Trivia: Model-turned-actress Cameron Diaz seemed to come out of nowhere when she made her 1994 screen debut opposite Jim Carrey in The Mask. However, her unusual beauty -- the result of her Cuban-American and Anglo-German-Native-American parentage -- helped to ensure that she would not be soon forgotten.Born in San Diego, CA, on August 30, 1972, Diaz left school at 16 to become a model. For the next five years, she traveled the globe, working in Japan, Australia, Mexico, Morocco, and Paris. As a model for the Elite Agency, she did commercial work for such products as Coke, Nivea, and L.A. Gear. She returned to California at the age of 21 and was unknown in the film industry when cast in her breakthrough role as the target of Jim Carrey's hyper-animated lust in The Mask. Following the hoopla surrounding her performance -- or, more specifically, her physical appearance -- in the film, Diaz opted to take acting lessons and appear in a series of small, independent films, including The Last Supper (1995), She's the One (1996), and Feeling Minnesota (1996). After starring opposite Ewan McGregor in Danny Boyle's A Life Less Ordinary (1997), Diaz further endeared herself to audiences and critics with her performance in My Best Friend's Wedding (1997). Proving herself an acceptable foil for the film's star, Julia Roberts, she went on to greater success in the Farrelly brothers' There's Something About Mary in 1998. Starring as the film's titular heroine, Diaz turned in an audience-pleasing performance in the cheerfully bawdy film, which proved to be one of the year's biggest box-office successes. The same year, Diaz cameoed in Fear and Loathing in Las Vegas and starred as Jon Favreau's unhinged fiancée in the black comedy Very Bad Things. Now fully established as one of Hollywood's hottest properties, she accepted leads in 1999's Being John Malkovich, in which she played puppeteer John Cusack's wife, and Any Given Sunday, in which she played the president and co-owner of a football team in Oliver Stone's paean to American football.In 2000, Diaz joined Drew Barrymore and Lucy Liu in Charlie's Angels, the much-hyped big-screen remake of the television classic. A comically self-aware and fairly faithful adaptation of the original series, Charlie's Angels served up Matrix-style action with retro-sensibilities, propelling the franchise into the new millennium. The following year found Diaz endearing herself to younger audiences as the voice of Princess Fiona in the animated box-office smash Shrek, as well as using her wide-eyed innocence to horrific effect in the Tom Cruise mindbender Vanilla Sky. Headlining the ill-fated comedy The Next Best Thing in 2002, Diaz would take a historical trip to the birthplace of America in director Martin Scorsese's Gangs of New York before becoming the second (after Julia Roberts) actress to join the "20-Million-Dollar Club" with Charlie's Angels: Full Throttle. Like its predecessor, the film performed well at the box office, and Diaz further proved her box-office clout in 2004 when another sequel, Shrek 2, became the third-highest grossing film of all time.Diaz switched gears altogether in 2005 when she headed to the small screen, hosting and producing the MTV reality show Trippin'. With its focus on ecology and conservation, the program found the actress and her celebrity pals traipsing the globe to explore various natural environments. Diaz also remained a strong presence in Hollywood during the Christmas season of 2005 in the well-received Curtis Hanson film In Her Shoes. In this picture -- adapted from the Jennifer Weiner novel by Susannah Grant -- Diaz plays the beautiful yet thoroughly harebrained and irresponsible Maggie, sister of the prim, proper, and conservative attorney Rose (Australian import Toni Collette), with whom she comes to blows during their ill-advised stint as roommates. As Maggie discovers a grandmother that she never knew existed (Shirley MacLaine) and travels to Florida to bond with the woman, Rose experiences a significant romantic breakup and decides to change careers. A long-buried and dormant secret from the past then comes to light that reunites the women and forges a path to reconciliation. In Her Shoes struck box-office gold and won the hearts of many critics. And though it surprised just about everyone who foresaw a dopey, lame-brained romantic comedy, assiduous devotees of Hanson's career were perhaps less shocked given the director's keen intelligence and marvelous track record.Diaz maintained a relatively low profile throughout 2006, following up the Hanson film with yet another lightly comic dissection of contemporary relationships, Nancy Meyers' Holiday, followed by a voice-only turn in Dreamworks' tertiary installment of the Shrek franchise, Shrek the Third. Never shy about doing what her fans love, Diaz was soon signing on for more romantic comedies, starring alongside Ashton Kutcher in 2008's What Happens in Vegas and 2009's My Sister's Keeper. For her next project, however, Diaz tried something out of the ordinary, working with Donnie Darko director Richard Kelly for the supernatural thriller The Box. While not well received, the movie reminded critics and fans of Diaz's wide range. As the 2010's rolled onward, the actress proved that her charm was as strong with audiences as ever, most notably in action fare like Knight and Day, and comedies like the deliciously naughty Bad Teacher. In 2014, Diaz had a resurgent year, with the comedies The Other Woman and Sex Tape, before tackling the iconic role of Miss Hannigan in the remake of Annie.

Trivia: Notorious for spearheading the "teen pop revolution" of the mid to late '90s, alongside Britney Spears, Christina Aguilera, and others (and the inheritor of superstardom from male heartthrobs of earlier generations such as David Cassidy and Donny Osmond), Justin Timberlake attained a reputation as one of the pop music scene's most talked about celebs. He also became a source of constant tabloid fodder -- not only for his relationships with Spears, Cameron Diaz, and others, but for his allegedly unbridled private life.Timberlake launched his career as a youngster on the Mickey Mouse Club set, then made his name as a member of *NSYNC and as a soloist before branching out into films in the very early 2000s. As an actor, he began small, with a cameo appearance in the Ben Stiller-directed Zoolander -- an off-the-wall farce about a bunch of inane male models led by Stiller and Owen Wilson. While Timberlake's walk-on was a bit part at most, the exposure helped him expand his range and his repertoire, while the subject of the film coyly spoofed his public image. Small-screen appearances on The Osbournes and Saturday Night Live followed, but it wasn't until 2005 that the then 24-year-old Timberlake became a top-billed movie star. In that year's Edison Force, in which Timberlake co-starred with movie giants Kevin Spacey and Morgan Freeman, the former teen idol played Joshua Pollack, a straight-faced, straight-arrow journalist determined to take on a league of crooked rollers. The picture was released straight to DVD in late 2006 and earned tepid reviews.The singer upped his film appearances in 2006, with a plethora of first-run roles. He stuck to the crime thriller genre with his follow-up to Edison, Alpha Dog (2006). Directed by Nick Cassavetes (She's So Lovely, John Q.) from his own script, the picture stars Emile Hirsch (The Girl Next Door) as an über-powerful drug dealer who kidnaps a youngster to collect a ransom the boy's older brother's tab; Timberlake plays one of Hirsch's henchmen, who inducts the tyke into the wild side of life. In 2007's Black Snake Moan, Timberlake plays the boyfriend of Christina Ricci's nympho Rae -- a girl who becomes the hostage of an aging African-American blues musician (Samuel L. Jackson). Timberlake also appears in a supporting role in Southland Tales (2006, directed by Donnie Darko's Richard Kelly) and voices the rebellious prince Artie (a young King Arthur) alongside longtime paramour Diaz in 2007's Shrek the Third. In 2008 he played potent hockey player Jacque "Le Coq" Grande in Mike Myers comedy The Love Guru, but he scored the most high-profile success of his film career in 2010 when he played Napster founder Sean Parker in David Fincher's award-winning Facebook film The Social Network. He followed that up in 2011 with the romantic comedy Friends With Benefits and the sci-fi film In Time. The next year he appeared in the Coen brothers' Inside Llewyn Davis.

Trivia: Born January 18th, 1980, the first decade or so of Jason Segel's career as a Hollywood actor, he spent his time earning cult-favorite status -- beginning with the jet-black comedy Dead Man on Campus (1998), then the NBC comedy drama Freaks and Geeks (1999). Segel subsuquently achieved broader recognition for his long-running performance as Marshall on the beloved sitcom How I Met Your Mother. He also played Jason in the big-screen feature Knocked Up (2007), Judd Apatow's uproarious follow-up to The 40-Year-Old Virgin. Fresh off his success in Knocked Up, Segel parlayed his newfound wide-scale popularity into the ultimate chance to showcase his skills, writing and starring in the side splitting romantic comedy Forgetting Sarah Marshall (2008), alongside Kristen Bell, Mila Kunis, and Russell Brand.The massively succesful film also featured a supporting performance by funnyman Paul Rudd, who reteamed with Segal for 2009's buddy comedy I Love You, Man. Having found a niche with audiences, the actor next picked up another tonally similar comedy, appearing with Cameron Diaz in the sharp witted, hard-R rated Bad Teacher in 2011. Later that same year, Segal showcased his talents on both sides of the camera yet again, writing the script for a reboot of Jim Henson's beloved Muppets, and starring in the film alongside the furry stars as well. As Segal geared up for 2012, he signed on to star alongside Emily Blunt in the romantic comedy A Five Year Engagement.

Trivia: British actress Lucy Punch began learning her craft with the National Youth Theatre in 1993, when she was 16. She would spend the next four years with the troupe, before briefly attending the University College London. Punch would cut her stint at the school short to pursue a professional career, and soon was cast in the 1998 British TV movie The New Adventures of Robin Hood. Steady work would follow over the coming years, with roles in films like Greenfingers, Ella Enchanted, and Hot Fuzz, as well as a regular part on the British TV series Doc Martin. After establishing herself as a familiar face in England, Punch would soon transition into American movies, as well, appearing in more and more stateside projects, like 2010's Dinner for Schmucks, and 2011's Bad Teacher.

Trivia: Born February 12, 1963, John Michael Higgins is a character player who evinced a flair for comedic portrayals of middle-aged types, actor John Michael Higgins jump-started his career with a dead-on evocation of David Letterman in the made-for-cable comedy The Late Shift -- a picture about the cutthroat war between Letterman and Jay Leno to be crowned "King of Late Night Talk." Higgins followed this auspicious and covetable assignment with small roles in Barry Levinson's scathing political satire Wag the Dog (1997) and a guest appearance as one of Elaine's issue-ridden boyfriends on Seinfeld, but made his most substantial impression as an occasional character on Ally McBeal -- that of Steven Milter, an attorney who doubled as a psychoanalyst of Ally's. Beginning with Best in Show (2000), Higgins enjoyed a multi-film run on the big screen with Christopher Guest and his regular mockumentary collaborators that also included the farces A Mighty Wind (2003) and For Your Consideration (2006). He also had a recurring role as an attorney Wayne Jarvis on the critically acclaimed sitcom Arrested Development and supplied the voice of Mentok the Mindtaker for the animated comedy series Harvey Birdman, Attorney at Law. Back on the big screen, Higgins essayed two A-list supporting roles in 2007, in the Steve Carell-headlined farce Evan Almighty and the holiday-themedFred Claus starring Vince Vaughn. Higgins joined Vaughn again in Couples Retreat (2009), a romantic comedy following a group of couples who arrive on a tropical island only to find out they are required to participate in couples therapy in order to stay. He appeared on the FX television series Wilford in 2011, and joined the cast of the sitcom Happily Divorced, in which he co-stars with Fran Drescher (his real life ex-wife) as a man who amicably ended his marriage after coming to terms with his homosexuality. After working with Justin Timberlake and Cameron Diaz in the moderately successful comedy Bad Teacher in 2011, the actor played a small role in the 2012 adventure drama Big Miracle, which follows the plight of a journalist and volunteer who go to extreme lengths to save a beached whale.

Trivia: Another Saturday Night Live cast member who has taken her act to the big screen, Molly Shannon is probably best known to TV and film audiences as Mary Katherine Gallagher, the hapless, armpit-sniffing Catholic school girl she originated on SNL and then brought to multiplexes everywhere as the heroine of Superstar.Born in Shaker Heights, a posh suburb of Cleveland, on September 16, 1964, Shannon developed a proclivity for performing at an early age and dreamt of being famous. After receiving a Catholic school education, she earned a B.F.A. in drama from NYU's Tisch School of the Arts, Circle in the Square Studio. Armed with her diploma, she headed West to L.A., where she proceeded to struggle in relative poverty and almost complete obscurity for the next nine years. Although she occasionally found bit parts in film and on such TV series as Seinfeld, Shannon mainly supported herself with odd jobs and waitressing. Finally, in 1994, she got her big break when she won a spot on Saturday Night Live. After making her debut during the 1995 season, Shannon became exceedingly popular with audiences, thanks to her impersonations of the likes of Monica Lewinsky, and Courtney Love.In 1998, Shannon joined fellow SNL cast members Will Ferrell and Chris Kattan to appear in the disastrous A Night at the Roxbury; the following year, she brought her own alter ego to the screen in Superstar. The film earned drastically mixed reviews, although it did fare somewhat better than any number of other SNL film adaptations. Also in 1999, Shannon played Drew Barrymore's newsroom colleague in Never Been Kissed and had a supporting role alongside Robert De Niro, Billy Crystal, and Lisa Kudrow in Analyze This. She subsequently starred alongside Jim Carrey in Ron Howard's 2000 screen adaptation of The Grinch.She continued to work primarily in comedies including Wet Hot American Summer, Good Boy, American Splendor, Scary Movie 4, Little Man, and Talladega Nights: The Ballad of Ricky Bobby. After a small part in Sofia Coppola's Marie Antoinette, she starred in the Mike White film Year of the Dog, and appeared in the big-budget sequel Evan Almighty. She had a short-lived sitcom, Kath & Kim, before appearing in a number of animated films including Igor, Snow Buddies, and Hotel Transylvania. In 2012 she could be seen opposite her old SNL castmate Will Ferrell in the Spanish-language comedy Casa de mi Padre.

Trivia: A veteran improv comedian, Eric Stonestreet honed his skills at the ImprovOlympic theater, but soon transitioned to the screen, making appearances on shows like ER and The West Wing during the early 2000s. He would go on to land roles in films like Ninja Cheerleaders and American Crude, but scored his biggest break when he was cast as Cameron in the sitcom Modern Family in 2009. He won an Emmy for Outstanding Supporting Actor in a Comedy Series for that role in the acclaimed show's first season. The show remained popular, and Stonestreet ended up appearing in the big-screen comedy Bad Teacher.

Trivia: Fans of the comedy series The Office know Phyllis Smith as soft-spoken employee Phyllis Lapin, who's infamously mentioned a colored past in which she was once a cheerleader and a burlesque dancer. Few fans know, however, that Smith did actually do both of those jobs before she was a cast member on a hit TV show. In fact, Smith was never just a career actress; the Missouri native was always a dancer as well, receiving a full scholarship in dance to Kansas University and studying with the San Carlo Opera Company for ballet and tap. She danced ballet with the St. Louis Civic Ballet and the St. Louis Dance Theater, and cheered for the St. Louis Cardinals. She also toured with the vaudeville burlesque show Able's Baggy Pants Burlesque and the Mercer Brothers' show Giggles Galore as a dancer as well as a comedy-skit performer.Smith also received a degree in elementary education from the University of Missouri and has worked extensively in the casting industry. That was how she found herself at the auditions for The Office, where even though she wasn't auditioning, producers were so impressed with her line readings that they created a part for her. While her work on The Office continued for nearly a decade, she appeared in a handful of big-screen comedies including I Want Someone to Eat Cheese With, Bad Teacher, Butter, and the third Alvin and the Chipmunks flick.

Trivia: Began taking classes at the Dallas Young Actors Studio at age 9. Took classes in gymnastics, ballet and skating, and played soccer before her parents let her begin acting. Was discovered by an agent during a talent showcase. Once ate a huge amount of chicken snacks during a long fast-food restaurant ad shoot and had "the time of my life."

Trivia: Was 4 when she landed her first role, playing Colby Chandler on long-running daytime soap All My Children. Made the leap to prime-time TV in 2008 with the CBS sitcom Gary Unmarried. Is an avid golfer who plays with the First Tee and U.S. Kids Golf leagues.

Trivia: One of the few members of the New York-based MTV comedy troupe "The State" to hail from the Midwest, Chicagoan comedian Thomas Lennon is also an accomplished screenwriter.Born in Oak Park, IL, on August 9, 1970, Lennon attended New York University as an undergraduate in the late '80s, at a point when Todd Holoubek -- a member of the campus sketch comedy team "Sterile Yak" -- abandoned that earlier group in favor of forming an alternative improvisational ensemble, christened "The New Group." Comprised largely of freshmen, the team blended film, video, and live performance in its live audience shows. Lennon joined the ensemble, as did fellow coeds Kevin Allison, Michael Ian Black, Ben Garant, Michael Patrick Jann, Kerri Kenney, Joe Lo Truglio, Ken Marino, Michael Showalter, and David Wain. Following a series of original shows (which began with "I'm Rubber, You're Glue"), The New Group landed its first gig as the opening act for Dennis Miller during one of the comedian's appearances at NYU, circa 1990. He paid them 1,000 dollars total. In the early '90s, Lennon made several short films, including The Waiters, which ran on the Bravo network; meanwhile, after MTV formally rejected the ensemble's pitch for a weekly series, Wain worked with the others to shoot demos for the MTV series You Wrote It, You Watch It, which catalyzed the network's interest. At that point, The New Group changed its name to "The State: Full Frontal Comedy." They landed an official series on MTV in 1993, boosted by an appearance on The Jon Stewart Show, in which they completely demolished the comedian's set. Over the course of the first two years, ratings skyrocketed, carrying the series through several seasons. It wrapped in 1997.During the series' run, Lennon wrote much of the material, including the popular "Monkey Torture" sketch. After the show ended, he joined cast members Kerri Kenney and Michael Ian Black to create the Comedy Central variety show spoof Viva Variety, based on an old sketch from The State. Lennon transitioned to features by voicing the documentarian character in the hit comedy Drop Dead Gorgeous, the feature-film debut of State director Michael Patrick Jann. Lennon also appeared in the feature films Memento, Out Cold, and Boat Trip, as well as TV commercials for various candy items and video-game platforms. Returning to the television series format, Lennon sustained a recurring role in the short-lived ABC medical drama MDs. He then reunited with Kenney and other State members to create the reality cop show spoof Reno 911!, starring himself as pretty-boy Lieutenant Jim Dangle. Directed by Jann, the show became a hit on Comedy Central in 2003.Lennon maintained a busy schedule in 2004, with supporting roles in the A-list romantic comedies A Guy Thing, How to Lose a Guy in 10 Days, and Le Divorce. That same year, he also did screenwriting work (alongside many others) on Todd Phillips's Starsky & Hutch (2004), and the terribly received action comedy Taxi, starring Queen Latifah and Jimmy Fallon. While Reno 911! continued through 2005, Lennon contributed to the scripts of such mainstream releases as Herbie: Fully Loaded (2005), The Pacifier (2005), Night at the Museum (2006), and Let's Go to Prison!2007 saw the young comedian and scenarist involved in his most ambitious project to date. He posed a triple threat as cast member, executive producer, and screenwriter of that year's Balls of Fury, directed by fellow "Stater" Ben Garant, one of the major forces behind Reno 911! He was cast in Hancock and the comedy I Love You, Man. In 2009 he co-wrote Night at the Museum: Battle of the Smithsonian. He had a small but crucial role in 2011's Cedar Rapids, and appeared in the comedies Bad Teacher and What's Your Number?Lennon lives with his wife, Jenny Robertson, in Los Angeles.

Trivia: Started a sketch-improv group called Bobby Peru while in college. Worked in the main company at the Groundlings improv theater in Los Angeles for nearly a decade. Pitched a variety of products in commercials for Swiffer Duster, Saturn, State Farm, Heineken, TiVo and Holiday Inn (for which he appeared with broadcaster Joe Buck in several spots). Considered his role as evil German Rolf in 2006's Beerfest as one of his favorites. Married Meaghan Gadd, daughter of well-known drummer Steve Gadd, whose tours are titled Mission From Gadd. Voiced characters on The Cleveland Show and American Dad! before landing a lead voice role on Allen Gregory in the fall of 2011. Cowrote (with Jim Rash) the adapted screenplay for The Descendants (2011), starring George Clooney.

Trivia: Lead actress Stephanie Faracy first appeared onscreen in the late '70s.

Trivia: A former theatre and psychology major at the University of Michigan, actor David Paymer's first Broadway success was in the long-running musical Grease. He tentatively launched his film career in the tiny but telling role of a cabbie in 1979's The In-Laws, then returned to working "live" as a performer and writer for The Comedy Store. A character actor even in his early twenties, Paymer displayed his versatility in a wealth of TV supporting roles on such weeklies as Cagney and Lacey, Diff'rent Strokes, The Commish and Downtown. Billy Crystal was so impressed with Paymer's work as ice-cream entrepreneur Ira Shalowitz in City Slickers (1991) that Crystal assigned him the plum role of Stan Yankelman, long-suffering brother and business manager of Berle-like comedian Buddy Young Jr., in Mister Saturday Night (1992). Convincingly playing an age range from 20 to 75, Paymer was honored with an Oscar nomination. Dividing his time between working in films and teaching classes at the Film Actor's Workshop, David Paymer has recently been seen as the angelic Hal in Heart and Souls (1993) and real-life TV producer Dan Enright in Robert Redford's Quiz Show (1994). In the decades to come, Paymer would remain an ever-present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wife.

Trivia: Started acting at age 4. Studied at the Lee Strasberg Institute in Los Angeles. Wrote, directed and starred in the short film A Mi Amor, Mi Dulce (2003). At age 29, she portrayed a middle-aged woman for her role as a former housekeeper in Meet the Fockers (2004). Has does extensive voice-over work, including providing the voice of the lead character in the cartoon El Tigre: The Adventures of Manny Rivera. Has appeared in stage productions of Kindertransport, Club Soda and The Vagina Monologues. Wrote and performed in a one-woman play called Patriotic Bitch.

Trivia: A driving creative force behind such critically praised, but short-lived, television series as Freaks and Geeks and Undeclared, writer/producer/director/actor Paul Feig has worn many hats throughout his enduring showbiz career. From teenage standup to high-profile Hollywood player, his unique perspective always seems to offer something fresh and innovative. A native of Mt. Clemens, MI, whose interest in theater prompted him to join the drama club and play an active role in forensics, Feig got his first taste of show business as the writer and director of a trio of television commercials for his father's hardware store. It was around the age of 15 that the aspiring comic began performing at local comedy clubs (accompanied by his parents, of course) and landing roles in community theater, and following his freshman year in college, Feig set his sights on a career in the entertainment industry. Realizing that he wasn't about to break into the movie business in Michigan, Feig began phoning every major Hollywood studio in hopes of finding work as an actor. Though that particular endeavor may not have landed him a lead in the latest Hollywood blockbuster, Universal Studios did mention that they were looking for tour guides -- and Feig was soon gassing up for the cross-country road trip that would bridge his past to his future. It didn't take long for Feig to land the job as a tour guide, and after becoming enamored with the film industry when he attended the world premiere of Raiders of the Lost Ark, the aspiring filmmaker was accepted into U.S.C. Film School. As his tenure at U.S.C. wound to a close, Feig opted to fill his internship credit by working as a script reader for Michael Phillips. The internship eventually evolved into a full-time job, and Feig's co-workers were constantly impressed with the aspiring writer's tireless drive to succeed -- though Feig was secretly itching to get back into standup comedy. A chance win on the $25,000 Pyramid provided Feig with the money needed to hit the road with his standup act, and in order to keep himself occupied on the road, the struggling standup worked to hone his screenwriting skills. When the acting bug finally lured Feig back to the West Coast, the struggling comic became a struggling actor with roles in such features as Three O' Clock High and Ski Patrol, and on the small screen in It's Garry Shandling's Show and the short-lived Dirty Dancing. More substantial roles in Heavyweights and That Thing You Do! were quick to follow, and after scraping together 30,000 dollars to film his feature debut, Feig stepped behind the camera to direct his script for Life Sold Separately. A low-key comedy drama concerning four strangers attempting to escape their day-to-day lives, Life Sold Separately went largely unseen despite landing mostly favorable reviews. In 1999, Feig served as writer and producer for the critically acclaimed, but ill-fated, television series Freaks and Geeks, a refreshing look at high-school life from the unique perspectives of the eponymous cliques. Two years later, Feig stepped behind the camera to direct episodes of the popular Freaks and Geeks follow-up series Undeclared, a unique and honest look at college life which suffered an eerily similar fate to its high-school counterpart. In 2003, Feig made an interesting departure from his generally humorous, Midwestern-flavored brand of comedy to direct I Am David, an adaptation of author Anne Holm's acclaimed novel North to Freedom. A touching tale of a young boy who escapes a concentration camp in a desperate attempt to deliver an important letter to Denmark, I Am David revealed a side of the director that audiences had rarely seen. Feig would continue to direct for the small screen, finding particular success with shows like Arrested Development, The Office, and Nurse Jackie. The filmmaker would continue to helm big screen efforts as well, most memorably with the 2012 comedy Bridesmaids.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: Whether playing a punk rocker, an assassin, a war vet, or a ghoul, Gary Oldman has consistently amazed viewers with his ability to completely disappear into his roles. Though capable of portraying almost any type of character, Oldman has put his stamp on those of the twisted villain/morally ambiguous weirdo variety, earning renown for his interpretations of the darker side of human nature.Born Leonard Gary Oldman in New Cross, South London, on March 21, 1958, Oldman was raised by his mother and two sisters after his father, an alcoholic welder, left them when Oldman was seven. Nine years later, Oldman left high school to work in a sporting goods store; in his spare time, he studied literature and later acting under the tutelage of Roger Williams. He went on to act with the Greenwich Young People's Theatre and, after attending drama school on a scholarship, worked with the Citizens Theatre in Glasgow. Oldman next worked in London's West End, where, in 1985, he won a Best Actor and a Best Newcomer award for his performance in The Pope's Wedding. By this time, he had made his film debut in Remembrance (1982) and had appeared in two television movies, notably Honest, Decent and True (1985). Oldman got his first big break when he was cast as Sid Vicious in Sid and Nancy (1986), Alex Cox's disturbing docudrama account of the punk rocker's tragic relationship with Nancy Spungen. Oldman's unnervingly accurate portrayal of the doomed rocker won rave reviews and effectively propelled him out of complete obscurity. The following year, he turned in a completely different but equally superb performance as famed playwright Joe Orton in Stephen Frears' Prick Up Your Ears and earned a Best Actor nomination from the British Academy of Film and Television Arts for his work. After moving to the U.S. that same year, Oldman appeared in Nicolas Roeg's Track 29 (1988), and in 1990, he had one of his most memorable -- to say nothing of cultish -- roles as Rosencrantz opposite Tim Roth as Guildenstern in Tom Stoppard's brilliant Rosencrantz and Guildenstern Are Dead.Oldman's first American role in a major Hollywood film was that of alleged assassin Lee Harvey Oswald in Oliver Stone's JFK (1991). He then gave a creepy, erotic performance in the title role of Francis Ford Coppola's rendition of Bram Stoker's Dracula (1992), a lavish film that proved to be the most commercially successful (next to JFK) of Oldman's career to date. In addition to playing such eccentrics as Drexl Spivey, a white pimp with dreadlocks who tries to prove himself a black Rastafarian in True Romance (1993), Oldman went on to play more conventional characters, as evidenced by his straightforward portrayal of a crooked cop in Luc Besson's The Professional (1994), his performance as Beethoven in Immortal Beloved (1994), and his role as Reverend Arthur Dimmesdale in the disastrous 1995 adaptation The Scarlet Letter.In 1997, Oldman made his directorial bow with Nil by Mouth, a bleak, semi-autobiographical drama about a dysfunctional blue-collar London family that Oldman dedicated to his late father. The film proved to be a controversial hit at that year's Cannes Festival, and the first-time director won a number of international awards and a new dose of respect for his work. He subsequently returned to acting with Luc Besson's The Fifth Element that same year, made while he took a break from editing Nil by Mouth. He also gave an enduringly cheesy portrayal of the sinister Russian terrorist bent on wresting world domination from American president Harrison Ford in the blockbuster Air Force One (1997) and followed that up by playing yet another villain in the 1998 feature-film version of the classic TV series Lost in Space.Two years later, the veteran actor was earning accolades on screens big and small with both his critically acclaimed performance in Rod Lurie's Oscar-nominated political drama The Contender, and his Emmy-nominated guest appearance in the popular TV sitcom Friends. Meanwhile, after escaping the clutches of the silver screen's most notorious cannibal in Ridley Scott's Hannibal (2001), Oldman joined the casts of not one but two of the most successful film franchises of the 2000s: The Harry Potter Series and Christopher Nolan's brooding Batman saga. As benevolent wizard Sirius Black in the former, he helped Hogwarts' most famous student battle the forces of evil, and as Lt. Jim Gordon in the later, he aided The Dark Knight in defeating some of Gotham's most powerful supervillains. And while he wasn't performing exorcisms in The Unborn or searching unlimited power in The Book of Eli, Oldman was showing his versatility by voicing characters in such popular video games as The Legend of Spyro: A New Beginning and Call of Duty: Black Ops. In 2011, as if to remind audiences that he could still be a compelling lead in addition to a strong supporting player, Oldman tackled the role of veteran MI6 spy George Smiley -- who comes out of retirement to sniff out a Russian mole in Tinker Tailor Soldier Spy. A highly stylized take on the classic John le Carre novel, the film not only drew rave reviews from critics, but also an Academy Award-nomination for Oldman. Oldman wrapped up his work in Harry Potter the same year, with a cameo in Harry Potter and the Deathly Hallows - Part 2 and Nolan's Batman trilogy finished the following year with The Dark Knight Rises. In 2014, he appeared in the remake of RoboCop, followed by a major role in Dawn of the Planet of the Apes.

Trivia: Following her breakthrough in 1988's Beetlejuice, Winona Ryder emerged as one of the most celebrated actresses of her generation. Adept at playing characters ranging from depressed, angst-ridden goths to Edith Wharton debutantes, the saucer-eyed, porcelain-skinned Ryder has attained critical respect in addition to widespread popularity.Ryder was born in and named after the city of Winona, MN, on October 29, 1971. The daughter of communal hippies and the goddaughter of LSD guru Timothy Leary, she grew up on a commune in Northern California. Ryder's family moved to Petaluma when she was ten; following regular abuse from her classmates, who targeted her for her unconventional, androgynous appearance (she was once jumped by a group of boys who had mistaken her for a gay boy), she was home schooled. At the age of 11, she joined the American Conservatory Theatre, and was soon trying out for movie roles. An audition for the part of Jon Voight's daughter in Desert Bloom failed to yield a role but did land the actress an agent, and at the age of 14, Ryder -- who had changed her last name from Horowitz -- made her film debut in Lucas (1986).Finding popularity with her turn as a suicidal teen who has more in common with the ghosts living in her attic than with her yuppie parents in Tim Burton's black comedy Beetlejuice, Ryder quickly became one of the most steadily employed actresses in Hollywood. She continued to corner the alienated and/or confused teen market with starring roles in a number of offbeat films, including the 1989 cult classic Heathers, Great Balls of Fire (in which she played Jerry Lee Lewis' 13-year-old bride), Burton's Edward Scissorhands, and Mermaids.The early '90s saw Ryder begin to branch out from teen roles toward parts requiring greater maturity. Following a turn as a taxi driver in Jim Jarmusch's Night on Earth (1991), the actress starred in Francis Ford Coppola's lavish adaptation Bram Stoker's Dracula and then went on to play Antonio Banderas' lover in the critically disembowelled The House of the Spirits. Greater success came with Martin Scorsese's 1993 adaptation of Edith Wharton's The Age of Innocence. Ryder won a Best Supporting Actress Oscar nomination for her portrayal of Daniel Day-Lewis' picture-perfect wife, and in the process started getting taken seriously as an actress capable of playing more adult characters.A second Oscar nomination -- this time for Best Actress -- followed the next year for Ryder's portrayal of Jo March in Gillian Armstrong's adaptation of Little Women. The same year, the actress took on an entirely different role in Reality Bites, in which she played a twentysomething suffering from post-graduation angst. Similar twentysomething angst followed in How to Make an American Quilt (1995) but was then traded for Puritanical adultery, hair extensions, and another turn with Daniel Day-Lewis in Nicholas Hytner's 1996 adaptation of The Crucible.Following a starring role in the highly anticipated and almost as highly criticized Alien Resurrection in 1997, Ryder had a turn as the waif-ish object of Kenneth Branagh's affections in Woody Allen's Celebrity. She managed to escape much of the criticism leveled at both of these films, and in 1999 and 2000, she reappeared with lead roles in two films, Girl, Interrupted, in which she played a mental institution inmate in the female answer to One Flew Over the Cuckoo's Nest, and the supernatural thriller Lost Souls. Winona shed her skin once more in 2002, when she took the romantic lead in Mr. Deeds, a typically goofy Adam Sandler vehicle. This was a surprising move for Ryder, who, despite making a niche for herself in nearly every imaginable genre, has rarely delved into the world of madcap romantic comedies. Of course, 2001-2002 wouldn't be complete without mention of Winona's inexplicable thievery; the young millionaire was convicted for stealing $5,500 worth of merchandise from a Beverly Hills Saks Fifth Avenue. 2003, meanwhile, meant more unfamiliar territory for Ryder -- she left fiction behind for a part in the documentary The Day My God Died. An uncredited turn as a warped child psychologist in director Asia Argento's The Heart is Decietful Above all Things showed without question that Ryder was still willing to shake things up on the silver screen, and in 2006 she would play an insurance claims investigator assigned the task of investigating a curious death in the aptly titled comedy The Darwin Awards. Later that same year, Ryder would be rotoscoped for a supporting role in director Richard Linklater's animated adaptation of the Philip K. Dick novel A Scanner Darkly. The next few years found the maturing actress eschewing Hollywood for roles in smaller independent features such as Sex and Death 101 and David Wain's The Ten, and on the heels of a brief yet memorable turn as Spock's mother in 2009's Star Trek, Ryder channeled her dark energy into the role of a former ballet ingenue on the decline in Darren Aronofsky's Black Swan. Meanwhile, in 2012, a voice role in Tim Burton's canine creature feature Frankenweenie found Ryder reuniting with the director who helped launch her to cinema stardom in the late-1980s.

Trivia: From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.Born Keanu Charles Reeves in Beirut, Lebanon, on September 2, 1964, and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers' romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock). In 2009, the actor was praised for his role as a bitter divorcee in the critically acclaimed comedy drama The Private Lives of Pippa Lee.Reeves soon pulled back from acting to focus more on behind-the-camera work, as a producer and director. He produced and starred in the limited release Henry's Crime (2010) and released his directorial debut, Man of Tai Chi, in 2013 (he also starred in the film). In 2014, Reeves executive produced and starred in John Wick, playing a retired hitman. He also produced a series of documentaries, Side by Side, about filmmaking in the digital and film world.Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada.

Trivia: Tall, gangly, and possessed of a frenetic intensity that lends itself to the highly eccentric and often borderline insane characters he plays, British actor Richard E. Grant is nothing if not one of the more distinctive performers to have gained celluloid immortality. His wild eyes and high-strung demeanor occasionally giving him an uncanny resemblance to a meerkat on speed, Grant has been delighting and shocking observers with both his on- and off-screen persona since his 1987 breakthrough in Withnail & I. Born Richard Grant Esterhuysen on May 5, 1957, in Mbabane, Swaziland, Grant had a somewhat distinctive upbringing, thanks in part to his father's job as the Swazi Minister of Education. His parents' divorce when the actor was 11, for example, was the source of a fair amount of scandal in South Africa. For his part, Grant knew early on that he wanted to be an actor, something that was fueled by an infatuation with Barbra Streisand and a steady diet of movies. He followed the career of Donald Sutherland with particularly rapt attention, as, like Grant, Sutherland was tall, thin, long-faced, and hailed from the middle of nowhere.After studying English and Drama at Cape Town University, where he co-founded the multi-racial, avant garde Troupe Theatre Company, Grant headed for London in 1982. He was greeted by a period of unemployment and frustration that lasted for almost five years. The actor eventually began finding work on the stage, and in 1984 was dubbed by Plays and Players magazine as "most promising newcomer" for his performance in Tramway Road at Hammersmith's Lyric Theatre. Ironically enough, given his years of struggle, it was Grant's portrayal of a bitter, pill-popping, unemployed actor in Bruce Robinson's black comedy Withnail & I that finally put him on the map. The film was a genuine cult classic, and Hollywood soon came sniffing around, if only to cast Grant in the 1988 demons-on-the-loose flop Warlock. The following year, the actor again tapped into his reserves of unpleasantness for Robinson, starring as a toxic advertising executive who develops a talking boil in the satirical How to Get Ahead in Advertising. Grant's hilariously vile characterization was considered by many to be the highlight of the film, and further paved the way for greater industry appreciation.Grant subsequently earned recognition on both sides of the Atlantic, thanks to a number of diverse and often peculiar roles in films of widely varying quality. Particularly memorable during the early to mid-'90s were portrayals Anais Nin's well-intentioned but dull husband in Henry & June (1990), the evil billionaire Darwin Mayflower in the spectacularly disappointing Hudson Hawk (1991), an overly insistent screenwriter in Robert Altman's The Player (1992), high society lounge lizard Larry Lefferts in Martin Scorsese's The Age of Innocence (1993), and an outrageous fashion designer that Grant described as a "male Vivienne Westwood" in Altman's disastrous Pret-A-Porter (1994).Despite his eccentric persona, Grant has time and again proven himself more than capable of essaying straight man roles, as he demonstrated in such films as Jack and Sarah (1995), in which he played a grieving widower; The Portrait of a Lady (1996), in which he had a small but memorable role as one of Isabel Archer's most ardent suitors; and the made-for-TV The Scarlet Pimpernel (1999), which cast him as its titular hero. He has also continued to shine in films that impress upon his comedic abilities, as evidenced by his role as Sir Andrew Aguecheek in Trevor Nunn's Twelfth Night (1996) and his portrayal of a disgruntled advertising man in A Merry War (1997) (otherwise known as Keep the Aspidistra Flying), a satirical comedy based upon a novel by George Orwell.Enlisted again by Altman, Grant showed up alongside a star-studded ensemble cast in 2001's critically-acclaimed Gosford Park. Supporting roles continued to suit him well as he would later take on parts in Steven Fry's Bright Young Things and the 2004 John Malkovich-starrer Colour Me Kubrick.

Trivia: A British actress who is probably best known to American audiences for her turn as a lusty society girl-turned-vampire in Francis Ford Coppola's Bram Stoker's Dracula and her former real-life role as the wife of Jude Law, Sadie Frost has resisted the pull of Hollywood in favor of a career in small British films. A number of these films have been the product of Natural Nylon, a production company that Frost founded with then-husband Law and actors Jonny Lee Miller, Ewan McGregor, and Sean Pertwee. Born into a large bohemian family in London in 1967, Frost had her acting debut at the age of three in a Jelly Tots commercial. She studied acting at the Italia Conti Academy of Theatre Arts when she was 11, and then ran away to Liverpool to become a punk. At the age of 19, Frost joined the Manchester Exchange Theatre, and that same year married Spandau Ballet frontman-cum-actor Gary Kemp, with whom she later co-starred in The Krays (1990) and the Polish arthouse film Papierowe Malzenstwo (1992). The marriage, which ended in 1997, produced one son. Frost got her biggest break when she was cast in Bram Stoker's Dracula (1992); although the film received very mixed reviews, many critics praised the actress' work as Winona Ryder's blood-sucking best friend. Frost resisted the lure of Hollywood, however, preferring to remain in her native country. In 1994, she starred in Shopping, a nihilistic urban drama that cast her as an Irish punk who, in the company of her boyfriend, enjoys adrenaline-fueled crime sprees. The film provided Frost with an introduction to Jude Law, who played her boyfriend. The two married in 1997 and had three children (two sons and a daughter) before they divorced in 2003.Frost subsequently appeared largely in such art films as Rancid Aluminum (2000), in which she starred with Rhys Ifans, Tara Fitzgerald, and Joseph Fiennes. She also took part in such Natural Nylon productions as The Final Cut (1998), a drama about people doing nasty things, and Love, Honour and Obey (1999), a drama about a group of East London gangsters. In addition to her film work, Frost co-owns the fashion label Frost French with her close friend Jemima French. Throughout the 2010's, Frost would appear in films like Shoot on Sight and The Heavy.

Trivia: The handsome blonde actor Cary Elwes (pronounced El-Ways) was born in London to a portrait painter and an interior designer. He moved to the U.S. to study at Sarah Lawrence College, but made his film debut in the U.K. with the coming-of-age drama Another Country (1984), co-starring alongside fellow handsome young actors Rupert Everett and Colin Firth. He soon started a pattern of appearing in historical dramas and other period pieces, first with Lady Jane (1985), opposite Helena Bonham Carter, and then as the lead role in Maschenka (1986), based on the book by Vladimir Nabokov. However, he didn't make his international film breakthrough until 1987 with Rob Reiner's classic adventure fairy tale The Princess Bride. He seemed to possess a timeless quality essential for the role of Westley, the sensitive-yet-daring farm boy who becomes the swashbuckling Dred Pirate Roberts and gallantly fights for his love. Continuing with historical films, he capably handled a Southern accent for the Civil War drama Glory and then tried a one-time stint as associate producer for the little-seen drama Leather Jackets. Next, he made a successful jump to broad comedy with lead roles in Hot Shots! (1991) and Robin Hood: Men in Tights (1993). Switching to darker themes, he played Lord Arthur Holmwood in Bram Stoker's Dracula (1992) and Alicia Silverstone's object of obsession in The Crush (1993). The following year, he briefly returned to adventures for The Jungle Book before moving on to playing authority figures in the thrillers Twister and Kiss the Girls. In the late '90s, he voiced cartoons and appeared in a few made-for-TV movies and miniseries until 1999, when he transformed his usually slender frame for the role of portly producer John Houseman (Orson Welles' colleague) in Tim Robbins' Cradle Will Rock. He continued portraying cinematic legends in his next few films, including the German cinematographer Fritz Arno Wagner in Shadow of the Vampire and pioneering producer Thomas H. Ince in The Cat's Meow. In 2001,he played a reoccurring role on The X-Files as FBI Assistant Brad Follmer and returned to romantic comedy adventures as Prince Regent Edgar in Ella Enchanted (2003).He was the lead in the infamous 2004 slasher movie Saw, and had a lead part in the 2006 National Lampoon comedy Pucked. In 2007 he appeared in the ill-fated Lindsay Lohan movie Georgia Rule. He came back for Saw: The Final Chapter in 2010. 2011 turned out to be a busy year for Elwes with parts in the comedy No Strings Attached, the Spielberg-directed The Adventures of Tintin, and the ensemble romantic comedy New Year's Eve.

Trivia: Gravel-voiced, versatile singer/songwriter Tom Waits has composed and played music in a variety of films, ranging from Francis Ford Coppola's One From the Heart (1982) to Jean-Luc Godard's First Name: Carmen (1983). On or off camera, Waits has been a colorful, quirky character noted for his surreal humor. Many of his songs reflect his interest in movies with either direct references or sly musical suggestions. During the late '70s, he became more directly involved in film, composing songs and even playing piano onscreen in Paradise Alley (1978). In the early '80s, Waits teamed up with Coppola, first with the Greek choir-like narration for One From the Heart and then as an actor in several of his films. At first, Waits had a one-line role as Buck Merrill in The Outsiders (1983). Coppola next gave Waits a bigger part as Benny in Rumble Fish (1983), and then dressed the rangy singer in a tuxedo and cast him as the MC in The Cotton Club (1984). Although he has often been offered the roles of nutcases and psychos in commercial films, Waits has preferred to work in independent productions such as Down by Law (1986). He entered mainstream film with 1987's offbeat drama Ironweed, and played himself in the concert film Big Time (1988), in which he performed his stage musical Frank's Wild Years and played the roles of a bored box-office manager, usher, and lighting grip. Waits also appeared in Bram Stoker's Dracula (1992). He continued to make acting a regular element of his career throughout the 90s and 2000s with supporting roles in films like 12 Monkeys (1995) and Mystery Men (1999), and playing himself in a vignette featuring fellow musician Iggy Pop in Jim Jarmuche's Coffee and Cigarettes (2003). Waits then went on to appear in the movie Domino (2005), which he also provided music for, and Terry Gilliam's The Imaginarium of Dr. Parnassus.