Trivia: Was one half of American hip-hop duo Kid 'n Play with Christopher "Play" Martin in the late eighties and early nineties.Recorded three albums and starred in a number of feature films, notably the House Party movies and Class Act, with Christopher Martin.Appeared in the music video for LMFAO's song "Sorry for Party Rocking" in 2012.Lent his voice to the video game Spec Ops: The Line as First Lieutenant Alphonso Adams in 2012.Outside of his hip-hop and acting careers, he has worked as a librarian, theatrical stage worker, free-lance journalist, filing clerk, nanny and tutor.

Trivia: Actor/comedian Martin Lawrence started the 21st century off with a bang, starring and executive producing Big Momma's House, the story of an FBI agent posing as a corpulent Southern matriarch, which went on to gross more than 100 million dollars, despite universally negative reviews. The success of this film pushed Lawrence ever closer to joining the much-coveted 20-million-dollar club, cementing his reputation as one of the biggest comic stars for years to come.Lawrence was born in Frankfurt, Germany, on April 16, 1965, and eventually settled with his family in suburban Maryland around his sixth birthday. Soon after, his father left the family; Lawrence claims he got his start as a comedian by cheering up his mother, who was forced to support her six children by cashiering in various department stores. He attended Eleanor Roosevelt High School in Landover, MD, dabbling in sports and sticking with comedy, even agreeing to stop acting up in an art class in return for performing his stand-up routine in front of the other students.Soon after graduating, the bug-eyed performer earned a chance to perform on Star Search, which led to a role in 1985's What's Happening Now! Lawrence kept honing his frenetic schtick and by 1989, won two big breaks -- a supporting role in Spike Lee's Do the Right Thing and MCing HBO's Def Comedy Jam. Lawrence continued to rack up scene-stealing roles throughout the early '90s, including parts in House Party, House Party 2, and Boomerang, eventually landing his own series on Fox in 1992, appropriately named Martin. The show became a huge success, its risqué humor making it a ratings stalwart for more than five years and winning two NAACP Image Awards in the process, although some detractors criticized Lawrence for promoting the image of an oversexed, insensitive black man.Two years after Martin's successful launch, Lawrence released You So Crazy!, a raunchy, vulgarity-laced comedy that originally received the NC-17 rating and was later released unrated. Its crudeness, however, didn't matter much to audiences, as You So Crazy! went on to become one of the highest-grossing concert films of its time.Lawrence appeared to have it all, professionally and privately; in 1995 he married former beauty queen Patricia Southall in a lavish ceremony and the pair had a daughter, Jasmine. Around this time, however, Lawrence's success story began to slip away, his off-camera behavior setting up what should someday be a fascinating E! True Hollywood Story.On the set of his directorial debut, A Thin Line Between Love and Hate, Lawrence erupted in a violent outburst and began taking psychotropic drugs. A few months later, he was arrested for another disturbance, where he reportedly brandished a pistol and screamed at tourists and others on Ventura Boulevard. Over the next two years, his behavior became even more erratic as he racked up a series of gun-related arrests. He landed in drug rehab and filed for divorce from Southall after she got a temporary restraining order against him for yet another vicious eruption.But the most bizarre and unsettling charges were yet to come. Tisha Campbell, Lawrence's co-star on Martin and the House Party films, filed suit against the star and the show's producers, HBO Studios, claiming Lawrence sexually harassed her to the point that she feared for her safety. The studio brokered a settlement that allowed Campbell to finish the show's final season, although she and Lawrence would never be on the soundstage together again.Despite all the trauma, Lawrence seemed as popular as ever. He starred in four hugely commercial successes between 1995 and 1999, including Bad Boys with Will Smith, Nothing to Lose with Tim Robbins, Life with Eddie Murphy, and on his own in Blue Streak. These films made Lawrence extremely bankable -- his salary broke the ten-million-dollar mark for Big Momma's House and it seemed as if his previous troubles were behind him.Then in 1999, while jogging to lose an extra few pounds before filming began on Big Momma's House, Lawrence collapsed into a severe coma due to heat exhaustion, delaying the production's start and firing up the old rumors of drug use and unpredictable behavior. But after recuperating, Lawrence said the coma scare put him back on the straight and narrow.His career trajectory certainly supported this -- after the success of Big Momma's House, he reportedly earned 13 million dollars for What's the Worst That Could Happen? with Danny DeVito. He earned upwards of 16.5 million dollars for Black Knight, which featured Lawrence as a down-on-his-luck employee of a theme restaurant who finds himself transported back to medieval times. Lawrence's next film appearance, Martin Lawrence Live: Runteldat, once again found the popular but controversial funnyman taking to the stage, though this time in a far more personal bid to humorize the sometimes startling headlines that had left many fans fearing for both his health and sanity. Seemingly purged of his current demns and eager to settle back into a lucrative film career, Lawrence took to the screen opposite Steve Zahn for the high-speed action comedy National Secuity (2003) before gearing up for the sequel to Bad Boys. After a relatively quiet 2004, Lawrence attempted to broaden his appeal by playing a basketball coach in the family-oriented comedy Rebound. In 2006 Lawrence performed in his first animated film, Open Season, opposite Ashton Kutcher, and released the sequel to one of his biggest comedy hits Big Momma's House 2. That same year he filmed the biker road comedy Wild Hogs alongside Tim Allen and John Travolta.

Trivia: Though most commonly associated with her multi-season portrayal of marketing executive Gina Waters-Payne, significant other of Martin Payne (Martin Lawrence) on the Fox sitcom Martin (1992-97), Tisha Campbell began her lengthy Hollywood career with a role that film buffs will have little difficulty remembering. Campbell made her feature debut as Chiffon, a member of the black female doo-wop group that acts as a Greek chorus, in the 1986 Frank Oz musical comedy Little Shop of Horrors (1986). An Oklahoma City native, born to a coat factory employee father and a gospel singer mother, Campbell moved with her family to Newark, New Jersey at the age of three, where the entire clan suffered from abject poverty. At age 6, Campbell won a talent contest, and the following year landed a turn in an ABC Afterschool Special entitled Unicorn Tales, as well as a supporting role in the off-Broadway musical Really Rosie. Campbell attended and graduated from Newark's Arts High School, then made the ambitious trek out to Los Angeles (with her family's encouragement) and spent several years surviving numerous television pilots that failed to take off. Shop, however, rocketed Campbell to national attention and jump-started her film career. She landed additional roles in Spike Lee's School Daze (1988), House Party (1988) (which she also choreographed), and Boomerang (1992). Campbell met future co-star Lawrence on the set of House Party; according to Campbell's later recollections, Lawrence immediately invited her to play his girlfriend should he ever land a sitcom. In 1992, that plan materialized. The program scored sensational ratings and immediately connected with a young, black, urban market; the arc of the series witnessed Gina and Martin transitioning from lovers to intendeds to husband-and-wife. Campbell originally planned to remain with the series through its final season, but actually left Martin several months prematurely, in November of 1996, asserting that Lawrence verbally, physically and sexually abused her on the set of the program - allegations that Lawrence and his representatives aggressively denied, claiming that Campbell was using the actor as a pawn in a contractual dispute with the network despite the fact that the actress left in mid-season.After her stint on Martin, Campbell signed for supporting roles in a number of low-profile features including Linc's (1998), The Sweetest Gift (1998) and Snitch (1999), then returned to network television briefly as one of the stars of the domestically-themed situation comedy My Wife and Kids (2001).Campbell is also occasionally credited by her married name of Tisha Campbell-Martin. She enjoyed a brief tenure as a recording artist with a 1993 r&b release entitled Tisha.

Trivia: One of the most prominent female hip-hoppers of the 1990s thanks to her soulful and uplifting rhymes, Queen Latifah has also crafted an increasingly successful screen presence.Born Dana Owens in Newark, NJ, on March 18, 1970, this police officer's daughter worked at Burger King before joining the group Ladies Fresh as a human beatbox. Disgusted at the misogynistic, male-dominated rap scene, Owens adapted the moniker of Queen Latifah (meaning delicate and sensitive in Arabic) and was soon on her way to changing the way many people looked at hip hop. Soon gaining a loyal following due to her unique perspective and role model-inspiring attitude, Latifah recorded the single "Wrath of My Madness" in 1988 and the following year she released her debut album, All Hail the Queen. Making her feature debut three short years later in Spike Lee's Jungle Fever, Latifah began refining a screen persona that would be equally adept in both drama and comedy. After starring as magazine editor Khadijah James on the FOX sitcom Living Single (1993-1998) and landing increasingly prominent film roles in Set It Off (1996), Living Out Loud (1998), and The Bone Collector (1999), she was given her own personal televised outlet in the form of The Queen Latifah Show in 1999. Losing her brother in a motorcycle accident in 1995 (she still wears the motorbike's key around her neck) in addition to grieving a friend who was shot when the two were carjacked the same year, Latifah has persisted in overcoming tragedy to remain positive and creative. The talented songstress has also appeared as both the Wicked Witch of the West (1998's The Wizard of Oz) and Glenda the Good (The O.Z. in 2002), in addition to remaining an innovative and inspiring recording artist. In 2003, Latifah hit a watershed moment in her career and in the public perception of her image: she signed to portray Matron Mama Morton in Rob Marshall's bold cinematization of the Bob Fosse musical Chicago. For Latifah, the turn embodied a breakthrough to end all breakthroughs - it dramatically reshaped the artist's image from that of a hip-hop singer turned actress to that of a multitalented, one-woman powerhouse with astonishing gifts in every arena of performance - voice, drama and dance. Latifah deservedly netted an Oscar nomination for this role, but lost to Catherine Zeta-Jones, who played Velma Kelly in the same film.Later that same year, the multifaceted singer/actress took a dramatic step down in ambition and sophistication, joining Steve Martin for the odd couple comedy Bringing Down the House. That farce tells the occasionally rollicking story of a hyper-anal white lawyer (Martin) who attempts to "hook up" with a barrister he meets online, but discovers that she is (surprise!) actually a slang-tossing black prison escapee with a mad taste for hip hop dancing (Latifah). Ironically - given the seemingly foolproof and ingenious premise - the film collapsed, thanks in no small part to an awkward and craven screenplay that fails to see the logic of its situations through to fruition, and wraps with a ludicrous denouement. The film did score with viewers, despite devastating reviews from critics across the country. (If nothing else, the picture offers the uproarious sight of Martin in hip-hop attire, and does celebrate Latifah's everpresent message of much-deserved respect for black women). Latifah's onscreen activity skyrocketed over the following half-decade, with an average of around 5-7 roles per year. One of her most popular efforts, Barbershop 2: Back in Business (2004), constitutes a sequel to the urban comedy-drama Barbershop (2002). The original picture (without Latifah in the cast) concerned the proprietors and patrons of a (mostly) all-black barbershop on the south side of Chicago, with seriocomic lead characters portrayed by Ice-T, Cedric the Entertainer and others. In the second Barbershop go-round, Latifah plays Gina, the owner of an inner-city beauty parlor who operates her business next door. Those films reached a combined total of around $143 million worldwide, thanks in no small part to a pitch-perfect demographic that flocked to both efforts without abandon. The pictures also generated a Latifah-dominated sequel, Beauty Shop (2005), devoted to the exploits of Gina, her customers, and her employees, particularly the flamboyantly gay stylist Jorge Christoph (Kevin Bacon). The movie expanded the target audience of its predecessors and upped the ante by working in WASPy female characters played by A-listers Andie MacDowell and Mena Suvari and having Gina move her shop to the more audience-friendly Atlanta. Though the picture failed to match the grosses of its predecessors, it did reel in just under $38 million worldwide. Each of the installments generated mixed reviews from critics, Concurrent with Beauty Shop's release, Latifah signed on to collaborate with director Mark Forster and stars Will Ferrell and Emma Thompson in the comedy-fantasy Stranger than Fiction (2006). In that picture - about a man (Ferrell) who discovers he is the character in a book by a washed-up author (Thompson), and due to be killed shortly, Latifah plays Penny Escher, the "assistant" hired to end Thompson's creative block and put her back on track. Though Latifah's constituted a minor role (and, arguably, a throwaway at that), the film itself scored on all fronts, including craftsmanship, audience reactions, box office and critical response. After voicing Ellie in the CG-animated feature Ice Age: The Meltdown (2006), Latifah revisited cinematic song-and-dance (and reteamed with House director Adam Shankman) for the hotly-anticipated musical comedy Hairspray, based on the hit Broadway production (which was, in turn, based on the 1988 John Waters film). Latifah plays Motormouth Maybelle, in a cast that also includes Christopher Walken, Michelle Pfeiffer and an in-drag John Travolta, reprising the role originated by Divine. Latifah signed to star alongside Diane Keaton and Katie Holmes in the crime comedy Mad Money -- a remake of the British farce Hot Money (with echoes of 1976's How to Beat the High Cost of Living) about a trio of female janitors in the Federal Reserve bank who team up to rob the place blind. In addition to music, movies, and television, Latifah also found time to author a book on self-esteem entitled Ladies First: Revelations of a Strong Woman, and to serve as co-chairman of the Owens Scholarship Foundation, Inc., which provides assistance to academically gifted but financially underpriveleged students.

Trivia: Tall, dazzlingly beautiful black model Iman made her acting debut in 1979's The Human Factor. A few of Iman's subsequent films have been A-list productions, notably Out of Africa (1985) and Star Trek VI: The Undiscovered Country (1991). Most of the rest have been time-fillers like House Party 2 (1991) or time-wasters like Exit to Eden (1994). Iman is the wife of rock star David Bowie, with whom she co-starred in The Linguini Incident (1992).

Trivia: African-American actor/director Georg Stanford Brown was seven-years-old when his family moved from Havana to Harlem. Chronically absent during his high school years, Brown was invited to drop out by his frustrated teachers. At 15, he organized a singing group called the Parthenons, which broke up after a single network TV appearance. He moved to Los Angeles at 17, where, after passing the college entrance exam, he enrolled in the L.A. City College theater program. "I just wanted to take something easy," he explained later, "but after a while I really got to like it." He liked it well enough to study further at New York's American Musical and Dramatic Academy. Making his professional stage debut in Joseph Papp's Central Park Shakespearean productions, Brown headed back to L.A., certain that his theatrical credits would assure him steady work in films and TV, which they did, though at a molasses-slow pace. After increasingly larger roles in such films as The Comedians (1967), Bullitt (1968), and Colossus: The Forbin Project (1971), Brown was cast as officer Terry Webster on the Aaron Spelling-produced TV series The Rookies, which ran from 1972 to 1976. After Rookies, Brown began curtailing his acting in favor of directing. He helmed several episodes of TV's Hill Street Blues, as well as such made-for-TV movies as Grambling's White Tiger (1981), Miracle of the Heart: A Boys' Town Story (1986), Stuck With Each Other (1989), Father and Son: Dangerous Relations (1992), and The Last POW: The Bobby Garwood Story (1993). In 1986, Georg Stanford Brown won an Emmy for his direction of the Cagney and Lacey episode "Parting Shots," which starred his then-wife Tyne Daly.

Trivia: Played football for the University of Oregon. Had guest-starring roles on MacGyver and The Fresh Prince of Bel-Air before becoming a regular on Sirens. Voiced characters in the series X-Men: Evolution and Action Man. Wrote four episodes of Stargate SG-1 while appearing on the series as Teal'c.

Trivia: In the late '30s she worked in Chicago's WPA Theater. She moved to New York City in the early '40s, where she was a member of the Rose McClendon Players. She debuted on Broadway in 1941, portraying the sister of Bigger Thomas (Canada Lee) in Orson Welles's production of Native Son (1941). She established herself as a serious stage actress. She was one of the founders of the American Negro Theater. Over the years she landed a small handful of film roles, debuting onscreen in The Phenix City Story (1955). In the '70s she became recognizable to a large audience through her appearances on a number of sitcoms; she was a regular on Baby, I'm Back and 227, and she had guest appearances on many other shows.

Trivia: The son of the Los Angeles Times' drama editor, William Schallert was, along with Sydney Chaplin, one of the co-founders of Hollywood's highly regarded Circle Theatre troupe. Sent to Great Britain on a Fulbright Fellowship to study British repertory theatre, Schallert guest-lectured at Oxford on several occasion before heading home. A character actor of almost intimidating versatility, Schallert began his long film and TV career in 1951. While he appeared in films of every variety, Schallert was most closely associated with the many doctors (mad or otherwise), lab technicians and scientific experts that he played in such science fiction endeavors as The Man From Planet X (1951), Gog (1954), Them! (1954) The Incredible Shrinking Man (1957) and The Monolith Monsters (1959). Director Joe Dante paid homage to Schallert's prolific horror-flick work by casting the actor in his Matinee, where he played yet another dabbler in Things Man Is Not Meant to Know in the film-within-a-film "Mant." Schallert's hundreds television credits could fill a book in themselves; the Nickelodeon cable network once tried to put together a montage of the actor's guest star appearances, touching only the tip of the iceberg. He was a regular on such series as Dobie Gillis (as literature teacher Mr. Pomfrit, who always dismissed his class as though announcing the beginning of the Indy 500), Get Smart (as a senile 97-year-old Navy admiral), The Nancy Drew Mysteries (as Nancy's attorney father) The New Gidget (as Gidget's professor father) The Nancy Walker Show, Little Women and Santa Barbara. His most famous TV role was as Patty Lane's ever-patient newspaper-editor dad on The Patty Duke Show, which ran from 1963 through 1966; over twenty years later, Mr. Schallert and Ms. Duke were touchingly reunited--again as father and daughter--on an episode of The Torkelsons (1991-92). William Schallert once served as president of the Screen Actors' Guild, a position later held...by Patty Duke. Shallert continued acting until the early 2010s; he died in 2016, at age 93.

Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: Was a member of '80s hip-hop group Groove B. Chill. Paralyzed from the waist down as the result of a November 2001 motorcycle accident in South Carolina. Has served as a spokesman for the Christopher & Dana Reeve Foundation. Established the Daryl Mitchell Foundation, which was founded on the principles of awareness, education and advocacy for those impacted by spinal-cord injuries.