Trivia: Though she is a classically trained dramatic actress and has played a variety of roles, Sigourney Weaver is still best known for her portrayal of the steel-jawed, alien-butt-kicking space crusader Ellen Ripley from the four Alien movies. The formidably beautiful, 5'11'' actress was born Susan Weaver to NBC president Pat Weaver and actress Elizabeth Inglis. Her father had a passion for Roman history and originally wanted to name her Flavia, but after reading F. Scott Fitzgerald's The Great Gatsby at the age of 14, Weaver renamed herself Sigourney, after one of the book's minor characters. After being schooled in her native New York City, Weaver attended Stanford University and then obtained her master's at the Yale School of Drama where, along with classmate Meryl Streep, she appeared in classical Greek plays. After earning her degree, Weaver was only able to find work in experimental plays produced well away from Broadway, as more conventional producers found her too tall to perform in mainstream works. After getting her first real break in the soap opera Somerset (1970-1976), she made her film debut with a bit part in Woody Allen's Annie Hall in 1977. Weaver had her first major role in Madman which was released just prior to Alien in 1979. Though the role of Ripley was originally designed for Veronica Cartwright (who ultimately played the doomed Lambert), scouts for director Ridley Scott saw Weaver working off-Broadway and felt she would be perfect for the part. The actress' take on the character was laced with a subtlety that made her a new kind of female action hero: Intelligent, resourceful, and unconsciously sexy, Weaver's Ripley was a woman with the guts to master her fear in order to take on a terrifying unknown enemy. Alien proved to be one of the year's biggest hits and put Weaver on Hollywood's A-list, though she would not reprise her character for another seven years. In between, she worked to prove her versatility, playing solid dramatic roles in Eyewitness (1981) and The Year of Living Dangerously (1982), while letting a more playful side show as a cellist who channels a fearsome demon in Ghostbusters (1984). In 1986, Aliens burst into the theater, even gorier and more rip-roaring than its predecessor. This time, Weaver focused more on the maternal side of her character, which only served to make her tougher than ever. Her unforgettable performance was honored with a Best Actress Oscar nomination, and was followed up by Weaver's similarly haunting portrayal of doomed naturalist/animal rights activist Diane Fossey in Gorillas in the Mist (1988). The role won Weaver her second Best Actress Oscar nomination, and that same year, she received yet another Oscar nomination -- this time for Best Supporting Actress -- for her deliciously poisonous portrayal of Melanie Griffith's boss in Working Girl. After 1992's Alien 3, Weaver had her next big hit playing President Kevin Kline's lonely wife in the bittersweet romantic comedy Dave (1993). She then gave a gripping performance as a rape/torture victim who faces down the man who may or may not have been her tormentor in Roman Polanski's moody thriller Death and the Maiden (1994). During the latter half of the decade, Weaver appeared in Alien Resurrection -- perhaps the most poorly received installment of the series -- but increasingly surfaced in offbeat roles such as the coolly fragile Janey in Ang Lee's The Ice Storm and the psychotic, wicked Queen in the adult-oriented HBO production The Grimm Brothers' Snow White (both 1997). In 1999, she starred in the sci-fi spoof Galaxy Quest, making fun of her image as a sci-fi goddess while continuing to prove her remarkable versatility.Weaver's first high-profile project of the new millenium saw her swindling Ray Liotta and Gene Hackman as a sexy con-woman teamed up with Jennifer Love Hewitt. Already into her fifties, Weaver proved she still possessed plenty of sex-appeal even alongside a substantially younger starlet like Hewitt. She played up her sultry side some more in the well-received 2002 indie-comedy Tadpole, but changed gears a bit in 2003, playing a villain in the family sleeper hit Holes.In 2004, Weaver could be seen as part of the ensemble cast in M. Night Shyamalan's summer thriller The Village. She played a tough-as-nails network executive in the satire The TV Set, and provided the voice of the ship's computer in WALL-E. In 2008 she appeared in projects as diverse as Baby Mama and Be Kind Rewind. She had a major role in the box-office blockbuster Avatar - teaming up with director James Cameron again. Her very busy 2011 included the role of a government official in the sci-fi comedy Paul, the girlfriend of a sheltered insurance salesman in Cedar Rapids, and a part in Oren Moverman's cop drama Rampart.Weaver has been married to stage director Jim Simpson since 1984. When not appearing in films, she continues to be active in theater.

Trivia: With his rugged, everyman exterior and quick wit, Aussie actor Bryan Brown has made an undeniable mark in the world of cinema with unforgettable roles in such efforts as Bruce Beresford's Breaker Morant (1980), the innovative action thriller F/X, and the bottle slingin' bartender drama Cocktail (1988). Although public misconception may be that Brown abandoned the Land Down Under for a film career in Hollywood, the lifelong Australian resident remains true to his homeland despite his status as a popular international film star. A former insurance salesman who was bitten by the acting bug early on, the Sydney native soon found stage work in both his hometown as well as London. His film debut as a lovelorn, mentally ill man in The Love Letters From Teralba Road (1977) soon followed, and after gaining positive critical notice for his performance, Brown appeared in minor capacity in such films as Phillip Noyce's Newsfront and Bruce Beresford's Money Movers before his breakout turn as a supporting player in the searing war drama Breaker Morant. His star on the rise in the early '80s, Brown subsequently appeared in the prison drama Stir before turning up in the acclaimed miniseries The Thorn Birds (1983). The musical drama Give My Regards to Broad Street proved a surprising gem to Paul McCartney and Brown fans alike the following year, and with the release of F/X in 1986, Brown became a bankable international star. The film's innovative use of special effects as a means to drive the plot, combined with a smart script and Brown's natural charisma, resulted in a modest hit that spawned both a sequel and a television series (albeit without him). After taking the lead in Tai-Pan (1986) and returning to Australia for the relationship drama The Good Wife (1987), Brown took his biggest Hollywood role to date as a veteran bartender opposite Tom Cruise in Cocktail. Although Brown would have little chance to truly shine opposite the Hollywood heavy, he did manage to steal a few scenes and have fun with the role. Shifting gears entirely for Gorillas in the Mist that same year, Brown was once again offered the opportunity to shine in the role of a National Geographic photographer who falls for primate researcher Dian Fossey Sigourney Weaver. Despite the fact that Brown's '80s momentum may not have carried into the '90s as strongly as fans might have hoped, those who did seek out his films found him still very much at the top of his game. From Nicolas Roeg's existential drama Full Body Massage (1995) to the intensely personal Dead Heart (1996), his performances were consistently thought provoking. After expanding his resumé to include producer credits with the 1991 F/X sequel, Brown did his best to bring stories to the screen that he found personally compelling. His association both in front of and behind the scenes of Twisted Tales (a sort of Down Under Twilight Zone meets The X-Files) helped to maintain his high profile in Australia, and, in 1999, Brown appeared opposite hot-Aussie export Heath Ledger in the comedy drama Two Hands. After more starring roles that year, Brown appeared in the sleeper drama Risk and the nuclear drama On the Beach (both 2000). Having been a youngster in 1960 Australia, the retro-gangster comedy Dirty Deeds had special appeal to Brown, and his turn as a Sydney-based crime syndicate leader who draws the ire of a fearsome Chicago crime family offered a fun take of the gangster-chic trend. Although Brown would threaten to take a break from acting following Dirty Deeds, it wasn't long before he was back in front of the cameras for the Ben Stiller comedy Along Came Polly Captured (2004).

Trivia: A renowned theater actress, Julie Harris also augmented her reputation with strong performances in a number of film and TV roles, despite her aversion to the Hollywood "glamour star" trip. Born to a well-to-do Grosse Pointe, Michigan, family, Harris opted to pursue acting at Yale Drama School rather than make her society debut at age 19. She landed her first Broadway part one year later. Harris' career was truly launched at age 25, however, by her star-making performance as troubled pre-teen tomboy Frankie in Carson McCullers' play The Member of the Wedding in 1950. Reprising her role in the film adaptation of The Member of the Wedding (1952), Harris scored an Oscar nomination for Best Actress in her first major film appearance. Though she did not win, she did win the first of five Tony Awards in 1952 for her Broadway turn as Berlin cabaret singer Sally Bowles in I Am a Camera. Along with the well-received film version of I Am a Camera in 1955, Harris starred in perhaps her best-known film that same year: Elia Kazan's East of Eden. As initially-coquettish Abra, Harris became a sensitive yet sensible romantic lead opposite an anguished James Dean in his legendary debut. With this trio of films, Harris became part of the 1950s cinematic turn toward performative "realism" exemplified by Method actor icons Dean and Marlon Brando (despite her own impatience with the Method after an Actors Studio stint).Harris continued to avoid typecasting by playing a number of different roles in TV, theater, and movie productions throughout the subsequent decades. On film, Harris showed her considerable range as a kindly social worker in the film version of Rod Serling's teleplay Requiem for a Heavyweight (1962), one of the highly disturbed human guinea pigs in the original (and far superior) version of The Haunting (1963), a frustrated nightclub chanteuse in the Paul Newman p.i. vehicle Harper (1966), and a troubled wife in Reflections in a Golden Eye (1967). On stage, Harris' specialty became playing famous women throughout history, including Tony-award winning performances as Joan of Ark in The Lark (1956), Mary Todd Lincoln in The Last of Mrs. Lincoln (1973) (adapted for TV in 1976), and Emily Dickinson in The Belle of Amherst (1977).After surviving a bout with cancer in 1981, Harris achieved considerable fame with a new audience by playing Lilimae Clements on the TV nighttime serial Knot's Landing from 1981 to 1988. After she left the show, Harris returned to films, after nearly a decade, as Sigourney Weaver's friend in Gorillas in the Mist (1988). Harris kept busy throughout the 1990s with supporting roles in several films, including Housesitter (1992) and the George A. Romero/Stephen King chiller The Dark Half (1993), as well as starring roles onstage and in TV films, including Ellen Foster (1997). She was awarded the National Medal of the Arts in 1994. Harris would continue to act throughout the decades to come, memorably appearing in TV movies like Little Surprises and Love is Strange. Harris retired from on-screen acting in 2009, and eventually passed away in 2013. She was 87.

Trivia: A handsome supporting player whose occasional leap into the lead has resulted in some interestingly varied performances, actor Iain Glen has appeared in everything from low-budget indies to high-profile Hollywood blockbusters -- frequently holding his own opposite such screen heavies as Harvey Keitel (The Young Americans) and Billy Connolly (Gabriel & Me). A native of Edinburgh, Scotland, who studied at Edinburgh Academy and the University of Aberdeen before honing his craft at the Royal Academy of Dramatic Art, the talented Shakespearian actor would go on to impress audiences in such stage works as Macbeth and Henry V. In 1985, the ascending stage talent made a successful transition to the screen with a small role in an episode of the popular U.K. mystery series Taggart, and after making the leap to the big screen with a supporting role in the 1987 feature Will You Love Me Tomorrow, Glen returned to television the next year for a role in the series The Fear. In the years that followed, Glen's big-screen career gained notable momentum thanks to solid performances in Gorillas in the Mist (1988) and Rosencrantz and Guildenstern Are Dead (1990), with his early years coming to a peak when he took home a Best Actor award from the Berlin International Film Festival for his turn as a convicted killer in the 1990 film Silent Scream. That same year, Glen also received accolades for his portrayal of real-life explorer Lt. John Hanning Speke in Mountains of the Moon, though the remainder of the decade would find him sticking mainly to U.K. television (occasionally taking the lead, as in 1992's Frankie's House). Following an endearing turn as a sports reporter whose one-night fling leads him to come to terms with his tragic past in Glasgow Kiss, Glen received notable international exposure with a high-profile role opposite Angelina Jolie in Lara Croft: Tomb Raider. Though Glen's shattering performance as a father suffering terminal lung cancer in the drama Gabriel & Me (screenwriter Lee Hall's follow-up to Billy Elliot) ultimately failed to gel with audiences, Glen's horrific turn as a seemingly possessed father in Darkness offered the talented actor at his manic best. By this point, Glen seemed to be growing increasingly comfortable alternating between more independent-minded features and more large-scale productions, taking the role of noted psychiatrist Carl Jung in the 2003 romantic drama The Soul Keeper before taking a more epic turn as an anthropologist who hunts and captures pygmies in order to study them and prove a link between man and ape in 2005's Man to Man. He appeared in Ridley Scott's epic Kingdom of Heaven, as well as Resident Evil: Extinction. In 2008 he had a major part in a retelling of The Diary of Anne Frank for the BBC, and followed that up with a part in the Michael Caine vehicle Harry Brown. In 2011 he acted in the Oscar winning biopic The Iron Lady.

Trivia: Canadian lead actor, onscreen from the '70s.