Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Born into a show business family -- father Michael Hawkins is a stage actor and mother Mary Jo Slater is a casting director -- Christian Slater made his acting debut at age eight after his mother cast him in the television soap opera One Life to Live on a lark. The following year Slater was on Broadway starring opposite Dick Van Dyke in The Music Man. Slater would remain on Broadway for at least two more productions. As a youth, Slater attended Manhattan's Professional Children's School. He made his television debut in the movie Living Proof: The Hank Williams Junior Story (1983) and his film debut two years later when he was only 16 in The Legend of Billy Jean. Slater earned some of his first favorable notice starring opposite Sean Connery in The Name of the Rose (1986). He next appeared in Tucker, a Man and His Dream (1988), and more films followed after that, but Slater did not become a star until he co-starred opposite Winona Ryder in the darkly satirical Heathers in which he played an anarchic sociopath. His maniacal over-the-top performance led to comparisons with Jack Nicholson. After Heathers, it looked as if Slater was destined to be typecast into playing lunatic villains or seriously troubled youths. In the latter regard, life seemed to mirror his art.In 1989, he was arrested in West Hollywood for leading the police on a drunken car chase that ended when Slater crashed his car into a telephone pole. While trying to escape the car, he kicked a cop with his cowboy boot and then attempted to flee over a fence. In 1994, he was arrested for taking a gun aboard a plane. In 1997, Slater was arrested for attacking his lover and biting a police officer in the belly while drinking heavily; he was sentenced to spend 90 days in a suburban jail in early 1998, all this just one day after his newest film, Hard Rain, premiered. Shortly after sentencing, Slater admitted that he had also been taking cocaine and heroin at the time. As part of his sentence, he had to serve post-jail time in a drug/alcohol rehab program and attend a year-long program on preventing domestic violence. Despite his personal struggles, Slater has maintained a film career starring as a high school geek with a cool secret life in Pump Up the Volume (1990) to the romantic Bed of Roses (1996) to high-voltage actioners like Broken Arrow (1996). In his 1997 production Julian Po, he gained weight, grew a mustache, and appeared as a suicidal bookkeeper who embezzles money from his company so he can fulfill one final wish. Though subsequent roles in such critically-panned films as 3000 Miles to Graceland, Windtalkers, and Alone in the Dark did little to advance Slater's career, recurring roles in such popular television series' as Aaron Sorkin's The West Wing and J.J. Abrams' Alias offered not only more exposure, but a chance to reestablish himself on the small screen as well. Meanwhile, a promising debut as a secret agent with a duel personality on NBC's My Own Worst Enemy proved a bit of a false start when the network never offered the show a chance to find its legs. Ever resiliant, Slater quicky bounced back with ABC's The Forgotten in 2009 and Fox's Breaking In in 2011, though neither series failed to catch on, leaving the veteran actor to take up arms as a vengeful gunslinger in the 2012 western Dawn Rider, and get caught up in one of history's most notorious blood feud's in Fred Olen Ray's Bad Blood: The Hatfiends and McCoys.

Trivia: Six-foot four-inch, beefy character actor with rubbery, homely face, Quaid's first professional show-business work was as the "straight man" half of a comedy duo with actor Trey Wilson in Houston. While a third-year college drama student he was cast by Peter Bogdanovich in a supporting role in The Last Picture Show (1971), then went on to have small roles in Bogdanovich's next two movies. He made a big impression as a naive sailor alongside Jack Nicholson in The Last Detail (1973), for which he received a Best Supporting Actor Oscar nomination. By the mid '70s, he worked in films frequently, usually typecast as a dim-witted fool or redneck. In the mid '80s he was (for one season) in the regular cast of the weekly sketch-comedy series "Saturday Night Live," on which he demonstrated his considerable comedic talent and often impersonated President Ronald Reagan. More recently he has gotten straight dramatic roles, a transition marked by his off-Broadway stage debut in True West in 1983. He has also worked frequently in TV movies, portraying Lenny in Of Mice and Men (1981) and Lyndon Johnson in LBJ: The Early Days (1987); for his portrayal of Mitch in the TV version of A Streetcar Named Desire (1984) he won an Emmy. He is the brother of actor Dennis Quaid, with whom he appeared in The Long Riders (1980).

Trivia: Displaying talent both for acting and for appearing at awards ceremonies wearing dresses that attract more attention than the awards themselves, Minnie Driver rose from almost complete obscurity to her position as one of the most visible British actresses of the 1990s over the course of just a few years. Born Amelia Driver in London on January 31, 1971, she was christened "Minnie" by her sister, who was too young to pronounce her little sister's name correctly. Raised in Barbados and schooled in locales as diverse as Paris, Grenoble, and Hampshire, Driver attended the Webber Douglas Academy of Dramatic Art in London, where she studied drama.Driver got her start on the stage and on television and made her big-screen debut in Circle of Friends in 1995. Playing the film's protagonist -- a "big, soft girl," as one of the film's characters calls her -- she was required to gain over 20 pounds for the role. She won critical acclaim for her performance, but had trouble finding more work until she lost the weight. Once she was revealed to be a statuesque beauty in the James Bond film GoldenEye (1995), she soon was being written up in a number of magazine articles that hailed her as one to watch. Critical appreciation for her work in Sleepers and Stanley Tucci's Big Night followed in 1996, and the next year, Driver proved herself capable of handling both comedy and a convincing Midwestern accent in Grosse Pointe Blank. That same year, she had what was possibly her most high-profile role to date in Gus Van Sant's Good Will Hunting. Starring as Matt Damon's brilliant girlfriend (a role she reportedly played offscreen as well), she earned a Best Supporting Actress Oscar nomination for her performance.In 1998, Driver could be seen in The Governess and At Satchem Farm, a romantic comedy she executive produced with her sister, Kate, and actor Nigel Hawthorne. She also ventured into the action realm with Hard Rain. Driver then put her voice to lucrative use, voicing characters in Disney's Tarzan, South Park: Bigger, Longer and Uncut in 1999, and Lady Eboshi in the 1999 English dubbed release of the Japanese film Princess Mononoke. That same year, she took a swing at Oscar Wilde, starring in Oliver Parker's adaptation of Wilde's An Ideal Husband with Rupert Everett, Cate Blanchett, Julianne Moore, and Jeremy Northam. Driver then shed her corset and donned an American accent for her starring role in Bonnie Hunt's Return to Me (2000), a romantic comedy that cast the actress as a woman who falls in love with a widowed architect (David Duchovny) and discovers a surprising secret about the identity of his dead wife.Driver returned to television in 2007, when she co-starred with Eddie Izzard for the FX Network's The Riches, a series following a family squatting in an upscale suburban community. The role earned her nominations for an Emmy Award and Golden Globe Award for Best Lead Actress in a Drama Series in both 2007 and 2008. In 2010, Driver joined actress Hilary Swank in Conviction, a film chronicling the real-life story of a single mother who obtains a law degree to represent her brother, who was wrongfully convicted of murder. The same year, Driver joined Paul Giamatti for which she would earn a Genie Award for Best Supporting Actress. The actress co-starred with a cast including Vera Farmiga and Will Arnett in the 2011 comedy Goats.

Trivia: Raised in the only Jewish family in his neighborhood, American actor Ed Asner grew up having to defend himself both vocally and physically. A born competitor, he played championship football in high school and organized a top-notch basketball team which toured most of liberated Europe. Asner's performing career got its start while he was announcing for his high school radio station; moving to Chicago in the '50s, the actor was briefly a member of the Playwrights Theatre Club until he went to New York to try his luck on Broadway. Asner starred for several years in the off-Broadway production Threepenny Opera, and, toward the end of the '50s, picked up an occasional check as a film actor for industrial short subjects and TV appearances. Between 1960 and 1965, he established himself as one of television's most reliable villains; thanks to his resemblance to certain Soviet politicians, the actor was particularly busy during the spy-show boom of the mid-'60s. He also showed up briefly as a regular on the New York-filmed dramatic series Slattery's People. And though his film roles became larger, it was in a relatively minor part as a cop in Elvis Presley's Change of Habit (1969) that Asner first worked with Mary Tyler Moore. In 1970, over Moore's initial hesitation (she wasn't certain he was funny enough), Asner was cast as Lou Grant, the irascible head of the WJM newsroom on The Mary Tyler Moore Show. The popular series ran for seven seasons, during which time the actor received three Emmy awards. His new stardom allowed Asner a wider variety of select roles, including a continuing villainous appearance on the miniseries Roots -- which earned him another Emmy. When Moore ceased production in 1977, Asner took his Lou Grant character into an hour-long dramatic weekly about a Los Angeles newspaper. The show's title, of course, was Lou Grant, and its marked liberal stance seemed, to some viewers, to be an extension of Asner's real-life viewpoint. While Lou Grant was in production, Asner was twice elected head of the Screen Actors Guild, a position that he frequently utilized as a forum for his political opinions -- notably his opposition to U.S. involvement in Central America. When Asner suggested that each guild member contribute toward opposing the country's foreign policy, he clashed head to head with Charlton Heston, who wrested Asner's office from him in a highly publicized power play. Although no tangible proof has ever been offered, it was Asner's belief that CBS canceled Lou Grant in 1982 because of his politics and not dwindling ratings. The actor continued to prosper professionally after Lou Grant, however, and, during the remainder of the '80s and into the '90s, starred in several TV movies, had guest and recurring roles in a wide variety of both TV dramas and comedies, and headlining two regular series, Off the Rack and The Bronx Zoo. Slowed but hardly halted by health problems in the '90s, Asner managed to find time to appear in the weekly sitcoms Hearts Afire and Thunder Alley -- atypically cast in the latter show as an ineffective grouch who was easily brow-beaten by his daughter and grandchildren.

Trivia: American actor Richard Dysart portrayed sandy-haired, distinguished corporate types for nigh onto thirty years. Several seasons of stage and TV work were followed by supporting authority-figure roles in such films as The Hospital (1971), The Crazy World of Julius Vrooder (1974) (as the title character's dad), Meteor (1978) (the Secretary of Defense) and Being There (1979) (the doctor of politico Melvyn Douglas). TV-movie credits for Dysart include The Autobiography of Miss Jane Pittman (1973), The People vs. Jean Harris (1980), Last Days of Patton (1985), the Hedda Hopper/Louella Parsons biopic Malice in Wonderland (1988), and the made-for-cable Marilyn and Bobby: Her Final Affair (1993). In 1986, Richard Dysart gained nationwide TV fame as senior law partner Leland McKenzie on the NBC weekly L.A. Law, for which he earned an Emmy Award for Best Supporting Actor in a Drama Series. He mostly retired from acting once L.A. Law ended in 1994, doing occasional voice-over work and reprising his role in an L.A. Law TV movie in 2002. Dysart died in 2015, at age 86.

Trivia: Actress Betty White got her start in local Los Angeles television as the "telephone girl" for video emcee Al Jarvis. By early 1950 she was one of the stars of the daily, five-hour series Hollywood on Television. One of the highlights of this program was a husband and wife sketch titled "Life With Elizabeth," which when committed to film and syndicated nationally in 1953 became White's first starring TV sitcom. She went on to headline her own network variety series in 1954, then co-starred with Bill Williams in the weekly TV domestic comedy Date With the Angels (1957), which without Williams was retitled The Betty White Show in early 1958. For the next 15 years she made guest appearances on various variety and quiz show efforts, and toured the straw-hat theatrical circuit in such plays as Critics Choice and Who Was That Lady, often appearing opposite her husband, TV personality Allen Ludden. Two years after hosting the 1971 syndicated informational series The Pet Set, she guest-starred as libidinous "Happy Homemaker" Sue Ann Nivens on the fourth season opener of The Mary Tyler Moore Show. This Emmy-winning episode led to White being cast as an MTM regular; she remained with the series until its final episode in 1977. She then starred on her own short-lived sitcom (again titled The Betty White Show) before returning to the guest-star circuit. In 1985, she joined the cast of TV's The Golden Girls as middle-aged grief counselor Rose Nyland. This top-rated program lasted seven seasons before metamorphosing into the rather less successful Golden Palace (1992). White was a regular on the 1995 series Maybe This Time, and in 1997 she won an Emmy for her one-shot appearance on The John Laroquette Show. She was in the films Hard Rain and The Story of Us, as well as Lake Placid. In 2003 she was cast in Bringing Down the House, and in 2008 provided a voice for the American version of Ponyo. White developed a new generation in fans when she became the subject of a successful online campaign to get her to host Saturday Night Live - which she did in 2010, along with winning the SAG award for Life time Achievement. The year before, she had a part in the hit Sandra Bullock vehicle The Proposal. She also became the star of year another successful TV show when she was cast in the female-centric sitcom Hot in Cleveland. She lent her voice to the 2012 adaptation of The Lorax.

Trivia: Character actor Mark Rolston specialized in everyman portrayals with a slightly understated, tough edge to them. Born in Baltimore, MD, in 1956, Rolston broke into film in the early to mid-'80s and scored his first major feature role with a turn as a private in James Cameron's effects-heavy sci-fi blockbuster Aliens (1986). Within a few years, he began turning up in supporting capacities in numerous additional features; the more visible included Weeds (1987), Prancer (1989), Body of Evidence (1993), Rush Hour (1998), and Martin Scorsese's Best Picture winner The Departed (2006). In 2008, Rolston signed on to play Erickson, who comes face to face with Jigsaw's (Tobin Bell) diabolical traps, in the fifth installment of the gore-soaked Saw franchise. Rolston also made television appearances on programs including Touched by an Angel and NYPD Blue.

Trivia: Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. Florek continued to work on Law & Order until 2010.

Trivia: Supporting player, onscreen from the '80s.

Trivia: Versatile actor Michael A. Goorjian began tackling screen assignments in the early '90s (when the actor was in his early twenties) -- typically bit roles in A-list Hollywood features. His resumé includes brief appearances in such films as Chaplin (1992), Leaving Las Vegas (1995), Hard Rain (1998), and Conversations with God (2006). On the small screen, Goorjian had a recurring role in the early '90s on the family drama Life Goes On as Ray Nelson and a supporting role as Justin Thompson on another popular family drama, Party of Five (from 1994 to 2000). Goorjian debuted as a writer/director/performer with the Kirk Douglas weeper Illusion (2004), about a film director (Douglas) forced to review the "footage" from his dysfunctional life -- and face the knowledge that he singlehandedly destroyed the life of his illegitimate son (Goorjian).