Trivia: A master of several Japanese martial arts, Steven Seagal is a popular action movie hero whose films combine spiritual concepts and social/environmental consciousness with high-voltage violence. Born in Lansing, MI, on April 10, 1951, Seagal traveled to Japan at the age of 17. There, he taught English, studied Zen, and perfected his martial arts, earning black belts in Aikido, karate, judo, and kendo. Afterwards, he became the first Westerner to open a martial arts school in Japan. During this time, Seagal occasionally choreographed fight scenes in movies and coached such stars as Sean Connery and Toshiro Mifune. He also became interested in Eastern religion: in a November 1997 interview for the Shambala Sun, he stated that his relationship with Tibetan Buddhism resulted from his study of acupuncture. According to Seagal, several ailing Tibetan lamas, suffering from malnutrition, exhaustion, and the effects of Chinese torture, were sent to him for treatment, which led him to become a director of secret security operations and setting up special safe houses. Regarding other incidents from his past, Seagal has remained secretive, though he was allegedly a bounty hunter and occasionally has hinted about involvement with the CIA. Further speculation has surrounded the work he did on behalf of Tibetan freedom fighters, and it was not until 1997 that he mentioned the large amounts of money he claimed to have donated to various religious organizations. Seagal spent about 15 years in Asia before returning to the States, where he opened a new martial arts academy and also worked as a celebrity bodyguard. His clients included his future (now ex-) wife Kelly LeBrock and Hollywood agent Michael Ovitz. With help from Ovitz, Seagal contracted to make martial arts films for Warner Bros. For his first film, he and cinematographer-turned-director Andrew Davis carefully refashioned an average police drama into Above the Law (1988), which stressed characterization and plot as well as high-energy action scenes. It was well received and Seagal found himself an instant star among action aficionados. His next film, Hard to Kill (1989), overflowed with chop-socky violence, casting him as a cop who wakens from a coma and sets out for revenge against those who sent him to the hospital. Seagal attracted mainstream appeal in 1992 when he starred in the Davis-directed hit Under Siege, his most popular movie. In 1994, he made his directorial debut with the environmentally conscious but critically panned On Deadly Ground, in which he single-handedly attempts to save Alaska and the Eskimos from an avaricious oil tycoon. Subsequent action attempts included 1996's Executive Decision and 1998's The Patriot. In 1999, Seagal turned to producing with Prince of Central Park, an uncharacteristically gentle film about a young boy living in the titular park. Following a rollicking time in the corrupt cop thriller Exit Wounds (2001), Segal shook things up behind bars in Half Past Dead (2002). The coming years would find Segal continuing to star in low proifle action fare like Urban Justice and Flight of Fury. He'd also find success starring on the TV series True Justice.In 1997, Seagal publicly announced that one of his prime Buddhist teachers, His Holiness Penor Rinpoche, had proclaimed him a tulku, the reincarnation of a Buddhist lama. Seagal's announcement met with some cynicism, but Penor Rinpoche backed him up with a formal statement at Colorado's Naropa Institute. In subsequent interviews, Seagal has presented himself as a serious student of Buddhism who spends many hours meditating, studying, and practicing the tenets to help him become a teacher and healer.

Trivia: A burly, bald black actor of stage, screen, and television, Ving Rhames specializes in playing villains and, indeed, having grown up on Harlem's meanest streets, is no stranger to violence. His onscreen persona, however, is no match for his real-life reputation as a deeply compassionate man, seriously dedicated to his profession. The actor ably demonstrated his capacity for abundant generosity during the 1998 Golden Globes ceremony when he handed over the award he had just won for portraying the title character of the cable film Don King: Only in America to fellow nominee Jack Lemmon, simply because he felt Lemmon's contributions to film exceeded his own.Though his upbringing in Harlem was rife with many temptations to engage in easy money criminal ventures, the deeply religious Rhames separated himself from street riffraff at a young age and focused his energies on school. It was his ninth grade English teacher who steered the sensitive young man toward acting, in large part because Rhames was unusually well spoken, frequently earning praise for his clear elocution. Inspired by a poetry reading he had attended with schoolmates, Rhames successfully auditioned for entrance into New York's prestigious High School for the Performing Arts. Once enrolled, he immersed himself in his studies and fell in love with acting. Following graduation in 1978, he attended the Juilliard School of Drama on a scholarship and focused his studies there on classical theater. After graduating from Juilliard in 1983, he went on to perform in Shakespeare in the Park productions. In 1984, Rhames made his television debut in Go Tell It on the Mountain and, the following year, landed his first Broadway role starring opposite Matt Dillon in The Winter Boys. Thus began a steady, fruitful theater career augmented by recurring roles on such daily soap operas as Another World and Guiding Light, and guest-starring parts on such primetime series as Miami Vice. He entered films in Native Son (1986), following that up with appearances in a series of modest films and television movies. Rather than getting a single big break into stardom, he made a gradual ascent that began with his appearance in Brian De Palma's grim Vietnam War saga Casualties of War (1989). Rhames again worked with Matt Dillon in 1993 on The Saint of Fort Washington. While filming on location in New York, Dillon introduced him to a man who had approached him, asking about the actor's involvement with Rhames on Broadway. It turned out that the stranger was Rhames' long-estranged older brother, Junior, who had lost contact with the family while serving in Vietnam. Troubled and unable to reintegrate into mainstream society, he had been living in a nearby homeless shelter. The compassionate Rhames was thrilled to see his big brother and promptly moved him into his apartment, helped him get a job, and later bought a home for his brother and parents to share. In 1994, Rhames gained considerable acclaim for his disturbingly convincing portrayal of the sadistic Marsellus Wallace in Quentin Tarantino's Pulp Fiction. His performance paved the way for supporting roles opposite some of Hollywood's most popular stars in such big budget features as Mission Impossible (1996) (as well as John Woo's 2000 sequel to the film), Con Air (1997), Out of Sight (1998), and Entrapment (1999). In addition to his film credits, Rhames has also continued to appear frequently on such television shows as E.R. Rhames' performance as a former gangster turned honest, hardworking man proved a highlight of Boyz N the Hood director John Singleton's 2001 drama Baby Boy, and after lending his distinctive voice to the computer animated box-office disaster Final Fantasy: The Spirits Within the actor returned to the small screen for a pair of made-for-television features. If subsequent efforts such as Undisputed failed to make a sizable dent at the box office, Rhames continued to impress with contributions to such features as Lilo and Stitch (again providing vocals for the animated film) and as a conscientious cop in the 2002 police drama Dark Blue. A role opposite Gary Oldman in the 2003 crime drama Sin flew under the radar of most mainstream film audiences, and in early 2004 Rhames took up arms against the hungry legions of the undead in the eagerly anticipated remake Dawn of the Dead. Subsequently reprising his role as Luther Stickell in Mission Impossible III, the imposing Rhames flexed his comedy muscles with a role in 2007's I Now Pronounce you Chuck and Larry before hitting what could be considered a career low-point in Steve Miner's embarassing Day of the Dead remake. An outrageous performance in 2009's The Goods: Live Hard, Sell Hard garnered some big laughs, and the following year Rhames did over-the-top horror the right way in Alexandre Aja's outrageous remake Piranha. In the next few years, however, Rhames' film output seemed to grow increasingly erratic, with roles in such Z-grade fare as Death Race 2 and Zombie Apocalypse earning the Emmy-winning veteran steady paychecks but precious little artistic integrity.

Trivia: With his intimidating, tattooed, muscle-bound appearance, character actor Danny Trejo has formed a successful career as the all-purpose hard case over his curious and enduring cinematic career. Beating the odds of repeat offender syndrome after being released from prison, Trejo has risen through the ranks to find himself in high demand as an actor, and has even expanded his talents to include a producer credit to his resumé. His life story is just about as pristine an example of rehabilitation as one could ask for.Raised in the mean streets of East L.A., Trejo spent many of his early years incarcerated in such legendary prisons as Folsom and San Quentin on drug and robbery convictions. Channeling his intense energy into the boxing ring and winning numerous lightweight and welterweight titles, Trejo was released as a new man after completing a life-changing 12-step rehabilitation program to overcome his addictions. Applying the ideas that changed his life in an attempt to help others headed down a similar path, upon release Trejo became involved with numerous rehabilitation and counseling programs. A chance meeting with a young man who asked for his support at a Cocaine Anonymous meeting in 1985 later found the sympathetic ex-con meeting the struggling addict on the set of Runaway Train, and Trejo was quickly offered a role as a convict presumably based on his threatening appearance. Chance piled upon chance found an old prison buddy/screenwriter who remembered Trejo's hard-hitting boxing skills on the same set, and Trejo was then offered a chance to train Eric Roberts for a film, and was eventually offered the role as his opponent in the ring. Following with roles in The Hidden (1987), and later Lock-Up (1989), Marked for Death (1990), Mi Vida Loca (1993), and Heat (1995), Trejo formed an alliance with director Robert Rodriguez with Desperado in 1995, and soon graduated to such bigger-budget films as Con Air (1997) and The Replacement Killers (1998) in the latter 1990s. The Rodriguez-Trejo twosome found the actor taking on the role of Uncle Isadore "Machete" Cortez in the director's 2001 smash hit Spy Kids, and was later cast in both the film's sequel and Rodriguez's Once Upon a Time in Mexico (2002). Trejo continued to work steadily on the big and small screens in a variety of projects such as Alias, Monk, The Devil's Rejects, Snoop Dogg's Hood of Horror, the indie drama SherryBaby, and Smiley Face. He enjoyed one of his rare big-screen starring vehicles when Robert Rodriguez made Machete -- a feature-length version of the trailer he created for Grindhouse -- in 2007. He went on to appear in Valley of Angels, Saint John of Las Vegas, A Very Harold & Kumar Christmas, and Bad Ass.