Trivia: Sydney Pollack -- one of Meryl Streep's collaborators time and again -- once proclaimed her the most gifted film actress of the late 20th century. Most insiders would concur with this assessment. To avid moviegoers, she represents the essence of onscreen dramatic art. Like Hoffman (and De Niro), she demonstrates a transcendent ability to plunge into her characters and lose herself inside of them, transforming herself physically to meet the demands of her roles. A luminous blonde with nearly translucent pale skin, intelligent blue eyes, and an elegant facial bone structure, Streep sustains a fragile, fleeting beauty that allows her to travel the spectrum between earthily plain (Ironweed), and ethereally glamorous and radiant (Manhattan, Heartburn).Born June 22, 1949, in Summit, NJ, Streep took operatic voice lessons, and subsequently cultivated a fascination with acting while she attended Bernards High School. Upon graduation, Streep studied drama at Vassar, Dartmouth, and Yale, where she appeared in 30 to 40 productions with the Yale Repertory Theater. With a five-star education and years of collegiate stage work under her belt, Streep headed for the New York footlights and launched her off-Broadway career. Streep's performance in Tennessee Williams' 27 Wagons Full of Cotton, for which she received a Tony nomination, constitutes a particularly strong theatrical highlight from this period. She made her television debut in Robert Markowitz's The Deadliest Season (1977). That year she also appeared onscreen for the first time in Fred Zinnmann's Julia (1977) as Anna Marie, opposite heavyweights Jane Fonda, Vanessa Redgrave, and Hal Holbrook. The following year, Streep picked up an Emmy for her performance in Marvin J. Chomsky's miniseries Holocaust. She first teamed with De Niro in Michael Cimino's The Deer Hunter (1978).Around this time, Streep became involved with the diminutive performer John Cazale, whom she met on the set of the Cimino film. Tragically, this marriage was ill-fated from day one, Cazale's frail body ridden with bone cancer. Forty-two at the time, he passed away in March 1978, nine months prior to the premiere of The Deer Hunter. Streep later wed Don Gummer, who was not associated with Hollywood in any capacity.Streep next appeared as Woody Allen's ruthless lesbian ex-wife in his elegiac comedy drama Manhattan (1979) and Alan Alda's Southern mistress in the scathing political satire The Seduction of Joe Tynan. Her shattering interpretation of the scarred and torn Joanna Kramer opposite Dustin Hoffman in Robert Benton's heartbreaking divorce saga Kramer vs. Kramer (1979), earned her a Best Supporting Actress Oscar in 1980 -- which she famously left on top of a toilet at the festivities -- alongside a plethora of L.A. Film Critics Association, New York Film Critics Circle, and Golden Globe Awards for the Allen, Benton, and Alda films.Streep continued her ascent over the next decade by establishing herself as Hollywood's top box-office draw and a critical darling. Her double performance in the innovative Karel Reisz/Harold Pinter triumph The French Lieutenant's Woman (1981), her gut-wrenching interpretation of the titular Holocaust survivor in Alan J. Pakula's haunting adaptation Sophie's Choice (1982), and her thoughtful evocation of Karen Silkwood in Mike Nichols' drama Silkwood were highlights of the period. In the latter, she portrays a real-life victimized nuclear-plant worker who mysteriously disappears just prior to turning in crucial evidence against her employers.Streep's decision to headline Sydney Pollack's lush epic Out of Africa (1985), as Karen Blixen, sustained her reputation. She would go on over the next decade to appear in projects like but Ironweed, Heartburn, She-Devil, Postcards from the Edge, and Death Becomes Her. In 1994, she again surprised her fans when she appeared as a muscular expert whitewater rafter who must fight a raging river and two dangerous fugitives to save her family in the action thriller River Wild (1994). In interviews, she said she did the film because she wanted to have an adventure like Harrison Ford and to overcome a few of her own fears.Streep returned to the depth and multifacetedness of her early roles -- with much concomitant success -- when she took a more low-key role as a dowdy, Earthbound farm wife who finds Illicit love with an itinerant photographer (Clint Eastwood) in The Bridges of Madison County. Following the critical and commercial heights of Bridges, Streep picked up yet another Oscar nomination for her performance as a terminally ill wife and mother in Carl Franklin's One True Thing (1998).Streep then signed on to replace Madonna as the lead in 1999's Music of the Heart, tackling what outwardly appeared to be a cookbook Hollywood plot (a teacher on a mission to teach violin to a class of inner-city youth in Harlem) with absolute commitment, teaching herself to play the violin by practicing six hours a day for eight weeks. In the new millennium, Streep hit audiences with the back-to-back with lauded performances in Adaptation and The Hours, earning an Oscar nomination for the former and a Golden Globe nomination for the latter.On the heels of this success, Streep won an Emmy in 2004 for her participation in longtime friend and collaborator Mike Nichols' Angels in America mini-series. She soon afterward won even greater audience and critic approval for her biting role as a corporate and political conspirator in Jonathan Demme's remake of the 1962 thriller The Manchurian Candidate. Streepfollowed this up with a part in the lighthearted comedies Prime, A Prairie Home Companion, and The Devil Wears Prada.In 2007 Streep starred in a pair of timely dramas about the Iraq War, Lions for Lambs and Rendition, before returning to the musical comedy milieu with 2008's Mamma Mia!. The adaptation of the smash stage musical shattered box-office records, becoming the highest grossing film in the history of the United Kingdom, and the biggest American hit of her illustrious career. She followed that up with the lead role in John Patrick Shanley's adaptation of his award-winning play Doubt, a performance that earned her fifteenth acting nomination from the Academy, as well as nods from the Screen Actors Guild, and the Hollywood Foreign Press.The renowned actress was nominated yet again for the Academy Award and the Screen Actors Guild the following year for her turn as Julia Child in the comedy Julie & Julia, a role that also garnered her a win for Best Actress from the New York Film Critics as well as the Golden Globes. That same year she played the lead for Nancy Myers in the box office hit It's Complicated, only to dive directly back into the Oscar spotlight again the next year with her acclaimed performance as English Prime Minister Margaret Thatcher in 2012's The Iron Lady. The role garnered Streep her 17th Academy Award nomination -- resulting in her third win, this time for Best Actress, in addition to Best Actress wins from the New York Film Critics Circle and the Golden Globes. She was back in the Oscar race in 2014, securing yet another nomination in the Best Supporting Actress category for her work as the wicked witch in Rob Marshall's big-screen adaptation of the musical Into the Woods.

Trivia: One of England's most versatile character actors, Jim Broadbent has been giving reliably excellent performances on the stage and screen for years. Particularly known for his numerous collaborations with director Mike Leigh, Broadbent was shown to superlative effect in Leigh's Topsy-Turvy, winning the Venice Film Festival's Volpi Cup for his portrayal of British lyricist and playwright W.S. Gilbert.Born in Lincolnshire, England, in 1949, Broadbent trained at the London Academy of Music and Dramatic Arts. Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe he co-founded that performed reduced histories. In addition to his theatrical work, Broadbent did steady work on television, acting for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski's The Shout. He went on to work with such directors as Stephen Frears (The Hit, 1984) and Terry Gilliam (Time Bandits [1981], Brazil [1985]), but it was through his collaboration with Leigh that Broadbent first became known to an international film audience. In 1991, he starred in Leigh's Life Is Sweet, a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordan's The Crying Game and Newell's Enchanted April, and he could subsequently be seen in such diverse fare as Woody Allen's Bullets Over Broadway (1994), Widows' Peak (1994), Richard Loncraine's highly acclaimed adaptation of Shakespeare's Richard III (1996), and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh's Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Roles in Bridget Jones's Diary, Moulin Rogue, and Iris made 2001 quite a marquee year for Broadbent; the actor earned both an Oscar and a Golden Globe for his affecting turn in Iris.He remained one of the most respected actors of his generation and continued to work steadily for directors all over the world. In 2002 he was cast in Martin Scorsese's epic historical drama Gangs of New York. In 2003 he took a cameo part in Bright Young Things. In 2004 he returned for the Bridget Jones sequel, and took a bit part in Mike Leigh's Vera Drake. He worked in a number o animated films including Doogal, Valiant, and Robots. In 2007 he had the title role in Longford, a historical drama about the infamous Moor Murders, and the next year he was part of Indiana Jones and the Kingdom of the Crystal Skulls.As the 2010's continued, Broadbent would remain a vital, respected, and beloved force on screen, appearing most memorably in projects like The Young Victoria and The Iron Lady.

Trivia: Is the great-great-great grandson of Charles Dickens. Was a teen when he was cast in the 1999 made-for-TV adaptation of Dickens' David Copperfield. While attending Eton, he took on the roles of women in all-male Shakespeare productions. His big break was playing Will Scarlett in the 2006 BBC drama Robin Hood.

Trivia: Anthony Head (often credited by his full name, Anthony Stewart Head) became most widely recognized in the U.S. for his role on the WB prime-time drama series Buffy the Vampire Slayer, starring Sarah Michelle Gellar. However, on his British home-front, he is perhaps more well known for his recurring role in the dramatic Taster's Choice commercials. Wherever he is, his abundant credits both on television and on-stage have earned him notice as a talented performer.Head was born February 20, 1954, in Camden, London, England. The son of an actress mother, and documentary-filmmaker father, show business was in his blood. At an early age, his interest in the field his parents had pursued was already apparent, and would also be reflected in his brother Murray Head's acting career. Anthony Head started acting in school plays at the age of six, and was writing his own within just a few years. After high school, he attended the London Academy of Music and Dramatic Arts, where he studied until 1976. He began a long-term relationship with Sarah Fisher, ten years his junior, in 1982. The couple had two daughters, Emily Rose (1989) and Daisy May (1991).In addition to decades of theatrical experience in Britain, Head has earned recognition to mass audiences with his roles on television. His first TV role came in 1978 with the British series Enemy at the Door, a World War II drama (which would perhaps go on to inspire the name of the 2001 film Enemy at the Gates). That same year he appeared on a miniseries called Lillie. After a lengthy focus on his career in theater and smaller television appearances, Head returned to starring dramatic TV roles with Buffy the Vampire Slayer in 1997. On the program, he portrayed Rupert Giles, the mentor to Buffy (Sarah Michelle Gellar), who followed her in disguise as the school librarian, in order to be on guard against evil powers. The character provoked a spin-off to the original series that features Rupert "Ripper" Giles as a "watcher," who returns to England after watching Buffy. Entitled Ripper, the program began its run in 2002. Also that year, Head played the role of James on the TV series Manchild. He was in the cast of Little Britain and appeared in a variety of projects including Imagine Me & You, Sparkle, and Amelia and Michael. In 2008 he landed a recurring role on the series Merlin playing King Uther, and that same year he appeared in the big-screen musical Repo! The Genetic Opera. In 2011 he appeared in the Oscar winning drama The Iron Lady, and he had a small part in the 2012 sequel Ghost Rider: Spirit of Vengeance.

Trivia: Speaks fluent Welsh. Won Best Juvenile Actor in a Soap at the Children in Entertainment Awards as a child for her performances in Welsh soap Pobol Y Cwm. Was part of the National Youth Theatre of Wales.

Trivia: Was born in a rectory where his father was a vicar. Inspired to act after seeing plays at The Old Vic theatre in London, England as a boy. One of his earliest roles was the part of a pair of talking testicles in a surreal radio play. Joined the Royal Shakespeare Company in 1981. Played Inspector Javert in the original West End production of Les Misérables in 1985. Shaved off all of his body hair for his role in Privates On Parade in 2001. Appeared in his first pantomime in 2004 playing Abbanazar in Aladdin alongside Ian McKellan.

Trivia: Tall, gangly, and possessed of a frenetic intensity that lends itself to the highly eccentric and often borderline insane characters he plays, British actor Richard E. Grant is nothing if not one of the more distinctive performers to have gained celluloid immortality. His wild eyes and high-strung demeanor occasionally giving him an uncanny resemblance to a meerkat on speed, Grant has been delighting and shocking observers with both his on- and off-screen persona since his 1987 breakthrough in Withnail & I. Born Richard Grant Esterhuysen on May 5, 1957, in Mbabane, Swaziland, Grant had a somewhat distinctive upbringing, thanks in part to his father's job as the Swazi Minister of Education. His parents' divorce when the actor was 11, for example, was the source of a fair amount of scandal in South Africa. For his part, Grant knew early on that he wanted to be an actor, something that was fueled by an infatuation with Barbra Streisand and a steady diet of movies. He followed the career of Donald Sutherland with particularly rapt attention, as, like Grant, Sutherland was tall, thin, long-faced, and hailed from the middle of nowhere.After studying English and Drama at Cape Town University, where he co-founded the multi-racial, avant garde Troupe Theatre Company, Grant headed for London in 1982. He was greeted by a period of unemployment and frustration that lasted for almost five years. The actor eventually began finding work on the stage, and in 1984 was dubbed by Plays and Players magazine as "most promising newcomer" for his performance in Tramway Road at Hammersmith's Lyric Theatre. Ironically enough, given his years of struggle, it was Grant's portrayal of a bitter, pill-popping, unemployed actor in Bruce Robinson's black comedy Withnail & I that finally put him on the map. The film was a genuine cult classic, and Hollywood soon came sniffing around, if only to cast Grant in the 1988 demons-on-the-loose flop Warlock. The following year, the actor again tapped into his reserves of unpleasantness for Robinson, starring as a toxic advertising executive who develops a talking boil in the satirical How to Get Ahead in Advertising. Grant's hilariously vile characterization was considered by many to be the highlight of the film, and further paved the way for greater industry appreciation.Grant subsequently earned recognition on both sides of the Atlantic, thanks to a number of diverse and often peculiar roles in films of widely varying quality. Particularly memorable during the early to mid-'90s were portrayals Anais Nin's well-intentioned but dull husband in Henry & June (1990), the evil billionaire Darwin Mayflower in the spectacularly disappointing Hudson Hawk (1991), an overly insistent screenwriter in Robert Altman's The Player (1992), high society lounge lizard Larry Lefferts in Martin Scorsese's The Age of Innocence (1993), and an outrageous fashion designer that Grant described as a "male Vivienne Westwood" in Altman's disastrous Pret-A-Porter (1994).Despite his eccentric persona, Grant has time and again proven himself more than capable of essaying straight man roles, as he demonstrated in such films as Jack and Sarah (1995), in which he played a grieving widower; The Portrait of a Lady (1996), in which he had a small but memorable role as one of Isabel Archer's most ardent suitors; and the made-for-TV The Scarlet Pimpernel (1999), which cast him as its titular hero. He has also continued to shine in films that impress upon his comedic abilities, as evidenced by his role as Sir Andrew Aguecheek in Trevor Nunn's Twelfth Night (1996) and his portrayal of a disgruntled advertising man in A Merry War (1997) (otherwise known as Keep the Aspidistra Flying), a satirical comedy based upon a novel by George Orwell.Enlisted again by Altman, Grant showed up alongside a star-studded ensemble cast in 2001's critically-acclaimed Gosford Park. Supporting roles continued to suit him well as he would later take on parts in Steven Fry's Bright Young Things and the 2004 John Malkovich-starrer Colour Me Kubrick.

Trivia: Met David Mitchell and Robert Webb while at the University of Cambridge. Features in BBC Radio 4 comedies. Won a Sundance Film Festival World Cinema Special Jury Prize for Breakout Performance for her role in the film Tyrannosaur. Met her husband Ed Sinclair while at Cambridge, they have two children.

Trivia: Got his dramatic training at the Bristol Old Vic Theatre School. Is perhaps best known for his role as Aubrey Montague in the 1981 film Chariots of Fire. Performed as part of the Royal Shakespeare Company between 1985 and 1988. In In 1996, reprised his role of Horatio in Kenneth Branagh's film adaptation of Hamlet. In 2011, played Margaret Thatcher's friend and advisor Airey Neave in The Iron Lady.

Trivia: Acted in two different biopics about Ian Fleming, the creator of James Bond. Understudied for a then-unknown Daniel Day Lewis in stage production of Another Country. Performed on the soundtrack for an episode of Agatha Christie's Miss Marple television series. Provided voice-work for the award-winning documentary Letters from Baghdad. Guest starred as a monster-of-the-week on Doctor Who.

Trivia: Julian Wadham understands what it was like for boy actors to play female roles in the Shakespeare era. When he was attending Ampleforth College Junior School -- a Catholic academy in Yorkshire for boys eight to 13 -- he portrayed Queen Elizabeth I in a school play. The experience not only taught him a lesson in stage history, but it also trained him in the rudiments of acting and whet his appetite for theater. Today, critics recognize him as one of Britain's better actors. His roles in Our Country's Good, Serious Money, and Another Country helped those dramas win Best Play Laurence Olivier Awards in the 1980s. He also won Royal Television Society Awards for Goodbye Cruel World in 1992 and Blind Justice in 1989. If one may gauge an actor -- in part, at least -- by the reputation of his co-stars, then Wadham measures up. Among the actors with whom he has exchanged dialogue are Bob Hoskins, John Hurt, Gérard Depardieu, Ralph Fiennes, Juliette Binoche, Ian Holm, Ben Kingsley, and Wendy Hiller.Wadham was born in England on August 7, 1958. After graduating from London's Central School of Speech and Drama in 1980, he performed in various television and stage productions over the next decade, earning a 1983 nomination as Most Promising Newcomer from the London Theatre Critics for his role in Falkland South. In the 1990s, he achieved worldwide recognition for roles as Sir James Chettam in the acclaimed TV miniseries Middlemarch and Madox in the Oscar-winning film The English Patient. His role as Queen Elizabeth in his youth foreshadowed later parts as government leaders, including portrayals of William Pitt in The Madness of King George, the prime minister in The Commissioner, King Polixines in The Winter's Tale, and the assistant commissioner in The Secret Agent. His good looks and aristocratic bearing make him a popular choice among casting directors seeking a proper gentleman at home with beautiful women and high society. Wadham performs frequently for Britain's National Theatre in productions of such esteemed directors and producers as Richard Eyre, Harold Pinter, Peter Gill, Stuart Burge, and Max Stafford-Clark.

Trivia: A handsome supporting player whose occasional leap into the lead has resulted in some interestingly varied performances, actor Iain Glen has appeared in everything from low-budget indies to high-profile Hollywood blockbusters -- frequently holding his own opposite such screen heavies as Harvey Keitel (The Young Americans) and Billy Connolly (Gabriel & Me). A native of Edinburgh, Scotland, who studied at Edinburgh Academy and the University of Aberdeen before honing his craft at the Royal Academy of Dramatic Art, the talented Shakespearian actor would go on to impress audiences in such stage works as Macbeth and Henry V. In 1985, the ascending stage talent made a successful transition to the screen with a small role in an episode of the popular U.K. mystery series Taggart, and after making the leap to the big screen with a supporting role in the 1987 feature Will You Love Me Tomorrow, Glen returned to television the next year for a role in the series The Fear. In the years that followed, Glen's big-screen career gained notable momentum thanks to solid performances in Gorillas in the Mist (1988) and Rosencrantz and Guildenstern Are Dead (1990), with his early years coming to a peak when he took home a Best Actor award from the Berlin International Film Festival for his turn as a convicted killer in the 1990 film Silent Scream. That same year, Glen also received accolades for his portrayal of real-life explorer Lt. John Hanning Speke in Mountains of the Moon, though the remainder of the decade would find him sticking mainly to U.K. television (occasionally taking the lead, as in 1992's Frankie's House). Following an endearing turn as a sports reporter whose one-night fling leads him to come to terms with his tragic past in Glasgow Kiss, Glen received notable international exposure with a high-profile role opposite Angelina Jolie in Lara Croft: Tomb Raider. Though Glen's shattering performance as a father suffering terminal lung cancer in the drama Gabriel & Me (screenwriter Lee Hall's follow-up to Billy Elliot) ultimately failed to gel with audiences, Glen's horrific turn as a seemingly possessed father in Darkness offered the talented actor at his manic best. By this point, Glen seemed to be growing increasingly comfortable alternating between more independent-minded features and more large-scale productions, taking the role of noted psychiatrist Carl Jung in the 2003 romantic drama The Soul Keeper before taking a more epic turn as an anthropologist who hunts and captures pygmies in order to study them and prove a link between man and ape in 2005's Man to Man. He appeared in Ridley Scott's epic Kingdom of Heaven, as well as Resident Evil: Extinction. In 2008 he had a major part in a retelling of The Diary of Anne Frank for the BBC, and followed that up with a part in the Michael Caine vehicle Harry Brown. In 2011 he acted in the Oscar winning biopic The Iron Lady.

Trivia: Jeremy Clyde acted and sang his way to stardom. When he performed pop music in the '60s as part of the Chad & Jeremy duo, he and his singing partner, Chad Stuart, were good enough to compete in record sales with four fellow Brits named John, Paul, George, and Ringo. In 1964, Clyde and Stuart's "A Summer Song" pleased ears everywhere and made Top Ten lists in the U.S. But probably not many of Clyde's fans knew that the thirtyish, six-footer was also an actor trained in the classical style. Before etching his voice into the 45 and 78 rpm records that endeared him to teenagers on every continent, he had performed Shakespeare and Molière on the stage, using skills he learned at London's Central School of Speech and Drama. At the height of his music career, Clyde also appeared often on popular American television programs, including The Dick Van Dyke Show, The Andy Williams Show, Hullabaloo, Batman, and Hollywood Squares. In the 1970s, he continued his TV work, mostly in British productions such Great Mysteries, Tales of the Unexpected, and Moll Flanders. And in the 1980s, he performed in both TV and film productions, including The Importance of Being Earnest, Charles and Diana: A Royal Love Story, and Invitation to the Wedding. His role as villain Hermann Gessler in the 1986-1988 TV series Crossbow earned him high praise and fame in the U.K. A native of Dorney in Buckinghamshire, Clyde received an excellent education in England at Ludgrove Preparatory School and Eton, then in France at the University of Grenoble. In the late '90s, he appeared in such productions as The Moth, A Rather English Marriage, The Colour of Justice, Bodywork, and The Musketeer. Clyde hasn't made a recording with Stuart since 1983, although their songs continue to be popular here in the 21st century.

Trivia: Thanks to actors like David Rintoul, the television miniseries has become a formidable art form. Unencumbered by the time limitations of the typical film, television movie, or stage play, the TV miniseries can take four, eight, or even 12 hours to develop themes, characters, and plots -- often based on classic literary works. Characters have time to grow, learn, make mistakes, and recite lines from Shakespeare, Jane Austen, or Victor Hugo. Consequently, miniseries attract good actors, good scripts, and, of course, big audiences. David Rintoul has made a career out of performing roles in miniseries, some of them among the best ever made. In 2001, he played the ship's surgeon, Dr. Clive, in the celebrated Horatio Hornblower series, appearing in Hornblower: Retribution and Hornblower: Mutiny. Rintoul began appearing in miniseries in 1975, when he played Jock Graham in Lord Peter Wimsey: Five Red Herrings. Three years later, he took on roles in two more miniseries, Prince Regent and the acclaimed Lillie, a biodrama about British actress and socialite Lillie Langtry. In 1979, Rintoul became Fitzwilliam Darcy in Pride and Prejudice, a miniseries that helped whet the appetite for the Jane Austen films and miniseries of the 1990s. In 1985, Rintoul went back in time to play Linus in the ten-hour miniseries A.D. (also know as A.D.: Anno Domini), which chronicled the lives of Christ's apostles as they spread the gospel in the Roman Empire of Tiberius, Caligula, and Nero. Rintoul also performed in many continuing TV series, as well as plays performed throughout England. For example, he starred as Macbeth in a touring Old Vic production and as Prince Hal in Henry IV, Pt. I and Henry IV, Pt. II in Royal Shakespeare Company productions. Rintoul received his training at Edinburgh University and the Royal Academy of Dramatic Art, then worked in repertory productions. After his acting had developed "bite," he portrayed a werewolf in a 1975 film, Legend of the Werewolf, working with Christopher Lee and Hugh Griffith.

Trivia: Is a visiting director at the Guildhall Schoool of Music and Drama. In 2013, performed as part of the Royal Shakespeare Company in three plays: Candide, Titus Andronicus and A Mad World My Masters. In 2015, was nominated for the Olivier Award for Best Supporting Actor for his role in King Charles III. In 2016, was nominated for the Tony Award for Best Featured Actor in a Play for his role in King Charles III. Between 2016 and 2018, starred as Prince Harry in satirical Channel 4 sitcom The Windsors.

Trivia: Has worked in film, theater, radio and television since 1977.Often plays British, South African, German, American and Russian roles.Has appeared in the series Casualty playing 3 different characters Brian Carroll, Russell Miller and Geoff Marks.Played Alexander Haig, the United States Secretary of State, in the 2011 film The Iron Lady.His frequent theater work includes plays like Privates on Parade, Hamlet, Stags & Hens, Comedians, The Day You'll Love Me, Marya, All My Sons, The Lodger, The LIttle Foxes, and more.

Trivia: Height: 5' 7" (1.70 m). Has a trademark hoarse, northern English accent. Joined a seminary (training school for priests) at the age of eleven, but left after eighteen months. Studied ceramics at Middlesex University. Began his career as a stand-up comedian. In an interview he stated his five favourite places as being San Fransisco, Robin Hood's Bay, St Helens, The Brown Edge public house and his parents' refrigerator. Quote on being recognised: "This is a good job that gives us a good life, you can't expect to turn that off when it suits you."

Trivia: The Waller-Bridge family were landed gentry of Cuckfield, Sussex. Descended from The Rev. Sir Egerton Leigh, 2nd Baronet, Conservative MP for Mid Cheshire from 1873 to 1876. Her maternal grandfather was Sir John Edward Longueville Clerke, 12th Baronet, of Hitcham, Buckinghamshire. Was inspired by her childhood nickname 'Flea' for the title of Fleabag. Set up the theatre company DryWrite with writer-director Vicky Jones to showcase young, talented writers. Made her acting debut in the play Roaring Trade at Soho Theatre in 2009. Played the role of Marian in a theatre production of Mydidae in 2013 at the Trafalgar Studios in London. In 2014, played the role of Jo in a theatre production of The One at the Soho Theatre. Was signed by US agent UTA in 2016, shortly before the American debut of Fleabag.As a playwright, she wrote the series Good. Clean. Fun. Best known as the creator, writer and star of the BBC series Fleabag and as the head writer and executive producer of the first series of the BBC America thriller Killing Eve. Both series have been highly acclaimed as among the 100 greatest television series of the 21st century by The Guardian, which ranked the former at no.8 and the latter at no. 30. Voiced and performed the role of droid L3-37 in Solo: A Star Wars Story in 2018. Co-wrote the screenplay for the 25th James Bond film, No Time to Die, along with Neal Purvis and Robert Wade in 2019. A versatile actress who writes and has appeared in films, on stage and in television programmes.