Trivia: At first intending to become a minister, actor/monologist Andy Griffith (born June 1st, 1926) became active with the Carolina Playmakers, the prestigious drama-and-music adjunct of the University of North Carolina--Chapel Hill. He spent several seasons portraying Sir Walter Raleigh in the summertime outdoor drama The Lost Colony, spending the rest of the years as a schoolteacher. Griffith continued performing fitfully as an after-dinner speaker on the men's club circuit, developing hilariously bucolic routines on subjects ranging from Shakespeare to football. Under the aegis of agent/producer Richard O. Linke, Griffith returned to acting, attaining stardom in the role of bumptious Air Force rookie Will Stockdale in the TV and Broadway productions of No Time For Sergeants. Before committing Sergeants to film, Griffith made his movie debut in director Elia Kazan's A Face in the Crowd, in which he portrayed an outwardly folksy but inwardly vicious TV personality (patterned, some say, after Arthur Godfrey).After filming Face in the Crowd, No Time for Sergeants and Onionhead for Warner Bros. during the years 1957 and 1958, Griffith starred in a 1959 Broadway musical version of Destry Rides Again; as an added source of income, Griffith ran a North Carolina supermarket. On February 15, 1960 he first appeared as Andy Taylor, the laid-back sheriff of Mayberry, North Carolina, on an episode of The Danny Thomas Show. This one-shot was of course the pilot film for the Emmy-winning The Andy Griffith Show, in which Griffith starred from 1960 through 1968. Eternally easygoing on camera, Griffith, who owned 50% of the series, ruled his sitcom set with an iron hand, though he was never as hard on the other actors as he was on himself; to this day, he remains close to fellow Griffith stars Don Knotts and Ron Howard. An unsuccessful return to films with 1969's Angel in My Pocket was followed by an equally unsuccessful 1970 TV series Headmaster. For the next 15 years, Griffith confined himself to guest-star appearances, often surprising his fans by accepting cold-blooded villainous roles. In 1985, he made a triumphal return to series television in Matlock, playing a folksy but very crafty Southern defense attorney. A life-threatening disease known as Gillian-Barre syndrome curtailed his activities in the late 1980s, but as of 1995 Andy Griffith was still raking in the ratings with his infrequent Matlock two-hour specials. The actor worked on and off throughout the late nineties and early 2000s, and co-starred with Keri Russell and Nathan Fillion in the romantic comedy Waitress in 2007.

Trivia: Hardly diminutive, Tommy "Tiny" Lister Jr. has made his imposing presence felt in a multitude of films since the mid-'80s. Originally a professional wrestler nicknamed Zeus and Z-Gangsta, the 6' 5" 275 lb. Lister retired in 1985 to pursue an acting career. After making his movie debut in director Hal Ashby's final film 8 Million Ways to Die (1985), Lister spent the rest of the 1980s working primarily in A and B movies heavy on action, including Runaway Train (1985), Beverly Hills Cop II (1987), and Walter Hill's Extreme Prejudice (1987). Lister earned his first starring role playing his wrestling alter ego Zeus in the Hulk Hogan vehicle No Holds Barred (1989). Lister continued his run of B films in the early '90s, as well as appearing in Walter Hill's higher profile actioner Trespass (1992) with future co-star Ice Cube, and Jean-Claude Van Damme's Universal Soldier (1992). As the 1990s went on, Lister played roles in a more varied assortment of films, including the quirky Johnny Depp/Marlon Brando/Faye Dunaway romantic fantasy Don Juan DeMarco (1995) and the Quentin Tarantino-wannabe noir Things to Do in Denver When You're Dead (1995). Lister got to act for Tarantino himself in Jackie Brown, as well as play the President in Luc Besson's The Fifth Element. Lister's 1990s career also benefited from the decade's surge in African-American filmmaking, beginning with his starring role in Mario Van Peebles' Western Posse (1993). Lister subsequently starred as neighborhood bully Deebo opposite Ice Cube in the sleeper hit comedy Friday (1995). After appearing in comedian Martin Lawrence's A Thin Line Between Love and Hate (1996), Lister played a supporting role in Ice Cube's directorial debut The Players Club (1998), and starred as a hood in Master P's I Got the Hook-Up (1998). Adding to his eclectic credits in 2000, Lister notched another hit reprising his role as Deebo in the sequel Next Friday (2000), and co-starred as one of Satan's sons in the Adam Sandler comedy Little Nicky (2000).

Trivia: David Carradine was born John Arthur Carradine, eldest son of John Carradine, the beloved and very busy character actor, whose roles encompassed everything from John Steinbeck's Reverend Casey to Bram Stoker's Dracula. David Carradine's early adult life was one of exploration -- though born in Hollywood, he tried on a lot of sides of living before he finally turned to acting as a profession. He worked with various community and semi-professional dramatic companies in San Francisco; hitchhiked his way to New York; did Shakespeare in Akron, OH, and parts of New Jersey; and all of the other things that aspiring would-be actors are supposed to do. He got a few early screen credits in television productions such as Armstrong Circle Theater ("Secret Document"), and in various series produced by Universal Pictures' ReVue television division, including episodes of The Virginian, Wagon Train, and Arrest & Trial, plus The Alfred Hitchcock Hour. He also made his big-screen debut thanks to Universal with a small role in the R.G. Springsteen-directed western Taggart (1964). His real professional breakthrough came a year later on the Broadway stage, however, in Peter Shaffer's The Royal Hunt of the Sun, in a cast headed by Christopher Plummer. He enjoyed an extended run in the Broadway production, which was accompanied by the first round of publicity for Carradine, even then focusing on his unpredictable, iconoclastic nature. He was lured back to Hollywood by the chance to star in the series Shane, based on the George Stevens movie and the Jack Schaefer novel. He was able to put his own stamp on the role, quite different from the portrayal that Alan Ladd had delivered in the film; but the viewing public had been swamped by westerns for a decade, and the series never had a chance to find an audience, lasting only 16 episodes. From 1967 until 1972, he was occasionally seen in one-off roles in dramatic series such as Coronet Blue and The Name of the Game, and was in a remake of Johnny Belinda with Mia Farrow and Ian Bannen, but was most often seen in westerns, including The Violent Ones (1967) and The McMasters (1969) (playing a Native American in the latter). In 1972 he was approached about the possibility of starring in a proposed series that was easily the most offbeat western ever considered by a network up to that time: Kung Fu. The public had long since lost interest in traditional westerns, but here was a story that combined a quest with a tale of pursuit and necessarily included philosophical conflict never before addressed in series television. The role appealed to Carradine, and he got the part of Kwai Chang Caine, the Chinese-American hero, despite knowing nothing of martial arts. Drawing on his ability as a dancer at his meeting with the producers, he was able to prove with one well-placed kick at a point above his head that he could pull it off. The series ran for three seasons, during which time Carradine put an increasing amount of himself into the portrayal. And the public responded, especially viewers under 40, who resonated to the character and the man behind it. Kung Fu became one of those odd cult shows, the fans of which were devoted beyond the usual casual weekly viewing. Carradine saw to it, however, even during the run of the series, that he kept busy on other projects, including the Martin Scorsese-directed Boxcar Bertha (1972), starring his paramour Barbara Hershey, and small roles in the Robert Altman revisionist detective film The Long Goodbye (1973) and Scorsese's Mean Streets (1973).Kung Fu made Carradine a star, but he eventually left the series, owing to disagreements with the producers. His withdrawal from the series could have damaged his career, but Carradine was fortunate enough to latch on to a script that Roger Corman was planning to produce -- a new kind of action movie, Death Race 2000 (1975), became a huge underground hit and proved that Carradine had some measure of big-screen appeal. He followed this up with Cannonball (1976) and other action pictures done for Corman. In the midst of those movies, he found the opportunity to star for the first time in a major, big-budget Hollywood feature, Bound for Glory (1976), portraying legendary folk singer/songwriter Woody Guthrie. Carradine put a lot of his own experience in music into the portrayal, and the movie was a critical success, though a box office disappointment. Good roles kept coming his way, however, not only through Corman but also from an unexpected quarter, Ingmar Bergman, who cast Carradine, in memorable turn, as a Jewish trapeze artist in The Serpent's Egg (1977), co-starring Liv Ullmann. Even some of the most routine movies in which he appeared during this period were often worth seeing solely for Carradine's performances, never more so than his work as Captain Gates in the submarine rescue drama Gray Lady Down (1978). Carradine made his directorial debut on a handful of episodes of Kung Fu. Upon leaving the series, he directed his first feature film, the drama You and Me (1975). The latter film co-starred Barbara Hershey and his brothers Keith Carradine and Robert Carradine were in the cast. His career across the next few decades involved a mix of major feature films, such as The Long Riders (1980), and offbeat smaller scale pictures such as Q (1982), interspersed with more personal projects such as Americana (1981), for which he served as screenwriter, director, and producer, as well as starring as a taciturn Vietnam veteran who heals himself and a troubled Midwestern town by refurbishing an old carousel. During the 1990s, he also returned to the role of Kwai Chang Caine in the series Kung Fu: The Legend Continues. Among the best elements of the series were Carradine's interactions with his co-star, Robert Lansing (another Hollywood iconoclast), especially in the late episodes, when the latter actor was terminally ill. Even when he was doing action features such as Lone Wolf McQuade (1983) -- in which he played the antagonist to real-life martial arts expert Chuck Norris' hero -- Carradine maintained a reputation for quality in the nature of his own work, which served him in good stead in the years to come. Longtime fans, appreciative of his work since his days on Kung Fu, could always depend on him to deliver a worthwhile performance, even if the vehicles in which he worked were less than stellar, as was often the case -- outside of Kung Fu: The Legend Continues -- in the 1990s. The stars finally lined up in his favor again in 2003, when Carradine appeared in Quentin Tarantino's Kill Bill Vol. 1 with Uma Thurman, which led to his much-expanded part in the follow-up movie. Since those films, he has been busier than at any time in his career, with dozens of screen credits in the years that followed.Carradine has written two books, Spirit of Shaolin and the autobiography Endless Highway, and has made a pair of popular instructional videos, David Carradine: T'ai Chi Workout and David Carradine: Kung Fu Workout. When not working, the actor enjoys painting, sculpting, and performing music. He also wrote several songs for the 2003 film American Reel, in which he starred as struggling singer/songwriter James Lee Springer. Carradine has three children, one each from his first two marriages, to Donna Lee Brecht (1960-1968) and Linda Gilbert (1977-1983), and one with Barbara Hershey, with whom he lived from 1972 to 1975. In 2009, he was found dead, hanged in a Bangkok hotel. He was 72 years old.

Trivia: In 1992, refurbished an old vaudeville house and transformed it into a performance hall called Arroyo Outback Theatre for various types of artists. Played the role of Gustin in Saturn Returns at South Coast Repertory in 2009. Is a member of the Idyllwild International Festival of Cinema Grand Jury and Board of Advisors. Directed a stage production of The Odd Couple, the profits of which benefited the Idyllwild HELP Center. Was honored with the Joni Award from Idyllwild. Won a California Newspaper Publishers Award and a National Newspaper Publishers Award for his local column in a small-town newspaper. Founded and teaches at the Actors Refuge studio in Los Angeles.

Trivia: Sturdy, reliable character player Kene Holliday specialized in portrayals of vociferous everymen, with a strong emphasis on television work. Holliday landed one of his first major roles in the small-screen blockbuster Roots: The Next Generations (as Detroit, one of the direct descendants of the iconic Kunta Kinte), and subsequently divided his time between occasional big-screen features (No Small Affair, The Philadelphia Experiment), series work (with many appearances on Matlock), and TV movies, such as the 1988 Dangerous Company. Holliday tackled a rare yet effective lead role in the much-anticipated 2007 drama Great World of Sound, as Clarence, a well-meaning record producer in training who discovers that his parent company isn't exactly all that it professes to be.

Trivia: Lead actor, onscreen from 1985.

Trivia: Having made her feature film debut in Sex and the College Girl (1964), blonde actress Julie Sommars went on to appear in television movies of the '70s and in the occasional feature film through the mid-'80s. Fans of the television drama Matlock (1986-1995) will recognize her for playing Julie March.

Trivia: Lead actor Champion began appearing on screen in the '80s.

Trivia: Like many African-American actors of the '60s, Ji-Tu Cumbuka unfortunately found the demand for his services limited until black performers became "fashionable." Active in films since 1967, Cumbuka appeared in such productions as Uptight (1968), Mandingo (1975), Bound for Glory (1976), Fun with Dick and Jane (1977) and Brewster's Millions (1985). The actor also did plenty of TV, including the 1977 miniseries Roots (as "The Wrestler") and the unsold 1979 pilot for Mandrake the Magician, wherein he played Mandrake's muscular assistant Lothar. Among the "sold" TV series featuring Ji-Tu Cumbuka were Young Dan'l Boone (1977) and Robert Conrad's A Man Called Sloane (1979). Cumbuka died in 2017, at age 77.

Trivia: Supporting actor, onscreen from the early '70s.