Trivia: The son of an insurance salesman, David Wayne attended Western Michigan University. While working as a statistician in Cleveland, Wayne became attracted to the local theatrical activity. Auditioning for a Shakespearean repertory company, he won the role of Touchstone in As You Like It, which he performed before an audience for the first time at the 1935 Cleveland Exposition. In 1938, he made his first New York stage appearance in Escape This Night. Classified 4F at the outbreak of World War II, Wayne volunteered for the ambulance corps, subsequently serving as a Red Cross driver in North Africa. His theatrical career really began to pick up steam after the war: cast as Og the Leprechaun in the 1947 musical hit Finian's Rainbow, he became the first actor ever to win a Tony Award. The following year, he created the role of Ensign Pulver in Mister Roberts, and in 1955 he was seen as Okinawan interpreter Sakini in Teahouse of the August Moon. While all of his major stage roles went to other actors in the film versions, Wayne enjoyed a substantial movie career of his own. Though he made his screen debut in 1947's Portrait of Jennie, Wayne was given "and introducing" billing in the Tracy/Hepburn comedy Adam's Rib (1949), in which he played capricious composer Kip Lurie. After playing Joe, cartoonist Bill Mauldin's mud-caked infantryman, in Universal's Up Front (1951), Wayne spent most of his screen time at 20th Century-Fox, where, among other things, he did two co-starring stints with Marilyn Monroe (1952's We're Not Married, 1953's How to Marry a Millionaire), played theatrical impresario Sol Hurok in Tonight We Sing (1953), starred as a tragedy-plagued small-town barber in the underrated Wait Till the Sun Shines Nellie (1953) and portrayed schizophrenic Joanne Woodward's long-suffering husband in Three Faces of Eve (1957). One of Wayne's co-stars during his Fox years was Una Merkel, who once remarked "I loved David Wayne. I think he's one of the finest actors we have. He's so good they don't know what to do with him."One place where they evidently did know what to do with Wayne was television, where he worked steadily from 1948 onward. Besides playing such prominent personages as Andrew Carnegie, Mark Twain and even "Old Scratch" (in a 1961 telecast of The Devil and Daniel Webster), he appeared in classic individual episodes of Alfred Hitchcock Presents and Twilight Zone, played "special guest villain" The Mad Hatter on Batman, and was a regular on the weekly series Norby (1955), The Good Life (1973), Ellery Queen (1975, as Inspector Queen), Dallas (1978), and House Calls (1980). In addition, Wayne appeared with New York's Lincoln Center Repertory, and was one of the hosts of the NBC weekend radio potpourri Monitor. Curtailing his activities in the late 1980s, David Wayne retired altogether in 1993, after the death of his wife of 51 years.

Trivia: Brunette (sometimes blonde) Marcia Henderson played Wendy to Boris Karloff's Captain Hook and Jean Arthur's Peter Pan on Broadway from 1950 to 1951. Before that she had been Kathleen on television's The Aldrich Family (1949) and she would replace Peggy Ann Garner in the 1951 daytime sitcom Two Girls Named Smith. She got lost in the crowd while under contract to Universal-International from 1953 to 1954 but later essayed leading roles in a series of B-movies that included The Wayward Girl (1957), a potboiler in the truest sense of the word and one of Republic Pictures' final in-house productions, and The Hypnotic Eye, a cult "classic" from the fertile brain of William Castle. There were a couple of aborted television series and Henderson guest starred on such programs as Bat Masterson and Wanted: Dead or Alive before retiring to marry actor Bob Ivers in 1961.

Trivia: One of the "grand old men" of vaudeville and burlesque, James Barton was the type of performer who could split your sides with a well-timed punchline, then seconds later break your heart with a plaintive rendition of "You Made Me Love You." An attempt to make Barton a middle-aged film favorite a la Will Rogers in the 1935 feature Captain Hurricane didn't take, so he settled for secondary character roles during the balance of his film career. James Barton's most memorable screen assignments included bogus Indian hunter Kit Carson in The Time of Your Life (1947) and the flustered father of June Haver and Gloria DeHaven in The Daughter of Rosie O'Grady (1950).

Trivia: Actor Keenan Wynn was the son of legendary comedian Ed Wynn and actress Hilda Keenan, and grandson of stage luminary Frank Keenan. After attending St. John's Military Academy, Wynn obtained his few professional theatrical jobs with the Maine Stock Company. After overcoming the "Ed Wynn's Son" onus (his father arranged his first job, with the understanding that Keenan would be on his own after that), Wynn developed into a fine comic and dramatic actor on his own in several Broadway plays and on radio. He was signed to an MGM contract in 1942, scoring a personal and professional success as the sarcastic sergeant in 1944's See Here Private Hargrove (1944). Wynn's newfound popularity as a supporting actor aroused a bit of jealousy from his father, who underwent professional doldrums in the 1940s; father and son grew closer in the 1950s when Ed, launching a second career as a dramatic actor, often turned to his son for moral support and professional advice. Wynn's film career flourished into the 1960s and 1970s, during which time he frequently appeared in such Disney films as The Absent-Minded Professor (1960) and The Love Bug (1968) as apoplectic villain Alonso Hawk. Wynn also starred in such TV series as Troubleshooters and Dallas. Encroaching deafness and a drinking problem plagued Wynn in his final years, but he always delivered the goods onscreen. Wynn was the father of writer/director Tracy Keenan Wynn and writer/actor Edmund Keenan (Ned) Wynn.

Trivia: Ohio-born actor Jim Backus's stage career began in summer stock, where, according to his then-roommate Keenan Wynn, he was as well known for his prowess with the ladies as he was for his on-stage versatility. Backus continued acting in New York, vaudeville, and especially radio in the 1930s and 1940s. He was a regular on radio's The Alan Young Show, portraying Eastern Seaboard snob Hubert Updike III, the prototype for his "Thurston Howell III" characterization on the 1960s TV sitcom Gilligan's Island. In 1949, Backus provided the voice of the nearsighted Mr. Magoo for the first time in the UPA cartoon Ragtime Bear; the actor later claimed that he based this character on his own businessman father. Also in 1949, Backus made his first film appearance in Easy Living, which starred his childhood friend Victor Mature. Backus' most famous screen role was as James Dean's weak-willed, vacillating father in Rebel without a Cause. On television, Backus co-starred with Joan Davis on the I Love Lucy-like 1950s sitcom I Married Joan, and played the leading role of fast-talking news service editor Mike O'Toole on the 1960 syndicated series Hot Off the Wire (aka The Jim Backus Show). In the 1960s, Backus continued to provide the voice of Mr. Magoo in several TV projects, and was seen on-camera in the aforementioned Gilligan's Island, as well as the 1968 TV version of Blondie, wherein Backus played Mr. Dithers. Co-starring as Mrs. Dithers was Backus' wife Henny, who also collaborated with her husband on several amusing volumes of memoirs. Jim and Henny Backus' last two books, Backus Strikes Back and Forgive Us Our Digressions, commented humorously on a deadly serious subject: Parkinson's Disease, the ailment which would eventually cost Backus his life at the age of 76.

Trivia: Had he been born a decade earlier, American actor Denver Pyle might well have joined the ranks of western-movie comedy sidekicks. Instead, Pyle, a Colorado farm boy, opted for studying law, working his way through school by playing drums in a dance band. Suddenly one day, Pyle became disenchanted with law and returned to his family farm, with nary an idea what he wanted to do with his life. Working in the oil fields of Oklahoma, he moved on to the shrimp boats of Galveston, Texas. A short stint as a page at NBC radio studios in 1940 didn't immediately lead to a showbiz career, as it has for so many others; instead, Pyle was inspired to perform by a mute oilfield coworker who was able to convey his thought with body language. Studying under such masters as Michael Chekhov and Maria Ouspenskaya, Pyle was able to achieve small movie and TV roles. He worked frequently on the western series of Roy Rogers and Gene Autry; not yet bearded and grizzled, Pyle was often seen as deputies, farmers and cattle rustlers. When his hair turned prematurely grey in his early '30s, Pyle graduated to banker, sheriff and judge roles in theatrical westerns -- though never of the comic variety. He also was a regular on two TV series, Code 3 (1956) and Tammy (1966). But his real breakthrough role didn't happen until 1967, when Pyle was cast as the taciturn sheriff in Bonnie and Clyde who is kidnapped and humilated by the robbers -- and then shows up at the end of the film to supervise the bloody machine-gun deaths of B&C. This virtually nonspeaking role won worldwide fame for Pyle, as well as verbal and physical assalts from the LA hippie community who regarded Bonnie and Clyde as folk heroes! From this point forward, Denver Pyle's billing, roles and salary were vastly improved -- and his screen image was softened and humanized by a full, bushy beard. Returning to TV, Pyle played the star's father on The Doris Day Show (1968-73); was Mad Jack, the costar/narrator of Life and Times of Grizzly Adams (1978-80); and best of all, spent six years (1979-85) as Uncle Jesse Duke on The Dukes of Hazzard. Looking stockier but otherwise unchanged, Denver Pyle was briefly seen in the 1994 hit Maverick, playing an elegantly dishonest cardshark who jauntily doffs his hat as he's dumped off of a riverboat. Pyle died of lung cancer at Burbank's Providence St. Joseph Medical Center at age 77.

Trivia: American leading lady Myrna Dell came to Hollywood in 1944 by way of an RKO Radio contract. After serving her apprenticeship in westerns and 2-reel comedies, she was promoted to femme fatale roles in features like Step By Step. She later worked for Paramount (The Furies), Warner Bros. (several films, including Girl from Jones Beach) and even Monogram, where she played straight to the Bowery Boys in Here Come the Marines (1952). Active in the early days of television, Dell showed up periodically as "The Empress" on the Dan Duryea adventure series China Smith (1952-55). Long retired, Myrna Dell returned before the cameras for a small role in Billy Wilder's Buddy Buddy (1981).

Trivia: To western fans, the nickname "Fuzzy" invokes fond memories of two first-rate comedy sidekicks: Al "Fuzzy" St. John and John Forest "Fuzzy" Knight. Knight inaugurated his career at age 15 with a tent minstrel troupe. His skill as a musician enabled him to work his way through West Virginia University, after which he headed his own band. Among Knight's theatrical credits in the '20s was the 1927 edition of Earl Carroll's Vanities and the 1928 "book" musical Here's How. Mae West caught Knight's act on the Keith vaudeville circuit and cast the bucolic entertainer in her 1933 film vehicle She Done Him Wrong; he would later show up playing West's country cousin in the actress' last important film, My Little Chickadee (1940). Usually essaying comedy roles, Knight was effective in the his dramatic scenes in Paramount's Trail of the Lonesome Pine (1936), wherein he tearfully sings a mountain ballad at the funeral of little Spanky McFarland. Knight's B-western comedy sidekick activity peaked in the mid '40s (he appeared most often with Johnny Mack Brown), after which his film roles diminished as his fondness for the bottle increased. Promising to behave himself (at least during filming), Fuzzy Knight signed on in 1955 for Buster Crabbe's popular TV adventure series Captain Gallant of the Foreign Legion; for the next two years, Knight played a semi-serious legionnaire -- named Private Fuzzy Knight.