Trivia: The son of a Brooklyn policeman who died when he was eight, African-American comedy superstar Eddie Murphy was raised in the comfortable middle-class community of Hempstead, NY, by his mother and stepfather. A natural-born class clown, he was voted the most popular student at Roosevelt Junior and Senior High. By the age of 15, he was doing standup gigs at 25 to 50 dollars a pop, and within a few years he was headlining on the comedy-club circuit.Murphy was 19 he was when hired as one of the backup performers on the NBC comedy weekly Saturday Night Live. His unique blend of youthful arrogance, sharkish good cheer, underlying rage, and street-smart versatility transformed the comedian into SNL's prime attraction, and soon the country was reverberating with imitations of such choice Murphy characterizations as sourball celebrity Gumby, inner-city kiddie host Mr. Robinson, prison poet Tyrone Green, and the Little Rascals' Buckwheat. Just when it seemed that he couldn't get any more popular, Murphy was hastily added to the cast of Walter Hill's 1982 comedy/melodrama feature film 48 Hours, and voila, an eight-million-dollars-per-picture movie star was born. The actor followed this cinematic triumph with John Landis' Trading Places, a Prince and the Pauper update released during the summer of 1983, the same year that the standup album Eddie Murphy, Comedian won a Grammy. In 1984, he finally had the chance to carry a picture himself: Beverly Hills Cop, one of the most successful pictures of the decade. Proving that at this juncture Murphy could do no wrong, his next starring vehicle, The Golden Child (1986), made a fortune at the box office, despite the fact that the picture itself was less than perfect. After Beverly Hills Cop 2 and his live standup video Eddie Murphy Raw (both 1987), Murphy's popularity and career seemed to be in decline, though his staunchest fans refused to desert him. His esteem rose in the eyes of many with his next project, Coming to America (1987), a reunion with John Landis that allowed him to play an abundance of characters -- some of which he essayed so well that he was utterly unrecognizable. Murphy bowed as a director, producer, and screenwriter with Harlem Nights (1989), a farce about 1930s black gangsters which had an incredible cast (including Murphy, Richard Pryor, Della Reese, Redd Foxx, Danny Aiello, Jasmine Guy, and Arsenio Hall), but was somewhat destroyed by Murphy's lazy, expletive-ridden script and clichéd plot that felt recycled from Damon Runyon stories. Churned out for Paramount, the picture did hefty box office (in the 60-million-dollar range) despite devastating reviews and reports of audience walkouts. Murphy's box-office triumphs continued into the '90s with a seemingly endless string of blockbusters, such as the Reginald Hudlin-directed political satire The Distinguished Gentleman (1992), that same year's "player" comedy Boomerang, and the Landis-directed Beverly Hills Cop III (1994). After an onscreen absence of two years following Cop, Murphy reemerged with a 1996 remake of Jerry Lewis' The Nutty Professor. As directed by Tom Shadyac and produced by the do-no-wrong Brian Grazer, the picture casts Murphy as Dr. Sherman Klump, an obese, klutzy scientist who transforms himself into Buddy Love, a self-obsessed narcissist and a hit with women. As an added surprise, Murphy doubles up his roles as Sherman and Buddy by playing each member of the Klump family (beneath piles and piles of latex). The Nutty Professor grossed dollar one and topped all of Murphy's prior efforts, earning well up into the hundreds of millions and pointing the actor in a more family-friendly direction. His next couple of features, Dr. Dolittle and the animated Mulan (both 1998), were children-oriented affairs, although in 1999 he returned to more mature material with the comedies Life (which he also produced) and Bowfinger; and The PJs, a fairly bawdy claymation sitcom about life in South Central L.A.Moving into the new millennium, Murphy resurrected Sherman Klump and his brood of misfits with the sequel Nutty Professor II: The Klumps (2000) before moving on to yet another sequel in 2001, the decidedly more family-oriented Dr. Dolittle 2. That same year, sharp-eared audiences were served up abundant laughs by Murphy's turn as a donkey in the animated fairy tale spoof Shrek. Nearly stealing the show from comic powerhouse co-star Mike Myers, children delighted at Murphy's portrayal of the put-upon sidekick of the kindhearted ogre and Murphy was subsequently signed for a sequel that would go into pre-production in early 2003. After bottoming out with the subsequent sci-fi comedy flop The Adventures of Pluto Nash, Murphy stepped into Bill Cosby's old shoes for the mediocre big-screen adaptation of I Spy. With the exception of a return to donkeydom in the 2004 mega-hit Shrek 2, Murphy stuck with hapless father roles during the first several years of the new millennium, Daddy Day Care being the most prominent example, with Disney's The Haunted Mansion following closely behind.In December 2006, however, he emerged with a substantial part in Dreamgirls, writer/director Bill Condon's star-studded adaptation of the hit 1981 Broadway musical about a Supremes-esque ensemble's ascent to the top. Murphy plays James Thunder Early, an R&B vocal sensation for whom the titular divas are hired to sing backup. Variety's David Rooney proclaimed, "Murphy...is a revelation. Mixing up James Brown, Marvin Gaye, Smokey Robinson, Jackie Wilson, and some of his own wiseass personae, his Jimmy leaps off the screen both in his scorching numbers (his proto-rap is a killer) and dialogue scenes. It's his best screen work." A variety of critics groups and peers agreed with that assessment, landing Murphy a number of accolades including a Best Supporting Actor Oscar nomination. Around the same time, Murphy wrapped production on director Brian Roberts' Norbit. In that picture, the actor/comedian retreads his Nutty Professor work with a dual turn as Norbit, an insecure, backward geek, and Norbit's monstrous wife, an oppressive, domineering loudmouth. The story has the unhappy couple faced with the possible end of their marriage when Norbit meets his dream-girl (Thandie Newton). Never one to stray too far from familiar territoryMurphy next reteamed with the vocal cast of Shrek yet again for the next installment in the series, Shrek the Third.Over the coming years, Murphy would appear in a handful of comedies like Meet Dave, Imagine That, and Tower Heist. In 2011, he was announced as the host of 2012 Academy Awards, with Brett Ratner (his Tower Heist director) producing the show, but Murphy dropped out after Ratner resigned. In 2013, a fourth Beverly Hills Cop was announced, but the film was pulled from Paramount's schedule after pre-production issues.

Trivia: African-American comedian Richard Pryor grew up bombarded by mixed messages. Pryor's grandmother owned a string of brothels, his mother prostituted herself, and his father was a pimp. Still, they raised Richard to be honest, polite, and religious. Living in one of the worst slums in Peoria, IL, Pryor found that he could best defend himself by getting gang members to laugh at instead of pummeling him. This led to his reputation as a disruptive class clown, although at least one understanding teacher allowed Pryor one minute per week to "cut up" so long as he behaved himself the rest of the time. At age 14, he became involved in amateur dramatics at Peoria's Carver Community Center, which polished his stage presence. In 1963, Pryor headed to New York to seek work as a standup comic; after small gigs in the black nightclub circuit, he was advised to pattern himself after Bill Cosby -- that is, to be what white audiences perceived as "nonthreatening." For the next five years, the young comic flourished in clubs and on TV variety shows, making his film bow in The Busy Body (1967). But the suppression of Pryor's black pride and anger by the white power structure frustrated him. One night, sometime between 1969 and 1971, he "lost it" while performing a gig in Las Vegas; he either walked off-stage without a word or he obscenely proclaimed that he was sick of it. Over the next few years, Pryor found himself banned from many nightclubs, allegedly due to offending the mob-connected powers-that-be, and lost many of his so-called friends who'd been sponging off of him. Broke, Pryor went underground in Berkeley, CA, in the early '70s; when he re-emerged, he was a road-company Cosby no more. His act, replete with colorful epithets, painfully accurate character studies of street types, and hilarious (and, to some, frightening) hostility over black-white inequities, struck just the right note with audiences of the committed '70s. Record company executives, concerned that Pryor's humor would appeal only to blacks, were amazed at how well his first post-Berkeley album, That Nigger's Crazy!, sold with young white consumers. As for Hollywood, Pryor made a key early appearance in the Diana Ross vehicle Lady Sings the Blues. But ultra-reactionary Tinseltown wasn't quite attuned to Pryor's liberal use of obscenities or his racial posturing. Pryor had been commissioned to write and star in a Mel Brooks-directed Western-comedy about a black sheriff, but Brooks replaced Pryor with the less-threatening Cleavon Little; Pryor nonetheless retained a credit as one of five writers on the picture, alongside such luminaries as Andrew Bergman. When Pryor appeared onscreen in The Bingo Long Traveling All-Stars and Motor Kings and Silver Streak (both 1976), it was as a supporting actor. But Pryor's popularity built momentum, and by the end of the '70s he became the highest-paid starring comedian in films, with long-range contracts ensuring him work well into the next decade - when such efforts as Stir Crazy, Bustin' Loose, and The Toy helped to both clean up the foul-mouthed comic's somewhat raunchy public image, and endear him to a whole new generation of fans. His comedy albums -- and later, videocassettes -- sold out as quickly as they were recorded. The only entertainment arena still too timid for Pryor was network television -- his 1977 NBC variety series has become legendary for the staggering amount of network interference and censorship imposed upon it.By the early '80s, Pryor was on top of the entertainment world. Then came a near-fatal catastrophe when he accidentally set himself afire while freebasing cocaine. Upon recovery, he joked liberally (and self-deprecatively) about his brush with death, but, otherwise, he appeared to change; his comedy became more introspective, more rambling, more tiresome, and occasionally (as in the 1983 standup effort Richard Pryor: Here and Now) drew vicious heckling and catcalls from obnoxious audiences. His cinematic decline began with a thinly-disguised film autobiography, Jo Jo Dancer, Your Life Is Calling (1986), which Pryor starred in and directed; it met with critical scorn. Pryor's films declined in popularity, the audiences grew more hostile at the concerts, and Pryor deteriorated physically. Doctors diagnosed him with multiple sclerosis in the late '80s, and, by 1990, it became painfully obvious to everyone that he was a very sick man, although his industry friends and supporters made great effort to celebrate his accomplishments and buoy his spirits. The twin 1989 releases Harlem Nights and See No Evil, Hear No Evil (the latter of which re-teamed Pryor with fellow Silver Streak alums Arthur Hiller and Gene Wilder) failed to reignite Pryor's popularity or draw back his fanbase.Pryor's ill-fated attempt to resuscitate his stand-up act at L.A.'s Comedy Store in 1992 proved disastrous; unable to stand, Pryor was forced to deliver his monologues from an easy chair; he aborted his planned tour soon after. He appeared in television and films only sporadically in his final decade, save a rare cameo in David Lynch's 1997 Lost Highway. These dark omens foretold a sad end to a shimmering career; the world lost Pryor soon after. On December 12, 2005, the comedian - only 65 years old -- died of a heart attack in a Los Angeles hospital. But he left a peerless legacy behind as a stand-up comic and black actor.

Trivia: Long before Eddie Murphy, Andrew Dice Clay, or Howard Stern raised the ire of censors and threatened the delicate sensibilities of mainstream American good taste, there was Redd Foxx, arguably the most notorious "blue" comic of his day. Prior to finding fame in the 1970s as the star of the popular sitcom Sanford and Son, Foxx found little but infamy throughout the first several decades of his performing career; salty and scatological, his material broke new ground with its point-blank riffs and brazen discussions of sex and color, and although his party albums were generally banned from white-owned record stores, the comedian's funky narrative style and raspy delivery proved highly influential on comic talents of all ethnic backgrounds.Foxx was born John Elroy Sanford in St. Louis on December 9, 1922. While still in his teens, he became a professional performer, working as both a comedian and actor on the so-called "chitlin circuit" of black theaters and nightclubs. He formulated his stage name by combining an old nickname, "Red" (given because of his ruddy complexion), with the surname of baseball's Jimmie Foxx. After cutting a handful of explicit blues records in the mid-'40s, beginning in 1951 he often teamed with fellow comic Slappy White, a partnership which lasted through 1955. Foxx was performing at Los Angeles' Club Oasis when a representative from the tiny Dooto label contacted him about cutting an album. The comedian agreed, and was paid 25 dollars to record Laff of the Party, the first of over 50 albums of Foxx's racy anecdotes. An onslaught of Dooto releases followed, among them over half a dozen other Laff of the Party sets, The Sidesplitter, The New Race Track, Sly Sex, and New Fugg. His records were poorly distributed, and offered primarily in black neighborhoods. When they did appear in white record stores, they were sold under the counter. In the 1960s, Foxx signed to the MF label and his routines became even more explicit, as evidenced by titles like Laff Your Ass Off, Huffin' and a Puffin', I'm Curious (Black), 3 or 4 Times a Day, and Mr. Hot Pants. After a brief tenure on King, he signed to Loma, a division of Frank Sinatra's Reprise imprint. With records like Foxx A Delic and Live at Las Vegas, he became one of the very first performers to use four-letter words on major-label releases.As the 1960s wore on and long-standing cultural barriers began to crumble, Foxx's audience expanded, and he made a number of television appearances. In 1970, he made his film debut in Ossie Davis' Cotton Comes to Harlem. When the film became a surprise hit, Foxx became a hot talent, and soon signed to star in Sanford and Son, a retooled sitcom version of the British television hit Steptoe and Son. The series, which starred Foxx as junk dealer Fred Sanford, premiered in 1972 and became a huge hit, running through 1977. He also continued recording, issuing You Gotta Wash Your Ass, a live set taped at the Apollo Theater, in 1976. The short-lived programs Sanford, The Redd Foxx Show, and The Redd Foxx Comedy Hour followed; additionally, he starred in the 1976 feature Norman, Is That You?, and became a Las Vegas headliner.By the early '80s, Foxx's career hit the skids. By the end of the decade, however, his influence on the new breed of African-American comedians was openly acknowledged, and in 1989 Eddie Murphy tapped him to co-star in his black-themed crime-noir film Harlem Nights. Although the film flopped, Foxx's career was renewed, and in 1991 he began work on a new sitcom, The Royal Family. Tragically, he suffered a heart attack on the series' set and died on October 11, 1991. Still, even in death, Foxx's name remained synonymous with off-color comments; on an episode of the hit show Seinfeld broadcast several years later, Jason Alexander's character, George, was chastised for the "curse toast" he delivered at a friend's wedding, prompting an exasperated Jerry Seinfeld to exclaim, "You were like a Redd Foxx record up there!"

Trivia: An Italian-American character actor with a beefy physique, no-nonsense expression, and intimidating presence, Danny Aiello came to acting late in life, having been a bus driver, a transport labor official, a night-club bouncer, and (he claims) an occasional thief. He began performing at an improvisational night spot. As he was approaching middle age, he appeared in a regional theater production of Jason Miller's That Championship Season, for which he won a Most Outstanding Newcomer award. Aiello made his screen debut in Bang the Drum Slowly (1973), and he went on over the next 15 years to play a succession of tough guys, cops, brutes, slobs, and "ordinary guys" in a wide variety of movies, but broke out of that mold when he portrayed Cher's fiancée in Moonstruck (1987). For his portrayal of a pizza parlor owner in Spike Lee's Do the Right Thing two years later, Aiello received a Best Supporting Actor Oscar nomination. He went on to become one Hollywood's more prolific character actors; between 1989 and 1996, he appeared in 26 feature films. The actor's first lead role came in the title part of Ruby (1992). In addition to his screen work, Aiello has also appeared frequently on Broadway, and in 1976, he won a Theater World Award for his Broadway debut in Lampost Reunion. His work in TV movies includes the acclaimed A Family of Strangers (1980).

Trivia: Wide-shouldered American actor Michael Lerner has become a Rod Steiger for the '90s, specializing in portraying brusque bullies with above-average intelligence. For many years a professor of literature at San Francisco State College, Lerner turned to acting in the late '60s, making his film bow with 1970's Alex in Wonderland. He alternated his movie work with stage appearances at the American Conservatory Theatre. Michael Lerner's more notable film roles include Arnold Rothstein in Eight Men Out (1988) and a Louis Mayer-clone movie producer (for which he was Oscar nominated) in Barton Fink (1991).

Trivia: Della Reese is one of the few performers to move easily between the religious community and the mainstream entertainment industry. Born in Detroit, MI, Reese started singing in gospel choirs at a very young age. In 1945, she joined a touring choir with legendary gospel singer Mahalia Jackson. As a student at Wayne State University, Reese former her own singing group called the Meditation Singers. After a regular gig at Detroit's Flame Showbar, she went on to sing with Erskine Hawkins & His Orchestra. During the '50s and '60s, she recorded pop vocal albums for Jubilee and RCA Victor, leading to several pop singles on the Billboard charts. She was also nominated for a Grammy award and is remembered as one of the first gospel singers to have a popular stage show in Las Vegas.Her television career started in 1969 as the guest host of The Tonight Show with Johnny Carson. She then made television history as the first black woman with her own prime-time variety show, Della. After singing on the nightclub circuit and making television guest appearances as herself, she joined the cast of Chico and the Man from 1976 to 1978. Despite her battle with illness in the early '80s, she continued acting steadily throughout the next few decades. Her other TV series appearances include Sanford and Son, It Takes Two, Charlie & Co., and The Royal Family. On the big screen, she played madam Vera in Eddie Murphy's Harlem Nights and Martin Lawrence's mother in A Thin Line Between Love and Hate. Her biggest television achievement is the CBS drama Touched By an Angel, which ran from 1994-2003. For her role of Tess, the wise guiding angel to Monica (Roma Downey), Reese won several Image Awards and Emmy nominations. Her other television work includes leading roles on the TV tearjerkers Miracle in the Woods, The Moving of Sylvia Myles, and Anya's Bell. She would appear in a number of projects in the years to come, like Expecting Mary and Me Again. An ordained minister, Reese helps to run the Los Angeles church association Understanding Foundation for Better Living.

Trivia: Made TV debut in 1974 on the ABC crime-drama The Streets of San Francisco. Landed first regular TV series role in 1975 on the CBS comedy The Jeffersons, playing Jenny Willis Jefferson. Starred in Maya Angelou's play On A Southern Journey in 1983.

Trivia: Stan Shaw played "Big George" in Fried Green Tomatoes (1991), a none-too-surprising casting choice as the towering African American actor could never, ever play "little" anyone. Shaw's first film role was baseball player Esquire Joe, a Jackie Robinson type, in The Bingo Long Travelling All-Stars and Motor Kings (1976). Interestingly enough, when the TNT cable service produced The Court Martial of Jackie Robinson in 1990, Shaw was cast as yet another barrier-breaking sports icon, boxer Joe Louis. Stan Shaw's other TV credits include the part of lawyer Lafayette Tate on the 1983 series The Mississippi and guest-starring roles on such series as Murder, She Wrote, L.A. Law and Starsky and Hutch. Shaw's theater work includes an NAACP Image Award winning performance in Home.

Trivia: While she appeared in several notable features in the 1980s and 1990s, TV was the star-making venue for Jasmine Guy. A multi-talented performer, Boston-born Guy began her career as a dancer for the Alvin Ailey American Dance Center. She moved to acting and television, however, with a part in the TV film At Mother's Request (1987) and a starring role as snooty co-ed beauty Whitley in The Cosby Show spin-off A Different World (1987-1993). During the show's six season run, Guy also made her feature film debut in Spike Lee's politically charged college comedy/musical School Daze (1988) and co-starred in Eddie Murphy's ill-fated Harlem Nights (1989). Guy further revealed her range in TV movies Runaway (1989), A Killer Among Us (1990), and Stompin' at the Savoy (1992). After A Different World ended in 1993, Guy continued to be a regular TV presence with numerous guest star roles throughout the 1990s, particularly on Melrose Place and NYPD Blue. Guy also returned to the stage as a musical theater actress in touring companies of Grease and Chicago, played a major role in the feature thriller Kla$h (1995), and made a brief appearance as one of Stephen Rea's former female protégées in the 1999 Sundance Film Festival prizewinner Guinevere. She continued to act in projects such as the made-for-TV remake of Carrie, and enjoyed a run on the short-lived Dead Like Me - both of those projects written by Bryan Fuller. She appeared in the 2010 sequel Stomp the Yard: Homecoming, and the 2012 adoption/abortion drama October Baby.

Trivia: Actress Lela Rochon started her career in show business as a bikini-clad party girl in Spuds MacKenzie beer commercials during the '80s. A trained dancer, she was in the background of Breakin', Breakin' 2: Electric Boogaloo, and Lionel Richie's music video for "All Night Long." In 1985, she starred in her first feature, A Bunny's Tale, a TV-movie starring Kirstie Alley as feminist activist Gloria Steinem during her Playboy Bunny days. Rochon went on to appear in the low-budget movies Stewardess Schooland Foxtrap, as well as the Eddie Murphy blockbusters Harlem Nights and Boomerang. Her big film breakthrough came in 1995, when her friendship with author Terry McMillan helped her to get an audition with director Forest Whitaker for the role of Robin in Waiting to Exhale. The film was a surprise Hollywood hit and Rochon was offered several new projects. After joining the cast of the WB series The Wayans Bros. as Shawn Wayans' girlfriend Lisa, she starred opposite Timothy Hutton in the made-for-cable movie Mr. and Mrs. Loving. She showed her versatility in her next few films as a wide array of characters: an exotic dancer in Gang Related, a government aide in The Chamber, a schoolteacher in Why Do Fools Fall in Love, a corporate vice president in Knock Off, and a kooky best friend in Labor Pains. In 2001, she joined the cast of the Lifetime original series The Division as Inspector Angela Reide. She and her husband, director Antoine Fuqua, have two children.

Trivia: The son of a Cleveland Baptist minister, African American entertainer Arsenio Hall would often escape his bleak inner-city surroundings by imagining that he was a talk show host like his idol, Johnny Carson. He emulated Carson to the point that he briefly became an amateur magician in junior high school. His friends and teachers laughed at Arsenio's comic patter, but advised him to forget his dream -- because everyone knew that no black man would ever host a talk show. An excellent student, Hall was accepted at Ohio University in Athens, where he originally intended to study law, but at the last moment followed his heart and switched to the communications department. He later transferred to Kent State, working his way through school with gigs at local comedy clubs. After a long upward climb, Hall was hired as the opening act for such entertainers as Dionne Warwick and Nancy Wilson, then moved to Hollywood, where he was befriended by superstar Eddie Murphy. The two comedians co-starred in the 1987 comedy Coming to America, where Hall was permitted to display his versatility in a wide variety of quickie characterizations (one of which, a flamboyant minister, was ostensibly based on his own father). Comedienne Joan Rivers was also fond of Arsenio, and secured him several guest spots on her Fox network gabfest, The Late Show. When Rivers was axed by Fox in 1987, Hall took over as Late Show host. This led to his most prestigious assignment to date: The Arsenio Hall Show, a latenight entry syndicated by Paramount television, which premiered in January of 1989. With his unbounded energy, his ingratiating smile, his trademarked "Whoop Whoop Whoop" and his willingness to book guests that were deemed "chancy" by others (e.g. rap and soul artists), Hall quickly rose to the top of the ratings heap. In June of 1990, TV Guide singled out Arsenio Hall as the magazine's first "TV Person of the Year." Unlike the play-safe Johnny Carson, Hall courted controversy as often as possible, usually by attacking racism -- sparing no one, not even other black entertainers. Hall's program peaked in popularity in 1991, then seemed to run out of gas. When NBC made its announcement early in 1992 that Jay Leno would be replacing Johnny Carson as host of the Tonight Show, Hall reacted with inexplicable hostility, railing against Leno (who had always regarded Hall as a friend) and declaring that The Arsenio Hall Show would "whip Jay's ass." While Leno's ratings trailed against his CBS rival David Letterman, his program easily trounced the flagging Arsenio Hall. In 1994, after five years, Arsenio Hall and Paramount Television parted company, and Hall kept a low profile, all but disappearing from public view. In March of 1997, Hall emerged from his self-imposed exile to star, opposite Vivica Fox, in the ABC sitcom Arsenio as Michael Atwood, a cable network sportscaster in Atlanta. After that short-lived series left the air, Hall again disappeared from screens for a period of years. He could be seen in 2003 taking over for Ed McMahon as the host of a relaunched version of Star Search, and he provided a voice for the animated film Igor in 2008. The next year he appeared in the blaxploitation martial-arts comedy Black Dynamite.

Trivia: Black comedian and supporting actor, onscreen from the '80s.

Trivia: Though he wouldn't enjoy a hint of his brother Eddie Murphy's mainstream and financial success until 2003, Charlie Murphy was an active participant in a variety of films: sometimes as an actor, often as a writer, and occasionally as both. After offering small but indelible performances in Harlem Nights (1989) and Mo' Better Blues (1990), Murphy could be seen in the role of "Livin' Large" in Spike Lee's groundbreaking urban drama Jungle Fever. Despite the relative failure of Vampire in Brooklyn, which Murphy co-wrote, the young actor continued on with his career, and began to develop a devoted, if small, fan base. Ultimately, after more bit parts in African-American-oriented comedies (The Players Club [1998], The Pompatus of Love [1995]), Murphy got his big break as a writer and actor for Dave Chappelle's surprise TV hit Chappelle's Show. Though he was a key figure in many of the show's sketches, he gained the most notoriety for an allegedly true encounter involving Murphy and funk rocker Rick James. He had his own comedy series, Charlie Murphy's Crash Comedy, on the Crackle network in 2009 and continued working in both television and film. Murphy died in 2017, at age 57.

Trivia: One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx was born Eric Marlon Bishop in the small town of Terrell, Texas, on December 13, 1967. Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church's choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx's enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton's sitcom Roc. Foxx eventually broke through onto the big screen with small appearances in movies like The Truth About Cats and Dogs, The Great White Hype, and Booty Call. Foxx's big break in film came in 1999 with Any Given Sunday, and he would henceforth find himself on a short list of bankable dramatic actors in Hollywood. He would go on to star in Michael Mann's Ali and Collateral, before playing legendary musician Ray Charles for the biopic Ray, which found Foxx taking home a Golden Globe and an Oscar for his performance. Foxx would continue to remain a top-tier actor, starring in major films like Stealth, Jarhead, Miami Vice, Dreamgirls, The Soloist, Law Abiding Citizen, Django Unchained, The Amazing Spider-Man 2 and the 2014 remake of Annie.

Trivia: Frail-looking but iron-willed American actor Henry B. Walthall set out to become a lawyer, but was drawn to the stage instead. After several seasons appearing opposite such luminaries as Henry Miller and Margaret Anglin, Walthall was firmly established in New York's theatrical circles by the time he entered films in 1909 at the invitation of director D.W. Griffith. Clearly, both men benefited from the association: Griffith was able to exploit Walthall's expertise and versatility, while Walthall learned to harness his tendency to overact. The best of the Griffith/Walthall collaborations was Birth of a Nation (1915), in which Walthall portrayed the sensitive Little Colonel. Walthall left Griffith in 1915, a move that did little to advance his career. A string of mediocre productions spelled finis to Walthall's stardom, though he continued to prosper in character parts into the 1930s. One of his best showings in the talkie era was a virtual replay of his Little Colonel characterization in the closing scenes of the 1934 Will Rogers vehicle Judge Priest. Henry B. Walthall died while filming the 1936 Warner Bros. film China Clipper; ironically, he passed away just before he was scheduled to film his character's death scene.

Trivia: At age 17 was involved in a nearly fatal car accident. Originally enrolled at Northeastern University as a biochemical engineering major. First major TV role was on the Steve Bochco series Civil Wars.

Trivia: Like many African-American actors of the '60s, Ji-Tu Cumbuka unfortunately found the demand for his services limited until black performers became "fashionable." Active in films since 1967, Cumbuka appeared in such productions as Uptight (1968), Mandingo (1975), Bound for Glory (1976), Fun with Dick and Jane (1977) and Brewster's Millions (1985). The actor also did plenty of TV, including the 1977 miniseries Roots (as "The Wrestler") and the unsold 1979 pilot for Mandrake the Magician, wherein he played Mandrake's muscular assistant Lothar. Among the "sold" TV series featuring Ji-Tu Cumbuka were Young Dan'l Boone (1977) and Robert Conrad's A Man Called Sloane (1979). Cumbuka died in 2017, at age 77.

Trivia: An African-American supporting actor, onscreen from 1972, Blakely often appeared in blaxploitation films.

Trivia: Character actor Michael Stroka spent most of his long career on-stage and in television, but he also occasionally appeared in feature films. Stroka launched his career after earning a B.F.A. in drama from Carnegie Tech in 1960. There he found work at Manhattan Theater Club and with the New York Shakespeare Festival. On television he is known for having frequently appeared on the Twilight Zone and Combat in the early '60s. He made his feature film debut in the war drama 36 Hours (1965). Stroka died after long struggle with cancer at age 58.