Trivia: American actor Bob Crane is best remembered for playing the crafty POW Col. Hogan on the 1960s television comedy Hogan's Heroes, but he also played leads in a few films during the '50s and '60s. Crane was born in Waterbury, Connecticut. He began his career as a drummer and played with dance bands and a symphony orchestra. He also worked as a radio announcer at various stations around the U.S. before hosting a morning talk show in Hollywood. Next Crane began appearing regularly on the Donna Reed Show. In 1978, he was mysteriously murdered, and the case remains unsolved. He was married to Sigrid Valdis, an actress.

Trivia: Actor Werner Klemperer seemed destined for a career as a classical musician in his native Germany; his father was legendary orchestra conductor Otto Klemperer, and his mother was an opera singer. Otto Klemperer fled the Nazis in 1933 and secured a job with the Los Angeles Philharmonic, then sent for his wife and children. Trained in piano, trumpet and violin, young Werner never lost his love of music, but decided in the early '40s to study acting at the Pasadena Playhouse. A naturalized American citizen, Klemperer worked in Maurice Evans' special services unit in World War II, which gave Werner invaluable training before all sorts of audiences. Completely bald in his mid 20s, Klemperer had little problem securing theatrical work as older continental types, yet he yearned to broaden his range. To do this, he completely surpressed his German accent, the better to play such all-American character roles as the timorous press agent in the 1957 Cary Grant film Kiss Them for Me (1957). The capture of fugitive Nazi official Adolph Eichmann in 1960 sparked a renewal of interest in war films, and soon Klemperer found himself playing Eichmann (whom he vaguely resembled) in the 1961 quickie Operation Eichmann. He also essayed a suitably slimy role as a former Nazi jurist on trial for war crimes in 1961's Judgment at Nuremberg. Try though he might to break free of the stereotype, Klemperer was stuck in Teutonic roles, so he resigned himself to recultivating his German accent and worked steadily throughout the '60s. A low-comedy variation of Klemperer's standard character made him an international TV favorite: the actor played the heel-clicking, imperious and incredibly stupid Colonel Klink on the popular sitcom Hogan's Heroes from 1965 through 1970. In the '70s, Klemperer returned to his musical roots as a sometimes performer at the Metropolitan Opera, and as a lecturer/narrator for dozens of American symphony orchestras. Having spent most of his professional career chilling the audience's marrow as the archetypal Nazi officer, Werner Klemperer was the soul of geniality as the jovial narrator of Prokofiev's Peter and the Wolf at regional kiddie concerts of the '80s and '90s.

Trivia: Actor John Banner was forced out of his native Austria in 1938 when Hitler marched in. Though most familiar to filmgoers and TV viewers as a man of considerable heft, he was a trim 180 pounds when, while touring with an acting troupe in Switzerland, he found he couldn't return to Austria because he was Jewish. Banner came to America as a refugee; though unable to speak a word of English, he was almost immediately hired as emcee for a musical revue, From Vienna, for which he had to learn all his lines phonetically. Picking up the language rapidly, Banner was cast in several films of the 1940s, starting with Pacific Blackout. Because of his accent and Teutonic features, he most often played Nazi spies -- a grim task, in that Banner's entire family in Austria was wiped out in the concentration camps. Tipping the scales at 280 pounds in the 1950s, Banner worked steadily as a character man in films and on television; he can be seen as a variety of foreign-official types on such vintage TV series as The Adventures of Superman and Rocky Jones, Space Ranger. In 1965, Banner was cast as Sgt. Schultz in the long-running wartime sitcom Hogan's Heroes. A far cry from the villainous Nazis he'd played in the 1940s, Schultz was a pixieish, lovable blimp of a man who'd rather have been working as a toymaker than spending the war guarding American POWS, and who, to protect his own skin, overlooked the irregularities occurring in Stalag 13 (which as every TV fan knows was Colonel Hogan's secret headquarters for American counterespionage) by bellowing "I know nothing! I see nothing! Nothing!" John Banner enjoyed playing Schultz, but bristled whenever accused of portraying a cuddly Nazi: "I see Schultz as the representative of some kind of goodness in every generation," the actor told TV Guide in 1967. As to the paradox of an Austrian Jew playing a representative of Hitler's Germany, Banner replied, "Who can play Nazis better than us Jews?" Or who could play them funnier than John Banner?

Trivia: Born Howard Cohen, Caine is a character actor onscreen from the 60s.

Trivia: Joyce Jameson was a classic example of the professional "dumb blonde" with a diametrically opposite off-screen personality. Entering films as a chorus member in the 1951 version of Showboat, Jameson honed her musical comedy talents in several satirical revues staged by her onetime husband Billy Barnes. Intelligent, sensitive, and extremely well read, Jameson nonetheless found herself perpetually cast as an airhead or golddigger. In films, she was seen in such roles as a Marilyn Monroe wannabe in The Apartment (1960) and a call-girl who runs screaming from her room when she thinks Jack Lemmon is about to paint her body in Good Neighbor Sam (1963). One of her more unorthodox film assignments was as the vulgar, unfaithful wife of Peter Lorre in Roger Corman's Tales of Terror (1963), in which she and her paramour Vincent Price are walled up in Lorre's wine cellar. One year later, she was reteamed with Lorre and Price in the raucous A Comedy of Terrors (1963), where she was more typically cast as a nitwit. Her later films include The Outlaw Josie Wales (1976) and Hardbodies (1981). Joyce Jameson was a fixture of 1950s and 1960s TV, playing a variety of buxom "straight women" for such comedians as Steve Allen, Red Skelton and Danny Kaye.

Trivia: Though he would eventually rise to fame as demolitions expert Sgt. Carter on the classic comedy series Hogan's Heroes, singer/actor Larry Hovis originally came into show business as a singer. A Washington native who was raised in Texas, Hovis vocalized with his sister Joan before joining the popular Houston quartet the Mascots in the 1950s. Coming in first in a local talent contest earned the Mascots some television exposure on Arthur Godfrey's popular television show, and soon thereafter Hovis was hosting his own daytime television show. Moving into acting in his early twenties, he appeared in numerous stage productions, as well as continuing songwriting, which eventually led to a recording contract with Capitol and a subsequent solo album entitled My Heart Belongs to Only You. Small-time stage work became big-time with Broadway appearances in The Billy Barnes Revue and From A to Z in the late '50s, and by the time Hovis packed his bags for California at the age of 28, his standup performances and his screenplay for the comedy Out of Sight were gaining him quite a reputation. Shortly after that reputation landed him a gig on Gomer Pyle, U.S.M.C., he embarked on a six-year run in the breakout television comedy hit Hogan's Heroes. Hovis followed his stint on Hogan's Heroes with a high-profile job as a writer on Rowan and Martin's Laugh In, and though he was indeed a writer on the show's Emmy-winning 1968 season, he missed out on winning because his name was mistakenly omitted from the writing credits. Balancing appearances in film and television with a prominent role on the television game show The Liar's Club in the 1970s, Hovis would later tour with the first national road show of The Best Little Whorehouse in Texas. In his later years, Hovis returned to Texas to teach acting at Southwest Texas University (now Texas State University) while continuing to appear frequently on-stage. On September 9, 2003, Larry Hovis died in Austin, TX, following an extended battle with cancer. He was 67.

Trivia: Trained in British repertory, actor Richard Dawson achieved prominence in the late '50s as a cabaret and TV comedian. Arriving in the U.S. in 1961, Dawson made the variety-show rounds with an act consisting largely of quickie celebrity impressions. One of his first acting assignment was as Peter Sellers' takeoff Racy Tracy Rattigan in a 1963 episode of The Dick Van Dyke Show. A solid dramatic role as a military prisoner in King Rat led to a longer stint as resourceful cockney POW Peter Newkirk on the popular sitcom Hogan's Heroes (1965-1971). After appearing as a regular on Rowan & Martin's Laugh-In and The New Dick Van Dyke Show, Dawson settled into his true niche as a wisecracking game-show host. From 1976 through 1985, he emceed TV's The Family Feud, winning an Emmy Award for his troubles (he later resumed his Family Feud hosting chores in the 1994 syndicated version). Fittingly enough, Richard Dawson's first feature-film role after Feud was as the smarmy host of a futuristic life-or-death quiz program in Arnold Schwarzenegger's The Running Man (1989).

Trivia: Forceful African American leading man Ivan Dixon first commanded notice from theatergoers for his performance in the 1957 Broadway play The Cave Dwellers. He entered films as Sidney Poiter's double and stand-in with Something of Value (1957) and The Defiant Ones (1958), ultimately sharing scenes with Poitier in Porgy and Bess (1959) and Raisin in the Sun (1961). In 1964's Nothing But a Man, Dixon starred as Duff Anderson, an irresponsible Alabama railroad worker whose late-blooming maturity forms the nucleus of the film. Dixon's TV work includes the role of Kinchloe on the POW sitcom Hogan's Heroes and his Emmy-nominated starring role on the 1967 dramatic special The Private War of Olly Winter. In his later years, Ivan Dixon remained active as a director and a performer: he helmed the theatrical features Trouble Man (1972) and The Spook Who Sat By the Door (1992), such TV movies as Love is Not Enough and Percy and Thunder, and several episodes of the TV adventure series Hawaiian Heat (1984). Dixon died at age 76 in March 2008.

Trivia: Film and television actor Sidney Clute amassed well over 100 big- and small-screen credits across a career lasting just over 30 years. As a result of his personal popularity and the friendships borne of his professionalism, Clute's credits extended for three years beyond his death in 1985. Born in Brooklyn, NY, in 1916, he began working professionally in summer stock productions, and didn't make the leap to film work until shortly after World War II. His movie debut came in an uncredited role in William Wyler's The Best Years of Our Lives (1946), playing a drugstore clerk. His next appearance on film was on the small screen, in an uncredited role in the first-season Adventures of Superman episode "Czar of the Underworld", first seen in 1953. None of the five film and television roles he had in 1953 -- in the series Racket Squad, Fritz Lang's The Big Heat, and Russell Rouse's Wicked Woman -- were credited, but they opened a three-decade career. He was busier in 1954, on the sitcom I Married Joan, the crime dramas Waterfront and The Lineup, and small roles in feature films, including Douglas Sirk's ancient-world costume drama Sign of the Pagan, playing a monk. And that was the shape of Clute's career for the next 25 years, individual days of work on series ranging from Westerns to melodramas, broken by the occasional feature-film role. He did have a recurring role on Steve Canyon as Crew Chief Sergeant Gerke, and producer/director Jack Webb used him in three episodes of Dragnet during the 1950s, but it was the action/adventure series Whirlybirds that kept Clute the busiest over its two seasons from 1957 through 1959. His bald head and hangdog features seemed to register well with audiences no matter which side of the law his characters were on, and his Brooklyn accent (which he could hide effectively) even worked well in Westerns. Directors and producers appreciated his ability to nail a character or a line in short order, as well as his genial personality behind the scenes. Clute was working more often in the 1960s, on Dick Powell Theatre, Wagon Train, Hogan's Heroes, Mannix, Ben Casey, Perry Mason, That Girl, and dozens of other series, though he was probably most visible in the revived series Dragnet, which used him in key supporting roles in seven episodes. His best part in that series was in "Public Affairs: DR-07", as a gun nut on a television talk show who takes an open microphone to express his opposition to California's licensing and registration laws. But his chameleon-like ability as an actor was showcased that same year with an appearance on Iron Horse, in the episode "Wild Track", as a duplicitous 19th century businessman involved in a high-stakes poker game on a train besieged by outlaws -- even those familiar with his work elsewhere could forget that it was the familiar face from Dragnet. Clute was just as active in the 1970s, jumping between theatrical thrillers such as Breakout and Executive Action and dozens of television series. Toward the end of the 1970s, he settled into recurring work on Lou Grant as the newspaper's national editor, and finally, in 1982, he landed a co-starring role in a successful series when he was cast as Detective Paul La Guardia in Cagney and Lacey. As the oldest member of the detective squad -- and the most sympathetic to the two female detectives of the title, played by Tyne Daly and Sharon Gless -- Clute was a memorable presence on the series for its first three seasons. He died suddenly in the fall of 1985 from an especially fast-moving form of cancer. In tribute to the actor, producer Barney Rosensweig, a good friend of Clute's, left his name and image in the credits and continued to have his character referred to as an active member of the squad for the remaining four seasons of the show.