Trivia: The son of a Brooklyn policeman who died when he was eight, African-American comedy superstar Eddie Murphy was raised in the comfortable middle-class community of Hempstead, NY, by his mother and stepfather. A natural-born class clown, he was voted the most popular student at Roosevelt Junior and Senior High. By the age of 15, he was doing standup gigs at 25 to 50 dollars a pop, and within a few years he was headlining on the comedy-club circuit.Murphy was 19 he was when hired as one of the backup performers on the NBC comedy weekly Saturday Night Live. His unique blend of youthful arrogance, sharkish good cheer, underlying rage, and street-smart versatility transformed the comedian into SNL's prime attraction, and soon the country was reverberating with imitations of such choice Murphy characterizations as sourball celebrity Gumby, inner-city kiddie host Mr. Robinson, prison poet Tyrone Green, and the Little Rascals' Buckwheat. Just when it seemed that he couldn't get any more popular, Murphy was hastily added to the cast of Walter Hill's 1982 comedy/melodrama feature film 48 Hours, and voila, an eight-million-dollars-per-picture movie star was born. The actor followed this cinematic triumph with John Landis' Trading Places, a Prince and the Pauper update released during the summer of 1983, the same year that the standup album Eddie Murphy, Comedian won a Grammy. In 1984, he finally had the chance to carry a picture himself: Beverly Hills Cop, one of the most successful pictures of the decade. Proving that at this juncture Murphy could do no wrong, his next starring vehicle, The Golden Child (1986), made a fortune at the box office, despite the fact that the picture itself was less than perfect. After Beverly Hills Cop 2 and his live standup video Eddie Murphy Raw (both 1987), Murphy's popularity and career seemed to be in decline, though his staunchest fans refused to desert him. His esteem rose in the eyes of many with his next project, Coming to America (1987), a reunion with John Landis that allowed him to play an abundance of characters -- some of which he essayed so well that he was utterly unrecognizable. Murphy bowed as a director, producer, and screenwriter with Harlem Nights (1989), a farce about 1930s black gangsters which had an incredible cast (including Murphy, Richard Pryor, Della Reese, Redd Foxx, Danny Aiello, Jasmine Guy, and Arsenio Hall), but was somewhat destroyed by Murphy's lazy, expletive-ridden script and clichéd plot that felt recycled from Damon Runyon stories. Churned out for Paramount, the picture did hefty box office (in the 60-million-dollar range) despite devastating reviews and reports of audience walkouts. Murphy's box-office triumphs continued into the '90s with a seemingly endless string of blockbusters, such as the Reginald Hudlin-directed political satire The Distinguished Gentleman (1992), that same year's "player" comedy Boomerang, and the Landis-directed Beverly Hills Cop III (1994). After an onscreen absence of two years following Cop, Murphy reemerged with a 1996 remake of Jerry Lewis' The Nutty Professor. As directed by Tom Shadyac and produced by the do-no-wrong Brian Grazer, the picture casts Murphy as Dr. Sherman Klump, an obese, klutzy scientist who transforms himself into Buddy Love, a self-obsessed narcissist and a hit with women. As an added surprise, Murphy doubles up his roles as Sherman and Buddy by playing each member of the Klump family (beneath piles and piles of latex). The Nutty Professor grossed dollar one and topped all of Murphy's prior efforts, earning well up into the hundreds of millions and pointing the actor in a more family-friendly direction. His next couple of features, Dr. Dolittle and the animated Mulan (both 1998), were children-oriented affairs, although in 1999 he returned to more mature material with the comedies Life (which he also produced) and Bowfinger; and The PJs, a fairly bawdy claymation sitcom about life in South Central L.A.Moving into the new millennium, Murphy resurrected Sherman Klump and his brood of misfits with the sequel Nutty Professor II: The Klumps (2000) before moving on to yet another sequel in 2001, the decidedly more family-oriented Dr. Dolittle 2. That same year, sharp-eared audiences were served up abundant laughs by Murphy's turn as a donkey in the animated fairy tale spoof Shrek. Nearly stealing the show from comic powerhouse co-star Mike Myers, children delighted at Murphy's portrayal of the put-upon sidekick of the kindhearted ogre and Murphy was subsequently signed for a sequel that would go into pre-production in early 2003. After bottoming out with the subsequent sci-fi comedy flop The Adventures of Pluto Nash, Murphy stepped into Bill Cosby's old shoes for the mediocre big-screen adaptation of I Spy. With the exception of a return to donkeydom in the 2004 mega-hit Shrek 2, Murphy stuck with hapless father roles during the first several years of the new millennium, Daddy Day Care being the most prominent example, with Disney's The Haunted Mansion following closely behind.In December 2006, however, he emerged with a substantial part in Dreamgirls, writer/director Bill Condon's star-studded adaptation of the hit 1981 Broadway musical about a Supremes-esque ensemble's ascent to the top. Murphy plays James Thunder Early, an R&B vocal sensation for whom the titular divas are hired to sing backup. Variety's David Rooney proclaimed, "Murphy...is a revelation. Mixing up James Brown, Marvin Gaye, Smokey Robinson, Jackie Wilson, and some of his own wiseass personae, his Jimmy leaps off the screen both in his scorching numbers (his proto-rap is a killer) and dialogue scenes. It's his best screen work." A variety of critics groups and peers agreed with that assessment, landing Murphy a number of accolades including a Best Supporting Actor Oscar nomination. Around the same time, Murphy wrapped production on director Brian Roberts' Norbit. In that picture, the actor/comedian retreads his Nutty Professor work with a dual turn as Norbit, an insecure, backward geek, and Norbit's monstrous wife, an oppressive, domineering loudmouth. The story has the unhappy couple faced with the possible end of their marriage when Norbit meets his dream-girl (Thandie Newton). Never one to stray too far from familiar territoryMurphy next reteamed with the vocal cast of Shrek yet again for the next installment in the series, Shrek the Third.Over the coming years, Murphy would appear in a handful of comedies like Meet Dave, Imagine That, and Tower Heist. In 2011, he was announced as the host of 2012 Academy Awards, with Brett Ratner (his Tower Heist director) producing the show, but Murphy dropped out after Ratner resigned. In 2013, a fourth Beverly Hills Cop was announced, but the film was pulled from Paramount's schedule after pre-production issues.

Trivia: Actor/comedian Martin Lawrence started the 21st century off with a bang, starring and executive producing Big Momma's House, the story of an FBI agent posing as a corpulent Southern matriarch, which went on to gross more than 100 million dollars, despite universally negative reviews. The success of this film pushed Lawrence ever closer to joining the much-coveted 20-million-dollar club, cementing his reputation as one of the biggest comic stars for years to come.Lawrence was born in Frankfurt, Germany, on April 16, 1965, and eventually settled with his family in suburban Maryland around his sixth birthday. Soon after, his father left the family; Lawrence claims he got his start as a comedian by cheering up his mother, who was forced to support her six children by cashiering in various department stores. He attended Eleanor Roosevelt High School in Landover, MD, dabbling in sports and sticking with comedy, even agreeing to stop acting up in an art class in return for performing his stand-up routine in front of the other students.Soon after graduating, the bug-eyed performer earned a chance to perform on Star Search, which led to a role in 1985's What's Happening Now! Lawrence kept honing his frenetic schtick and by 1989, won two big breaks -- a supporting role in Spike Lee's Do the Right Thing and MCing HBO's Def Comedy Jam. Lawrence continued to rack up scene-stealing roles throughout the early '90s, including parts in House Party, House Party 2, and Boomerang, eventually landing his own series on Fox in 1992, appropriately named Martin. The show became a huge success, its risqué humor making it a ratings stalwart for more than five years and winning two NAACP Image Awards in the process, although some detractors criticized Lawrence for promoting the image of an oversexed, insensitive black man.Two years after Martin's successful launch, Lawrence released You So Crazy!, a raunchy, vulgarity-laced comedy that originally received the NC-17 rating and was later released unrated. Its crudeness, however, didn't matter much to audiences, as You So Crazy! went on to become one of the highest-grossing concert films of its time.Lawrence appeared to have it all, professionally and privately; in 1995 he married former beauty queen Patricia Southall in a lavish ceremony and the pair had a daughter, Jasmine. Around this time, however, Lawrence's success story began to slip away, his off-camera behavior setting up what should someday be a fascinating E! True Hollywood Story.On the set of his directorial debut, A Thin Line Between Love and Hate, Lawrence erupted in a violent outburst and began taking psychotropic drugs. A few months later, he was arrested for another disturbance, where he reportedly brandished a pistol and screamed at tourists and others on Ventura Boulevard. Over the next two years, his behavior became even more erratic as he racked up a series of gun-related arrests. He landed in drug rehab and filed for divorce from Southall after she got a temporary restraining order against him for yet another vicious eruption.But the most bizarre and unsettling charges were yet to come. Tisha Campbell, Lawrence's co-star on Martin and the House Party films, filed suit against the star and the show's producers, HBO Studios, claiming Lawrence sexually harassed her to the point that she feared for her safety. The studio brokered a settlement that allowed Campbell to finish the show's final season, although she and Lawrence would never be on the soundstage together again.Despite all the trauma, Lawrence seemed as popular as ever. He starred in four hugely commercial successes between 1995 and 1999, including Bad Boys with Will Smith, Nothing to Lose with Tim Robbins, Life with Eddie Murphy, and on his own in Blue Streak. These films made Lawrence extremely bankable -- his salary broke the ten-million-dollar mark for Big Momma's House and it seemed as if his previous troubles were behind him.Then in 1999, while jogging to lose an extra few pounds before filming began on Big Momma's House, Lawrence collapsed into a severe coma due to heat exhaustion, delaying the production's start and firing up the old rumors of drug use and unpredictable behavior. But after recuperating, Lawrence said the coma scare put him back on the straight and narrow.His career trajectory certainly supported this -- after the success of Big Momma's House, he reportedly earned 13 million dollars for What's the Worst That Could Happen? with Danny DeVito. He earned upwards of 16.5 million dollars for Black Knight, which featured Lawrence as a down-on-his-luck employee of a theme restaurant who finds himself transported back to medieval times. Lawrence's next film appearance, Martin Lawrence Live: Runteldat, once again found the popular but controversial funnyman taking to the stage, though this time in a far more personal bid to humorize the sometimes startling headlines that had left many fans fearing for both his health and sanity. Seemingly purged of his current demns and eager to settle back into a lucrative film career, Lawrence took to the screen opposite Steve Zahn for the high-speed action comedy National Secuity (2003) before gearing up for the sequel to Bad Boys. After a relatively quiet 2004, Lawrence attempted to broaden his appeal by playing a basketball coach in the family-oriented comedy Rebound. In 2006 Lawrence performed in his first animated film, Open Season, opposite Ashton Kutcher, and released the sequel to one of his biggest comedy hits Big Momma's House 2. That same year he filmed the biker road comedy Wild Hogs alongside Tim Allen and John Travolta.

Trivia: Portly American character actor Ned Beatty originally planned to enter the clergy, but after appearing in a single high-school play, he changed his mind and decided to become a thespian instead. By his early twenties, Beatty was playing Broadway and it was his work in the play The Great White Hope that attracted the interest of film director John Boorman, who cast him as one of the four main stars in his gripping backwoods thriller Deliverance (1972). Forever immortalized in the notorious "squeal like a pig" rape scene, Beatty subsequently went on to become one of the screen's more prolific supporting actors, frequently appearing in up to four films per year. His more notable film work includes Nashville (1975), All the President's Men (1976), Network (for which he earned an Oscar nomination), The Big Easy (1987), Hear My Song (1991), A Prelude to a Kiss (1992), Radioland Murders (1994), and He Got Game (1998). In 1999, he could be seen as a small-town sheriff in the Robert Altman ensemble film Cookie's Fortune.At the start of the 21st century the always-employed character actor continued to work steadily in projects as diverse as Roughing It, Where the Red Fern Grows, Shooter, and Charlie Wilson's War. He joined the Pixar family when he voiced Lotso, the bad guy in Toy Story 3, and he provided the voice of Mayor in 2011's Oscar winning animated feature Rango.

Trivia: The son of a musician, African American actor Clarence Williams III was raised by his grandmother. While attending his local YMCA branch as a teenager, Williams became interested in dramatics. After a two-year hitch with the Air Force, he began his acting career, making his New York debut in 1960's The Long Dream. Williams amassed an impressive list of Broadway credits, and in 1966 was artist in residence at Brandeis University. Still, he remained an unknown commodity in Hollywood until 1968, when he was cast as "hip" undercover cop Linc Hayes on the popular TV weekly The Mod Squad. After the series' cancellation in 1973, Williams divided his time between stage and film work, occasionally functioning as a director. Among his better-known assignments of recent years was the role of Prince's father in Purple Rain (1984) and the recurring part of Roger Hardy in the cult TV series Twin Peaks (1990). Clarence Williams III is married to actress Gloria Foster.

Trivia: An edgy comic who skyrocketed to comedy fame with his memorably side-splitting appearance in Spike Lee's The Original Kings of Comedy, Bernie Mac may have seemed an unlikely candidate for a television sitcom, but with the debut of The Bernie Mac Show, the inventive comedian began on a high note, leaving many pondering the apparent overnight success of the comedian who had ostensibly come from nowhere to become a ubiquitous presence. Born Bernard Jeffrey McCullough in Chicago, IL, Mac was a member of a large extended family living under one roof, which provided the energetic youngster with plenty of fuel for refining his ability to perform dead-on impressions and humorously recall memorable family occurrences. Time spent as a gopher for performers at the Regal Theater also served as a primer for his showbiz aspirations (as well as a cautionary warning of the destructive temptations that go along with fame). Mac's first experiences with standup came at the age of eight, when he performed a routine about his grandparents at the dinner table in front of the congregation at church. Though it resulted in some strict reprimanding from his grandmother, he had the audience feeding out of his palm and the young impressionist quickly had the epiphany that humor meant more to him than the sting of discipline. From that point on, Mac refined and developed his comic abilities on the tracks of Chicago's El trains and in local parks. Though he earned a modest keep from his public performances, Mac craved the legitimacy of the club circuit and he began to perform professionally in 1977. After early film work -- including memorable appearances in Above the Rim (1994) and The Walking Dead (1995), which followed on the heels of his big-screen debut in 1992's Mo' Money -- Mac was offered and appeared in the television series Midnight Mac in 1995. Hesitation as to the neutering of his material made the comedian leery of television, and the show didn't last. The comic actor earned more attention when he turned up frequently the following year in television's Moesha, though mainstream acceptance was still four years and numerous bit film parts away. Following The Original Kings of Comedy, Mac began to develop an idea for a sitcom that revolved around similar family experiences and retained the edge that had initially shocked his audiences into laughter. In 2001, he debuted the family sitcom The Bernie Mac Show, and it was a success, running for five seasons. 2001 would indeed prove to be the year of the Mac as he also took on a substantial role in director Steven Soderbergh's Ocean's 11. He reprised that character in the two Ocean's sequels, as well as lead roles as a vice presidential candidate in the Chris Rock political satire Head of State and as a washed-up baseball player in 2004's Mr. 3000. 2007 saw Mac in a more serious role as a kindly janitor in the inspirational sports drama Pride. Upon his death in August 2008 of complications from pneumonia, Soul Men, in which he stars alongside Samuel L. Jackson as a soul singer embarking on a reunion tour, had yet to hit theaters.­

Trivia: A strikingly handsome actor who projects an image of strength whether playing drama or comedy, Bokeem Woodbine was born in Harlem, NY, on April 13, 1973. A solid student, Woodbine attended the prestigious Dalton School in New York before transferring to the LaGuardia School of Music and Art in the city. At the suggestion of his mother, Woodbine tried to land a job as an extra on a film shooting near his neighborhood; he picked up work as a stand-in, and he attracted the attention of a casting agent who gave him a role as a police informant and drug dealer in the made-for-cable drama Strapped. Woodbine's strong performance won him several key supporting roles in noted films, including Crooklyn, Jason's Lyric, and Dead Presidents. A few years later, Woodbine got to show off his lighter side in the comedies Almost Heroes and Life, as well as the witty action film The Big Hit. Woodbine also began working in episodic television, first with an appearance on The X-Files, and later with guest shots on New York Undercover and The Sopranos, as well as a weekly role on the short-lived series Battery Park and a recurring role on City of Angels.

Trivia: Harboring an awesome wellspring of determination, Australian émigré actress Poppy Montgomery moved from down under to Los Angeles in 1993 (at the tender age of 18) and, with no connections or leads to her name, bought a copy of a book called How to Make it in Hollywood. In that text, Montgomery read an anecdote about one of Julia Roberts' early managers, who had helped engineer some of the actress' early successes. Montgomery searched diligently until she found the manager's telephone number, then so plagued him with calls, one after another, that she ultimately wore down his resistance; he put Montgomery in touch with a manager who helped launch her career. The self-assurance evident in this "breakout strategy" had taken root early in Montgomery's life; born June 19, 1975, in Paddington, New South Wales, Australia (a suburb of Sydney), Montgomery realized as a young girl that she only wanted to spend her life acting. Once in Hollywood, she refused to be snubbed or overlooked. As an ingenue in Los Angeles, Montgomery sustained smaller turns for seven years, including a role on NYPD Blue and performances in the Eddie Murphy comedy Life and the Garry Marshall tearjerker The Other Sister, until late 2000, when she landed the highly coveted lead role of Marilyn Monroe in the autobiographical miniseries about the superstar, Blonde, adapted from the book by esteemed belletrist Joyce Carol Oates. Though critics felt the telemovie uneven, most singled out Montgomery and raved over her interpretation.This unique, inherent ability to reach down deep into a character and understand her on the most intuitive level shone through again and again in Montgomery's work, and doubtless enabled her to land a recurring role on the CBS drama Without a Trace, about the day-to-day searches of a missing-persons unit headed by Anthony LaPaglia. When she received the call about Without a Trace, Montgomery had contributed exemplary work to two otherwise unsuccessful series -- Elizabeth Waclawek in The Beat (2000) and Ellie Sparks in Glory Days (2002) -- and needed a boost. The program, of course, became a massive hit, thanks in no small part to Montgomery's fine work. In the series she portrays FBI agent Samantha Spade with marked believability. As one season of Without a Trace after another unfolded, Montgomery worked with equal emphasis in film and television. Her cinematic roles included Allison in the Gen-X indie comedy How to Lose Your Lover (2004) and Nadine Roberts in David Ocañas' metaphysical thriller Between (2004); in 2005, Montgomery played Generosa Rand, the issue-ridden (and possibly homicidal) wife of wealthy investment banker Ted Ammon, in the made-for-television true crime saga Murder in the Hamptons. TV would prove a good fit for Montgomery, and she would find additional success with series like Without a Trace and Unforgettable.

Trivia: Scion of renowned maverick director John Cassavetes and extraordinary actress Gena Rowlands, Nick Cassavetes was an actor for over a decade before he added writing and directing to his Hollywood repertoire. Born and raised in New York, Cassavetes appeared in two of his father's films, Husbands (1970) and A Woman Under the Influence (1974), while growing up. The sturdy, 6'4" Cassavetes did not, however, want to be an actor and attended Syracuse University on a basketball scholarship. After an injury ended his collegiate athletic career, Cassavetes re-thought his aspirations and headed to his parents' alma mater, the American Academy of Dramatic Arts.Though he scored his first role as an adult in Peter Bogdanovich's acclaimed drama Mask (1985), Cassavetes made his living appearing in numerous B-movies during the 1980s and early '90s. Along with such actioners as Black Moon Rising (1986), Under the Gun (1988), and The Wraith (1987) (with fellow Hollywood offspring Charlie Sheen), Cassavetes also starred in several softcore movies, including Body of Influence (1991). By the mid-'90s, Cassavetes left B-movies for a role as Dorothy Parker's lover, writer Robert Sherwood, in Alan Rudolph's Mrs. Parker and the Vicious Circle (1994) and his own debut as a movie writer and director. Drawing on his mother's experience after his father's 1989 death and featuring a superb performance by Rowlands, Unhook the Stars (1996) was a perceptive slice-of-life drama about a widow's relationship with her young single-mother neighbor. Further paying homage to his roots, Cassavetes then directed one of his father's unproduced screenplays, She's So Lovely (1997). Starring Sean Penn and Robin Wright Penn as a couple that defines l'amour fou and John Travolta as Wright Penn's tough yet paternal second husband, She's So Lovely was true to the elder Cassavetes' distinct, keen voice and won prizes for cinematography and Penn's flamboyant performance at the Cannes Film Festival. Cassavetes also appeared onscreen that same year with Travolta, as super criminal Castor Troy's bald cohort Dietrich in John Woo's summer blockbuster Face/Off (1997). Appearing in higher profile fare than most of his prior acting work, Cassavetes followed Face/Off with roles in the Johnny Depp-Charlize Theron sci-fi thriller The Astronaut's Wife (1999) and Ted Demme's Eddie Murphy-Martin Lawrence prison movie Life (1999). Continuing his associations with Demme and Depp, Cassavetes subsequently co-wrote the director's final film Blow (2001), about the rise and fall of a 1970s and '80s American cocaine kingpin. Returning to the director's chair for a project that spoke to his experience with his own daughter's heart disease, Cassavetes took on his first big-budget Hollywood genre film, John Q. (2002). Starring Denzel Washington as a desperate working-class father who turns to violence when his HMO won't cover his son's heart transplant, this unconvincing piece of schlock received devastating reviews across the board. American critics described it, alternately, as "So lacking in shame that it finally seems laughable, "[a] movie [that] transcends stupidity and soars into the empyrean of true idiocy," and "A shamelessly manipulative commercial on behalf of national health insurance." The director fared immeasurably better in 2004 with The Notebook. As penned by Jeremy Leven and Jan Sardi, this gentle and evocative adaptation of Nicholas Sparks' bestselling novel follows an elderly man (James Garner) who reads a heartbreaking period love story aloud to a female nursing home resident (Gena Rowlands). The film then plays out the story-within-the-story, about a couple who share the greatest summer of their lives with one another, and are then irrevocably separated by their parents and the rise of World War II. The press responded far more kindly to The Notebook when it premiered in the U.S. on June 25, 2004. Michael Wilmington's comments typified the response: "[It] may be corny," he noted, "But it's also absorbing, sweet, and powerfully acted. It's a film about falling in love and looking back on it, and it avoids many of the genre's syrupy dangers." Audiences flocked to the picture, and turned it into one of the sleeper hits of the year.Cassavetes' fifth directorial outing, Alpha Dog (2007), constitutes a biopic of Jesse James Hollywood (played by Emile Hirsch), a young murderer, thief, kidnapper, junkie, and dealer who became one of the youngest individuals in history to make the FBI's 10 Most Wanted List. The film finds Hollywood foolishly attempting to clear the account of one of his clients by nabbing the boy's younger brother and holding him for ransom. He thus sets into motion a horrifying cycle of violence that precipitates his own demise. The picture co-stars Justin Timberlake and Sharon Stone. Over the coming years, Cassavetes would direct movies like My Sister's Keeper.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: Actor/producer/director Noah Emmerich made a name for himself onscreen with memorable supporting roles in such features as Cop Land (1997), The Truman Show (1998), and the uplifting Disney hockey drama Miracle (2004). With a chameleon-like ability to disappear into his characters and a solid drama background, Emmerich threw himself into every role no matter how small or seemingly inconsequential. A New York native who attended Yale University and the N.Y.U. Film School, he sang a cappella with the former's Yale Spizzwinks before making the award-winning short The Painter at N.Y.U. Following graduation, he appeared in such small-screen efforts as If Someone Had Known (1995) and Smoke Jumpers (1996), and had higher-profile roles in wide theatrical releases like Beautiful Girls (1996) and Crazy in Alabama (1999). Emmerich was generally relegated to playing rather one-dimensional authority figures in his early movies, though later got more prominent roles in The Truman Show and Love & Sex (2000). In subsequent years, Emmerich appeared almost exclusively in such high-profile releases as Windtalkers (2002), Beyond Borders (2003), and Miracle (2004). The brother of producer Toby Emmerich, Noah also established a production company, Sandbox Entertainment.

Trivia: Jamaican born hip-hop legend Heavy D was a major force in the rap world, leading influential rap group Heavy D & the Boyz, singing and rapping as a solo artist, and working as a producer with artists like Mary J. Blige and Soul for Real. He also extended his creative talents into the realm of television and movies, composing music for shows like In Living Color and The Tracy Morgan Show, as well as nurturing a serious acting career. Beginning with appearances on TV shows like Living Single and Roc in the early '90s, Heavy D developed an undeniable skill at acting that would eventually find him making memorable appearances in films like The Cider House Rules and The Tower Heist, and on TV shows like Boston Public and Bones. Heavy D died in November 2011 at age 44.

Trivia: Made his stage acting debut when he was 10 in a community theater production of the musical Oliver!Moved to New York to pursue an acting career making ends meet by working as a doorman at New York's Wellington Hotel.First professional acting job was in a 1986 Pepsi commercial that was Miami Vice-themed and directed by Ridley Scott.Was previously vice president of the Screen Actors Guild.Was the founding executive vice president of SAG-AFTRA.

Trivia: A few character actors make such an indelible impression with one role that they find it consistently impossible to outgrow that image. Anthony Perkins had it with Norman Bates, M. Emmet Walsh has it with Visser (from Blood Simple), and R. Lee Ermey will forever be associated with the sadomasochistic verbal rapist of a drill instructor, Gunnery Sgt. Hartman, from Stanley Kubrick's Vietnam opus, Full Metal Jacket (1987). Though Ermey never again quite matched the intensity of this role (or the gutter-bucket poetic invention of its obscene dialogue), it was enough to give him permanent recognition as a character actor among filmgoers, and to typecast him in a series of variants on that role, again and again, throughout his life.Born on March 24, 1944, in Emporia, KS, Ermey enlisted in the armed forces as a young man and hightailed it to Vietnam on a non-commissioned basis, but injuries forced him to retire from active duty. He received full disability pay and moved to Manila in the early '70s, where he managed to ably support himself on his USAF allotment (thanks to the lower cost of living) while studying for a degree in criminology. Each morning, Ermey visited the coffee shop at the Manila Hilton -- well-reputed as the haunt of American filmmakers shooting on-location in the Philippines -- until one of the directors happened to notice Ermey and asked him to pose for a series of blue jeans ads. This experience led to his film debut, a role as a retired soldier in a local production. By 1976, Ermey had appeared in several Filipino films. He broke into Hollywood films that year, when he slipped onto the set for Francis Ford Coppola's Apocalypse Now and convinced Coppola to hire him as a helicopter pilot. Indeed, the ex-officer's Vietnam experience came in handy and Coppola utilized him as a technical advisor. Ermey made his American cinematic debut -- and held to the military-man typecasting -- in Sidney J. Furie's comedy drama The Boys in Company C (1978), and the director's follow-up, Purple Hearts (1984). But his biggest break came shortly thereafter, when Stanley Kubrick -- a notorious tyrant himself -- tapped him to portray Gunnery Sgt. Hartman in Full Metal Jacket (1987). Ermey's evocation of the satanically profane, vile, and sadistic Hartman, laden with the thankless, brutal job of toughening up raw recruits before sending them to Vietnam (who eventually gets blown away by one of his trainees) dominates the film's first 45 minutes and provides an unforgettably realistic, disturbing portrait of military training. Thanks to his unique countenance and authoritative voice, Ermey maintained his image as a rough-hewn, tough-as-nails SOB onscreen.Neither Company C or Purple Hearts received substantial critical and public recognition (or a very wide release); in contrast, the broader exposure of Full Metal Jacket (it received an Academy Award nomination for Best Adapted Screenplay and a National Board of Review nomination for Best Picture) boosted Ermey's prominence -- immeasurably so. He followed it up with spots in such well-received pictures as Alan Parker's racial drama Mississippi Burning (1988) and Abel Ferrara's Body Snatchers (1993). In 1995, Ermey spoofed himself to great effect as the voice of the leader of the little green soldiers in Toy Story, and doubled it up with a turn as the vengeful father of a homicide victim in Tim Robbins' capital punishment drama Dead Man Walking. A third role in that same year -- as the boss of Morgan Freeman and Brad Pitt in David Fincher's seminal work Seven -- elicited a positive (if limited) critical and public response for Ermey's portrayal.During the early 2000s, Ermey once again drew on his military expertise and background, albeit in a much different fashion, as host of the small-screen program Mail Call. Episodes featured him answering a series of viewer questions about various aspects of military life and history. In 2003, he returned to his dramatic roots (and managed to top the despicability of Sgt. Hartman) in Marcus Nispel's Tobe Hooper remake, The Texas Chainsaw Massacre. Ermey plays Sheriff Hoyt, the deviant backwater law officer -- in cahoots with the family of slaughter-happy cannibals -- who refuses to listen the cries and wails of Jessica Biel's Erin. (In fact, Nispel invented Ermey's role for the remake). After a comic turn as yet another tough-nosed authority figure, Captain Nichols, in the 2005 Tommy Lee Jones vehicle Man of the House, Ermey reprised the Hoyt role for the sequel to the Chainsaw remake, Texas Chainsaw Massacre: The Beginning (2006). In that picture, Hoyt precipitates the central crisis by happening upon another group of teens, murdering one in cold blood, and dragging the others back to the house where maniac Leatherface and his cronies reside. R. Lee Ermey married his wife, Nila Ermey, in 1975. They have four children.

Trivia: An actress who has been noted equally for her talent and beauty, Sanaa Lathan first caught the attention of critics and audiences alike in a series of witty, thought-provoking late-'90s films about the lives of young African-Americans. Featured prominently in such ensemble pieces as The Best Man and The Wood (both 1999), Lathan won her first starring role in Gina Prince-Bythewood's widely acclaimed Love & Basketball (2000), playing a talented basketball player who finds her professional dreams complicated by her relationship with her boyfriend and her own expectations of herself. Lathan's work in the film, along with her performance that same year in Prince-Bythewood's HBO movie Disappearing Acts, announced the actress as a charismatic new talent to watch. Born on October 19, 1971, Lathan -- whose first name is Swahili for "work of art" -- was the second oldest of five children born to Broadway actress and dancer Eleanor McCoy and director/producer Stan Lathan. Surrounded by show business since day one, Lathan began training in dance and gymnastics at an early age. Following her parents' divorce, she grew up shuttling between her mother's home in New York and Los Angeles, where her father lived. During her undergraduate education at UC Berkeley, where she studied English and toyed with the idea of becoming a lawyer, Lathan became involved with the Black Theater Workshop. Thanks in part to her stage experiences with the Workshop, she was encouraged to try out for the Yale School of Drama, where she was ultimately accepted.Following her training at Yale, where she performed in a number of Shakespeare's plays, Lathan earned acclaim both off-Broadway and on the Los Angeles stage. Encouraged by her father to make L.A. her professional base, the young actress found early TV work on episodes of such shows as Family Matters, NYPD Blue, and Moesha. During that same period, she won raves and a Best Actress nod from the Los Angeles NAACP Theatrical Award Committee for her performance in To Take Arms.In 1998, Lathan earned a degree of big-screen recognition with her role as the mother of Wesley Snipes' title character in Blade. She followed this the subsequent year with back-to-back turns in The Best Man and The Wood. The former was a comedic ensemble piece starring Taye Diggs, Nia Long, Morris Chestnut, Harold Perrineau Jr., and Monica Calhoun, and featured Lathan as Diggs' girlfriend; while the latter, another ensemble piece starring Diggs, Omar Epps, and Richard T. Jones, cast her as the love interest of Epps, who also happened to be her real-life boyfriend. In 1999, Lathan played yet another girlfriend, this time Eddie Murphy's, in Ted Demme's comedy Life. Lathan and Epps were reunited onscreen in Prince-Bythewood's Love & Basketball, this time playing a couple as passionate about basketball as they are about each other. The widely lauded film served as a break-out role for Lathan, who was finally able to play a leading character instead of the girlfriend of one. Her work in Love & Basketball earned her Best Actress nominations for both the N.A.A.C.P. Image Award and the Independent Spirit Award. That same year, Lathan earned additional acclaim for her work in the multicultural comedy Catfish in Black Bean Sauce and for her second collaboration with Prince-Bythewood, Disappearing Acts. Based on a novel by Terry McMillan, the HBO movie cast Lathan as an aspiring singer/songwriter in love with a carpenter, played by her Blade co-star Wesley Snipes. For her work in the film Lathan earned an Essence Award for Best Actress, as well as the added assurance of a very busy work schedule.

Trivia: Actor David Alexander got his first big break with a role in the inspirational horse drama The Long Shot. He subsequently signed on for a small role in the quirky comedy Miss Pettigrew Lives for a Day.

Trivia: Began professional stage career in 1952 at a nightclub in Greenwich Village. Originated the role of Ronnie in the 1964 Broadway musical Golden Boy. Made film debut in the 1966 drama A Man Called Adam. Was a cast member on the 1969 CBS variety program The Leslie Uggams Show. Starting in 1970, appeared on the NBC comedy series Rowan & Martin's Laugh-In for two seasons. Appeared alongside mentor Sammy Davis Jr. in the 1975 variety program Sammy and Company. Played Nathan Bookman on the CBS comedy Good Times; appeared on the show from 1977 to the end of the series.

Trivia: Grew up in Brooklyn, New York.Performed in church plays when she was a child.Studied at P.S. 44 and P.S. 258 in New York.Attended the Fashion Industry School to major in fashion design.Studied acting at Herbert Berghoff Drama School.

Trivia: Not to be confused with 1950s Columbia contractee Don C. Harvey, American general-purpose actor Don Harvey began appearing in films in the mid-'80s, and was seen in secondary roles in such high-profile productions as Casualties of War (1989), Die Hard 2 (1990), and The Thin Red Line (1998), in addition to the made-for-cable feature Better Off Dead (1993). Because he was safely ensconced among the featured players, Harvey managed to survive such notorious flops as Hudson Hawk (1991) and Tank Girl (1995). One of his more prominent screen roles was "Black Sox" conspirator Swede Risberg in John Sayles' Eight Men Out (1988).

Trivia: Moved from New York to Chicago in 1986 to pursue a career in improv comedy Founded the improv group Jazz Freddy in Chicago in 1992 and performed alongside future Saturday Night Live alum Rachel Dratch and future Conan O'Brien writer Brian Stack. Joined Chicago's legendary improv troupe Second City in 1996. Performs the long-running two-man improv show Pete and Paul Explain It All with Paul Vaillancourt at Improv Olympic West in Los Angeles.

Trivia: It may come as little surprise to those who have seen beautiful model-turned-actress Garcelle Beauvais (also credited as Garcelle Beauvais-Nilon) that she was voted one of "The Ten Sexiest Women of 2001" by readers of Black Men Magazine, but take a look beyond the surface and you'll see that Beauvais has the talents to back up her beauty. Born in Haiti, the youngest of seven children, Beauvais moved to Massachusetts with her mother and siblings following her parents' divorce. Beauvais' first years in the U.S. were spent in boarding school while her mother supported the family by attending nursing school. With little knowledge of the English language, the French- and Creole-speaking youngster slowly began the process of educating herself by taking in episodes of Sesame Street. Though going from being a member of the social majority in Haiti to being a minority in America was a difficult transition, it was the change of climate that proved most jarring to young Beauvais. Roles in numerous school plays fueled a love for performing, and it wasn't long before the family opted for a more familiar climate in Miami when Beauvais was 16. The following year, the emerging model moved to New York and gained an increasing presence on the catwalk and numerous Essence and Ebony layouts. Early television appearances on such popular shows as Miami Vice, Family Matters, and The Fresh Prince of Bel Air found Beauvais refining her skills in front of the camera, and it wasn't long before she was appearing in such high-profile films as Manhunter (1986) and Coming to America (1988). An ideal role in the Aaron Spelling-produced television series Models, Inc. found Beauvais combining both her modeling and acting experience, and after settling into a role on The Jamie Foxx Show in 1996 (playing Francesca "Fancy" Monroe), she would once again hit the big screen with Wild Wild West (1999) and Double Take (2001). Having previously appeared as ADA Valerie Heywood in the popular television police drama NYPD Blue, Beauvais expanded her role by joining the series full-time in 2001. A feature role in Bad Company (2002) opposite Chris Rock found Beauvais' feature career taking off, and hinted for great things to come. She subsequently moved into scripted dramatic roles with a heightened emphasis on big-screen features, including plum roles in the 2004 Ice Cube comedy Barbershop 2: Back in Business and the Lindsay Lohan shocker I Know Who Killed Me (2007), in addition to prominent billing in the sci-fi telemovie 10.5: Apocalypse (2006). In 2007, Beauvais also took some time out from filmdom to give birth to twins, and made headlines for appearing nude, while pregnant, in the August 2007 issue of Playboy magazine. She had a role in the 2009 sex comedy Women in Trouble.

Trivia: A rising young filmmaker who brought a humorous edge to his Hollywood work, TV producer-turned-movie director Ted Demme's career was abruptly cut short by his death in January 2002. Born in New York City, Demme may have been a college athlete, but he preferred to follow his uncle Jonathan Demme's lead, entering the entertainment industry after school. Starting his career as a production assistant at MTV, Demme quickly made his mark as one of the creators of the trailblazing hit series Yo! MTV Raps in 1988. After honing his skills as a producer and music video director for MTV, Demme helmed his first feature, hip-hop comedy Who's the Man? (1993), and reached a key professional turning point when he directed comic Denis Leary's TV special No Cure for Cancer (1992). Hitting it off with Leary and in tune with his hilariously caustic sensibility, Demme subsequently established his promise as a movie director when he teamed with Leary for his second feature, the acid comedy The Ref (1994). Starring Leary as a rough-edged cat burglar who gets entangled with a highly dysfunctional Connecticut family on Christmas Eve, The Ref earned kudos for Leary, Judy Davis, and up-and-comer Kevin Spacey's riotously sharp performances, and evolved into a sleeper hit on video and TV after a lackluster theatrical run. Although he continued to work in TV, directing episodes for the highly regarded series Homicide: Life in the Streets, Demme further burnished his movie reputation with the ensemble romantic comedy Beautiful Girls (1996). Inspired in part by The Deer Hunter's (1978) perceptive take on small town, working-class male friendship, Beautiful Girls' story of a Big Chill-esque (1983) reunion was enhanced by the superb young Hollywood cast, particularly Natalie Portman as the precocious object of Timothy Hutton's affection. As with The Ref, however, Beautiful Girls left more of an impression on critics than at the box office.Reuniting with his favorite "bad boy" entertainer, Demme helmed Leary's TV special Lock N' Load (1997), and helped reveal that Leary had acting chops beyond comedy in the gritty street drama Monument Ave. (1998). Centering on Boston's Irish-American "mob," Monument Ave. starred Leary as a car thief suffering a crisis of conscience when too closely confronted with the corrupt relationship between the mob and the law. Monument Ave., though, garnered more attention at film festivals than theaters. After the comedy-drama Life (1999), starring Martin Lawrence and Eddie Murphy as two wrongly imprisoned lifers, failed to measure up to the popular clout of its stars, Demme drew more favorable attention for his TV work as one of the executive producers of the scathing insider comedy series Action (1999) and co-producer of the serious HBO film A Lesson Before Dying (1999). A 1940s drama about a black man wrongly sentenced to death, A Lesson Before Dying earned Demme an Emmy award. Anxious to make a movie about American cocaine kingpin George Jung since Leary had turned him on to the story several years before, Demme's wish finally came to fruition as Blow (2001). Starring Johnny Depp as Jung, and shot and scored with great flair, Blow began as a zingy Goodfellas (1990)-meets-Boogie Nights (1997) account of Jung's 1970s rise before degenerating into an awkward attempt to render Jung as a sentimental hero who just loves his daughter. Still, Blow confirmed Demme's visual talents as well as his way with actors. Demme was in preproduction on the Ewan McGregor-Heath Ledger thriller Nautica, as well as working on an IFC documentary about 1970s American cinema, when he died of cardiac arrest after a celebrity basketball game on January 13, 2002. Demme's final completed project, A Decade Under the Influence (2003), was released a year after Demme's death. Co-directed by Richard LaGravenese, A Decade Under the Influence chronicled the artistic renaissance in 1970s Hollywood, paying tribute to the iconoclasts who helped to inspire Demme's own work as a filmmaker.