Trivia: An eighth-generation Texan, actor Tommy Lee Jones, born September 15th, 1946, attended Harvard University, where he roomed with future U.S. Vice President Al Gore. Though several of his less-knowledgeable fans have tended to dismiss Jones as a roughhewn redneck, the actor was equally at home on the polo fields (he's a champion player) as the oil fields, where he made his living for many years.After graduating cum laude from Harvard in 1969, Jones made his stage debut that same year in A Patriot for Me; in 1970, he appeared in his first film, Love Story (listed way, way down the cast list as one of Ryan O'Neal's fraternity buddies). Interestingly enough, while Jones was at Harvard, he and roommate Gore provided the models for author Erich Segal while he was writing the character of Oliver, the book's (and film's) protagonist. After this supporting role, Jones got his first film lead in the obscure Canadian film Eliza's Horoscope (1975). Following a spell on the daytime soap opera One Life to Live, he gained national attention in 1977 when he was cast in the title role in the TV miniseries The Amazing Howard Hughes, his resemblance to the title character -- both vocally and visually -- positively uncanny. Five years later, Jones won further acclaim and an Emmy for his startling performance as murderer Gary Gilmore in The Executioner's Song. Jones spent the rest of the '80s working in both television and film, doing his most notable work on such TV miniseries as Lonesome Dove (1989), for which he earned another Emmy nomination. It was not until the early '90s that the actor became a substantial figure in Hollywood, a position catalyzed by a Best Supporting Actor Oscar nomination for his role in Oliver Stone's JFK. In 1993, Jones won both that award and a Golden Globe for his driven, starkly funny portrayal of U.S. Marshal Sam Gerard in The Fugitive. His subsequent work during the decade was prolific and enormously varied. In 1994 alone, he could be seen as an insane prison warden in Natural Born Killers; titular baseball hero Ty Cobb in Cobb; a troubled army captain in Blue Sky; a wily federal attorney in The Client; and a psychotic bomber in Blown Away. Jones was also attached to a number of big-budget action movies, hamming it up as the crazed Two-Face in Batman Forever (1995); donning sunglasses and an attitude to play a special agent in Men in Black (1997); and reprising his Fugitive role for the film's 1998 sequel, U.S. Marshals. The following year, he continued this trend, playing Ashley Judd's parole officer in the psychological thriller Double Jeopardy. The late '90s and millennial turnover found Jones' popularity soaring, and the distinguished actor continued to develop a successful comic screen persona (Space Cowboys [2000] and Men in Black II [2002]), in addition to maintaining his dramatic clout with roles in such thrillers as The Rules of Engagement (2000) and The Hunted (2003).2005 brought a comedic turn for the actor, who starred in the madcap comedy Man of the House as a grizzled police officer in tasked to protect a house full of cheerleaders who witnessed a murder. Jones also took a stab at directing that year, helming and starring in the western crime drama The Three Burials of Melquiades Estrada. In 2006, Jones appeared in Robert Altman's film adaptation of A Prairie Home Companion, based on Garrison Keillor's long running radio show. The movie's legendary director, much loved source material and all-star cast made the film a safe bet for the actor, who hadn't done much in the way of musical comedy. Jones played the consumate corporate bad guy with his trademark grit.2007 brought two major roles for the actor. He headlined the Iraq war drama In the Valley of Elah for director Paul Haggis. His work as the veteran father of a son who died in the war earned him strong reviews and an Academy Award nomination for Best Actor. However more people saw Jones' other film from that year, the Coen brothers adaptation of No Country for Old Men. His work as a middle-aged Texas sheriff haunted by the acts of the evil man he hunts earned him a Screen Actors Guild nomination for Best Supporting Actor. The actor co-starred with Stanley Tucci and Neal McDonough for 2011's blockbuster Captain America: The First Avenger, and reprised his role as a secret agent in Men in Black 3 (2011). In 2012 he played a Congressman fighting to help Abraham Lincoln end slavery in Steven Spielberg's Lincoln, a role that led to an Oscar nomination for Best Supporting Actor.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: With classic, square-jawed good looks, Australian actor Guy Pearce brings to mind the leading men of Hollywood's Golden Age; however, the actor is a thoroughly modern one, using his talents to play characters ranging from flamboyant drag queens to straight-arrow Los Angeles policemen. Pearce was born October 5, 1967, in Cambridgeshire, England. His father, who was a member of the Royal Air Force, moved his family to Australia when Pearce was three. Following the elder Pearce's tragic death in a plane crash, Pearce's mother decided to keep her family in Australia when young Pearce was eight, and it was there that he grew up. Interested in acting from a young age, he wrote to various members of the Australian television industry requesting a screen test when he was 17. His efforts proved worthwhile, as he was invited to audition for a new soap called Neighbours. Pearce won a significant part on the show and was part of it from 1986 to 1990. Following his stint on Neighbours, Pearce found other work in television and made his screen debut in the 1992 film Hunting. He acted in a few more small films and in My Forgotten Man, a 1993 TV biopic of Errol Flynn, before coming to the attention of film audiences everywhere in the 1994 sleeper hit The Adventures of Priscilla, Queen of the Desert. As the flamboyant and often infuriating Adam/Felicia, Pearce gave a performance that was both over the top and immensely satisfying. The role gave him the international exposure he had previously lacked and led to his casting in Curtis Hanson's 1997 adaptation of James Ellroy's L.A. Confidential. The film was an all-around success and drew raves for Pearce and his co-stars, who included Kevin Spacey, Danny DeVito, Kim Basinger (who won a Best Supporting Actress Oscar for her performance) and fellow Australian Russell Crowe.After the success of L.A. Confidential, Pearce went on to make the independent A Slipping Down Life, which premiered at Sundance in 1999. He followed that with the highly original but fatally unmarketable Ravenous (1999), Antonia Bird's tale of chaos and cannibalism which cast Pearce alongside the likes of David Arquette and Robert Carlyle. Though his role in the following year's military drama Rules of Engagement would offer a commendable performance by the rising star, it was another film that same year that would cement his status as one of the most challenging and unpredictable performers of his generation. Cast as a vengeance seeking, tattoo-covered widower whose inability to form new memories hinders his frantic search for his wife's killer, Pearce's unforgettable performance in the backwards-structured thriller Memento drove what would ultimately become one of the biggest sleepers in box office history. Pearce was now officially hot property on the Hollywood scene, and producers wasted no time in booking him for as many upcoming blockbusters as they could. A memorable performance as the villain in The Count of Monte Cristo found Pearce traveling back in time for his next film, and his subsequent role in The Time Machine would find him blasting so far into the future that mankind had reverted to the days of prehistoric times. A trip to the land down under found Pearce next appearing as a hapless bank robber in the critically panned crime effort The Hard Word, and the popular actor would remain in Australia for the elliptical drama Till Human Voices Wake Us (2002). In 2004, Pearce played a lion hunter in the family-oriented epic Two Brothers.Yet despite his increasing prominence as an international movie star, Pearce continued to display a flair for unusual, often demanding roles that would send lesser actors running. His performance as an outlaw tasked with killing his own brother in John Hillcoat's The Proposition earned Pearce a well-deserved AFI nomination for Best Lead Actor in 2005 (an honor he would share with his co-star Ray Winstone, though the award ultimately went to Hugo Weaving for Little Fish), and on the heels of an appearance as Andy Warhol in George Hickenlooper's Factory Girl he could be seen as famed magician Harry Houdini in Gillian Armstrong's Death Defying Acts -- a role which found a second AFI award slipping though his fingers. Though Pearce's turn as a military man in 2008's The Hurt Locker found him in fine form, it was Jeremy Renner who stole the show in Katherine Bigelow's multiple Oscar-winner and, curiously enough, the actor's next AFI nomination would come from his appearance in the Adam Sandler fantasy/comedy Bedtime Stories. A brief reunion with Hillcoat in The Road preceded a grim turn as a grieving father in the harrowing 2009 true crime drama In Her Skin, and in 2010 Pearce lost yet another AFI award to a talented co-star when Joel Edgarton took home the Best Supporting Actor award for his memorable performance in Animal Kingdom (which found Pearce cast in the role of an honest cop reaching out to a troubled youth). As if to balance out all of the awards disappointment in recent years, Pearce nabbed an Emmy for his performance opposite Kate Winslet in the made-for-cable drama Mildred Pierce following a brief appearance as KIng Edward VIII in the Oscar-winning historical drama The King's Speech, with additional roles in Don't Be Afraid of the Dark and Lockout proving that respected actors can still have a bit of fun on the big screen from time to time. Meanwhile, after an almost unrecognizable appearance in Ridley Scott's quasi-Alien prequel Prometheus, Pearce prepared to team up with his frequent collaborator Hillcoat once again, this time as a special agent determined to get his piece of the bootlegging pie in Lawless, which also starred Tom Hardy and Shia LeBeouf. He played the main antagonist, Aldrich Killian, in Iron Man 3, and earned an AACTA nomination for Best Lead Actor for his work in the dystopian film The Rover (2014).

Trivia: Chameleon-like British actor Ben Kingsley has proven he can play just about anyone, from Nazi war criminals to Jewish Holocaust survivors to quiet British bookshop owners. For many viewers, however, he will always be inextricably linked with his title role in Gandhi, a film that won him an Oscar and the undying respect of critics and filmgoers alike.Of English, East Indian, and South African descent, Kingsley was born Krishna Bhanji on December 31, 1943 in Snaiton, Yorkshire, England. The son of a general practitioner, Kingsley started out in amateur theatricals in Manchester before making his professional debut at age 23. In 1967 he made his first London appearance at the Aldwych theater and then joined the Royal Shakespeare Company, devoting himself almost exclusively to stage work for the next 15 years (with the exception of two obscure films, Fear Is the Key [1972] and Hard Labour [1973]). When asked about his favorite stage roles, he listed Hamlet, The Tempest's Ariel, and Volpone's Mosca.American audiences first saw Kingsley in 1971, when he made his Broadway debut with the Royal Shakespeare Company. In 1982, actor and director Richard Attenborough selected Kingsley for the demanding title role in the epic Gandhi. The film swept the international awards that year, earning the 39-year-old actor overnight success. Among the several awards he was honored with, Kingsley won a Best Actor Oscar. Adamantly refusing to recycle the same roles, Kingsley spent the next decade playing a wide spectrum of characters. Among his more notable parts were an Arab potentate in Harem (1985), an introverted bibliophile and "social rebel" in Turtle Diary (also 1985), a spy of little import in Pascali's Island (1988), an incorruptible American vice president in Dave (1992), New York gangster Meyer Lansky in Bugsy (1992), a Jewish bookkeeper in Schindler's List (1993), and a suspected Nazi war criminal in Death and the Maiden (1994). So many of his characters have been either taciturn or downright villainous that, upon being cast in a good-guy role in the escapist sci-fier Species (1995), Kingsley publicly expressed his relief in several widely circulated magazine articles.In the latter half of the 1990s, Kingsley continued to embrace a variety of eclectic roles, with turns as the Fool in Trevor Nunn's 1996 film adaptation of Twelfth Night, a media mogul in the 1997 made-for-HBO satire Weapons of Mass Distraction, and the barbarous barber Sweeney Todd in John Schlesinger's 1998 The Tale of Sweeney Todd. Kingsley also took Broadway by storm with his one-man show Edward Kean (later taped for cable), which was directed by his wife, Alison Sutcliffe. Though Kingsley had retained the variety in his career that he had so diligently pursued, the ever-sharp actor remained as focused as ever heading into the new millennium. For his role as a manipulative criminal with a strong power for persuasion in Sexy Beast (2001), Kingsley earned both a Golden Globe nomination and a third Oscar nomination. His fourth Academy nod would come just 2 years later with his role as a proud Arab-American patriarch in The House of Sand and Fog. Along with the Best Actor Oscar nomination, the role also netted Kingsley Golden Globe and Screen Actor's Guild nominations. Kingsley lost his Oscar bid for House to Sean Penn, who collected the statue for his contribution to Clint Eastwood's Mystic River. Over the next several years, Sir Ben Kingsley's acting choices often demonstrated the degree of difficulty that A-listers may encounter when seeking multilayered roles in respectable films, with solid scripts and direction; like many of his contemporaries, the magnificent thespian Kingsley turned up in more than one schlocky Hollywood stinker after House of Sand and Fog -- from Jonathan Frakes's ugly Thunderbirds revamp (2004) to Uwe Boll's horrendous, gothic fx-extravaganza BloodRayne (2006) (as evil ruler Lord Kagan). If anyone could ferret out the creme-de-la-creme of roles, however, Kingsley could, and he simultaneously proved it with contributions to the interesting 2005 biopic Mrs. Harris (as the ill-fated Scarsdale Diet Doctor) and the wondrous documentary I Have Never Forgotten You: The Life and Legacy of Simon Rosenthal (2007).2007 marked a banner year for Kingsley - his most active in quite some time, with contributions to no less than seven key pictures. In the most prominent, the John Dahl-directed crime comedy You Kill Me, Kingsley plays Frank Falenczyk, an alcoholic hit man who travels to Los Angeles to dry out, takes a job in a morgue, and strikes up a relationship with a relative of one of his victims. That same year, Kingsley re-projected his innate ability to essay ethnic roles convincingly, with his turn as one of two Russian police offers investigating an espionage case on a train, in Brad Anderson's thriller Trans-Siberian.Later that same year, Kingsley appeared opposite lead Dan Fogler in English director Chase Palmer's Number Thirteen - a period drama about Alfred Hitchcock's ill-fated attempt to realize one of his first movie projects.

Trivia: Handsome actor Blair Underwood was born into a military family and studied at Carnegie-Mellon University before moving to New York to pursue his career. Guest-starring work on The Cosby Show earned him a part on the ABC soap opera One Life to Live, followed by a reoccurring role on the short-lived series Downtown. In 1985 he made his film debut as a record producer in the rap comedy Krush Groove. This was followed by the successful TV docudramas Heat Wave and Murder in Mississippi. His breakthrough finally came about on L.A. Law, playing attorney Jonathan Rollins from 1987 to 1994. Supporting roles followed, as an accused rapist in Just Cause, a well-to-do love interest in Set It Off, and baseball legend Jackie Robinson in the HBO original movie Soul of the Game. Also during the '90s, he tried his hand at screenwriting and producing with the short film Second Coming, a contemporary take on Christ's second coming starring himself as a dread-locked Jesus accused of insanity. In 2000, he starred in the CBS medical drama City of Angels, followed by supporting roles in the military courtroom drama Rules of Engagement, as well as Steven Soderbergh's Full Frontal, and the teen movie Malibu's Most Wanted. He consistently found work on the small screen in a variety of TV shows including LAX, the short-lived Dirty Sexy Money, and as a haunted military pilot in the first season of HBO's In Treatment. On the big-screen he could be seen in Tyler Perry's Madea's Family Reunion, Something New, and The Art of Getting By. He and wife Desiree DaCosta (two-time executive assistant to Eddie Murphy) have three children.

Trivia: The daughter of actors John Archer and Marjorie Lord, noted actress Anne Archer began her own career in the early 1970s, landing her first important film role in the 1972 Bob Hope comedy Cancel My Reservation. A year later, Archer played the Natalie Wood part in a TV-sitcom adaptation of Bob and Carol and Ted and Alice. Often cast in vulnerable, imperiled roles, the actress gave one of her most memorable performances as Michael Douglas' wife in Fatal Attraction (1987), for which she earned an Oscar nomination. She also proved her mettle as the wife of Harrison Ford in both Patriot Games (1992) and Clear and Present Danger (1994). In addition to being one of the industry's most reliable onscreen spouses, Archer has done solid work in such films as Robert Altman's Short Cuts (1993), in which she played a woman racked with moral conflict over her husband's questionable behavior during a weekend fishing trip. Archer continued doing supporting roles in films, while building a strong TV resume with recurring guest spots on shows like It's Always Sunny in Philadelphia, The L Word and Ghost Whisperer.

Trivia: A comic actor who enjoyed his greatest success in television, Mark Feuerstein also made his mark on the legitimate stage. Born June 8, 1971, and raised in New York City, his father was a lawyer and his mother a school teacher. As a teenager, Feuerstein was a gifted wrestler and won a state championship title. After graduating from high school, he enrolled in Princeton, intending to study International Relations. But after being cast in a student drama, Feuerstein decided that acting was his true ambition, changed his emphasis to Theater Arts, and later received a Fulbright scholarship to study his craft at the London Academy of Music and Dramatic Arts. Upon returning to New York, he worked extensively in off-Broadway theater and appeared in a handful of television commercials before landing a recurring role on the daytime drama Loving. In 1996, Feuerstein was cast in an eight-episode run of the situation comedy Caroline in the City as a veterinarian who was dating cartoonist Caroline (Lea Thompson). NBC, encouraged by the enthusiastic response to Feuerstein's performance on the show, cast him as a philosophical bartender on a new sitcom called Fired Up; the show, however, was not well received, and lasted less than half a season. The network gave Feuerstein a third shot at sitcom stardom by giving him the title role on the show Conrad Bloom; but it proved to be an especially high-profile failure, and Feuerstein began to focus his attention elsewhere. He appeared on Broadway in Alfred Uhry's The Last Nights Of Ballyhoo, and made his feature-film debut with a small role in Practical Magic in 1998. Feuerstein balanced film work with recurring roles on Once and Again and The West Wing for several years until he finally struck small-screen gold with his fourth sitcom, Good Morning, Miami, in which he was cast as a television producer brought in to save a hapless morning news show. Feurstein appeared in largely unremarkable television and film roles throughout in the mid-2000s (with the exception of a small part in the war drama Defiance (2008), but he is better known for his role on The USA Network's Royal Pains.

Trivia: Primarily a supporting and character actor, Philip Baker Hall has also played the occasional lead on stage, screen, and television. Hall made his film debut playing a priest in Cowards (1970). He then appeared in three television series during the mid-'70s, including Man From Atlantis (1977). He became best known during the '80s for his portrayal of Richard Nixon in Robert Altman's brilliant Secret Honor (1984), for which Hall also wrote the screenplay. Though the film garnered mixed reviews, the actor's portrayal of Nixon was hailed as a tour de force. Through the '80s and '90s, Hall continued to work steadily in films and on television; his talents were perhaps best, and most famously, utilized by director Paul Thomas Anderson, who cast Hall in substantial roles in Hard Eight (1996), Boogie Nights (1997), and Magnolia (1999), the last of which saw the actor in fine form as a game show host dying of cancer. Hall also had a memorable turn as a private investigator who is far too convinced of the infallibility of his own instincts in Anthony Minghella's The Talented Mr. Ripley (1999); that same year, he gave a strong performance as CBS producer Don Hewitt in Michael Mann's The Insider. Clearly, Hall had no intention of slowing down, and he would spend the next several years remaining extremely active, appearing in such films as The Matador, Rush Hour 3, The Lodger, 50/50, and Mr. Popper's Penguins.

Trivia: Canadian character actor Bruce Greenwood spent the 1970s working in regional Vancouver theater, and appeared in many Canadian TV shows during the '80s. His first American film was a walk-on role in Rambo: First Blood. In the U.S., he fared much better with television pilots, miniseries, and made-for-TV movies. His first big role was Dr. Seth Griffin on St. Elsewhere from 1986-1988. Other TV projects included The FBI Murders, The Servants of Twilight, and Summer Dreams: The Story of the Beach Boys. By the '90s, he had found a home for himself on television. Greenwood played Pierce Lawson in 1991 on the evening soap opera Knots Landing, earned a Gemini (the Canadian Emmy) nomination for The Little Kidnappers, and then took home an award for his role in Road to Avonlea. He also starred as Thomas Veil on the UPN dramatic series Nowhere Man and guest starred as Roger Bingham on the HBO comedy series The Larry Sanders Show. He did quite well on NBC, as well, appearing in many TV movies (including Naomi & Wynonna: Love Can Build a Bridge) and starring in the sci-fi mystery show Sleepwalkers as Dr. Nathan Bradford.Greenwood made the leap to the big screen with a fellow Canadian, Egyptian-born filmmaker Atom Egoyan. In Exotica, he played the troubled Francis, a tax collector obsessed with a stripper. The film was a hit at the Cannes Film Festival, and Greenwood re-teamed with the director for his next film, The Sweet Hereafter, which won a special jury prize at Cannes, while Greenwood was nominated for a Genie award for his supporting role of mourning father Billy Ansell. By contrast, he played bad guys in mainstream thrillers in the '90s, with starring roles in Disturbing Behavior, Hide and Seek, Double Jeopardy, and Rules of Engagement He may be most well known, however, for playing President John F. Kennedy during the Cuban Missile Crisis in the political thriller Thirteen Days, for which he won a Golden Satellite Award. With this role under his belt, Greenwood moved into more dramatic territory with the A&E miniseries The Magnificent Ambersons as well as a dual role in Egoyan's Ararat. In 2003, he produced fellow Canadian Deepa Mehta's film The Republic of Love and appeared in the action comedy Hollywood Homicide and the sci-fi thriller The Core. He continued to work steadily in a variety of projects including I, Robot, Racing Stripes, Capote, Déjà vu, and had a small part in Todd Haynes' 2007 idiosyncratic Bob Dylan biopic I'm Not There. That same year he played the president in the hit sequel National Treasure: Book of Secrets. He had a brief but memorable turn as Captain James T. Kirk's father in J.J. Abrams Star Trek, and played a bad guy in the comedy Dinner for Schmucks. He had a major role in the arty western Meek's Cutoff, and reteamed with Abrams when he appeared in the Spielberg homage Super 8.

Trivia: A kohl-eyed actor who has oozed a steady stream of low-key testosterone through a series of films that include Dazed and Confused (1993), A Time to Kill (1996), and The Limey (1999), Nicky Katt has brought life to a stable of idiosyncratic, often dysfunctional characters that have established him as one of the more adventurous young performers in Hollywood. A former child actor who first worked on shows ranging from V to Father Murphy, Katt got his adult breakthrough in Richard Linklater's Dazed and Confused, a film that also helped to launch the careers of such castmates as Parker Posey, Matthew McConaughey, and Joey Lauren Adams. He went on to do prolific supporting work, showing up to particularly memorable effect as a one-armed convenience store clerk in Gregg Araki's The Doom Generation (1995), as a belligerent redneck in Joel Schumacher's A Time to Kill (1996), and as Renee Zellweger's ambitious attorney boyfriend in One True Thing (1998). One of his most memorable roles came courtesy of Steven Soderbergh's The Limey, which featured Katt as a dreadlocked, sociopathic hitman whose running (and largely improvised) commentaries on various passersby provided some of the film's most unnerving comic moments. Although he has been seen mainly in a supporting capacity, Katt has also done notable lead work, particularly in Linklater's SubUrbia (1997), in which he managed to stand out from a talented ensemble cast with his portrayal of an alcoholic and xenophobic ex-Air Force recruit. The actor also starred in and executive produced Adam Goldberg's Scotch and Milk (1998), an acclaimed post-noir drama that featured him as one of a group of aimless friends skulking and posing their way around Los Angeles. With a growing list of credits and further roles in such well-received films as Boiler Room (2000), which cast him as a money-grubbing broker, Katt began the 21st century on a very promising note. With roles in such high-profile releases as Insomnia and director Steven Soderbergh's Full Frontal (both 2002), Katt continued to hold that note, all the while maintaining a growing fan base with his role as geology teacher Harry Senate on the popular evening drama Boston Public.He continued to work steadily in a variety of projects including the indie I Love Your Work, doing a cameo for Richard Linklater in School of Rock, Planet Terror, and appearing opposite Jodie Foster in the vigilante drama The Brave One.

Trivia: New York native Roma Maffia began her acting career on-stage, appearing in all sorts of Broadway and off-Broadway plays, from musicals to Shakespeare. She only made occasional appearances in movies until a director asked her to audition for Ron Howard's upcoming comedy drama The Paper. When she won the role of Carmen in the film, she began investing real time and energy in her onscreen acting career. She continued to make appearances in several films a year until she was cast as Grace Alvarez, forensic pathologist for the NBC series Profiler; she stayed with the show from 1996-2000. Following that, it wasn't long before she picked up another role in a series; this time she signed on to play the part of Dr. Liz Cruz on the controversial series Nip/Tuck. She had a major role in the showbiz comedy The Blue Tooth Virgin.

Trivia: Enlisted in the U.S. Marines at age 19; was wounded three times (and received a Bronze Star) during three tours of duty in Vietnam. Was a public-affairs officer in Beirut when the Marine base there was attacked by terrorists in 1983; retired from the USMC as a captain in 1984. Trained anti-communist guerrillas in Nicaragua and El Salvador while writing for Soldier of Fortune magazine in 1984-85. Founded Warriors, Inc., a company offering military advice to filmmakers, in 1985. First client: Oliver Stone, for Platoon (the first of seven Stone collaborations). All told, has advised on more than 40 movies and TV shows, including Saving Private Ryan, Band of Brothers, The Pacific,The Thin Red Line, and Forrest Gump. Has acted in many of the films he advised on, as well in as such TV series as L.A. Law, JAG, Chuck, Cold Case and Entourage. Hosted a talk show on KFI radio in Los Angeles from 2003 to 2010. Has published numerous novels, including a novelization of Platoon. Son Chris is a member of the rock band The Fire Violets.

Trivia: French leading man onscreen from the '60s.

Trivia: From her early days as a model to a memorable stint on the long-running soap opera All My Children and a successful film career, it seemed that Kim Delaney was destined for a life in the limelight -- never wandering far from the lens of the public eye. A Philadelphia native who began modeling in high school and soon set her eyes on the catwalks of New York, Delaney packed her bags to study acting in the Big Apple soon after graduation. A subsequent signing with Elite Modeling Agency resulted in cover shots for Glamour and Seventeen, and some acting coaching by Bill Esper proved essential in landing her a three-year stint on All My Children in 1981. Though she would later eschew the small screen in favor of feature work, a lack of desirable roles eventually found brought Delaney back to the small screen for an impressive run on the popular nighttime drama L.A. Law. Television success continued when Delaney received an Emmy for her work as alcoholic detective Diane Russell on the popular prime-time police drama NYPD Blue in 1997, and she would remain with the show until 2001. It seemed Delaney had finally hit her stride in the realm of television, and though she would make a momentary feature departure with a role in Brian De Palma's Mission to Mars (2000), subsequent television roles in the short-lived Philly (in which Delaney took the lead) and CSI: Miami served to prove that she had lost none of her dramatic intensity. In 2003, Delaney could be seen in the dramatic miniseries 10.5. Over the next several years, Delaney would continue to find success on the small screen, appearing on The O.C., Army Wives, and To Appomattox.

Trivia: A talented and handsome blond actor who has also shown a marked interest behind the camera, Ryan Hurst may have been destined to pursue a career in film considering his father's notable television career and his mother's occupation as an acting coach. Born in Los Angeles, CA, in 1976, Hurst found early commercial work before completing his primary education at Santa Monica High School. After an early appearance in a Spam commercial and a few helpful tips from mom and dad, the youth began to hit his stride on the stage. In addition to role his portrayal of Brutus in Julius Caesar and his work in such familiar plays as Harvey and Guys and Dolls, Hurst staged his own adaptation of the well-loved Cyrano de Bergerac for the Santa Monica Civic Light Opera and received a Best Performance award from Backstage West for his Canon Theater production of The Last Night of Ballyhoo. Television roles in Saved by the Bell: The New Class and Boston Common followed, and in 1997 Hurst made his feature debut in the Kevin Costner epic The Postman. Subsequent roles in such high-profile releases as Saving Private Ryan and Patch Adams (both 1998) continued to find his budding career flourishing; with a small role in 2000's The Rules of Engagement, Hurst also contributed behind the camera (he shot the 16 mm montage) and then turned up in the sports drama Remember the Titans (also 2000). Continuing to rise to the top of the credits with each film role, Hurst's roles in We Were Soldiers and Lone Star State of Mind (both 2002) were a testament to his remarkable versatility.

Trivia: Gordon Clapp is a supporting actor who began his film career in the late '80s.

Trivia: With his distinct appearance, the bald and imposing African-American player Thom Barry made a seemingly perfect character actor, and thus found himself frequently cast as guards, police detectives, and heavies in mainstream Hollywood features, from the early '90s on. He landed a bit part as a guard in Rob Reiner's The American President (1995), appeared as Samahani in Congo (1995), and played Sgt. Marcus in the Shaquille O'Neal-headlined superhero picture Steel (1997). Barry maintained a higher profile as Agent Bilkins in two Jerry Bruckheimer-produced action pictures, The Fast and the Furious (2001) and its sequel 2 Fast 2 Furious (2003). Additionally, after years of guest-acting work on the small screen, he signed for his first regular role -- that of homicide investigator Will Jeffries -- on the popular detective series Cold Case (2006).

Trivia: Best known to filmgoers for his role as the excitable, trigger-happy Eugene Tackleberry in the long-running Police Academy series, character actor David Graf was highly regarded among filmmakers for his notable and generous contributions to the Screen Actors Guild.Born in Lancaster, OH, in 1960, Graf attended Otterbien College in Westerville before making an early appearance as a struggling actor on the popular game show The $20,000 Pyramid with actress Patty Duke. Taking small roles in such popular sitcoms as M*A*S*H and The Dukes of Hazard in the early '80s, Graf made his film debut in 1981's Four Friends. His big break would come three years later, with his debut as Sgt. Tackleberry in Police Academy, launching a lasting character in a series that would span nearly a decade and six sequels. Keeping frequent work in television through the course of appearing in films such as Guarding Tess (1994) and The Brady Bunch Movie (1995), Graf held recurring roles in the popular Beauty and the Beast, High Tide, and later in the highly praised White House drama The West Wing. Graf also became involved with such Star Trek spin-offs as Star Trek: Deep Space Nine and Star Trek: Voyager.As a Hollywood representative of the Screen Actors Guild, Graf won the respect of his fellow actors through his tireless efforts to ensure their fair treatment in the vast and intimidating Hollywood system. Fellow board members praised his many active roles in various organizations dedicated to the betterment of conditions within the acting community, noting his service as a testament to Graf's genuine and selfless concern. While attending a family wedding in Phoenix, AZ, in 2001, Graf suffered a fatal heart attack -- just eight days before his 51st birthday.