Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: Catherine Keener ranks with Parker Posey as one of the queens of 1990s American independent cinema. A muse for director Tom Di Cillo (Johnny Suede, Living in Oblivion, Box of Moonlight, The Real Blonde), she is married to one of her peers, the also-underrated Dermot Mulroney. Keener graduated from Wheaton College in 1983 and in 1986 she landed her first film role, a small part in About Last Night. She appeared in a string of independent films throughout the 1990s, in addition to all the aforementioned Di Cillo titles; she had the lead, opposite Anne Heche, in the acclaimed Walking and Talking (1996), written and directed by Nicole Holofcener, a role which earned her an Independent Spirit Award nomination for Best Actress. In 2000, Keener received an Oscar nomination for her supporting role in Being John Malkovich. Appearing in Simpatico and giving birth to a baby boy the same year, the tireless actress continued to turn up in such quirky films as Death to Smoochy, Full Frontal, and eccentric director Spike Jonze, follow-up to Being John Malkovich, Adaptation. Keener would spend the next several years enjoying her reputation as a both charming and well respected actress, appearing in movies like The 40 Year-Old Virgin, Capote, Into the Wild, Synechdoche, New York, Where the Wild Things Are, Cyrus, and Peace, Love, and Misunderstanding.

Trivia: One of the top character actors of his era, John Turturro is a fixture of the contemporary American independent filmmaking landscape. Born February 28, 1957, in Brooklyn, NY, Turturro became fascinated by movies during childhood, and after graduating from college he won a scholarship to study at the prestigious Yale School of Drama. He first gained notice in regional theater and off-Broadway, earning an Obie Award for his starring role in Danny and the Deep Blue Sea. He made his film debut in Martin Scorsese's 1980 masterpiece Raging Bull but did not reappear onscreen prior to 1984's The Exterminator 2. That same year, he debuted on Broadway in Death of a Salesman.Small roles in diverse fare including Susan Seidelman's 1985 comedy Desperately Seeking Susan, Scorsese's 1986 drama The Color of Money, and Woody Allen's masterful Hannah and Her Sisters kept Turturro busy throughout much of the decade, but his breakthrough performance did not arrive until Spike Lee cast him as a bigoted pizzeria worker in 1989's Do the Right Thing. A scene-stealing turn in the Coen brothers' 1990 gangland drama Miller's Crossing followed, and in 1991 the Coens cast him as the titular Barton Fink, a performance which garnered Best Actor honors at the Cannes Film Festival. Subsequent lead roles were infrequent, although in 1992 he wrote, directed, and starred in Mac, a little-seen indie feature that won him a Golden Camera award for Best First Feature at the 1992 Cannes Festival. Supporting turns in acclaimed offerings including Quiz Show, Clockers, and Grace of My Heart (in which he expertly portrayed a Phil Spector-like music producer) followed before Turturro's next starring role, in Tom DiCillo's whimsical 1996 comedy Box of Moonlight. In 1998, the actor again collaborated with both Lee and the Coen brothers, working with the former on He Got Game and the latter on The Big Lebowski. Also in 1998, Turturro wrote, directed, produced, and starred in Illuminata, a comedy set against the backdrop of a struggling, turn-of-the-century New York theater company. The following year, he again took on the New York theater, appearing in Tim Robbins' Cradle Will Rock, an exploration of the relationship between art and politics set in 1930s New York.He remained an in-demand character actor, as well as an occasional director into the next century, starting the 2000s with a leading role in the chess drama The Luzhin Defence, reteaming with the Coen brothers for O Brother, Where Art Thou?, and working with Adam Sandler on Mr. Deeds. In 2004 he worked for Spike Lee yet again in She Hate Me. In 2005 he wrote, directed, and acted in the blue-collar musical Romance & Cigarettes. He appeared in The Good Shepherd in 2006, and the next year he appeared in the sci-fi blockbuster Transformers. In 2008 he joined up with Lee yet again to play a soldier in his World War II film Miracle At. St. Anna, and teamed with Sandler again for You Don't Mess With the Zohan. The next year he appeared in the remake of The Taking of Pelham 1 2 3, and the Transformers sequel. He would return to that franchise for the third film in 2011, and that same year he would join the Pixar family voicing Lightnin' McQueen's rival in Cars 2.

Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: Long the bad boy of Hollywood, Sean Penn is also among the most fiercely talented actors of his generation. He was born August 17, 1960, in Burbank, CA, the second son of actress Eileen Ryan and director Leo Penn. He grew up in Santa Monica, in a neighborhood populated by future celebrities Charlie Sheen and Emilio Estevez, the sons of actor Martin Sheen. Penn's older brother, Michael, is a singer/songwriter-turned- director, while younger sibling Chris is a noted character actor. The children spent much of their free time together, making a number of amateur films shot with Super-8 cameras. Still, Penn's original intention was to attend law school, although he ultimately skipped college to join the Los Angeles Repertory Theater. After making his professional debut on an episode of television's Barnaby Jones, he relocated to New York, where he soon appeared in the play Heartland. A TV-movie, The Killing of Randy Webster, followed in 1981 before he made his feature debut later that same year in Taps.Penn shot to stardom with 1982's Fast Times at Ridgemont High; as the stoned surfer dude Jeff Spicoli, he stole every scene in which he appeared, helping to elevate the picture into a classic of the teen comedy genre; however, the quirkiness which would define his career quickly surfaced as he turned down any number of Spicoli-like roles to star in the 1983 drama Bad Boys, followed a year later by the Louis Malle caper comedy Crackers and the period romance Racing With the Moon. While none of the pictures performed well at the box office, critics consistently praised Penn's depth as an actor. A turn as a drug addict turned government spy in John Schlesinger's 1985 political thriller The Falcon and the Snowman earned some of his best notices to date, but Penn's performance was quickly lost in the glare of the media attention surrounding his very public romance with pop singer Madonna, which culminated in the couple's 1985 media-circus wedding.While Madonna actively courted press attention, the private Penn made his loathing for the media quite clear; his run-ins with the paparazzi quickly became the stuff of legend, and the notoriety of his temper began to eclipse even his immense acting ability. His penchant for fisticuffs, combined with other civil infractions, ultimately resulted in a 30-day jail sentence; more seriously, his marriage to Madonna began to buckle under the weight of media scrutiny, and, as the couple's star collaboration in the 1987 movie Shanghai Surprise met with box-office disaster, their private relationship was also over. Soured by the Hollywood experience, Penn did not resurface prior to 1988's Colors, which proved to be his biggest hit in some time. He next appeared in Brian DePalma's Vietnam tale Casualties of War, followed by a turn opposite his idol, Robert De Niro, in the 1989 comedy We're No Angels.After starring in the gangster melodrama State of Grace, Penn wrote and directed 1991's The Indian Runner, a film inspired by a Bruce Springsteen song and shaped in the image of the films of John Cassavetes. After an almost unrecognizable turn as a troubled attorney in the 1993 DePalma thriller Carlito's Way, Penn announced his intention to retire from acting in order to focus his full attentions on directing; however, after helming 1995's The Crossing Guard with Jack Nicholson and Anjelica Huston, he was back onscreen, winning an Academy Award nomination for his gut-wrenching portrayal of a death-row inmate in Tim Robbins' Dead Man Walking. By 1997, Penn's wishes for retirement were but a memory as he enjoyed his busiest year yet: In addition to starring opposite second wife Robin Wright in Nick Cassavetes' She's So Lovely -- roles which won both spouses acting honors at the Cannes Film Festival -- he also appeared in the David Fincher thriller The Game and in Oliver Stone's U-Turn. He found further acclaim the following year for his roles in the adaptation of David Rabe's Hurlyburly and Terrence Malick's The Thin Red Line. In 1999, he had a cameo appearance in Spike Jonze's Being John Malkovich and earned his second Oscar nomination as a callous '30s jazz guitarist in Woody Allen's Sweet and Lowdown, while 2000s adaptation of Anita Shreve's novel, The Weight of Water, starred Penn as a poet embroiled in a small town murder mystery. In 2001, Penn would play a fame-craving impressionist in The Beaver Trilogy, serve as narrator in director Stacy Peralta's skateboarding documentary Dogtown and Z-Boys, and direct the psychological drama The Pledge, which marked Penn's second collaboration with Jack Nicholson. In 2002, Penn would once again win critical praise with his Oscar-nominated portrayal of a developmentally disabled man struggling to retain custody of his daughter in I Am Sam.After the 2001 terrorist attacks on the World Trade Center and Pentagon, the left-leaning actor's outspoken political views garnered a great deal of attention from right-wing pundits, including the much aggrieved Bill O'Reilly, who found himself on the receiving end of Penn's animosity in a controversial interview with Talk magazine. Though O'Reilly demanded his viewers boycott any of Penn's future films, it appears his career has remained relatively unscathed. In 2002, Penn directed a segment for the French-produced 9'11"01, which was met with mixed reviews, while his participation in Burkowski: Born Into This (2002) helped the film win a nomination for the Grand Jury Prize at the 2003 Sundance Film Festival. The year 2003 was, in fact, an eventful year for Penn; he participated in two small but nonetheless critically acclaimed films -- Michael Almereyda's documentary This So-Called Disaster and Alejandro González Iñárritu's low-key urban drama 21 Grams -- while managing to claim yet another Hollywood success in actor/director Clint Eastwood's highly lauded Mystic River. In 2004, it was this third film that garnered Penn his fourth Academy Award nomination and, ultimately, his first win. The Oscar, coupled with a standing ovation by the audience, showed once and for all that Penn's unorthodox approach to his acting career hadn't had an adverse effect on his popularity.The following year Penn would return to the screen to document one man's chilling descent into madness in the fact-based psychological drama The Assassination of Richard Nixon, but despite generally favorable reaction from critics the grim feature failed to make much of an impression at the box office. Subsequently sticking to politics with Sydney Pollock's 2005 thriller The Interpreter, Penn would this time find his character attempting to prevent the assassination of a high profile political leader rather than personally carry one out. By the time Penn essayed the role of a populist Southern politician modeled loosely on Depression-era Louisiana governor Huey Long, it seemed as if the serious-minded actor's career had finally become as political as the boat-rocking rhetoric that often found him sailing into the headlines. The third screen adaptation of Robert Penn Warren's influential novel, All the King's Men featured an impressive list of top-name Hollywood talent including Jude Law, Kate Winslet, Anthony Hopkins, Patricia Clarkson, James Gandolfini, and Mark Ruffalo. In 2008, Penn received the Academy Award for Best Actor for his performance in Milk, a biopic starring Penn in the role of politician and civil rights activist Harvey Milk. Shortly afterwards, Penn starred in Fair Game, an adaptation of author Valerie Plame's novel of the same name, and co-starred with Brad Pitt and Jessica Chastain in director Terrence Malick's critically acclaimed drama The Tree of Life in 2011. In 2013, he had a small role as gangster Mickey Cohen in Gangster Squad and a supporting role in The Secret Life of Walter Mitty.

Trivia: Like many another contemporary movie and TV favorite, Stanley Tucci is a graduate of the drama department at SUNY-Purchase. Tucci made his film bow in 1985's Prizzi's Honor, after which he specialized in playing lowlifes and scuzzbags, despite his offscreen credentials as a loyal friend and loving family man. Some of his more memorable appearances were as Rick Pinzolo in TV's Wiseguy (1987-1989), a minor-league thug named Vernon in Beethoven (1992), and a Middle-Eastern assassin in The Pelican Brief (1993). Tucci acquired a fan following of sorts for his slimy year-long role of Richard Cross on the weekly TV series Murder One (1995).In 1996, Tucci broke loose from his established screen persona by playing an ambitious Italian-American restaurateur in Big Night, the most delightfully "gastronomic" film since Like Water for Chocolate. The art-house favorite was a sheer labor of love for Tucci, who served as its producer, co-wrote its script with his cousin Joe Tropiano, and shared directorial duties with his friend Campbell Scott. Tucci again directed two years later with The Impostors, a farcical comedy that cast him and longtime friend Oliver Platt as two stowaways on an ocean liner. Unlike Big Night, however, the film did not do well with audiences or critics. After starring in A Midsummer Night's Dream (1998) as Puck and In Too Deep (1999) as a police supervisor, Tucci again stepped behind the camera, this time to direct Joe Gould's Secret (2000). A historical drama about an eccentric man (Ian Holm) living on the streets of Greenwich Village, it received a very enthusiastic reception at the 2000 Sundance Festival, where it premiered. The early 2000s seemed to be a winning period for the versatile actor, with Tucci also taking home the Best Supporting Actor in a television movie award for his role in Conspiracy (2001). That same year he appeared in America's Sweethearts as an intense movie mogul. He continued doing solid work even when the finished films were sometimes lacking. He played in the Jennifer Lopez hit Maid in Manhattan, Sam Mendes' Road to Perdition, the American remake of Shall We Dance?, and landed his largest role in a major Hollywood production when Steven Spielberg cast him as the ambitious, officious manager of The Terminal. Tucci lent his voice to the animated film Robots in 2005, and the next year earned solid notices for his work as a fashion magazine editor loyal to the diva editor in chief Meryl Streep in The Devil Wears Prada.The highly-respected character actor continued to work steadily in a variety of projects, but a pair of high-profile supporting roles in 2009 earned him strong reviews and awards consideration. As the husband to Julia Child in Julie & Julia, Tucci got to work opposite Meryl Streep yet again in another box-office hit, but it was his creepy turn as a child killer in the big screen adaptation of The Lovely Bones that earned him Screen Actors Guild, Golden Globe, and Academy Award nominations.In 2010 he appeared opposite Cher in Burlesque, and was a loving father in the sleeper hit Easy A. In 2012, Tucci was cast as the announcer and emcee Caesar Flickman in the hit adaptation of the smash novel The Hunger Games. Tucci continued to be a work horse, appearing in seven films in 2014, including Transformers: Age of Extinction and a cameo in Muppets Most Wanted.

Trivia: Kristen Stewart was poised to become a preteen star with her role opposite Jodie Foster in David Fincher's atmospheric thriller Panic Room (2002). A resident of Los Angeles, Stewart's nascent acting career got off to a promising start when she was cast in two vastly different films. Eschewing fluffy kids' movies, Stewart played troubled single mother Patricia Clarkson's tomboy daughter in independent film darling Rose Troche's tough examination of suburban angst, The Safety of Objects (2002). Stewart subsequently got her first taste of major Hollywood success with Panic Room. Replacing the original child actress cast as divorcée Meg's sullen, diabetic daughter Sarah, Stewart became an even more felicitous choice when original star Nicole Kidman dropped out and Foster stepped in. Though critics were less than ecstatic about the film, Stewart still garnered positive notice for her believable presence as Foster's offspring.Following a supporting performance as the daughter of a couple who unknowingly move into a seemingly haunted house in the 2003 chiller Cold Creek Manor, Stewart took top billing in the emotionally charged drama Speak in 2004. Cast as a traumatized high school freshman whose status as a selective mute draws the concern of friends and family, Stewart's handling of the remarkably intimate material drew praise from critics and Sundance audiences. Stewart would also continue to impress critics with her thoughtful performances in movies like 2007's The Cake Eaters and Into the Wild, but one of her most attention-grabbing roles would come in 2008, when she was cast as Bella Swan in the big screen adaptation of the teen-centric vampire romance novel Twilight. A franchise already adored by legions of tween fans, the ensuing series of films, 2009's New Moon, 2010's Eclipse, 2011's The Twilight Saga: Breaking Dawn - Part 1, and 2012's The Twilight Saga: Breaking Dawn - Part 2, would make Stewart a household name. Despite this, the actress remained selective and thoughtful in her other roles, starring opposite Jesse Eisenberg in the cult hit 2009 comedy/drama Adventureland, and playing innovating rock star Joan Jett in 2010's The Runaways.2012 would see Stewart joining Sam Riley and Kirsten Dunst for a much anticipated cinematic adaptation of Jack Kerouac's On the Road and starring as Snow White in Snow White and the Huntsman. In 2014, she appeared in Clouds of Sils Maria, which earned her a César Award for Best Supporting Actress, and also made her the first American actress to win a César Award. She also appeared in Still Alice, opposite Julianne Moore in her Academy Award-winning performance.

Trivia: Both parents were influential members of the theatre: her mother was actress Jill Clayburgh and her father is playwright David Rabe. Wanted to become a ballerina as a child. Didn't start acting until her high-school years, when she was asked to perform a monologue at a summer arts camp in Connecticut. Made her Broadway debut in 2005 as Annelle in Steel Magnolias; she earned a Drama Desk Award nomination for her performance.

Trivia: Michael Wincott's filmography contains a veritable rogues' gallery of brooding villains and charismatic scalawags. Interestingly, he consistently wins high marks for his performances but remains largely unknown outside of a growing circle of devoted fans. He was born in London, Ontario, and trained at the prestigious Juilliard School. He launched his professional career on the New York Stage, appearing in such productions as The Plough and the Stars, When You Comin' Back, Red Ryder, and 'Tis a Pity She's a Whore. He also appeared in a few Broadway dramas, including Sam Shepard's premiere production of States of Shock. He made his feature film debut in a Canadian production, Wild Horse Hank (1979). Some of his more memorable roles include his reprisal of his Broadway performance as a zoned-out rocker in Oliver Stone's film adaptation of Eric Bogosian's Talk Radio (1988). In villainous roles, Wincott projects a charismatic intensity that eclipses the actor behind the them, which is perhaps one reason why major stardom has eluded him. He was riveting as Top Dollar, the supervillain in The Crow (1994). Wincott's brother, Jeff Wincott, is also an actor.

Trivia: Became a model at age 14 after being spotted rollerskating by a photographer; worked in France and Japan before quitting the business and deciding to be an actor. Received three Daytime Emmy nominations for Outstanding Ingenue in a Drama Series for her work on the NBC soap Santa Barbara (1986-88); also chosen as Outstanding Heroine by readers of Soap Opera Digest in 1988. Her wedding to Sean Penn was attended by Marlon Brando, Jack Nicholson, Warren Beatty, Tim Robbins and Susan Sarandon, and the best man was producer Art Linson (Fast Times at Ridgemont High). Shortly after marrying Penn in 1996, was carjacked in their Santa Monica driveway; neither she nor their children were hurt, and both perpetrators were apprehended. Was a juror at the 2009 Cannes Film Festival; ex-husband Sean Penn was the jury's president in 2008.

Trivia: An aspiring singer/songwriter who was collaborating with Paul Anka at the time she was approached to audition for a guest role in the hit NBC sitcom Just Shoot Me, Moon Bloodgood would eventually win the role, and subsequent appearances on CSI and Monk followed in quick succession. Though the exotic Korean/Irish/Dutch actress went on to find her footing on the big screen with supporting roles in such features as A Lot Like Love, Moonlight Serenade, and Eight Below, it wasn't until she co-starred as the Native American Starfire in director Marcus Nispel's Pathfinder that she really began to shine. Back on the small screen, Bloodgood made a splash in the innovative police detective series Day Break, playing Rita Shelten, the girlfriend of protagonist Detective Brett Hopper (Taye Diggs). In the style of Groundhog Day mixed with the thriller aspects of 24, the wrongly accused Hopper repeatedly suffered the same day, desperately trying to prevent Rita from dying each time the day restarted. Unfortunately, the series didn't catch on with the public, but Bloodgood was soon at work again on another creative, sci-fi-tinged primetime series in fall 2007: Journeyman. That show followed the travails of a man (Kevin McKidd) who begins to time travel unwittingly, eventually running into his presumed-dead first love, Livia (Bloodgood), who is actually alive and well, and also a fellow time-traveler. Though the series garnered a modest but dedicated audience, it wasn't enough for the show to make it past its first season. Bloodgood was soon back onscreen, however, appearing in the Barry Levinson-directed comedy drama What Just Happened? opposite an impressive cast that included Robert De Niro, Stanley Tucci, Sean Penn, and John Turturro. She also booked roles in two high-profile films for 2009, Andrzej Bartkowiak's video game adaptatation Street Fighter and the latest installment of the Terminator franchise, Terminator Salvation. She appeared in the searing psychological drama Beautiful Boy in 2010, as well as the 2012 Sundance Audience Award winner The Sessions.

Trivia: Was the lead singer for rock band The Ottoman Bigwigs in Seattle. Won an Obie award for an off-Broadway production of A Streetcar Named Desire in 1999. Played Reverend Parris in the 2002 Broadway revival of The Crucible, opposite Laura Linney and Liam Neeson. Died of cancer after shooting five episodes of Silicon Valley; he was posthumously nominated for a Critics' Choice Award for his work.