Trivia: Ex-prizefighter Dale Robertson was brought to films by virtue of his vocal and physical resemblance to Clark Gable. After a year of bit parts at Warner Bros., Robertson graduated to leading-man gigs at 20th Century Fox. In 1957, Robertson was cast on the popular TV Western Tales of Wells Fargo which ran until 1962. Since that time, Robertson has starred or co-starred in a number of television weeklies, nearly always Western (both period and contemporary) in nature: The Iron Horse (1966-1968), Dynasty (1980-1982), and J.J. Starbuck (1989). In addition, Dale Robertson has headlined two TV-movie pilots based on the exploits of famed G-Man Melvin Purvis. Robertson made his final screen appearance in Martha Coolidge's 1991 period piece Rambling Rose, passing away from lung cancer over twenty years later at the age of 89.

Trivia: Though weighing in at a sylphlike 155 pounds, Jack Ging starred for three years in the backfield of the University of Oklahoma football team. After a hitch in the Marines, Ging headed to Hollywood to break into the movies. He made his film debut in The Ghost of Dragstrip Hollow (1959), then secured the continuing role of Beau McCloud on TV's Tales of Wells Fargo (1961-62). From 1962 to 1964, Ging starred as clinical psychologist Paul Graham on the NBC weekly The Eleventh Hour. Jack Ging went on to play authoritative supporting roles in three TV series: Detective Chuck Morris in Dear Detective (1979), Lt. Ted Quinlan in Riptide (1984-85) and Sheriff Hollings in PS I Luv U (1991).

Trivia: Famed for his ratchety voice and cold-fish stare, William Demarest was an "old pro" even when he was a young pro. He began his stage career at age 13, holding down a variety of colorful jobs (including professional boxer) during the off-season. After years in carnivals and as a vaudeville headliner, Demarest starred in such Broadway long-runners as Earl Carroll's Sketch Book. He was signed with Warner Bros. pictures in 1926, where he was briefly paired with Clyde Cook as a "Mutt and Jeff"-style comedy team. Demarest's late-silent and early-talkie roles varied in size, becoming more consistently substantial in the late 1930s. His specialty during this period was a bone-crushing pratfall, a physical feat he was able to perform into his 60s. While at Paramount in the 1940s, Demarest was a special favorite of writer/director Preston Sturges, who cast Demarest in virtually all his films: The Great McGinty (1940); Christmas in July (1940); The Lady Eve (1941); Sullivan's Travels (1942); The Palm Beach Story (1942); Hail the Conquering Hero (1944); Miracle of Morgan's Creek (1944), wherein Demarest was at his bombastic best as Officer Kockenlocker; and The Great Moment (1944). For his role as Al Jolson's fictional mentor Steve Martin in The Jolson Story (1946), Demarest was Oscar-nominated (the actor had, incidentally, appeared with Jolie in 1927's The Jazz Singer). Demarest continued appearing in films until 1975, whenever his increasingly heavy TV schedule would allow. Many Demarest fans assumed that his role as Uncle Charlie in My Three Sons (66-72) was his first regular TV work: in truth, Demarest had previously starred in the short-lived 1960 sitcom Love and Marriage.

Trivia: Of Swedish-American heritage, Virginia Christine (born Virginia Kraft) grew up in largely Scandinavian communities in Iowa and Minnesota. As a high schooler, Christine won a National Forensic League award, which led to her first professional engagement on a Chicago radio station. When her family moved to Los Angeles, Christine sought out radio work while attending college. She was trained for a theatrical career by actor/director Fritz Feld, who later became her husband. In 1942, she signed a contract with Warner Bros., appearing in bits in such films as Edge of Darkness (1943) and Mission to Moscow (1944). As a free-lance actress, Christine played the female lead in The Mummy's Curse (1945), a picture she later described as "ghastly." Maturing into a much-in-demand character actress, Christine appeared in four Stanley Kramer productions: The Men (1950), Not as a Stranger (1955), Judgment at Nuremberg (1961) and Guess Who's Coming to Dinner (1967). Other movie assignments ranged from the heights of Invasion of the Body Snatchers (1956) to the depths of Billy the Kid Meets Dracula (1978). To a generation of Americans who grew up in the 1960s and 1970s, Christine will forever be Mrs. Olson, the helpful Swedish neighbor in scores of Folger's Coffee commercials.

Trivia: Mary Jane Saunders was one of the more promising child actors of the post-World War II period, alongside such slightly older contemporaries as Beau Bridges and Gigi Perreau. Despite a good start in a major Bob Hope vehicle, however, she failed to sustain her career into adulthood. Born Mary Jayne Saunders in Pasadena, CA, in 1943, she was the only child of an auto parts and machinery dealer and his homemaker wife. Saunders was thrust into a film career at age five when her parents sent in her photo, in response to a casting call from Paramount. The studio was looking for a five-year-old girl to play in Sorrowful Jones, a remake of Little Miss Marker, a 1930s Shirley Temple vehicle (based on a Damon Runyon story) about a little girl who is left with a bookmaker as security for a bet . Saunders won the part and the film was a success in the output of Bob Hope, if not one of his more enduring classics. She next turned up in a major role in Columbia Pictures' A Woman of Distinction, playing alongside Rosalind Russell, Ray Milland, and Edmund Gwenn. She worked in two more good romantic comedies, Father Is a Bachelor at Columbia, starring William Holden, and The Girl Next Door at Fox, with Dan Dailey and June Haver, both of which had her working with her fellow child actor Billy Gray. After that flurry of activity, Saunders was absent from the big screen until the end of the decade when she re-emerged as a teenager, playing one of 17 children of Clifton Webb's title character in The Remarkable Mr. Pennypacker at 20th Century-Fox. Saunders turned up in one more movie, an uncredited role in Billy Wilder's Kiss Me Stupid (1964), but was most visible on television, playing the teenager Mary Gee in the 1961-62 season of Tales of Wells Fargo; two of her episodes were later intercut to form the feature film Gunfight at Black Horse Canyon. A pert blonde with an irrepressible manner, she seemed younger than her 17 years and was still playing teenagers in the mid-'60s on programs like My Three Sons and I Spy. In late 1967, she married major league baseball player Jay Johnstone and retired from acting.

Trivia: Muscular leading man Ed Nelson started out as a member of quickie-filmmaker Roger Corman's stock company, appearing in such drive-in fodder as Hot Rod Girl (1956), Invasion of the Saucer Men (1957) and Cry Baby Killer. In these and other low-budgeters of the late 1950s, Nelson not only starred, but doubled on the technical crew: he was one of several production assistants portraying the title crustacean in The Attack of the Crab Monsters (1956), and designed and operated the parasite props in 1958's The Brain Eaters, which he also produced. Eventually outgrowing such things, Nelson rose to TV stardom as Dr. Michael Rossi on the prime time soap opera Peyton Place, which ran from 1964 through 1969. He later starred as Ward Fuller on The Silent Force (1970) and as Dr. Michael Wise in Doctor's Private Lives (1979). In 1969, Nelson hosted a daily, syndicated talk show, which he was ultimately forced to give up when he decided to enter politics ("conflict of interests" and "equal time" were still considerations back then). He played President Truman several times, including the 1980 TV movie Enola Gay: The Men, the Mission, the Atomic Bomb, in the 1992 Brooke Shields flick Brenda Starr and onstage in Give 'Em Hell, Harry. Nelson died in 2014 at age 85.

Trivia: Seductive brunette leading lady Faith Domergue never quite made it to the front ranks of Hollywood stardom. Discovered by billionaire Howard Hughes, Faith was given the standard big buildup, achieving above-the-title billing in 1950's Vendetta and Where Danger Lives. Moviegoer response was not favorable, and thereafter Hughes and Domergue parted company. She married director Hugo Fregonese and continued to accept leading roles in adventure and science fiction films; in the latter category, she offered memorably energetic performances in This Island Earth (1955) and The Atomic Man (1956). Still acting into the 1970s, Faith Domergue published a memoir of her early career, 1972's My Life With Howard Hughes.