting Live with Regis and Kathie Lee with Regis Philbin.Throughout the 1970s, as Kathie Lee Johnson, Gifford gained notoriety as a singer on the game show Name That Tune, and in the early '80s, she could be seen as a correspondent on ABC's Good Morning America. In 1984, her profile was raised significantly when she became the spokesperson for Carnival Cruise Lines in a number of TV ads. In 1985, she began co-hosting a New York morning show with Regis Philbin that would eventually become Live with Regis and Kathie Lee. The show began airing nationally on ABC in 1989, and Gifford remained as host until 2000. She was eventually replaced by Kelly Ripa. In 2008, she returned to the morning talk show scene as the co-host of the fourth hour of the Today show on NBC. In addition to her television and recording career, Gifford received a good deal of press for her long marriage to sportscaster Frank Gifford, which spanned from 1986 until Frank's death in 2015.

Trivia: J. Smith-Cameron is an Obie-winning actress for her performance in the Broadway presentation of As Bees In Honey Drown. She has made numerous television appearances, ranging from Spin City to Law & Order.

Trivia: Retained her British citizenship after her family moved to Manhattan, but considers herself to be an American actress. Made her silver-screen debut in 1969 in Anne of the Thousand Days, which starred her famous father, Richard. Was nominated for two Tony Awards in 2002 for her work in Hedda Gabler and The Elephant Man. Received an honorary doctorate from Brown University, her alma mater, in 2007. Portrayed all of the adult female roles in the 2008 hit Broadway show Spring Awakening. Narrated audio books for novels written by Patricia Cornwell, Lisa Scottoline, Iris Johansen and Dean Koontz.

Trivia: Bearing the kind of sharp-eyed, vaguely sinister good looks that often get actors cast as charismatic drug dealers or murder suspects, Timothy Olyphant first impressed film audiences playing none other than the resident charismatic drug dealer of Doug Liman's Go (1999). Born in Hawaii on May 20, 1968, Olyphant grew up in California. After attending the University of California, where he swam competitively, the actor made his professional debut in the Playwrights Horizons' production of The Monogamist, for which he won a Theatre World Award for Outstanding Debut Performance. Olyphant's first film appearance came courtesy of a miniscule role in The First Wives Club (1996); somewhat more substantial work followed in 1997's Scream 2, in which the actor was cast as one of Neve Campbell's friends. After a turn in When Trumpets Fade (1998), a critically acclaimed made-for-TV WWII drama, and a memorable guest-shot on an episode of Sex and the City, Olyphant gave a scene-stealing performance in Go, managing to stand out in an ensemble cast that included Sarah Polley, Katie Holmes, Taye Diggs, and Scott Wolf. His work caught the notice of more than one industry observer, and by the following year, the actor had a number of projects in the works. Included among them were The Broken Hearts Club, a comedy that cast Olyphant as a gay photographer; Gone in Sixty Seconds, which featured him as a detective on the trail of a car thief (Nicolas Cage); and Auggie Rose, a drama about assumed identity in which Olyphant played the ex-cellmate of a dead con man. In 2001, Olyphant would turn up in the tale of an aspiring singer who gets to live a dream, Rock Star.Once touted as "the next big thing," Olyphant's stock seemed to drop after attaching himself to a string of duds, most notably the aforementioned Rock Star, Dreamcatcher, and A Man Apart, the latter two both released in 2003. Fortunately, the following year saw things looking up for the actor, with a starring role on the critically acclaimed series from HBO, the Western Deadwood. Over the next several years, Olyphant would appear in films like Live Free or Die Hard and I Am Number Four, in addition to a role on the night time drama Damages, as well as the massively popular series Justified.

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: A classically trained actress with her roots in the theater, buxom performer Debra Monk spent years specializing in portrayals of matronly types, including aunts, mothers, and policewomen, on-stage and onscreen. Monk made one of her first film appearances as Aunt Dorothy in Norman Rene's fantasy comedy Prelude to a Kiss (1993) opposite Alec Baldwin and Meg Ryan, then moved into a lengthy series of additional A-list Hollywood projects, including Fearless (1993), For Love or Money (1993), Quiz Show (1994), and Extreme Measures (1996). In the meantime, Monk also continued her stage work in such Manhattan-area productions as Death Defying Acts (1995) and Redwood Curtain (1997), for which she netted a substantial degree of acclaim. Monk found even greater success on the small screen, however, with two ongoing roles on popular series: that of Katie Sipowicz on Steven Bochco's NYPD Blue and that of Louise O'Malley on Grey's Anatomy. In 2008, Monk landed a supporting role opposite John Malkovich and Colin Hanks in the bittersweet show business drama The Great Buck Howard (2008). She was away from screens for four years after that, but returned in the 2012 Katherine Heigl vehicle One for the Money.

Trivia: Actor Paul Hecht has worked steadily on stage, television, and in feature films since the 1960s. On Broadway, he received a Tony nomination for his role in the 1968 production of Tom Stoppard's Rosenkrantz and Guildenstern Are Dead. His television appearances include guest-starring roles in series such as Kate and Allie, performances on soap operas like As the World Turns, and television miniseries like I'll Take Manhattan. Hecht made his feature film debut playing a rabbi in the caper comedy Only God Knows (1974). He has subsequently appeared in a variety of supporting and co-starring film roles.

Trivia: In the entertainment industry, writer/director/producer Hugh Wilson's name is synonymous with comedy, though in the late '90s, he turned to more dramatic subject matters. Although Wilson spent the latter part of his 20-plus-year career primarily involved in feature films, such as the hit First Wives Club (1995) (starring Goldie Hawn, Bette Midler, and Diane Keaton), Wilson is perhaps best known for his television work, notably as the creator and executive producer of the hilarious sitcom WKRP in Cincinnati (1978-1982) and the Emmy-winning comedy/drama Frank's Place which he created with former WKRP star Tim Reid. A native of Miami, Wilson started out working as a major contributor to a newsletter for the Armstrong Cork corporation. There he met Jay Tarses and Tom Patchett. Years later, Tarses and Patchett became comedy writers for The Bob Newhart Show. Remembering that Wilson too shared a similar gift for comedy writing, they invited him to join their team. By that time, Wilson was working with an advertising firm in Atlanta. He accepted the offer and soon was writing for the classic comedy with his former colleagues. Wilson also wrote for other shows, proving he had a knack for the medium, and in the mid-'70s became a producer of The Tony Randall Show. In 1978 Wilson agreed to create a new sitcom for MTM helmer Grant Tinker. Basing the premise upon his experiences in radio and advertising in Atlanta, Wilson came up with WKRP. Set in a failing radio station, it chronicled the colorful lives of eight members of the station as they tried to cope with changing the format from elevator music to Top 40 rock & roll. Not only did Wilson create and produce the show, he also served as its head writer. Frank's Place ran from 1987 to 1988. Unlike the zany WKRP, this was a low-key and off-beat ensemble piece about a stuffy Boston professor who discovers that his late, estranged father has left him a Creole restaurant in New Orleans. Moments of drama punctuated the funny business. Critics loved the show, but audiences found it puzzling and the series folded after a year. Wilson's big break in feature films came when he wrote the script for the low-brow but widely popularPolice Academy (1984), which also marked Wilson's directorial bow. His subsequent film credits include Rustler's Rhapsody (1985) and Guarding Tess (1994), which starred Shirley MacLaine and Nicholas Cage as a feisty, fussy presidential widow and the Secret Service man assigned to protect her. In 1997 Wilson made his first foray into a nonhumorous project as a script writer on the television miniseries chronicle of President Teddy Roosevelt's founding and leading of the famous elite cavalry group. The following year, Wilson produced an acclaimed, independent low-budget crime drama, Southie, about a New Yorker who returns to his Boston family and finds them in cahoots with mobsters.

Trivia: American film producer Scott Rudin learned how to make instant sink-or-swim decisions while a casting director on Broadway. As a theater producer, Rudin won a Tony award for his staging of Passion. He entered films in the early '80s, working his way up to the vice presidency and then the presidency of 20th Century Fox. He left that studio when he was 29 in favor of independent production. Among Scott Rudin's most lucrative productions have been Sister Act (1988) and The Addams Family (1991); he has also managed to parlay "small" films like Little Man Tate (1989) into audience favorites.

Trivia: Beginning in 1980 when he served as a unit manager on Stardust Memories, executive producer Ezra Swerdlow spent much of his early career working with filmmaker Woody Allen. Swerdlow spent a few years as a set decorator and a production manager during the early '80s. It was on Allen film Hannah and Her Sisters (1986) that Swerdlow had his first co-producer credit. After that he focused on producing films exclusively. In addition to working with Allen, Swerdlow has worked with such directors as Mike Nichols, Martin Scorsese, Sydney Pollack, Frank Oz, Mel Brooks, and Karel Reisz. At one time, Swerdlow co-owned Schindler/Swerdlow Productions in New York.

Trivia: Donald Thorin is one of Hollywood's leading cinematographers of the '80s and '90s. Thorin has photographed a number of acclaimed films, including Officer and a Gentleman (1982), Purple Rain (1984), and The First Wives Club (1996). Born and raised in Couer d'Alene, ID, he began his career loading films at 20th Century Fox.

Trivia: Noted for her versatility, Theoni V. Aldredge became one of the most prominent costume designers in the entertainment industry. Born Theoni Vachilioti in Salonika, Greece, she received her training at the American School in Athens and at the Goodman Memorial Theatre, Chicago before launching her career in 1950. After making a name for herself in the theatrical world, Aldredge began working on Hollywood features in the mid-'60s. Over the course of her still flourishing career, she has won major awards for designing costumes for films, television, theater, opera and ballet in both the U.S. and Great Britain. These awards included an Oscar and a British Academy Award for her work on The Great Gatsby (1974) and three Tonys for her theatrical work (she received 11 additional Tony nominations). She was married to the character actor Tom Aldredge (The Rain People, and died in January 2011 at age 78.

Trivia: Thomas A. Imperato co-produced The First Wives Club (1996). Before becoming a producer, he was a production auditor for eight years. He also worked as a financial representative for Orion. He worked with Carl Franklin as an associate producer on Devil in a Blue Dress. In addition, he was a production supervisor on films such as Philadelphia (1993) and Sabrina (1995).

Trivia: Production designer Peter S. Larkin began his career in New York theater shortly after graduating from the Deerfield Academy and Yale in the early '50s. Before long, he was one of Broadway's most respected art directors for both musicals and straight productions. Entering feature films in 1981, with the Sylvester Stallone vehicle Nighthawks, Larkin's subsequent film credits include Tootsie (1982), The Last Dragon (1985), Three Men and a Baby (1987), Get Shorty (1996), and Bean (1997).

Trivia: Award-winning composer Marc Shaiman first worked as a music director and arranger for Bette Midler's extravagant live shows. He later supervised the music for the diva's films Divine Madness (1980), Big Business, and Beaches (both 1988). He made his debut as a composer on the soundtrack of Rob Reiner's Misery (1990) and subsequently scored three more films for him. He has also worked with Barry Sonnenfeld on both Addams Family films and with Ron Underwood. In addition to composing music, Shaiman also produces records and, in 1989, earned a gold record for his work on the When Harry Met Sally soundtrack.

Trivia: Robert Harling often bases his plays and screenplays on his past personal experiences. He originally studied to become a lawyer, but shortly before graduating from the Tulane University School of Law, he decided that acting was the better profession and never took his Bar exam. He lived in New York for several years, acting and working as a voiceover artist before penning the script for what remains his most famous work, Steel Magnolias, which he adapted, in 1989, into a popular film starring Shirley MacLaine, Julia Roberts, Dolly Parton, and Sally Field. The story behind Harling's second screenwriting effort, Soapdish (1991), came from his personal experience as an actor. He made his directorial debut with his adaptation of novelist Larry McMurty's The Evening Star (1997), which in turn was a sequel to the popular melodrama Terms of Endearment (1983).

Trivia: Became interested in comedy as a child in Catholic school, where she learned how to make the nuns laugh to avoid beatings. Started singing gigs with her jazz pianist father in nightclubs at age 12. In 1987, she emceed the Second March on Washington for Lesbian and Gay Rights. Her appearance on The Arsenio Hall Show in 1993 was the first time an out gay comedian appeared on a late night talk show. Debut comedy album, Bulldyke in a Chinashop, was released in 1994. Released her first jazz album, Play it Cool, in 2001. The part of Big Boo on Orange Is The New Black was specifically written for her, after she originally auditioned for a role as a prison guard. Lost 50 pounds after being diagnosed with type 2 diabetes in 2015.

Trivia: Intense, dynamic Julliard alumnus Mandy Patinkin, born November 30th, 1952, has tackled everything from ancient classics to modern musicals during his formative years in regional theatre. From 1975 through 1981, Patinkin was a mainstay of Joseph Papps New York Shakespeare Festival. Making his Broadway debut in 1977, Patinkin won a Tony Award three years later for his raw-nerved portrayal of Che Guevara ("Not much to ask for!") in Andrew Lloyd Webber's Evita. He later appeared as star-interlocutor in Stephen Sondheim's musical Sunday in the Park with George, a role he repeated for the benefit of future generations on a videotaped TV presentation in 1986. In films from 1977, Patinkin made his earliest impression on moviegoers in a brace of E. L. Doctorow adaptations: he played the immigrant-artist-turned-pioneer filmmaker in Ragtime (1981) and the Julius Rosenberg counterpart in Daniel (1983). He also portrayed Avigdor, Barbra Streisand's dream lover, in Yentl (1983), and essayed the part of a Spanish swashbuckler (with a hilariously impenetrable accent) in The Princess Bride (1985). His extensive musical skills, both as vocalist and instrumentalist, have gone virtually untapped in films, save for his turn as 88 Keys in Dick Tracy (1990). The scope of Patinkin's musical talents were generously displayed in his one-man show Dress Casual, and also in his many "concert recordings" of classic Broadway scores. Despite his devotion to his craft, Mandy Patinkin evidently has his head on straight in terms of priorities: in 1996, he gave up the meaty role of Dr. Jeffrey Geiger in the weekly TV medical series Chicago Hope because he didn't like spending so much time away from his wife (actress Kathryn Grody) and children. Patinkin recorded an album comprised of traditional, classical, and contemporary Yiddish music in 1998, and starred in The Adventures of Elmo and Grouchland the following year. In 2003, Patinkin played the role of mentor to a fledgling grim reaper in the Showtime series Dead Like Me, and joined the cast of the CBS crime drama Criminal Minds in 2005 to play the criminal profiler Jason Gideon. Patinkin left the show after two seasons. Patinkin remained active in music, theater, television, and film following his depature from Criminal Minds, and took on a regular role in Homeland, a drama series from Showtime.