Trivia: With classic, square-jawed good looks, Australian actor Guy Pearce brings to mind the leading men of Hollywood's Golden Age; however, the actor is a thoroughly modern one, using his talents to play characters ranging from flamboyant drag queens to straight-arrow Los Angeles policemen. Pearce was born October 5, 1967, in Cambridgeshire, England. His father, who was a member of the Royal Air Force, moved his family to Australia when Pearce was three. Following the elder Pearce's tragic death in a plane crash, Pearce's mother decided to keep her family in Australia when young Pearce was eight, and it was there that he grew up. Interested in acting from a young age, he wrote to various members of the Australian television industry requesting a screen test when he was 17. His efforts proved worthwhile, as he was invited to audition for a new soap called Neighbours. Pearce won a significant part on the show and was part of it from 1986 to 1990. Following his stint on Neighbours, Pearce found other work in television and made his screen debut in the 1992 film Hunting. He acted in a few more small films and in My Forgotten Man, a 1993 TV biopic of Errol Flynn, before coming to the attention of film audiences everywhere in the 1994 sleeper hit The Adventures of Priscilla, Queen of the Desert. As the flamboyant and often infuriating Adam/Felicia, Pearce gave a performance that was both over the top and immensely satisfying. The role gave him the international exposure he had previously lacked and led to his casting in Curtis Hanson's 1997 adaptation of James Ellroy's L.A. Confidential. The film was an all-around success and drew raves for Pearce and his co-stars, who included Kevin Spacey, Danny DeVito, Kim Basinger (who won a Best Supporting Actress Oscar for her performance) and fellow Australian Russell Crowe.After the success of L.A. Confidential, Pearce went on to make the independent A Slipping Down Life, which premiered at Sundance in 1999. He followed that with the highly original but fatally unmarketable Ravenous (1999), Antonia Bird's tale of chaos and cannibalism which cast Pearce alongside the likes of David Arquette and Robert Carlyle. Though his role in the following year's military drama Rules of Engagement would offer a commendable performance by the rising star, it was another film that same year that would cement his status as one of the most challenging and unpredictable performers of his generation. Cast as a vengeance seeking, tattoo-covered widower whose inability to form new memories hinders his frantic search for his wife's killer, Pearce's unforgettable performance in the backwards-structured thriller Memento drove what would ultimately become one of the biggest sleepers in box office history. Pearce was now officially hot property on the Hollywood scene, and producers wasted no time in booking him for as many upcoming blockbusters as they could. A memorable performance as the villain in The Count of Monte Cristo found Pearce traveling back in time for his next film, and his subsequent role in The Time Machine would find him blasting so far into the future that mankind had reverted to the days of prehistoric times. A trip to the land down under found Pearce next appearing as a hapless bank robber in the critically panned crime effort The Hard Word, and the popular actor would remain in Australia for the elliptical drama Till Human Voices Wake Us (2002). In 2004, Pearce played a lion hunter in the family-oriented epic Two Brothers.Yet despite his increasing prominence as an international movie star, Pearce continued to display a flair for unusual, often demanding roles that would send lesser actors running. His performance as an outlaw tasked with killing his own brother in John Hillcoat's The Proposition earned Pearce a well-deserved AFI nomination for Best Lead Actor in 2005 (an honor he would share with his co-star Ray Winstone, though the award ultimately went to Hugo Weaving for Little Fish), and on the heels of an appearance as Andy Warhol in George Hickenlooper's Factory Girl he could be seen as famed magician Harry Houdini in Gillian Armstrong's Death Defying Acts -- a role which found a second AFI award slipping though his fingers. Though Pearce's turn as a military man in 2008's The Hurt Locker found him in fine form, it was Jeremy Renner who stole the show in Katherine Bigelow's multiple Oscar-winner and, curiously enough, the actor's next AFI nomination would come from his appearance in the Adam Sandler fantasy/comedy Bedtime Stories. A brief reunion with Hillcoat in The Road preceded a grim turn as a grieving father in the harrowing 2009 true crime drama In Her Skin, and in 2010 Pearce lost yet another AFI award to a talented co-star when Joel Edgarton took home the Best Supporting Actor award for his memorable performance in Animal Kingdom (which found Pearce cast in the role of an honest cop reaching out to a troubled youth). As if to balance out all of the awards disappointment in recent years, Pearce nabbed an Emmy for his performance opposite Kate Winslet in the made-for-cable drama Mildred Pierce following a brief appearance as KIng Edward VIII in the Oscar-winning historical drama The King's Speech, with additional roles in Don't Be Afraid of the Dark and Lockout proving that respected actors can still have a bit of fun on the big screen from time to time. Meanwhile, after an almost unrecognizable appearance in Ridley Scott's quasi-Alien prequel Prometheus, Pearce prepared to team up with his frequent collaborator Hillcoat once again, this time as a special agent determined to get his piece of the bootlegging pie in Lawless, which also starred Tom Hardy and Shia LeBeouf. He played the main antagonist, Aldrich Killian, in Iron Man 3, and earned an AACTA nomination for Best Lead Actor for his work in the dystopian film The Rover (2014).

Trivia: An Irish-born pop star turned actress who ignited the screen with her role as a primitive future-world inhabitant in The Time Machine (2002), Samantha Mumba shot to the top of the top of the U.K. charts with the release of her debut album, Gotta Tell You, and soon after seemed poised to translate her success into a film career regardless of her refusal to succumb to typical trappings of other teen divas attempting the leap from stage to screen. Born in Dublin in 1983, Mumba began her career grooming early on when her parents enrolled her in that city's renowned Billy Barry Stage School at the tender age of three. Educated alongside some of Ireland's most prominent pop stars (including Brian from the teen singing group Westlife, whom Mumba formed a close friendship with), the soulful-voiced beauty abandoned her education in pursuit of fame at age 17 and never looked back. A chance encounter with famed talent manager Louis Walsh found Mumba stretching the truth to impress the impresario (she told him that she was an R&B singer from New York who was preparing to record her debut album), and it wasn't long before Walsh was courting the aspiring pop princess to sign on the dotted line. Soon gaining positive critical notice for both television appearances and her role in a jazzy 1998 production of the Gilbert and Sullivan opera The Hot Mikado, Mumba recorded Gotta Tell You shortly thereafter and was on her way to international stardom. Though virtually unknown stateside, all of that would change when she starred opposite Guy Pearce and Jeremy Irons in the cinematic remake of author H.G. Welles' influential novel The Time Machine. Refusing to bow to the stereotypical musical-oriented roles that most teen pop divas clamor to, Mumba was curiously insistent that her cinematic career and singing career remain clearly distinguished and unconnected.

Trivia: With a long-limbed elegance and the voice of a serpent crossed with an angel, Jeremy Irons has long been described as swoon fodder for the thinking woman. Tall, brooding, and impossibly well-spoken, Irons has often been cast as a haunted aristocrat, but has on occasion used his well-heeled attributes to more sinister effect, most notably in David Cronenberg's Dead Ringers.Born September 19, 1948, on the Isle of Wight, Irons was educated at Sherborne. While a student there, he formed a band with four of his friends called the Four Pillars of Wisdom. Irons played drums -- badly, by his own estimation -- and the band attained a limited fame playing at various parties. After failed attempts to enter veterinary school, Irons decided to become an actor and received classical training at the Bristol Old Vic Theatre School. His training there led to a two-year stint with the Bristol Old Vic Theatre Company, where Irons performed in a large number of plays. On the side, he supported himself by doing odd jobs, including busking (singing on the streets), and it was thanks to his musical inclinations that he got his big break in the 1972 London production of Godspell. Singing for his supper alongside David Bowie, Irons won acclaim for his portrayal of John the Baptist and was soon a respected figure on the London theater scene. Irons made his screen debut in the 1980 film Nijinsky, but didn't find true fame until the following year, when he starred in the 11-part television adaptation of Evelyn Waugh's Brideshead Revisited. As part of a glittering cast that included Sir Laurence Olivier, Sir John Gielgud, and Claire Bloom, Irons won raves on both sides of the Atlantic for his portrayal of the lovelorn, conflicted Charles Ryder. Following this success, the actor was in demand as a romantic lead and could soon be seen starring opposite Meryl Streep in The French Lieutenant's Woman (1981). After trying his hand at playing a Polish laborer in Moonlighting (1982) and an adulterous lover in Betrayal (1983), Irons again played a tortured aristocrat in Swann in Love (1984).Following work in a few minor films and a Tony Award for his 1984 Broadway debut in Tom Stoppard's The Real Thing, Irons once again struck gold with his role as a conscientious missionary in The Mission (1986), in which he starred opposite Robert De Niro and received a 1987 Golden Globe nomination for his work. He next went completely against type, playing insane twin gynecologists in David Cronenberg's 1988 thriller Dead Ringers, a dual performance that both shocked his longtime fans and won him some new ones. For his portrayals, he garnered a New York Film Critics Circle Award, acclaim that was to be heightened two years later with his Oscar-winning turn as millionaire murder suspect Claus Von Bulow in Reversal of Fortune. Irons also won a Golden Globe for his work and settled into a real-life role as one of the most respected actors on both sides of the Atlantic.Throughout the 1990s, Irons' career was one of great variety and sometimes varying quality. Less acclaimed work included 1992's Waterland, in which he starred with his wife, Sinéad Cusack; the star-studded 1993 adaptation of The House of the Spirits; and The Man in the Iron Mask, a big-budget 1998 historical action piece in which Irons appeared to be competing with Gabriel Byrne, John Malkovich, and Gérard Depardieu to see who could wear the worst wig. Irons' more acclaimed films included Louis Malle's psychological drama Damage (1992); Disney's animated The Lion King (1994), to which Irons lent his voice as the villainous Scar; the following year's Die Hard With a Vengeance, in which Irons once again explored his sinister side, as a terrorist; Stealing Beauty (1996), which cast the actor as a dying artist; Chinese Box (1997), in which he portrayed yet another dying man; and Adrian Lyne's controversial adaptation of Lolita (also 1997), in which Irons gave a subtle, heartbreaking performance as Humbert Humbert. In 2000, Irons' relatively small role in the ultimately mediocre adaptation Dungeons & Dragons was once again noted as one of the highlights of an otherwise so-so film. Shortly afterward, Irons played the leading role in The Fourth Angel, which featured the actor as a magazine editor-cum-freedom fighter after his wife and three children were killed when their airplane was hijacked by terrorists. Though his performance was generally viewed as good, few Americans would enjoy it -- the original (and uncanny) plan for a United States theatrical release in fall of 2001 was canceled after the 9/11 attacks. Luckily for Irons and his loyal fan base, the 2002 releases of The Time Machine and the musical drama Callas Forever were not similarly hindered. In the same year, Irons would play the role of F. Scott Fitzgerald in director Henry Bromell's biographical feature Last Call with great success. 2003 was a busy year for Irons' vocal chords, as he provided one of the starring voices in the lavish, multi-episode television documentary Kingdom of David: The Saga of the Israelites. Irons appeared in two small but well-received 2004 releases, taking a role alongside screen legend Al Pacino in Michael Radford's The Merchant of Venice, and showing up in the comedy drama Being Julia with Annette Bening and Sheila McCarthy. However, the following year, he could be seen in director Ridley Scott's big-budget box-office dud Kingdom of Heaven, an historical film about the Crusades that failed to find an audience in the wake of similar pictures such as Troy and Alexander. Irons once again snared great notices for his work in the period drama Elizabeth I opposite Helen Mirren, winning the Golden Globe for his supporting work in that television production. He next displayed his remarkable versatility by appearing in two very different motion pictures, the fantasy action film Eragon and David Lynch's Inland Empire.An Englishman to the last, Irons has resisted the temptation to settle in Hollywood and continues to reside in England. He starred with one of his two sons, Samuel, in the 1989 television adaptation of Roald Dahl's Danny, the Champion of the World.In 2008, Irons took on the role of a cold-hearted rancher in actor/director Ed Harris' western Appaloosa, and joined the supporting cast of The Pink Panther 2 in 2009. Irons was praised for his vocal skills once more in 2011, when he narrated The Last Lions, a sweeping nature documentary. The same year, Irons took on the role of Pope Alexander VI in Showtime's historical drama series The Borgias, and co-star in Margin Call, a paranoid thriller following an investment firm analyst who becomes privy to extremely sensitive information.

Trivia: Though it's a typical trend for models to attempt acting careers in Hollywood, a close look at the career of British model-turned-actress Sienna Guillory reveals that she is anything but the "typical" case. Despite the fact that it was likely her role as a Hugo Boss girl that first got the talented and attractive blonde beauty noticed on U.S. shores, she had actually been acting long before embarking on a career as a model, and in fact, simply stumbled onto a career on the catwalks quite by accident. More content to be labeled an "actor" than a "star," the down-to-earth starlet no doubt possesses the kind of selflessness displayed by Charlize Theron in Monster that would allow her talent to take precedence over her physical appearance when the role demands it. The daughter of Cuban-born guitarist Isaac Guillory, Sienna was born in London in May of 1975; her childhood was marked by the kind of bohemian upbringing that encouraged creativity and artistic experimentation. It wasn't long before the ambitious youngster was considering a career as an actress, and in 1993, at the age of 16, Guillory landed her first role with a bit part in the cheeky, equestrian-themed U.K. miniseries Riders. Those who caught a brief glimpse of the up-and-coming talent no doubt agreed that the camera took a special shine to her, and a bit part in the U.K. period drama The Buccaneers following in short order. Guillory's appearance in The Buccaneers prompted her to study her craft more closely, but her course was somewhat altered when, at the age of 21, she accompanied a friend to the Select modeling agency and was immediately signed by the powerhouse. Though a stint as the Hugo Boss girl (not to mention campaigns for Armani and Dolce & Gabbana, to name only a few) did offer Guillory notable exposure, it did little to sway her dedication to acting, and she was soon honing her skills at the New World School of Dramatic Arts and later the Paris Conservatoire. By the time Guillory returned to the screen with a substantial role in the 2000 thriller Sorted, she had began to develop a unique style that would continue to impress in such features as Kiss Kiss (Bang Bang) and Late Night Shopping. A winning-turn as the virginal heroine of Kingsley Amis' novel A Girl Like You got Guillory positive critical notice when the television adaptation was aired in the U.K. in 2001, and it wasn't long before she had set her sights on Hollywood. If Guillory's turn as the romantic interest of lead Guy Pearce's character in the 2002 sci-fi adventure The Time Machine did little to further her career when the film generally failed to live up to expectations at the box office, she could at least take comfort in the fact that she would soon be portraying one of the most legendary beauties of all in the made-for-television adventure Helen of Troy. That film, too, was met with a somewhat lukewarm response, and though she would remain decidedly loyal to British television with roles in such efforts as 2004's Beauty, it was obvious by parts in such movies as Love Actually and Resident Evil: Apocalypse that she was eager to expand her horizons beyond typical costume drama fare and into mainstream Hollywood territory. In 2004, Guillory began preparation for roles in the fraternity-themed horror film Victims and director Keoni Waxman's Poolhall Prophets.

Trivia: A comic actor who began his Hollywood career working behind the scenes, Orlando Jones is more than just the popular pitch man exhorting the 2000-2001 TV audience to "Make 7-Up Yours." Raised in South Carolina, Jones discovered acting when he was cast in a school play while attending the College of Charleston. Aiming to make it in show business one way or another, Jones also formed Homeboy's Productions and Advertising while in college. Jones got his break, however, when a Hollywood visitor in Charleston saw him perform and signed him up, leading to a writing job on the Cosby Show spin-off A Different World. Jones then wrote for the sitcom Roc in 1991 and became a producer on The Sinbad Show in 1993. Jones finally got to act as well as write when he was cast in Fox's sketch comedy show Mad TV in 1995. After two seasons, Jones left the series and moved to films with a small part in Seinfeld co-creator Larry David's first feature Sour Grapes (1998). Jones managed to work consistently in movies from then on, with bit parts in Mike Judge's comedy Office Space (1999) and Paul Thomas Anderson's Magnolia (1999), as well as a starring role in Barry Levinson's praised but little-seen nostalgia piece Liberty Heights (1999). In 2000, Jones made his mark in TV advertising as the humorously incompetent advocate for 7-Up, enhancing his potential as a comic draw. Jones' lead role as one of the hapless scabs in The Replacements (2000) and a multi-character turn in Harold Ramis' version of Bedazzled (2000) further revealed his goofy versatility. After his action-comedy vehicle Double Take was a January 2001 washout, Jones was poised to team with Ivan Reitman for the latter's summer 2001 sci-fi comedy Evolution.Still, Jones retired as 7-Up's pitch man in early 2002, and would spend the 2000's nurturing his film and TV career, appearing in Runaway Jury and Drumline, as well as TV shows, like The Adventures of Chico and Guapo and Rules of Engagement.

Trivia: After roles on a handful of BBC television shows, British actor Mark Addy made a splash on the international film scene with his turn as a rotund exotic dancer in 1997's surprise hit The Full Monty. With the filmmaking boatloads of cash stateside and garnering a handful of Academy Award nods and Addy's ability to effortlessly adopt an American accent, it took little time before he was working on the U.S. side of the pond. Addy's first high-profile Hollywood role was a supporting gig playing Michael Keaton's pal in Jack Frost (1998), a family flick about a jazz musician who is reincarnated as a snowman. Two years later, Addy took on his first lead in an American film, filling the pelt worn previously by John Goodman, playing Fred Flintstone in the prequel The Flintstones in Viva Rock Vegas. Unfortunately, the project failed to keep the franchise's flame burning. The next couple years saw Addy in more supporting roles in a series of projects that ranged from barely-profitable (A Knight's Tale) to downright unsuccesful (Down to Earth and The Time Machine), but in 2002 he landed the lead on the CBS sitcom Still Standing. With Addy starring opposite Jami Gertz, the show became a hit as the lead-in to the network's wildly popular Monday-night lineup.In between seasons of Still Standing, Addy continued to make time for the occassional big-screen project, popping up in such films as 2003's The Order and 2004's Around the World in 80 Days, the former of which reunited the actor with Brian Helgeland and Heath Ledger, the writer/director and star of A Knight's Tale. Addy married Kelly Addy in 1996. The couple has one daughter. He appeared as John Piggot in the highly-respected Red Riding trilogy, and followed that up with a role in 2010's Robin Hood as Friar Tuck. In 2011 he was cast in the initial season of HBO's Game of Thrones as King Robert Baratheon.

Trivia: An esteemed actress, known both for her portrayals of flinty, dry-witted women and her real-life role as the mother of actresses Emma and Sophie Thompson, Phyllida Law has been acting in her native Britain for over 40 years. Born in Glasgow, Scotland, in 1932 and married to fellow actor Eric Thompson until his death in 1982, Law has spent much of her career working as a character actress both on television and in film. She has done particularly notable work in Douglas McGrath's 1996 adaptation of Jane Austen's Emma, which cast her as the meddlesome Mrs. Bates (and daughter Sophie Thompson as her equally meddlesome daughter Miss Bates); Alan Rickman's acclaimed drama The Winter Guest, in which she and daughter Emma starred as an estranged mother and daughter; and Nigel Cole's Saving Grace (2000), a comedy in which she portrayed the busybody neighbor of a woman (Brenda Blethyn) who has taken to growing pot in her backyard. An accomplished performer on stage, screen, and even radio plays, Law also authored books in which she discussed her experiences caring for her mother, who suffered from dementia, with refreshing, light hearted humor and wit.

Trivia: Played soccer in college Is the only child of NPR's Susan Stamberg, the original host of All Things Considered. Developed a love for theater and acting when he was cast in a school production of Fiddler on the Roof. Did voice work in 1994 for the movie Normandy: The Great Crusade. First TV job was a guest role on Spin City. Gained industry recognition in 2003 for his two-episode guest appearance as a gay paintballer on Six Feet Under.

Trivia: Born in England, Alan Young was raised in Canada, where his precocious talents won him work on network radio while he was still a teenager. Already quite popular in his adopted country, Young was given an ABC network radio program in the States in 1944, which confined his wide-ranging talent for music and mimicry in a standard sitcom format. Still youthful looking enough to pass for a high school kid, Young's screen debut was in the teen romance Margie (1946), which led to several years of collegiate roles (he was a college senior in Mr. Belvedere Goes to College, even though he was 30 at the time). In 1950, the actor headlined a comedy-variety TV series, CBS' The Alan Young Show, which spotlighted his pantomime skills; unfortunately, the series degenerated into yet another situation comedy when it returned to CBS in 1953 after an 11-month hiatus. In the mid-'50s, Young was offered the lead in a comedy series about a talking horse, but turned it down cold; after several years of relative inactivity, Young was more responsive to the offer, and in 1961 began a five-year run on Mister Ed as the horse's bemused master, Wilbur Post. Upon Ed's cancellation in 1965, Young turned his back on show business to devote himself to the Christian Science movement. By 1980, the actor and the Movement had come to a parting of the ways, and he was free to accept performing work again. Very little happened until Young was hired to provide the voice of Scrooge McDuck in the 1983 Disney cartoon short Mickey's Christmas Carol. He did so well with this assignment that he became the permanent voice of Scrooge in the TV cartoon series Duck Tales, which ran from 1987 through 1990 and yielded 100 episodes. In 1988, Alan Young could be seen as well as heard in Coming of Age, a CBS sitcom set in an Arizona retirement community -- the closest Young ever come to true and full retirement. He continued to voice Scrooge McDuck in various Disney shows and video games until the end of his life. Young died in 2016, at age 96.