Trivia: Moving to London with his family at an early age, Irish-born actor Pierce Brosnan made ends meet as a commercial illustrator and cab driver before turning to acting full-time. After training at the London Drama Centre, Brosnan made his West End stage bow in 1976, and appeared in his first film, The Long Good Friday, four years later. American audiences got their first glimpse of the charismatic, muscular young actor in the 1981 network miniseries The Manions of America. The following year, he was cast as the suave adventurer hero of the weekly TV series Remington Steele. Brosnan's casual panache and his gift for quippery led the producers of the James Bond movies to select him as the new Bond upon the departure of Roger Moore in 1986. However, at the last moment, the canceled Remington Steele was renewed, and Brosnan was contractually obligated to remain with the program, forcing him to relinquish the James Bond role to Timothy Dalton. Insult was later added to injury when it became evident that the renewal of Steele was something of a subterfuge by its producers to keep Brosnan on their leash. This professional setback was further compounded by personal tragedy seven years later when Brosnan's actress wife Cassandra Harris died after a long illness. The actor began to regain his motion picture bankability when he was cast in a choice secondary role in the 1993 comedy megahit Mrs. Doubtfire. In 1995, he finally got his chance to play Agent 007 in GoldenEye, and proved that the producer's instincts were right on target. Brosnan not only provided a much-needed boost for the ailing series, but also cemented his status as a capable leading man in a variety of roles, ranging from the title character in Daniel Defoe's Robinson Crusoe (1996) to a stuffy, love-struck professor who meets a ludicrous fate in Mars Attacks! (1996) to a courageous vulcanologist trying to save a town threatened by a reawakened volcano in Dante's Peak (1997). Brosnan played Bond for the second time in Tomorrow Never Dies (1997), essaying the role with great success. Following his turn as the titular thief in the stylish 1999 remake of The Thomas Crown Affair, the actor went on to his third Bond outing in The World is Not Enough, again proving that saving the world was most convincingly done by those with convincing tans, straight teeth, and plenty of fun gadgets. And the world isn't the only thing Bond saved. While, the next half-decade found Brosnan stumbling with disappointments like The Tailor of Panama and The Laws of Attraction, he found box office success with the Bond franchise yet again 2002 with his final film in the franchise, Die Another Day. He soon followed this with a critically acclaimed comedic performance in the sleeper hit The Matador, before signing on for the highly anticipated film adaptation of the Abba inspired musical Mama Mia!. Next up, Brosnan would appear in some more dramatic fare like Remember Me before lightening up once more for the romantic comedy I Don't Know How She Does It.

Trivia: Widely considered to be the first Mexican actress to become a Hollywood movie star since Dolores Del Rio, Salma Hayek is known for bringing a fiery presence and striking, dark-eyed beauty to the screen. A soap star in her native Mexico, Hayek risked her entire career to come to L.A., where she struggled to be taken seriously. Her discovery by director Robert Rodriguez, who cast her in his 1995 film Desperado, gave Hayek her breakthrough, and she subsequently gained a reputation as one of Hollywood's sexiest and busiest actresses.The daughter of a Spanish mother and Lebanese father, Hayek was born in Coatzacoalcos, Veracruz, Mexico, on September 2, 1966. Raised in a devoutly Catholic family, she was sent to a Louisiana boarding school at the age of 12. After getting into trouble for terrorizing the nuns, Hayek returned to Mexico, but she was eventually sent to Houston, Texas, to live with her aunt, where she stayed until she was 17. She subsequently moved to Mexico City, where she studied International Relations as a university student, but, to the chagrin of her family, decided to drop out in order to pursue a career as an actress. Starting out in local theatre productions, she eventually moved to television and landed a starring role in the popular soap opera Teresa. The show's success made Hayek a celebrity in her native country, but, desiring something more, she shocked her fans by deciding to quit the show in order to pursue a career in L.A.After taking a year to learn English and study acting with Stella Adler, Hayek got her first break when Allison Anders cast her in a supporting role in Mi Vida Loca (1993). The role allowed Hayek to obtain a Screen Actors Guild card, and after doing so, she continued to audition until she appeared on a Spanish-language cable access talk show that happened to count director Robert Rodriguez amongst its viewers. Rodriguez tracked Hayek down and promptly cast her in Desperado, his bigger-budget 1995 sequel to El Mariachi. The film, which also starred Antonio Banderas, succeeded in giving the actress her own plot on the Hollywood map, and Rodriguez again demonstrated his faith in her when he cast her in his next project, the vampire extravaganza From Dusk Till Dawn (1996). Unfortunately for Hayek, the film, which also starred George Clooney, failed to do as well as expected, and Hayek's next few projects were similarly lackluster. The Faculty (1998), a teen thriller that cast Hayek as a teacher who turns into an alien, was an exception, and Kevin Smith's Dogma (1999), which featured her as a celestial muse, was fairly successful with critics and audiences. Also in 1999, Hayek had a starring role in what was to be her biggest film to date, Barry Sonnenfeld's Wild Wild West, which also starred Will Smith and Kevin Kline. Unfortunately for all involved, the film was a turkey. In 2000, Hayek could be seen in smaller, edgier ventures, including the independent comedy Chain of Fools, in which she played a centerfold-turned- cop, and Mike Figgis' experimental Time Code, which cast her as Jeanne Tripplehorn's lover. If these films ultimately didn't provide Hayek with a role that would draw attention to her genuine talent, this would soon change with the long awaited biography of tragic artist Frida Kahlo. With her role as the epnoymous character in Frida (2002), Hayek disappeared into her subject so convincingly that not only would she return to the good graces of critics, but earn an Oscar nomination as well.Hayek would spend the coming years enjoying superstar status with everything from comedic turns on sitcoms like Ugly Betty (which she produced) and 30 Rock, to meaty roles in dramatic thrillers like Savages.

Trivia: Known almost as much for his off-screen pastimes as his on-screen characterizations, Woody Harrelson is an actor for whom truth is undeniably stranger than fiction. Son of a convicted murderer, veteran of multiple arrests, outspoken environmentalist, and tireless hemp proponent, Harrelson is colorful even by Hollywood standards. However, he is also a strong, versatile actor, something that tends to be obscured by the attention paid to his real-life antics. Born in Midland, TX, on July 23, 1961, Harrelson grew up in Lebanon, OH. He began his acting career there, appearing in high-school plays. He also went professional around this time, making his small-screen debut in Harper Valley P.T.A. (1978) alongside Barbara Eden. While studying acting in earnest, Harrelson attended Indiana's Hanover College; following his graduation, he had his first speaking part (one line only) in the 1986 Goldie Hawn vehicle Wildcats. On the stage, Harrelson understudied in the Neil Simon Broadway comedy Biloxi Blues (he was briefly married to Simon's daughter Nancy) and at one point wrote a play titled Furthest From the Sun. His big break came in 1985, when he was cast as the sweet-natured, ingenuous bartender Woody Boyd on the TV sitcom Cheers. To many, he is best remembered for this role, for which he won a 1988 Emmy and played until the series' 1993 conclusion. During his time on Cheers, Harrelson also played more serious roles in made-for-TV movies such as Bay Coven (1987), and branched out to the big screen with roles in such films as Casualties of War (1989) and Doc Hollywood (1991). Harrelson's big break as a movie star came with Ron Shelton's 1992 sleeper White Men Can't Jump, a buddy picture in which he played a charming (if profane) L.A. hustler. His next film was a more serious drama, Indecent Proposal (1993), wherein he was miscast as a husband whose wife sleeps with a millionaire in exchange for a fortune. In 1994, Harrelson appeared as an irresponsible rodeo rider in the moronic buddy comedy The Cowboy Way, which proved to be an all-out clinker. That film's failings, however, were more than overshadowed by his other film that year, Oliver Stone's inflammatory Natural Born Killers. Playing one of the film's titular psychopaths, Harrelson earned both raves and a sizable helping of controversy for his complex performance. Following work in a couple of low-rated films, Harrelson again proved his mettle, offering another multi-layered performance as real life pornography magnate Larry Flynt in the controversial People Vs. Larry Flynt (1996). The performance earned Harrelson an Oscar nomination. The next year, he earned further praise for his portrayal of a psychotic military prisoner in Wag the Dog. He then appeared as part of an all-star lineup in Terrence Malick's The Thin Red Line (1998), and in 1999 gave a hilarious performance as Matthew McConaughey's meathead brother in EdTV. That same year, he lent his voice to one of his more passionate causes, acting as the narrator for Grass, a documentary about marijuana. In 2000, Harrelson starred in White Men collaborator Ron Shelton's boxing drama Play It to the Bone as an aspiring boxer who travels to Las Vegas to find fame and fortune, but ends up competing against his best friend (Antonio Banderas). The actor temporarily retired from the big screen in 2001 and harkened back to his television roots, with seven appearances as Nathan, the short-term downstairs boyfriend to Debra Messing's Grace, in producer David Kohan's long-running hit Will and Grace (1998-2006). After his return to television, Harrelson seemed content to land supporting roles for several years. He reemerged in cineplexes with twin 2003 releases. In that year's little-seen Scorched, an absurdist farce co-starring John Cleese and Alicia Silverstone, Harrelson plays an environmentalist and animal activist who seeks retribution on Cleese's con-man for the death of one of his pet ducks. Unsurprisingly, most American critics didn't even bother reviewing the film, and it saw extremely limited release. Harrelson contributed a cameo to the same year's Jack Nicholson/Adam Sandler vehicle Anger Mangement, and a supporting role to 2004's critically-panned Spike Lee opus She Hate Me. The tepid response to these films mirrored those directed at After the Sunset (2004), Brett Ratner's homage to Alfred Hitchcock. Harrelson stars in the diamond heist picture as federal agent Stan Lloyd, opposite Pierce Brosnan's master thief Max Burdett. Audiences had three chances to catch Harrelson through the end of 2005; these included Mark Mylod's barely-released, Fargo-esque crime comedy The Big White , with Robin Williams and Holly Hunter; Niki Caro's October 2005 sexual harrassment docudrama North Country, starring Charlize Theron; and the gifted Jane Anderson's period drama Prize Winner of Defiance Ohio. In the latter, Harrelson plays, Leo 'Kelly' Ryan, the drunken, increasingly violent husband of lead Julianne Moore, who manages to hold her family together with a steady stream of sweepstakes wins in the mid-fifties, as alcoholism and the financial burden of ten children threaten to either tear the family apart or send it skidding into abject poverty. Harrelson then joined the cast of maestro auteur Robert Altman's ensemble comedy-drama A Prairie Home Companion (2006), a valentine to Garrison Keillor's decades-old radio program with a strong ensemble cast that includes Meryl Streep, Lindsay Lohan and Kevin Kline. He also works wonders as a key contributor to the same year's Richard Linklater sci-fi thriller Through a Scanner Darkly, an adaptation of Philip K. Dick's 1977 novel that, like one of the director's previous efforts, 2001's Waking Life, uses rotoscoping to animate over live-action footage. It opened in July 2006 to uniformly strong reviews. As Ernie Luckman, one of the junkie hangers-on at Robert Arctor's (Keanu Reeves) home, Harrelson contributes an effective level of despondency to his character, amid a first-rate cast. After Harrelson shot Prairie and Scanner, the trades announced that he had signed up to star in Paul Schrader's first UK-produced feature, Walker, to co-star Kristin Scott-Thomas, Lauren Bacall, Ned Beatty, Lily Tomlin and Willem Dafoe. Harrelson portrays the lead, a Washington, D.C.-based female escort; Schrader informed the trades that he envisions the character as something similar to what American Gigolo's Julian Kaye would become in middle-age. Shooting began in March 2006. He also signed on, in June of the same year, to join the cast of the Coen Bros.' 2007 release No Country for Old Men, which would capture the Academy Award for Best Picture. Harrelson showed off his versatility in 2008 by starring in the Will Ferrell basketball comedy Semi-Pro as well as the thriller Transsiberian. He continued to prove himself capable of just about any part the next year with his entertaining turn in the horror comedy Zombieland, and his powerful work as a damaged soldier in Oren Moverman's directorial debut The Messenger. For his work in that movie, Harrelson captured his second Academy Award nomination, as well as nods from the Golden Globes, the Independent Spirit Awards, and the Screen Actors Guild - in addition to winning the Best Supporting Actor award from the National Board of Review. In 2012, the actor appeared as the flawed but loyal mentor to two young adults forced to compete to the death in the film adaptation of author Suzanne Collins' The Hunger Games.

Trivia: Spiky-haired actress Naomie Harris was raised by her single mother in London. After studying political science at Cambridge, she enrolled at Bristol Old Vic Theatre School for professional stage training. In the '90s, she made a few appearances on U.K. television series, including reoccurring roles on Runaway Bay and The Tomorrow People. She gained more recognition for her role in the miniseries White Teeth as Clara, the Jamaican daughter of a fanatical Jehovah's witness mother. Adapted from the book by Zadie Smith, White Teeth was shown in the U.S. on PBS Masterpiece Theater in 2002. She made her international breakthrough the same year in Danny Boyle's post-apocalyptic thriller 28 Days Later. For the role of urban survivor Selena opposite attractive lead Cillian Murphy, Harris trained in kickboxing and learned how to properly wield a machete. Quickly becoming noticed for her talent and skill, she also appeared in Fritz Baumann's German drama Anansi as an immigrant from Ghana. Back on television, she played a radical activist for the New Labour party in the two-part BBC1 drama The Project. Harris' feature films for 2004 include the live-action remake Thunderbirds and the thriller Trauma, starring Colin Firth.Though her star was steadily rising in Hollywood, it wasn't until 2006 that Harris would really make a splash on stateside screens; and after supporting roles in Brett Ratner's After the Sunset and Michael Winterbottom's A Cock and Bull Story, Harris took to the high seas for her role as Tia Dalma in the eagerly anticipated summer sequel Pirates of the Caribbean: Dead Man's Chest. Though her role in the first sequel to the hugely successful 2003 original was something of a minor affair, Harris' loyal fans could rest assured that they would be seeing plenty more of her in the final installment of the series that was set to hit screens in 2007. Just a few short months after Pirates of the Caribbean: Dead Man's Chest sailed into the multiplexes, Harris would trade her Jamaican accent for a Bronx inflection when she took the role of a tough New York cop in director Michael Mann's Miami Vice - a slick, big screen adaptation of the show that made pink t-shirts and white blazers all the rage in the 1980s.

Trivia: Supporting player Russell Hornsby joined the casts of numerous features and television series during the 1990s and 2000s. He made his first significant appearance in the Jada Pinkett Smith urban comedy Woo (1998), then followed it up with scattered, multi-episode roles in such series as Law & Order, Gideon's Crossing, and Playmakers, and parts in the movies After the Sunset (2004), Get Rich or Die Tryin' (2005), and Something New (2006). Hornsby attained greater recognition and a higher profile with his lead role of Eddie Sutton in the ABC series drama Lincoln Heights. Over the coming years, Hornsby would appear on TV series like In Treatment and Grimm.

Trivia: The son of actress Jane Fonda and political activist Tom Hayden, Troy Garity has shown interest in both of his parents' professions. (He adopted the surname Garity from his paternal grandmother's side.) As a child, he spent his summers at the Laurel Springs Arts Camp in Santa Barbara and appeared uncredited in On Golden Pond with his mom and grandfather. As an adult, he moved to New York City to study at the American Academy of Dramatic Arts and later to Los Angeles to start a film career. After being named one of People magazine's 50 Most Beautiful People in 1998, he landed the role of his father in Steal This Movie, the historical biopic starring Vincent D'Onofrio as '60s activist Abbie Hoffman. The next year, Garity appeared in Barry Levinson's crime comedy Bandits as a getaway driver for eccentric bank robbers played by Bruce Willis and Billy Bob Thornton. After a few more small-time features, he played token white guy Isaac Rosenberg in Tim Story's urban comedy Barbershop. His breakthrough role came in 2003 with the Showtime movie A Soldier's Girl, based on a true story. He played Pfc. Barry Winchell, a soldier who was beaten to death in 1999 after he fell in love with transsexual Calpernia Addams (Lee Pace). The job earned Garity nominations from both the Golden Globes and the Independent Spirit Awards. the actor starred in the critically acclaimed drama Milwaukee, Minnesota that same year as mentally disabled ice fisherman Albert Burroughs. In addition to continuing involvement with his nonprofit group the Peace Process Network, Garity appeared in the 2004 sequel Barbershop 2.

Trivia: An acclaimed character actor of the stage, screen, and television, Don Cheadle often manages to steal most of the scenes in which he appears. That is no small feat, for the slender African-American actor has, at first glance, a rather unassuming physical presence, particularly when compared to some of his big-name co-stars. An actor whose style compliments rather than overshadows the performances of those around him, Cheadle stands out for his rare ability to bring a laid-back intensity and subtle charisma to his roles.A native of Kansas City, MO, Cheadle was born on November 29, 1964, to a psychologist father and bank manager mother. During his early childhood, his family moved to Denver and then Nebraska. One thing that remained a constant in Cheadle's childhood was his interest in performing, which began around the age of five. In addition to acting, he was interested in jazz music and his parents supported both of these endeavors. By the time he graduated from high school, he had scholarships from both music and acting schools; choosing the latter, he attended the California Institute of the Arts in Valencia. Following graduation, Cheadle made his film debut with a small role as a hamburger server in Moving Violations (1985). He honed his acting skills as a guest star on television series ranging from Hill Street Blues to Night Court, and, in 1992, he landed a regular role as a fussy hotel manager on The Golden Palace. Although the show faltered after only one season, Cheadle landed on his feet, subsequently snagging the plum role of earnest district attorney John Littleton on Picket Fences (1993-1995). While he was building a career on television, Cheadle was also earning a reputation in feature films. He first made an impression on audiences with his lead role in Hamburger Hill (1987), and, in 1994, he had his true screen breakthrough portraying Denzel Washington's best friend in Devil in a Blue Dress. So good was his performance -- which earned him a number of film critics awards -- that many felt an Oscar nomination was inevitable; when the Academy passed him over, many, including Cheadle, wondered why. However, the actor chalked it up to politics and got on with his career, working steadily throughout the remainder of the decade. 1997 proved to be a big year for him: he co-starred in three major films, Volcano, Boogie Nights, and John Singleton's Rosewood. He won particular praise for his work in the latter two films, earning nominations for SAG and Image awards.The following year, Cheadle made a triumphant return to television with his portrayal of Sammy Davis Jr. in The Rat Pack, winning an Emmy nomination and a Golden Globe award. Also in 1998, he did stellar work in Steven Soderbergh's Out of Sight and Warren Beatty's Bulworth, playing a down and dirty ex-con in the former and a drug lord in the latter. Another Emmy nomination followed in 1999, for Cheadle's powerful portrayal of a school teacher sent in to counsel a young man on death row, in A Lesson Before Dying. Cheadle would become something of a fixture in Soderbergh's films, and in fact delivered a stunning performance as a federal drug agent in the director's epic muckraking drama Traffic (2000).Cheadle then turned up in Soderbergh's remake of the Rat Pack classic Ocean's Eleven in 2002.The chasm between Traffic and Ocean's Eleven (not in terms of quality but in terms of intended audience and depth) is instructive; it established a definitive career pattern for Cheadle during the mid-late 2000s. Throughout that period, the gifted actor continually projected versatility by alternating between buttered-popcorn pictures - such as Soderbergh's 2004 and 2007 follow ups to Eleven (Ocean's Twelve and Ocean's Thirteen) - and more complex, demanding, intelligent material. For example, in 2004 (a particularly vital year for Cheadle) the actor delivered a four-barrelled lead portrayal in the heart-wrenching docudrama Hotel Rwanda. In that politically-tinged, factually-charged account, the actor plays the Rwandan manager of a Kigali hotel, so devastated by the surrounding massacres of his fellow countrymen that he turns the establishment into a clandestine refugee camp. Cheadle justly netted an Oscar nomination for his work. That same year, the thespian held his own against lead Sean Penn (no small feat, that) in the depressing and despairing yet critically acclaimed psychodrama The Assassination of Richard Nixon. Cheadle reserved his most formidable coup, however, for 2005, when he both produced and co-starred (opposite many, many others) in Paul Haggis's difficult ensemble film Crash-a searing, biting meditation on racism and the Best Picture winner of its year. In early 2007, Cheadle paired up with actor Adam Sandler and writer-director Mike Binder for Reign Over Me, a two-character drama about a dentist (Cheadle) reunited with his displaced college roommate (Sandler) after the trauma of 9/11. The picture reeled in generally favorable, if not universally positive, reviews. Later that same year, the actor essayed the lead role in Talk to Me. As directed by Kasi Lemmons, this period drama recreated the life and times of the controversial 1960s convict-cum-shock jock Petey Greene (Cheadle) who rides to fame amid the throes of the civil rights movement and Vietnam-era tumult; many critics tagged the portrayal as definitively Oscar worthy.Cheadle would remain a top star over the coming years, appearing in everything from the kid-friendly Hotel for Dogs to the gritty crime thriller Brooklyn's Finest. Cheadle would also take over the role of Lt. James Rhodes in the Iron Man sequel, replacing Terrence Howard. Cheadle would also find success on the small screen, producing and starring in the critically acclaimed comedy series House of Lies.

Trivia: Prolific and versatile, actor Michael Bowen joined the casts of some of the most critically respected and lucrative pictures of the 1980s, 1990s, and 2000s, nearly always enlisted as an unremarkable everyman. Bowen launched his career with bit parts in such pictures as Valley Girl (1983), Iron Eagle (1985), and Less Than Zero (1987), then graduated to supporting roles by the late '90s. He was particularly memorable as cop Mark Dargus, the partner of ATF agent Ray Nicolette (Michael Keaton) in Quentin Tarantino's Pulp Fiction follow-up, Jackie Brown (1997), then turned in a haunting portrayal of Rick, the dysfunctional father of game show contestant Stanley (Jeremy Blackman) in Paul Thomas Anderson's mosaic of contemporary L.A. life, Magnolia (1999). In the following decade, Bowen re-teamed with Tarantino for the neo-martial arts opus Kill Bill Vol. 1 (2003) and delivered an intense performance as a cruel and vile counselor at a rehab center in first-time director Monty Lapica's psychodrama, Self-Medicated (2005). He also took on a recurring role on the hit TV drama Lost as Danny Pickett, a hotheaded, tough member of the Others, during the second and third seasons of the series (2006-2007).

Trivia: Although Chris Penn has achieved little of the critical acclaim and none of the notoriety of his older brother, Sean, the rotund actor has become a familiar supporting player and character actor who hasn't had to rely on Sean, either. The brothers have appeared together only once, in the 1986 film At Close Range; in the meantime, Chris has made a name for himself in projects ranging in tone and purpose from Footloose (1984) to Reservoir Dogs (1992).The son of director Leo Penn and actress Eileen Ryan, and the brother of singer Michael Penn in addition to actors Sean and Matthew, Chris Penn was born on June 10, 1962, in Los Angeles. The actor, sometimes credited as Christopher Penn, started out in the profession at age 12, under the tutelage of Peggy Feury at the Loft Studio in Los Angeles. His film breakthrough came in Francis Ford Coppola's teen gang movie Rumble Fish (1983), which cast him opposite Matt Dillon and Mickey Rourke. But it wasn't until Footloose the following year that Penn captured his first truly memorable role. As the burly best buddy of Kevin Bacon's rebellious dance proponent, Penn's simple decency shone through, especially in the lively production number in which his character awkwardly learns to dance, to the strains of Denise Williams' "Let's Hear It for the Boy."Penn's supporting work continued through the 1980s in films like Pale Rider (1985) before he became affiliated with organized crime movies, on both sides of the law, in the 1990s. Two collaborations with Quentin Tarantino in particular solidified this association. In the first, 1992's Reservoir Dogs, Penn played Nice Guy Eddie, the obedient son of Lawrence Tierney's mob boss. Screenwriting for director Tony Scott, Tarantino then helped Penn get cast in True Romance (1993) as a narcotics officer. From this point on, Penn began appearing in a handful of films each year, first and perhaps most notably as the frustrated husband of a phone sex operator (Jennifer Jason Leigh) in Robert Altman's Short Cuts (1993).Penn continued his criminal film streak with such projects as Mulholland Falls (1996), The Funeral (1996), and One Tough Cop (1998). In 2001, he spoofed his tough guy image by appearing as the brother of comedian Chris Kattan, the novice mob operative of the title, in Corky Romano.

Trivia: After more than a decade in the business, hard-working actor Mykelti Williamson achieved true fame as Tom Hanks' army buddy in Forrest Gump (1994). Born in St. Louis, Williamson and his family moved frequently during his childhood, finally settling in Los Angeles when he was 15. After studying acting in high school, Williamson landed a recurring role on Hill Street Blues in 1983. Working steadily in TV and movies throughout the 1980s, Williamson appeared in a number of films, including Walter Hill's Streets of Fire (1984); the pilot movie for the stylish cop series Miami Vice (1984); and the Goldie Hawn football comedy Wildcats (1986). By the 1990s, Williamson added a bona fide sleeper hit to his credits with his role as a paternal cop in Free Willy (1993). His transformative performance as Forrest's ill-fated shrimp-loving friend Bubba in the blockbuster, 1994 Best Picture winner Forrest Gump then earned Williamson critical raves, propelling him into a varied range of high-profile films. After appearing in Free Willy 2 (1995) and playing a small but attention-getting role as one of Lela Rochon's unworthy suitors in Waiting to Exhale (1995), Williamson joined forces with Al Pacino in Michael Mann's Heat (1995). Continuing to work in TV as well, Williamson acted in several series, co-starred as Negro League baseball player Josh Gibson in the well-received TV film The Soul of the Game (1996), played a black cavalryman in the TNT Western Buffalo Soldiers (1997), and joined the prestigious ensemble cast of 12 Angry Men (1997). Williamson continued to ride high as Nicolas Cage's ill cell mate in the summer blockbuster Con Air (1997), but his 1998 movie work in Primary Colors and Species 2 was personally overshadowed by his legal troubles when he was arrested for stalking his ex-wife and stabbing her friend. Acquitted of the charges, Williamson returned to form with a blistering performance as an Army colonel in David O. Russell's critically lauded Three Kings (1999). Williamson reprised his role as Lt. Gerard in the second TV series version of The Fugitive(2000). Despite pre-season hype and the prior success of other Fugitives, the series lasted only one season. Williamson then made another onscreen splash when he reunited with Heat director Michael Mann to appear as the flamboyant, shock-haired boxing impresario Don King in Mann's ambitious biopic Ali (2001). Williamson is married and has three daughters.

Trivia: With his bald head and beefy exterior, Hollywood character player Rex Linn quickly built up an acting resumé replete with many portrayals of toughs, feds, cops, thugs, and -- occasionally -- unremarkable, beleaguered everymen. Born in the panhandle of the Lone Star State, Linn came of age in the small Texas town of Spearman. He discovered a lingering interest in drama during his teenage years, but buckled under the weight of discouragement from an acting coach, and put acting on the shelf to focus on career pursuits in banking and the oil industry. Dissatisfied with these fields, Linn convinced an Oklahoma talent agent to sign him, and made the leap from commercials to feature roles with his portrayal of serial murderer Fred Epps in the Peter Masterson-directed thriller Night Game (1989), opposite Roy Scheider. The pleasure of this experience prompted Linn to head to the West Coast, where he worked construction, landed intermittent acting assignments, and studied the craft under the tutelage of Silvana Gallardo in Studio City, CA. Linn was memorable as the rogue treasury agent who assists terrorist John Lithgow in the Sylvester Stallone vehicle Cliffhanger (1993), which brought the actor the recognition he so persistently sought and led to a series of supporting roles in dozens of feature films. Linn's portrayal of Frank McLaury in Wyatt Earp (1994) marked the first in a series of several onscreen collaborations with Kevin Costner that also included the romantic comedy Tin Cup (1996) and the laborious sci-fi epic The Postman (1997). Linn also landed guest appearances on such series as JAG and 3rd Rock From the Sun. He is best known, however, for his fine portrayal of Miami-Dade Police Department detective Frank Tripp on the hit crime series CSI: Miami.