Trivia: South Carolina-born African American comedian Chris Rock grew up in Brooklyn and projected a marked aptitude for comedy early in life. Rock traveled the New York club circuit during his adolescence, so aggressively and persistently that he established himself as a seasoned veteran by his late teens. He happened to be performing at the New York Comedy Strip c. 1984, when his break arrived in the form of an audience visit by one Eddie Murphy. Deeply impressed with the then eighteen-year-old rising star, Murphy cast him in his forthcoming Beverly Hills Cop II (1987), as a parking valet. It hardly constituted a breakout performance, but the role and newfound connection with Eddie Murphy helped Rock land a couple of small supporting roles, and eventually a spot on NBC's hallowed Saturday Night Live, from 1990-93. During his SNL stint, Rock also periodically guest-starred in fellow comedian Keenan Ivory Wayans' African American sketch comedy series In Living Color. In 1991, Rock broke from comedy in favor of a more dramatic role, and his performance as a surprisingly innocent crack addict-cum-informant in Mario Van Peebles' New Jack City attracted a substantial amount of favorable attention; Roger Ebert praised Rock as "effortlessly authentic and convincing."One could argue with some foundation that the role in New Jack City is indicative of Rock's driving force (i.e., the politics of modern society and race within the contextual framework of American culture). Although Rock employs comedic delivery, many of his favorite topics are quite grave, and Rock's ability to confront these issues, cloaked in ribald humor, helped launch his career during the late '90s. While his 1993 screenwriting debut, on Tamra Davis's CB4: The Movie, received lukewarm reviews at best, Rock established himself as a household name after his scathing HBO comedy special Bring the Pain (1996) earned him two Emmy awards and a significantly larger fan base. The same year, he received a third Emmy for his work as a writer and correspondent for Comedy Central's Politically Incorrect with Bill Maher. Then, in 1997, the successes of Rock's stand-up, his contributions to Saturday Night Live and In Living Color, his film roleass, and his work on Bring the Pain collectively inspired HBO to sign Rock for a sketch comedy series, The Chris Rock Show, that ran from 1997 to 2000. The program borrowed the formats of Saturday Night Live and In Living Color, yet it upped the vulgarity, volatility, and presence of hot-button contemporary issues - in addition to the intelligence. In addition to Rock, the program featured a cast of up-and-coming African American comics, such as Wanda Sykes and Mario Joyner. The program ran to sensational reviews. Rock's film career expanded throughout the late '90s, and the young comic won particular notice for his role as a hot-headed law enforcement agent in 1998's Lethal Weapon 4 opposite Danny Glover and Mel Gibson, and later for Kevin Smith's irreverent Dogma(1999), as a bitter apostle of Jesus. He also published a book titled Rock This! with much success. Though Dogma received mixed reviews, in 1999 Rock mounted his second HBO comedy special, Bigger & Blacker, which found the comedian addressing topics from gun control to Bill Clinton and proper parenting techniques. In late 2000, Rock played an obnoxious hitman equipped with an incredibly inventive string of obscenities in Neil La Bute's controversial black comedy Nurse Betty, alongside Renee Zellweger and Morgan Freeman.In 2001, Rock put his screenwriting abilities to the test in Down to Earth, a remake of 1941's Here Comes Mr. Jordan, and again in Pootie Tang, a feature spin-off of one of the characters from The Chris Rock Show. In 2001, Rock voiced one of the characters in Steven Spielberg's A.I.: Artificial Intelligence and another in Osmosis Jones, and rejoined Kevin Smith for a cameo in Jay and Silent Bob Strike Back. In 2002, Rock was one of several comedians featured in Christian Charles' documentary Comedian, and in the same year starred opposite Oscar-winner Anthony Hopkins as a CIA spy in the Joel Schumacher-directed action comedy dud Bad Company. Rock then directed, co-wrote and starred in 2003's Head of State as an unlikely presidential candidate for the Democratic party.Head of State divided critics; most felt nonplussed, or espoused mixed feelings, such as The Los Angeles Times's Manohla Dargis, who mused, " Rock can't set up a decent-looking shot, and… doesn't care about niceties such as character development… but…nonetheless wrings biting humor from serious issues with the… ferocity [of]… Richard Pryor and Lenny Bruce." After Head, Rock's big screen activity diminished just a bit; he voiced Marty the Zebra in the CG-animated, family-oriented features Madagascar (2005) and Madagascar 2 (2008), but his most frequent turn during this period arrived in the form of a new semiautobiographical sitcom on UPN, Everybody Hates Chris, that debuted in September 2005. As written and produced by Rock, it cast Tyler James Williams as a younger version of the comedian, during the early '80s, who lives in the steel-tough area of Bedford-Stuyvesant and is bused, each day, to a school full of Italian Americans. As narrated by Rock, this sweet, gentle, nostalgic and witty program caught everyone off guard and drew outstanding ratings during late 2005 "TV Sweeps"; New York Times correspondent Alessandra Stanley was certainly not alone when she praised it as "charming" and compared it favorably to The Cosby Show - high praise, indeed.In 2007, Rock returned to cinemas, posing a quadruple threat (writer/producer/ director/star) with the adults-only sex comedy I Think I Love My Wife. In that picture (a remake of Eric Rohmer's Chloe in the Afternoon!) Rock plays Richard Cooper, a suburban investment banker saddled with a wife and two kids, who finds it increasingly difficult to avoid delving into a rich world of sexual fantasies, and then to avoid an imminent affair with a gorgeous "old friend" (Kerry Washington) seeking career advice. I Think I Love My Wife took its stateside bow in mid-March 2007, to reviews as mixed as anything in Rock's prior career; most critics either loved or hated it; a few responded ambivalently. Rock took on a supporting role in 2012's What to Expect When You're Expecting, and voiced the character of Marty the Zebra in Madagascar 3: Europe's Most Wanted the same year. He resprised his role in Grown Ups 2 in 2013. In 2014, he wrote, directed and starred in Top Five.

Trivia: Actor, singer, and voice actor Keith David has spent much of his career on the stage, but also frequently works in feature films and on television. A native of New York City, David first performed as a child, singing in the All Borough Chorus and later attended the prestigious High School of Performing Arts. Shortly after graduating from Juilliard, where he studied voice and theater, David landed a role in a production of Coriolanus at Joseph Papp's Public Theater. He starred opposite Christopher Walken. David made his Broadway debut in Albee's The Lady From Dubuque (1980) and, two years later, had his first film role in John Carpenter's The Thing. He would not appear in another feature film until he played King in Oliver Stone's Platoon (1986). In between, David alternated between stage and television work. He appeared in five films in 1988, including Clint Eastwood's Bird, where he gave a memorable performance as jazz sax player Buster Franklin. In 1992, David showed his considerable skill as a singer and dancer and won a Tony nomination for starring in the musical Jelly's Last Jam, opposite Gregory Hines. David's film career really picked up in the mid-'90s, with roles ranging from a gunslinger in Sam Raimi's The Quick and the Dead to a New York cop in Spike Lee's Clockers to an amputee who owns a pool parlor in Dead Presidents (all 1995). In 1998, David had a brief but memorable role as Cameron Diaz's boisterous stepfather in the Farrelly brother's zany Something About Mary. In one of the film's funniest scenes, David tries to help Diaz's prom date, Ben Stiller, extricate himself from an embarrassingly sticky situation. He is also well known to animation fans for his voice work in, among other projects, Disney's Gargoyles, HBO's Spawn, and the English-dubbed version of the Japanese-animated film Princess Mononoke. In 2000 he appeared in Requiem for a Dream, Pitch Black, and Where the Heart Is, as well as providing the narration of Ken Burns documentary on the history of jazz. He continued to work steadily in a variety of projects including Barbershop, 29 Palms, Agent Cody Banks, Mr. and Mrs. Smith, and the 2005 Oscar winner for Best Picture, Crash. He also found work in Transporter 2, The Oh in Ohio, Meet Monica Velour, Lottery Ticket, and the 2010 remake of Death at a Funeral.

Trivia: Born in Houston in 1949, actress Loretta Devine rose to fame on-stage in the original Broadway production of Dreamgirls before parlaying her acclaim into a career in film and television. Her first major onscreen role came in 1987, when she was cast as a resident advisor on the Cosby Show-spin-off A Different World. Though she left the series after the first season, it was far from her final gig as a TV series regular.Throughout the early '90s, Devine appeared in small supporting roles in features films such as Class Act and Amos & Andrew as well as a number of TV guest spots on shows ranging from Roc to Picket Fences. In 1995, Devine's career was given a shot in the arm when she was cast as one of the leads in Waiting to Exhale, an ensemble film that proved to be a success with both critics and audiences. More supporting work followed, and in 2000 she was cast as a lead on David E. Kelley's Fox drama Boston Public, a show that would go on to be nominated for multiple Emmys over the course of its four seasons on the air.Devine's career came full-circle in 2006 when she was cast in a small role in the film adaptation of Dreamgirls, the stage musical that launched her career. The following year, she was cast as a regular on ABC's supernatural legal drama Eli Stone.In 2010 she appeared in the American remake of Death at a Funeral, the comedy Lottery Ticket, and Tyler Perry's ambitious For Colored Girls. In 2011 she appeared in Tyler Perry's Madea's Big Happy Family, and the next year she had a role on the TV series The Client List.

Trivia: Standing four feet five inches tall, actor Peter Dinklage has had a prolific career both on-stage and in film. After graduating from college in Vermont, he studied at the Royal Academy of Dramatic Arts in London and the Welsh School of Music and Drama in Wales. He worked in several productions off-Broadway and wrote his own play entitled Frog. He made his film debut in Tom DiCillo's 1995 independent comedy Living in Oblivion as the dwarf in the dream sequence. He then appeared in Safe Men, Bullet, Never Again, and Just a Kiss before returning to independent comedies. In 2001 he had a substantial role in Michel Gondry's Human Nature, written by Charlie Kaufman. In 2002, he played Binky, the sidekick to the clown Bananas played by Steve Buscemi in Alexandre Rockwell's 13 Moons. His first starring film role was in Tom McCarthy's The Station Agent as Finbar McBride, a lonely misfit who shacks up in an abandoned railway depot. Also starring Patricia Clarkson and Bobby Cannavale, the film won festival acclaim at Sundance. In 2003, Dinklage can be seen in both the Lincoln Center production of Toulouse Lautrec and the Jon Favreau holiday comedy Elf starring Will Ferrell. After a supporting role in The Baxter found Dinklage appearing in one of the year's most off-beat romantic comedies, and the sci fi television series Threshold afforded him the opportunity to appear alongside Star Trek: The Next Generation star Brent Spiner, Dinklage would next share the screen with the most popular canine in film and television history in the 2006 family-oriented adventure Lassie. In 2005, Dinklage took on a starring role in Threshold, a short-lived science fiction series from CBS, and joined the cast of filmmaker Michael Showalter's comedy The Baxter, in which he played a wedding planner. The following year the actor would make waves in Ryan Murphy's highly sexed drama Nip/Tuck. After appearing in a variety of television roles (including a stint playing himself on HBO's popular series entourage) Dinklage once again teamed with HBO to join the cast of Game of Thrones. This proved a fateful decision on his part, as the adaptation of George R. R. Martin's popular series of novels would become wildly successful, in no small part due to Dinklage's portrayal of Tyrion Lannister, the "imp" whose political savvy and brilliant mind allow him to thrive in a world that is less than kind to those it perceives as physically limited. The role led to an Emmy Award for Outstanding Supporting Actor in a Drama Series, and a Golden Globe Award for Best Supporting Actor - Series, Miniseries or Television Film in 2012.

Trivia: A distinguished actor of the stage and screen, Danny Glover is known for his work in both Hollywood blockbusters and serious dramatic films. Towering and quietly forceful, Glover lends gravity and complexity to the diverse characters he has portrayed throughout his lengthy career.A native of San Francisco, where he was born July 22, 1947, Glover attended San Francisco State and received his dramatic training at the American Conservatory Theatre's Black Actors' Workshop. He made his film debut in Escape from Alcatraz (1979). In the early '80s, Glover made his name portraying characters ranging from the sympathetic in Places in the Heart (1984) to the menacing in Witness (1985) and The Color Purple (1984). He reached box-office-gold status with the three Lethal Weapon flicks produced between 1987 and 1992, playing the conservative, family-man partner of "loose cannon" L.A. cop Mel Gibson. Glover carried over his fiddle-and-bow relationship with Gibson into his off-screen life, and also contributed an amusing cameo (complete with his Lethal Weapon catch-phrase "I'm gettin' too old for this!") in Maverick (1994). In 1998, Glover again reprised his role for the blockbuster-proportioned Lethal Weapon 4, and that same year gave a stirring performance in the little-seen Beloved.In the following years Glover would walk the line between Hollywood heavyweight and serious-minded independent actor with a skill most actors could only dream of, with an affectinate role in Wes Anderson's 2001 comedy drama The Royal Tenenbaums and a surprising turn toward horror in Saw serving well to balance out lesser-seen but equally powerful turns in Boseman and Lena, 3 A.M., and Lars von Trier's Manderlay. The same year that Glover retreated into the woods as a haunted Vietnam veteran in the low-key drama Missing in America, he would turn in a series of guest appearances on the long-running television medical drama E.R. Despite a filmography that seemed populated with an abundance of decidedly serious dramas in the years following the millennial turnover, Glover did cut loose in 2006 when he took a role as Tim Allen's boss in The Shaggy Dog and stepped into the studio to offer vocal performances in the animated kid flicks The Adventures of Brer Rabbit and Barnyard. On television, Glover played the title role in Mandela (1987), cowpoke Joshua Deets in the 1989 miniseries Lonesome Dove, legendary railroad man John Henry in a 1988 installment of Shelley Duvall's Tall Tales, and the mercurial leading character in the 1989 "American Playhouse" revival of A Raisin in the Sun. For his role in Freedom Song as a caring father struggling to raise his young son in 1960s-era Mississippi, Glover was nominated for an Emmy award and took home an Image award for Outstanding Actor in a Television Movie, Mini-Series, or Dramatic Special. Glover played a proprietor of a struggling blues club in John Sayles' musical drama Honeydripper in 2007, and went on to participate in The Garden (2008), a documentary about a produce garden developed in the aftermath of the L.A. riots. He continued to tackle complex social issues as an executive producer for Trouble the Water, a 2008 documentary following the struggles of New Orleans residents in the wake of Hurricane Katrina, and as an associate producer for The Time That Remains (2009), a poignant series of short stories about Palestinians in Israel. Glover also worked as an associate producer for Uncle Boonmee Who Can Recall His Past Lives, an avante-gard fantasy drama that received the Palme d'Or at the 2010 Cannes Film Festival.

Trivia: Staking claim on her fame with her role in the comedy-horror spoof Scary Movie, Regina Hall has frequented the big screen in roles that far from betrayed her age. Born in 1971 in Washington, D.C., Hall earned a degree in journalism from N.Y.U. before embarking on a film career. In 1997, she began appearing in commercials at age 26, and then made the giant leap into movies. Her recurring role in Scary Movie and the sequel Scary Movie 2 exhibited the 30-year-old's ability to maintain her youthful appearance, as she portrayed the high-school-aged Brenda Meeks. Hall's first film role had come in 1999 with a small role in Malcolm D. Lee's drama The Best Man. The following year, she made several film appearances, including her starring role in Scary Movie. In addition, she played small parts in two films directed by Gina Prince-Bythewood, the drama Love and Basketball, and the TV movie Disappearing Acts, featuring Sanaa Lathan and Wesley Snipes. In 2001, Hall's list of credits grew to include her first television role, as Corretta Lipp on the prime-time drama Ally McBeal, which was a recurring role for several episodes. Also that year, Scary Movie 2 was released, in addition to the Mandel Holland comedy The Other Brother, featuring Hall as Vicki. One year later, she starred in the action-drama Paid in Full, directed by Charles Stone III. She reprised her role as Brenda Meeks yet again for Scary Movie 3 (2003) and Scary Movie 4 (2006), and played a supporting role in the 2009 crime thriller Law Abiding Citizen. The following year she had some success for her supporting role in Neil LaBute's remake of Frank Oz's black comedy Death at a Funeral, in which she co-starred with Danny Glover, Peter Dinklage, and Martin Lawrence, among others. She co-starred with Kevin Hart and Michael Ealy in Think Like a Man (2012), which was adapted from Steve Harvey's non-fiction self-improvement book Act Like a Lady, Think Like a Man.

Trivia: After cutting his teeth on the stand-up comedy circuit on the East Coast, comic Kevin Hart got his big break when he was cast in the Judd Apatow series Undeclared in 2000. The then 21 year old had grown up using his sense of humor to help his family cope with issues like his father's drug addiction and incarceration, and eventually learning to thrive in the stand-up scene helped give Hart the tenacity to make it on a national scale, both on stage and on screen. Hart would headline several successful national stand-up tours over the coming years, in addition to his successful movie career, which would find him appearing in a host of films like Soul Plane, Fool's Gold, The Five Year Engagement, This is the End. In 2014, he had a trio of hits, Ride Along, About Last Night and Think Like a Man Too. His success continued into the following years, headlining The Wedding Ringer and Get Hard in 2015, and Ride Along 2 and a stand-up film, What Now? in 2016.

Trivia: Actor/comedian Martin Lawrence started the 21st century off with a bang, starring and executive producing Big Momma's House, the story of an FBI agent posing as a corpulent Southern matriarch, which went on to gross more than 100 million dollars, despite universally negative reviews. The success of this film pushed Lawrence ever closer to joining the much-coveted 20-million-dollar club, cementing his reputation as one of the biggest comic stars for years to come.Lawrence was born in Frankfurt, Germany, on April 16, 1965, and eventually settled with his family in suburban Maryland around his sixth birthday. Soon after, his father left the family; Lawrence claims he got his start as a comedian by cheering up his mother, who was forced to support her six children by cashiering in various department stores. He attended Eleanor Roosevelt High School in Landover, MD, dabbling in sports and sticking with comedy, even agreeing to stop acting up in an art class in return for performing his stand-up routine in front of the other students.Soon after graduating, the bug-eyed performer earned a chance to perform on Star Search, which led to a role in 1985's What's Happening Now! Lawrence kept honing his frenetic schtick and by 1989, won two big breaks -- a supporting role in Spike Lee's Do the Right Thing and MCing HBO's Def Comedy Jam. Lawrence continued to rack up scene-stealing roles throughout the early '90s, including parts in House Party, House Party 2, and Boomerang, eventually landing his own series on Fox in 1992, appropriately named Martin. The show became a huge success, its risqué humor making it a ratings stalwart for more than five years and winning two NAACP Image Awards in the process, although some detractors criticized Lawrence for promoting the image of an oversexed, insensitive black man.Two years after Martin's successful launch, Lawrence released You So Crazy!, a raunchy, vulgarity-laced comedy that originally received the NC-17 rating and was later released unrated. Its crudeness, however, didn't matter much to audiences, as You So Crazy! went on to become one of the highest-grossing concert films of its time.Lawrence appeared to have it all, professionally and privately; in 1995 he married former beauty queen Patricia Southall in a lavish ceremony and the pair had a daughter, Jasmine. Around this time, however, Lawrence's success story began to slip away, his off-camera behavior setting up what should someday be a fascinating E! True Hollywood Story.On the set of his directorial debut, A Thin Line Between Love and Hate, Lawrence erupted in a violent outburst and began taking psychotropic drugs. A few months later, he was arrested for another disturbance, where he reportedly brandished a pistol and screamed at tourists and others on Ventura Boulevard. Over the next two years, his behavior became even more erratic as he racked up a series of gun-related arrests. He landed in drug rehab and filed for divorce from Southall after she got a temporary restraining order against him for yet another vicious eruption.But the most bizarre and unsettling charges were yet to come. Tisha Campbell, Lawrence's co-star on Martin and the House Party films, filed suit against the star and the show's producers, HBO Studios, claiming Lawrence sexually harassed her to the point that she feared for her safety. The studio brokered a settlement that allowed Campbell to finish the show's final season, although she and Lawrence would never be on the soundstage together again.Despite all the trauma, Lawrence seemed as popular as ever. He starred in four hugely commercial successes between 1995 and 1999, including Bad Boys with Will Smith, Nothing to Lose with Tim Robbins, Life with Eddie Murphy, and on his own in Blue Streak. These films made Lawrence extremely bankable -- his salary broke the ten-million-dollar mark for Big Momma's House and it seemed as if his previous troubles were behind him.Then in 1999, while jogging to lose an extra few pounds before filming began on Big Momma's House, Lawrence collapsed into a severe coma due to heat exhaustion, delaying the production's start and firing up the old rumors of drug use and unpredictable behavior. But after recuperating, Lawrence said the coma scare put him back on the straight and narrow.His career trajectory certainly supported this -- after the success of Big Momma's House, he reportedly earned 13 million dollars for What's the Worst That Could Happen? with Danny DeVito. He earned upwards of 16.5 million dollars for Black Knight, which featured Lawrence as a down-on-his-luck employee of a theme restaurant who finds himself transported back to medieval times. Lawrence's next film appearance, Martin Lawrence Live: Runteldat, once again found the popular but controversial funnyman taking to the stage, though this time in a far more personal bid to humorize the sometimes startling headlines that had left many fans fearing for both his health and sanity. Seemingly purged of his current demns and eager to settle back into a lucrative film career, Lawrence took to the screen opposite Steve Zahn for the high-speed action comedy National Secuity (2003) before gearing up for the sequel to Bad Boys. After a relatively quiet 2004, Lawrence attempted to broaden his appeal by playing a basketball coach in the family-oriented comedy Rebound. In 2006 Lawrence performed in his first animated film, Open Season, opposite Ashton Kutcher, and released the sequel to one of his biggest comedy hits Big Momma's House 2. That same year he filmed the biker road comedy Wild Hogs alongside Tim Allen and John Travolta.

Trivia: A native of Stillwater, Oklahoma, where he was born on September 18, 1973, Marsden grew up with a sister and two brothers. Following a short stint at Oklahoma State University, he dropped out of school to move to Los Angeles and pursue his interest in acting. Marsden's move led to work as a Versace model and to a brief role as the original Griffin on Fox's Party of Five (the part would later be taken over by Jeremy London), as well as brief stints on a variety of other TV series. Marsden's growing fan base got another boost when he was cast alongside Katie Holmes and Nick Stahl in David Nutter's Disturbing Behavior; despite the film's lackluster performance, in part abetted by an overabundance of teen horror films, Marsden was able to nab the plum role of Cyclops in Singer's X-Men. One of the most highly anticipated films of 2000, it allowed the actor to work alongside the likes of Ian McKellen, Patrick Stewart, Anna Paquin, and Famke Janssen. Marsden's rising popularity was reflected in his busy schedule the following year; among his projects was Sugar and Spice, a black comedy that cast him opposite fellow up-and-comer Mena Suvari. In 2003 Marsden would once again appear as Cyclops in the big-budget X-Men sequel, X2. Marsden continued to work steadily insuch films as The Notebook and Heights before returning for trhe third installment of the X-Men franchise. Although he appeared again as Cyclops, he in fact scored more screen time in Bryan Singer's Superman Returns playing Lois Lane's husband who must contend with the fact that his wife is in love with the man of steel. He also played opposite Amy Adams in Enchanted a romantic fable that combined live-action with animation. Marsden would go on to enjoy a growing leading-man status, appearing in movies like The Box, Death at a Funeral, and a remake of Straw Dogs. Marsden would also appear in a memorable arc on 30 Rock.

Trivia: New York-born Saturday Night Live cast member Tracy Morgan memorably spoofed everyone from Fat Albert to Tiger Woods' father during his time on the long-running comedy television staple. Working in mostly bit roles until a scathingly incisive skit in which he claimed that his biggest role each week was the guy waving in the background during the closing credits, Morgan then began a streak of standout characters that quickly placed his distinctive mark among his fellow cast members. Morgan appeared on television's Martin before joining the cast of SNL in September 1996, later appearing in 3rd Rock From the Sun and in such films as Half Baked (1998) and Jay and Silent Bob Strike Back (2001). With his film career picking up momentum with such comedies as 30 Years to Life and Frank McKlusky, C.I., it appeared that Morgan would enjoy a healthy career away from his Saturday Night Live home. Morgan appeared in the Chris Rock-directed comedy Head of State, and was the star of the short-lived sitcom The Tracy Morgan Show. He also contributed regularly to the prank-phone-calls-with-puppets series Crank Yankers. In addition to a video release compiling his most memorable moments from Saturday Night Live, Morgan appeared in Adam Sandler's remake of The Longest Yard, and played a role in the Wayans brothers comedy Little Man. Morgan was one of many contributors to Bob Saget's spoof Farce of the Penguins. In the fall of 2006, he joined the cast of 30 Rock, former SNL head writer Tina Fey's new sitcom about the backstage antics at a similar live sketch comedy show. A major hit for NBC, 30 Rock earned Morgan an Emmy nomination in 2009, and was still going strong three years later. Meanwhile, when he wasn't cracking up television viewers, Morgan could frequently be seen on the big screen in such films as the Kevin Smith buddy cop comedy Cop Out, and the Neil LaBute remake Death at a funeral. Though in 2011 Morgan received a verbal lashing from GLAAD following a stand-up routine that the organization viewed as homophobic, the quick witted writers at 30 Rock wasted no time turning versy into comedy gold by poking fun at the incident in primetime.

Trivia: Rarely do beauty and talent combine in a form so complimentary to each other than in the case of actress Zoe Saldana. Whether gracefully gliding across the stage in dance, pounding the boards in a play, or lighting up the screen in such popular films as Pirates of the Caribbean: The Curse of the Black Pearl, the multi-faceted Saldana seems capable of achieving anything she puts her mind to. The New Jersey native was raised in Queens until the age of ten, when her family relocated to the Dominican Republic. The move proved a fateful blessing when young Saldana discovered her love of dance and enrolled in the ECOS Espacio de Danza Academy shortly thereafter, where she would study ballet, jazz, and modern Latin dance. Following her sophomore year in high school, Saldana and her family returned to the U.S. It was while completing her primary studies stateside that Saldana became involved with the Faces theater troupe, whose aim was to make a positive impact on teenage audiences by performing improvisational skits on such issues as substance abuse and sexuality. Involvement with another troupe, the New York Youth Theater, provided more traditional stage experience through such productions as Joseph and the Amazing Technicolor Dream Coat, and it was while performing with that troupe that a talent agent recognized great potential in the burgeoning actress. In 1999, Saldana received what seemed to be the ideal first film role when she was cast as a talented but snippy dancer vying for a spot at the fictional American Ballet Company in the dance drama Center Stage. Other film roles followed, including Get Over It, Snipes, and a featured part in the Britney Spears teen drama Crossroads, which offered Saldana's first major theatrical release. Widely panned by critics but performing moderately at the box office thanks to legions of Spears fans, Crossroads proved just the fuel needed to get Saldana's struggling feature career running. The following year, she was back on the big screen in Drumline, which found her once again utilizing her dance skills as a college dance major and love interest of the talented but conflicted protagonist. Though her subsequent role as the sole female pirate in Pirates of the Caribbean offered little screen time, her performance as the only woman able to cast a spell over Johnny Depp's charismatic Jack Sparrow offered one of the film's most memorable comic scenes. Back on the indie circuit, Saldana headlined the 2003 rock musical Temptation as a talented singer facing hard times. A brief turn as a by-the-books customs officer in Steven Spielberg's The Terminal found the charming Saldana slowly warming to an immigrant stuck in bureaucratic limbo (played by Tom Hanks).She was the female lead in Guess Who in 2005 and continued to work steadily. However, in 2009 she broke through in a big way when she was cast as Uhura in J.J. Abrams Star Trek reboot, and later that year she was the female lead in James Cameron's mega-smash Avatar. She followed that up with the action film The Losers in 2010, and was front and center in another action spectacle, Columbiana, the year after that. She reprised her role in the sequel Star Trek Into Darkness in 2013, and played Gamora in the 2014 smash Guardians of the Galaxy, ensuring her place in yet another action franchise.

Trivia: A screen performer from his early twenties, Columbus Short began his career as a movie actor with somewhat conventional roles in youth-oriented films, such as the 2006 releases Save the Last Dance 2 and Accepted. He worked his way into more serious and substantial material in the years to follow, however -- beginning with the role of Darius on Aaron Sorkin's critically praised but short-lived showbiz drama Studio 60 on the Sunset Strip (2006-2007). Short received critical kudos and added attention for his contribution to the family-oriented ensemble comedy This Christmas, playing an African-American man who arrives at his family's home to celebrate the Yuletide holiday -- without telling them that he has married a Caucasian woman. Additional assignments included the lead role in Quarantine (2008), directors John E. Dowdle and Drew Dowdle's remake of the Spanish horror film [REC]; and -- on a nostalgic note -- an evocation of blues maestro "Little Walter" Jacobs in director Darnell Martin's ambitious homage to the blues in 1950s Chicago, Cadillac Records (2008). His career continued with Armored, the remake of Death at a Funeral, The Losers and The Girl Is In Trouble. In 2012 he was cast in the TV series Scandal.

Trivia: Although he made his film debut in the acclaimed independent film Bottle Rocket, actor Luke Wilson, born on September 21st, 1971, initially got more recognition for his real-life role as Drew Barrymore's boyfriend than for his acting. Fortunately for Wilson, his onscreen talents outlasted his relationship with Barrymore, and he has enjoyed steady employment and increasing visibility through substantial roles in a number of films.A native Texan, Wilson was born in Dallas in 1971. The son of an advertising executive and a photographer, he was raised with two brothers, Owen and Andrew. The three would all go on to make their careers in film, with Wilson discovering his love of acting while a student at Occidental College. In 1993, the brothers Wilson collaborated with Wes Anderson to make Bottle Rocket, which was initially a 15-minute short. The gleefully optimistic story of three Texans who aspire to become successful thieves, Bottle Rocket premiered at the 1993 Sundance Festival, where it attracted the attention of director James L. Brooks. With Brooks' help, the short became a full-length feature film released in 1996. That same year, Wilson also appeared in the coming-of-age drama Telling Lies in America.After large roles in three 1998 comedies, Bongwater, Home Fries, and Best Men (the latter two co-starring Barrymore), Wilson went on to star in another three comedies the following year. The first, Dog Park, was a Canadian film directed by Kids in the Hall alum Bruce McCulloch and featured Wilson as one of a group of twenty-somethings undergoing the trials and tribulations of love. Blue Streak starred the actor as the sidekick of robber-turned-policeman Martin Lawrence, while Kill the Man (which premiered at the 1999 Sundance Festival) cast him as the owner of a small copy center competing with a large chain store across the street.Though he would stick closely to comedy through 2001 with roles in Charlie's Angels (2000) and Legally Blonde (2001), Wilson took a turn for the sinister in the thrillers Preston Tylk and Soul Survivors (both 2001), before reteaming with his brother Owen and Wes Anderson to give one of his most memorable performances as Richie, the suicidal tennis pro in The Royal Tenenbaums.In 2003, Wilson reprised two past roles, appearing in both Charlies Angels: Full Throttle and Legally Blonde 2: Red, White and Blonde. That same year, he also scored a hit as one of the stars of Todd Phillips' Old School. 2004 saw Wilson embark on The Wendell Baker Story, a film he stars in, co-directs with brother Andrew Wilson, and co-writes with brother Owen Wilson. Laced with supporting roles and cameos from such iconic friends as Harry Dean Stanton, Kris Kristofferson, and Eddie Griffin, this quirky low-budgeter made the festival rounds in 2005-6 and the responses were encouragingly supportive; Variety's Joe Leydon observed, "The co-directing Wilson siblings smartly refrain from pushing anything too hard or too often, making the unpredictable eruptions of straight-faced absurdity all the more effective. Luke Wilson is extremely engaging in lead role." Many praised the Wilson brothers' directorial and scriptwriting intuition and their willingness to take risky-yet-triumphant gambles onscreen.Wilson joined the cast of early 2006's box-office sleeper hit The Family Stone, a family drama with an ensemble that includes Diane Keaton, Craig T. Nelson and Sarah Jessica Parker; the remainder of the year sees Wilson appearing in a string of supporting roles in light and dark comedies. In a minor performance in May 2006's Hoot, Wilson plays Officer David Delinsky, who attempts to sabotage a plot by local children to blow up a pancake house. His appearance in July 2006's My Super Ex-Girlfriend marks director Ivan Reitman's return to the big screen since 2001's box-office disappointment Evolution; it stars Uma Thurman as a superhero who gets even with her ex-beau (Wilson) after he casts her aside. He also highlights summer 2006's Mini's First Time, a black comedy about an incestuous daughter and stepfather who have the mother committed to a mental hosiptal; co-stars include Jeff Goldblum and Carrie-Anne Moss. Idiocracy, directed by cult fave (and Beavis and Butthead creator) Mike Judge, has Wilson as a moron hurled a thousand years into the future by the U.S. Government, only to discover he is the most intelligent person on the planet.In the tradition of 8mm, 2007's jet-black paranoid thriller Vacancy will co-star Wilson and Sex and the City's Sarah Jessica Parker as husband-and-wife who check into a hotel and unwittingly become the targets of a snuff film, while, in that same year's semi-spoof Dallas (2007) (adapted from the early-eighties TV sensation and directed by Gurinder Chadha) Wilson will tentatively co-star as Bobby Ewing, alongside Jennifer Lopez as Sue Ellen, Shirley MacLaine as Miss Ellie, and John Travolta as the infamous J.R.. Wilson's additional film roles throughout 2007 include Barry Munday (an indie pic helmed by Chris d'Arienzo and adapted from Frank Hollon's novel Life is A Strange Place, about a chauvinist who wakes up and discovers his own emasculation); and Last Seduction helmer John Dahl's mafioso comedy You Kill Me. In 2010, Wilson appeared in the films Death at a Funeral and Middle Men.

Trivia: African-American actor Bob Minor gained his cinematic entree as a stuntman. His earliest speaking roles came by way of the blaxploitation pictures of the '70s. Two of the more profitable examples of this genre were Coffy (1973) and Foxy Brown (1974), both of which starred Pam Grier and featured Minor in supporting roles. The actor occasionally surfaced in mainstream films designed for a more generic audience, notably The Deep (1978) (as Wiley), White Dog (1982) and Glory (1989) but even after attaining this filmic level he couldn't quite escape such exploitation flicks as Swinging Cheerleaders (1976). Bob Minor worked with regularity on television, just missing consistent weekly work in such never-purchased pilots as Friendly Persuasion (1975), Dr. Scorpion (1978) and Samurai (1979).