Trivia: Perhaps most famous for his dramatic work on TV series like Law & Order: Special Victims Unit, Christopher Meloni has also been praised for his comedic appearances on screens of all sizes. His resumé proves him a versatile actor, indeed, with experience on television, in feature films -- both comedic and dramatic -- and even on-stage. (He acted in the 2001 Williamstown Theatre Festival.)He was born on April 2, 1961, in Washington, D.C., and earned his degree in 1983 at the University of Colorado in Boulder. Having grown interested in acting in college, he next studied at the Neighborhood Playhouse in New York City with Sandford Meisner. First noted for his role that began in 1990 on the hit series The Fanelli Boys on NBC, Meloni's accomplished television background consists of appearances on NYPD Blue (1993), the HBO's prison series Oz (1997), and numerous other series and TV movie roles. His lengthy list of supporting appearances on film includes major features like 12 Monkeys (1995), Bound (1996), and Fear and Loathing in Las Vegas (1998). In 1999, he played one of Julia Roberts' husbands-to-be in Runaway Bride. Building upon his Oz experience, he starred in the PBS feature Shift in 2001, in a dramatic role as a prison inmate lovesick over a woman whom he only knows via telephone, and who doesn't know his whereabouts. Also in that year, he played a crazy 'Nam vet chef -- who provided some of the most accessible laughs of the absurd comedy -- at summer camp in David Wain's Wet Hot American Summer.In the years to come Meloni would appear in films like Nights in Rodanthe, Carriers, and Harold and Kumar Go to White Castle, as well as the series True Blood.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Often cited as the founding father of gangsta rap, Ice-T has also crafted a successful film career from his hardened street persona. Despite the fact that his early roles stuck closely to his public image as a thuggish West Coast pimp, T has since proved both his versatility and his sense of humor by appearing as everything from a mutant kangaroo (Tank Girl [1995]) to, in a surprisingly effective about-face, a police officer (New Jack City [1991]). Born Tracy Marrow in Newark, NJ, in 1958 and later adapting his better-known persona as a tribute to pimp-turned-author Iceberg Slim, T was sent at age 12 to live in Califorina with an aunt after his father died of a heart attack (his mother had died four year earlier, also of a heart attack). Ice-T soon began to develop an obsession with rap music, and after serving a two-year stint in the Army, he began recording and appeared in the films Breakin' and Breakin' 2: Electric Boogaloo (both 1984). Following a near death auto accident in 1986, T devoted his life to music and released his debut album, Rhyme Pays, the following year. T gained positive accolades for his first major film role in 1991's New Jack City, in which he played a dedicated police officer, and the irony was not lost on fans the following year when he caused a stir with a song entitled "Cop Killer." After sticking close to the streets in Ricochet (1991), Trespass (1992), and Surviving the Game (1994), T took a sci-fi detour with Tank Girl and Johnny Mnemonic (both 1995). Generally appearing in straight-to-video schlock from the mid-'90s on, Ice-T could be seen as a naval pilot in Stealth Fighter (1999) and stealing a magic flute from a vengeful green meanie in Leprechaun in the Hood (2000). Though his appearances in such films grew nearly too frequent to count, T occasionally appeared in such theatrical releases as 3000 Miles to Graceland and Abel Ferrara's 'R Xmas (both 2001). After offering curious insight into the life of a pimp in the documentary Pimps Up, Ho's Down, T continued to expound on the life of a hustler in Pimpin' 101 (2003). He also took on a recurring role on the Law & Order spin-off Law & Order: Special Victims Unit and later joined the cast as a regular in the show's second season, soon becoming a popular fixture on prime time TV. T would also enjoy success on the reality circuit, starring in the candid reality show Ice Loves Coco with his wife, Nicole "Coco" Austin.

Trivia: Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. Florek continued to work on Law & Order until 2010.

Trivia: The comely blonde supporting actress Diane Neal is best known for her ongoing portrayal of District Attorney Casey Novak on the blockbuster series Law & Order: Special Victims Unit. Her resumé also includes appearances in such direct-to-video exploitationers as Dracula II: Ascension and Dracula III: Legacy.

Trivia: For his role in the Broadway production of M. Butterfly, talented stage and screen actor B.D. Wong (born Bradley Darryl Wong) would enter into history as the only actor ever to be honored with a Tony, a Drama Desk Award, an Outer Critics Circle Award, a Clarence Derwent Award, and a Theater World Award for a single performance. Proving equally adept onscreen, Wong's memorable early roles in The Freshman (1990) and Father of the Bride (1991) found him simultaneously attempting to break out of the Asian-American cinema stereotype while seeking out roles that would expand his dramatic capabilities. A native of San Francisco whose musical experimentation during his childhood eventually lead to the discovery of acting, Wong's parents were consistently supportive in nurturing his creative energy. Wong worked his way into Bay Area community theater while still a student at Lincoln High School, and his association with the San Francisco Unified School District proved an essential component in developing his skills as an actor. Following his subsequent graduation from San Francisco State University Wong moved to New York City, where he performed in dinner theater and off-Broadway productions. After making his professional bow in a New York Town Hall production of Androcles and the Lion, Wong began to essay small television roles on such series as Simon & Simon and Sesame Street about the time of his feature debut in The Karate Kid II (1986). Soon thereafter, Wong received coaching from Donald Hotton to prepare for his role in M. Butterfly, and following much critical acclaim, Wong slowly gained onscreen momentum with roles in Jurassic Park (1993) and the HBO AIDS-drama And the Band Played On (both 1993). In his constant search to portray original and diverse characters, Wong had a recurring role as Father Ray Makuda on the HBO series Oz. Subsequent performances included roles in Seven Years in Tibet (1997), voice work in the animated Disney film Mulan (1998), and the crime thriller The Salton Sea (2002). Television viewers became acquainted with Wong through his role on Law and Order: Special Victim's Unit.

Trivia: She might not be a household name, but the statuesque character actress Tamara Tunie sports a resumé as distinctive as she is innately glamorous. Tunie landed her first major role as litigator Jessica Griffin McKechnie Harris on the soap opera As the World Turns in 1986 -- a part she played for 11 years. In the mean time, Tunie signed for a small role in the endearing yet sadly overlooked coming-of-age dramedy Sweet Lorraine (1987), an unsung predecessor to the box-office blockbuster Dirty Dancing, starring Maureen Stapleton and Trini Alvarado. Tunie signed for a bit part in the 1989 period murder mystery Bloodhounds of Broadway, but despite the fact that it claimed a pedigree as impressive as Lorraine (with Matt Dillon, Madonna, Jennifer Grey, and others), the movie unfortunately failed to deliver on its noble intentions. Over the course of the next several years, Tunie turned up several times on Steven Bochco's NYPD Blue, and landed the bit part of Leslie Christos in the Al Pacino big-city crime drama City Hall (1996), directed by Harold Becker (Taps). She re-teamed with Pacino for the darkly comic supernatural horror film The Devil's Advocate (1997), then worked with Brian De Palma and Nicolas Cage on the 1998 thriller Snake Eyes. Tunie's most high-profile work, however, was yet to come. In 2002, she delivered a compelling performance as Alberta Green in the first season of the series thriller 24. In 1999, the actress resumed her portrayal of Jessica Harris on As the World Turns and continued to sporatically return to the role through the 2000s. Beginning in 2000, Tunie also portrayed Melinda Warner on the popular series Law & Order: Special Victims Unit.

Trivia: Hailed in Entertainment Weekly's 2000 Hot Issue as a mature female sex symbol, transplanted Dane Connie Nielsen also revealed that she could act in the Best Picture-winning blockbuster Gladiator (2000).Raised in Copenhagen, Nielsen trained to be a singer and dancer, as well as an actress. She began performing at age 15, with her mother, in local shows and headed to Paris when she was 18, to pursue her career in earnest. After stints in Italy and South Africa, the multi-lingual Nielsen finally landed in New York; she made her English language film debut as a terrorized passenger in the made-for-TV thriller Voyage (1993).Nielsen really began to attract Hollywood's attention, however, with her performance as the sizzlingly seductive, redheaded daughter of Satan (Al Pacino) in the supernatural potboiler The Devil's Advocate (1997). Along with smaller roles in the drug addiction drama Permanent Midnight (1998) and Wes Anderson's Rushmore (1998) (as the gorgeous mother of Max's friend Dirk), Nielsen landed her first starring role in 1998, as a planet pioneer who nurses Kurt Russell back to health in the science fiction actioner Soldier. Following roles in the low profile thriller Dark Summer (1999) and the higher profile Brian De Palma sci-fi saga Mission to Mars (2000), Nielsen notched a critically acclaimed hit with Ridley Scott's sword and sandal epic Gladiator. As the emperor's sister Lucilla, Nielsen got to hold her own against Joaquin Phoenix's scenery-chewing Commodus while falling in love with and quietly championing Russell Crowe's steely Maximus, proving that she could do more than just look good in Gladiator's Roman chic. Moving ever-closer to widespread recognition, Nielsen played a member of a family who attracts a menacing photo clerk (a dark turn by funnyman Robin Williams) in the taut thriller One Hour Photo. Alternating between smaller independent films and big-budget Hollywood extravaganzas, Nielsen turned up in Demonlover before turning back to the bright lights of Tinseltown with Basic and The Hunted (both 2003). Nielsen has one son.

Trivia: Perhaps no popular film artist in history inspired quite so many conflicting opinions and emotions as actor/comedian Jerry Lewis. Often reviled in his native United States but worshipped as a genius throughout much of Europe and especially France, Lewis took slapstick comedy to new realms of absurdity and outrageousness, his anarchic vision dividing audiences who found him infantile and witless from those who applauded the ambitions of his sight gags, his subversions of standard comedic patterns, and his films' acute criticisms of American values. Regardless of opinion, he was not only one of the biggest stars of the postwar era but also one of the most powerful, and as the writer, director, and producer of many of his features, he qualified as a comic auteur firmly in the tradition of Chaplin and Keaton.Born Joseph Levitch in Newark, NJ, on March 16, 1926, he was the son of borscht-belt comics, spending the majority of his childhood living with relatives but joining his parents each summer as they performed in the Catskills. From the age of five on, Lewis occasionally performed in his parents' act, and later quit high school in order to travel with his own comedy routine, which consisted primarily of mocking famous entertainers while their records were played off-stage. His early years as a performer were lean, and he often resorted to work as a soda jerk, a theater usher, an office clerk, or any one of a number of short-lived jobs. During the summers, he too made the rounds of the Catskills' borscht circuit, but otherwise enjoyed little success.In 1946, Lewis met another struggling performer, a handsome singer named Dean Martin. Later that year, while playing Atlantic City's 500 Club, another act abruptly quit the show, and Lewis suggested Martin to fill the void. Initially the two performed separately, but one night they threw out their routines and teamed on-stage, a Mutt-and-Jeff combo whose wildly improvisational comedy quickly made them a star attraction along the Boardwalk. Within months, Martin and Lewis' salaries rocketed from 350 to 5,000 dollars a week, and by the end of the 1940s, they were the most popular comedy duo in the nation. In 1949, they made their film debut in George Marshall's My Friend Irma, and their supporting work proved so popular with audiences that their roles were significantly expanded for the sequel, the following year's My Friend Irma Goes West. With 1951's At War With the Army, Martin and Lewis earned their first star billing. The picture established the basic formula of all of their subsequent movie work, with Martin the suave straight man forced to suffer the bizarre antics of the manic fool Lewis. Critics often loathed the duo, but audiences couldn't get enough. In all, they made 13 comedies for Paramount, among them 1952's Jumping Jacks, 1953's Scared Stiff, and 1955's Artists and Models, a superior effort directed by Frank Tashlin. For 1956's Hollywood or Bust, Tashlin was again in the director's seat, but the movie was the team's last; after Martin and Lewis' relationship soured to the point where they were no longer even speaking to one another, they announced their breakup following the conclusion of their July 25, 1956, performance at the Copacabana, which celebrated to the day the tenth anniversary of their first show.Working again as a solo performer, Lewis also served as producer on his first post-Martin star vehicle, 1957's The Delicate Delinquent. Reviews were good, and later that same year he starred in The Sad Sack. With 1958's Rock-a-Bye Baby, he teamed again with Tashlin, the first of six Lewis comedies the director helmed; they next united for The Geisha Boy. Under Norman Taurog, Lewis returned in 1959 with Don't Give up the Ship. At the time of its release, he signed an exclusive contract with Paramount for ten million dollars and 60 percent of his box-office profits, the biggest payday of its kind in Hollywood history; at its peak, his popularity was so great that he even starred in a DC Comics book. Lewis celebrated his success by making another feature for Taurog, 1960's Visit to a Small Planet, before returning to work under Tashlin for Cinderfella.With 1960's The Bellboy, Lewis made his directorial debut. Here his comic vision began to truly take flight, with only a bare-bones plot and virtually no dialogue to best serve his ambitious gags. He also directed and produced 1961's The Ladies' Man, a lavishly filmed, vicious satire on American femininity, followed by The Errand Boy, another collection of sight gags which earned favorable comparison to the work of Jacques Tati. Under Tashlin, Lewis next starred in 1962's It's Only Money. Returning to the director's chair, he filmed his masterpiece, The Nutty Professor, a comic retelling of the Dr. Jekyll and Mr. Hyde tale which, while dismissed by American critics, solidified his following among European filmgoers, especially the staff of the influential Cahiers du Cinema.In between 1963's Who's Minding the Store? and 1964's The Disorderly Orderly, both written and directed by Tashlin, Lewis also helmed The Patsy, his most ambitious work to date. In 1965's The Family Jewels, he not only wrote and directed, but also played seven different roles. The picture was among his first not to become a major box-office success. He subsequently traveled to France to star in John Rich's Boeing Boeing. There "Le Roi du Crazy" (as he was dubbed) was met by adoring fans and critics with a three-week film festival, as well as a complete retrospective at the Cinematheque Francais. However, the feature was Lewis' last for Paramount, who found his insistence upon complete artistic control to be at odds with the increasingly disappointing box-office showings of his films.In 1966, after landing at Columbia to direct and star in Three on a Couch, Lewis hosted his first Labor Day telethon to raise funds in support of the Muscular Dystrophy Association. The star-studded event quickly became an institution, annually bringing in millions upon millions in charitable contributions. Lewis next starred in the Gordon Douglas space comedy Way, Way Out, followed by 1967's The Big Mouth, which he directed and co-wrote. He next appeared in Jerry Paris' Don't Raise the Bridge, Lower the River and George Marshall's Hook, Line and Sinker, subsequently directing (but, for the first and only time, not starring) in 1969's One More Time. None of the movies found favor with audiences or critics, however, and after the failure of 1970's Which Way to the Front?, Lewis' career in Hollywood was in grave condition. While seeking funding for his next project, in 1971 he wrote a book, The Total Filmmaker. With financing from the Swedish-based Cinema and Film Enterprises, in 1972 Lewis mounted The Day the Clown Cried, a disturbing tale focusing on a famous clown forced by the Nazis to lead children to their deaths in the gas chambers. Widely speculated to be either a transcendent masterpiece or an obscene failure, the radical feature was never released, remaining trapped in legal limbo. Lewis spent the remainder of the decade out of film, appearing instead in the disastrous Broadway production Helzapoppin' as well as in concert and on the lecture circuit. Finally, in 1979 he wrote, directed, and starred in Hardly Working; though not released until two years later because of financial entanglements, the movie proved to be a major success, grossing over 50 million dollars in North America alone.In late 1982, Lewis was declared clinically dead after suffering a massive heart attack. He was miraculously revived, and the excessive lifestyle that led to his near-death experience became the subject of his 1983 feature Smorgasbord, which later premiered on HBO as Cracking Up before finally bowing in theaters in 1985. In the meantime, Lewis garnered some of the best reviews of his career for his work in Martin Scorsese's The King of Comedy, but his performance did not lead to work in other major Hollywood productions. As a result, he traveled to France, appearing in the 1984 comedies To Catch a Cop and Par Ou T'es Rentre? on T'a Pas Vue Sortir. The dismal Slapstick of Another Kind also arrived in 1984, with only small roles in the 1987 telefilm Fight for Life and Susan Seidelman's 1989 effort Cookie, as well as an extended supporting turn in the television series Wiseguy. By the 1990s, Lewis experienced something of a resurgence. Although he remained unable to secure directorial work, he did appear in the major studio films Mr. Saturday Night and Funny Bones. Additionally, he starred on Broadway in a successful revival of Damn Yankees and in 1996, The Nutty Professor was remade by Eddie Murphy.

Trivia: From the time of his screen debut in the late '80s, the slightly stocky character actor William Hill specialized in everyman portrayals, often with a professional edge, such as psychiatrists, guards, and police detectives. He struck a fairly equal balance between television (with a series of appearances as different characters on Law & Order over the years) and features that fell into a wide variety of genres. These included Striptease (1996), Anything Else (2003), and Gran Torino (2006).

Trivia: The daughter of legendary sex symbol Jayne Mansfield and former Mr. Universe Mickey Hargitay, Mariska Hargitay appears born to play the type of larger-than-life roles that would make her a Hollywood idol. Instead, from her breakthrough performance as a vulnerable single mother on ER to her starring turn as a somber detective on Law & Order: SVU, the talented actress has built her career by portraying real-life characters and keeping out of the spotlight. Raised in Los Angeles, Hargitay was a child of divorce before she celebrated her first birthday. In 1967, her mother died tragically when her car collided with a truck outside of New Orleans. Hargitay, then only three years old, was asleep in the backseat of the vehicle, but escaped uninjured. Days later, she moved in with her father and stepmother, Ellen Siano, a flight attendant. Hargitay participated in scores of activities throughout grade school, including cheerleading, student government, and athletics. She also developed a passion for performing: at 18, after being crowned 1982's Miss Beverly Hills, she enrolled in the University of California at Los Angeles' prestigious undergraduate theater program. Hartigay began her professional acting career while she was still a student with a bit part in Bob Fosse's Dorothy Stratten biopic Star 80 (1983). In 1985, she appeared in the B-movie Ghoulies and agreed to portray a teenage parolee inCBS' short-lived series Downtown. Roles in the teen comedies Welcome to 18 (1986) and Jocks (1987) quickly followed. In 1988, the actress joined her dad in the biopic of his own career, Mr. Universe. That same year, Hargitay earned the recurring role of Carly Fixx on television's Falcon Crest. The next several years found Hargitay acting in B-movies, such as a martial arts film called The Perfect Weapon (1991), and a handful of television films, such as Blind Side (1993) and Gambler V: Playing for Keeps (1994). She earned a small role in Mike Figgis's Leaving Las Vegas (1995) and replaced Gabrielle Fitzpatrick as Dulcea in Mighty Morphin Power Rangers: The Movie (1995), but her scenes were eventually re-shot with Fitzpatrick in the role. Throughout the late '80s and early '90s, Hargitay also appeared in numerous popular television shows -- In the Heat of the Night, Baywatch, Wiseguy, thirtysomething, Booker, Seinfeld, Ellen, The Single Guy -- and in quite a few failed series -- Tequila and Bonetti, Key West, Can't Hurry Love, Prince Street, and Cracker. In subsequent years, producer Dick Wolf tapped the actress for his Law & Order spin-off, Law & Order: Special Victims Unit (1999). As NYPD Detective Olivia Benson, Hargitay became a familiar and a celebrated face: She earned several award nominations for her performance on the show, as she stuck with the popular show for over ten years.In addition to working in film and television, Hargitay found time for the theater -- appearing on the Los Angeles stage in Salad Days, Women's Work, and Porno -- and read Rochelle Majer Krich's crime story Regrets Only on a mystery-themed audiobook. She also established her own charity, Spirit of the Dolphin, which gives abused children the chance to swim with dolphins in Hawaii. In 2007, Hargitay served as the National Ambassador for Lee National Denim Day to raise money and awareness for breast cancer. In terms of off-camera activity, Hargitay's successful pregnancy at the age of 42 (with her husband, SVU co-star Peter Hermann) made headlines as well.

Trivia: For many fans, the image of fair-haired actress Stephanie March includes a pair of black horn-rimmed glasses, which she wore for the role of Assistant District Attorney Alexandra Cabot on the series Law & Order: SVU. The role was one of the Texas native's first TV gigs, and she remained with the series from 2000 to 2004, then rejoined the series in 2009. March made her Broadway debut opposite Brian Dennehy in Death of a Salesman, and later appeared in a filmed version of the show. She also appeared in a number of other projects, like the Angelina Jolie spy movie Mr. and Mrs. Smith, before reprising the role of Alexandra Cabot for the Law & Order spinoff Conviction. March continued to make memorable guest appearances in shows like Grey's Anatomy, 30 Rock and Happy Endings. She had a supporting role in the film Innocence in 2014.

Trivia: Wrote an essay that was published in the book Struggle for Ethnic Identity: Narratives by Asian American Professionals. In 2001, played the role of Florizel in Winter's Tale at the Williamstown Theatre Festival. Was the Artistic Associate of the National Asian American Theatre Company (NAATCO) in 2005 and has appeared in five NAATCO productions. Played Ariel in the Shakespeare Theatre of New Jersey's stage production of The Tempest in 2009. In 2013, received a Drama Desk nomination for Best Solo Performance for his role as Gordon Hirabayashi in Jeanne Sakata's one-person play Hold These Truths.

Trivia: Began acting in community theater productions at age 6. Played on her high-school softball team. Appeared in the short-lived Broadway-bound play Bobbi Boland opposite Farrah Fawcett after arriving in New York in 2002. Costarred in the Web sitcom The Burg. Made television debut on the ABC soap opera All My Children in 2005. Filmed Past Life in Atlanta, Georgia, located about 45 minutes from her hometown of Cumming. Spent a week with real U.S. Marshals to prepare for her starring role in NBC's Chase.

Trivia: Is the son of Cuban immigrants. In his youth, aspired to become a baseball player or a lawyer, or join the Coast Guard. Was a lifeguard in Miami as a teen. Met his future wife, Lilly, during a middle-school theater class when they were just 13. They continued their education together through junior high, high school, college and graduate school. Off-camera pursuits include writing; received writing credits on the Cold Case episodes "Stealing Home" (2009) and "Metamorphosis" (2010).

Trivia: UCLA grad Joanna Merlin made her first film appearance in 1956, as one of Jethro's daughters in the Cecil B. DeMille superspectacular The Ten Commandments. Five years later she first stepped on a Broadway stage in Jean Anouilh's Becket. Her subsequent theatrical credits include the role of Tzeitel in the original 1964 production of Fiddler on the Roof. In films, she has specialized in such ethnically oriented character roles as the landlady in Hester Street (1975). From bag ladies to judges, Merlin has played 'em all. More recently, Joanna Merlin has functioned as a Hollywood casting director.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.