Trivia: Tim Robbins ranks among contemporary cinema's most acclaimed and provocative voices; a multifaceted talent, he has proved so adept at wearing the various hats of actor, writer, and director that no less a figure than the legendary filmmaker Robert Altman declared him the second coming of Orson Welles. Born October 16, 1958, in West Covina, CA, he was the son of folk singer Gil Robbins; raised in Greenwich Village, he made his performing debut alongside his father on a duet of the protest song "Ink Is Black, Page Is White." At the age of 12, Robbins joined the Theater for the New City, remaining a member for the next seven years; he also joined his high-school drama club, an experience which afforded him his first opportunities to direct for the stage. After briefly attending the State University of New York at Plattsburgh, he relocated to Los Angeles to study at UCLA; there he also joined the Male Death Cult, an intramural softball team comprised of his fellow drama students. After graduating, the teammates reunited to form the Actors' Gang, an avant-garde theater troupe noted for productions of works by the likes of Bertolt Brecht and Alfred Jarry. After guest starring on television series including Hill Street Blues and St. Elsewhere, in 1984 Robbins made his film debut with a bit part in the feature Toy Soldiers. His first starring role came in 1985's teen sex romp Fraternity Vacation. Small roles in hits including Top Gun and The Sure Thing followed before a breakout performance as a doltish fastballer in Ron Shelton's hit 1988 baseball comedy Bull Durham. An onscreen romance with co-star Susan Sarandon soon expanded into their offscreen lives as well, and the twosome became one of Hollywood's most prominent couples. A series of starring roles in films including 1989's misbegotten Erik the Viking and 1990s Jacob's Ladder followed, before Altman's 1992 showbiz satire The Player won Robbins Best Actor honors at the Cannes Film Festival. That same year, he wrote, directed, starred, and performed the music in Bob Roberts, a mock-documentary brutally parodying right-wing politics.Upon appearing in Altman's 1993 ensemble piece Short Cuts, Robbins enjoyed starring roles in four major 1994 releases: The Hudsucker Proxy, I.Q., Ready to Wear (Prêt-à-Porter), and the Oscar-nominated The Shawshank Redemption. However, his most acclaimed project to date was 1995's Dead Man Walking, a gut-wrenching examination of the death penalty, which earned him an Oscar nomination for Best Director; Sean Penn, portraying a death-row inmate, garnered a Best Actor nomination while Sarandon won Best Actress honors. After a three-year hiatus from acting, Robbins returned to the screen in 1997 with the comedy Nothing to Lose; he soon announced plans to mount a film adaptation of Cradle Will Rock, the Marc Blitzstein play first staged by Orson Welles six decades earlier. The film, which examined the relationship between art and politics in 1930s America, premiered at the 1999 Cannes Film Festival. That same year, audiences could view Robbins as a clean-cut suburban terrorist opposite Jeff Bridges in Arlington Road, as well as see the fruits of his directorial work in Cradle Will Rock. Robbins opened the year 2000 with a brief but nonetheless fun role as the maddeningly calm Ian in High Fidelity. The early 2000s presented a series of misfires for Robbins -- AntiTrust (2001), Mission to Mars (2000), and Human Nature (2001), writer Charlie Kaufman's eagerly awaited follow-up to Being John Malkovich, fared rather badly in theaters -- though his versatility and respect within the industry remained solid. The polarizing presidential elections of 2002 certainly thrust Robbins into the political spotlight, if not major big-screen successes. After multiple appearances on Politically Incorrect and various awards shows gave Robbins a platform for some of his views concerning the right-wing agenda, the legitimacy of the Bush administration, and the controversial pre-emptive action in Iraq, the planned screening of Bull Durham (and a subsequent appearance from Robbins and Susan Sarandon) for the 15th anniversary of the film at the Baseball Hall of Fame was surprisingly cancelled in what Robbins claimed was a retaliatory measure.By the end of 2003, the controversy was a distant memory with Robbins hitting it big with audiences and critics alike in the film adaptation of Mystic River. The performance, which saw Robbins as a tragic adult who couldn't overcome a devastating childhood, eventually won the actor his second Golden Globe along with his first ever Oscar.Robbins followed up his Oscar win by switching gears substantially. In 2004, audiences could find him as a caricature of a cutthroat PBS newsman in an extended cameo in Anchorman and starring opposite Samantha Morton in the futuristic sci-fi thriller Code 46. In 2004 Robbins wrote and staged a satire about the Iraq war titled Embedded. He returned to the big-screen as the father in the science-fiction family fantasy Zathura. In the same year he turned in a memorable supporting performance as a deranged survivor of an alien attack in Steven Spielberg's War of the Worlds. One year later he played a white police officer in Philip Noyce's anti-Apartheid drama Catch a Fire. And though Robbins' politics seemed to overshadow his celebrity in the first years of the new millennium, film roles in City of Ember and Green Lantern, as well as an appearance on SNL alum Fred Armisen's satirical television series Portlandia kept the longtime actor in the public eye as he continued to hone his directoral skills with the made-for-television movie Possible Side Effects, and episodes of the popular HBO series Treme. Meanwhile, in 2010, Tim Robbins & the Rogue's Gallery Band released their self-titled debut album.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: California-born actor Robert Gunton has been essaying film character roles since 1980. Among his film credits are Rollover (1981), Matewan (1987), Glory (1988) and Cookie (1989). Many observers feel that Gunton was at his performing peak in the role of a wildly neurotic streetcorner evangelist in the little-seen satire Static (1985). A seasoned improv performer, Robert Gunton was one of the regulars (along with such future notables as Mark-Linn Baker and Joe Mantegna on the Manhattan-based TV series Comedy Zone (1984).

Trivia: If you're a fan of movies, you've no doubt seen William Sadler's face countless times. With a versatile career that has spanned from long-haired, small-town rock star to banjo-plucking entertainer to Shakespearean actor to his role as Death in Bill and Ted's Bogus Journey (1991), William Sadler attacks all roles with equal gusto with his characters never ceasing to leave an impression on viewers, even if they can't recall the name of "that guy in that movie."Born in April of 1950 in Buffalo, NY, Sadler's imagination was fueled from a young age on his family's sprawling farm where he would pass the time with friends reenacting scenes from their favorite television and radio programs. Around the age of eight, Sadler's father's interest in music sparked a passion in the young boy as well with his father's gift of a ukulele. The two frequently performed at family functions together: Sadler Sr. on the guitar and Jr. on the uke. Later taking interest in a number of stringed instruments, after following in his father's footsteps and taking up the guitar, Sadler quickly learned that the mystique of the musician's life was difficult to resist. Forming a cover band with his Orchard Park High schoolmates, he began to gain popularity and a surprising amount of attention from the opposite sex. Armed with a banjo and a fistful of jokes, Sadler soon took on the persona of "Banjo Bill Sadler" for the school's annual variety show, and the result was an instant success. The students and teachers loved the performance, and English teacher Dan Larkin soon persuaded Sadler to audition for a role in Harvey, the senior play. Winning the lead and igniting a fire within the young performer, Sadler would soon follow his dreams and enroll in the drama program at State University College in Geneseo, NY. After spending two intense years in Cornell University's Fine Arts following his tenure at State University College, Sadler was finally prepared to be humbled in the grueling trials of the aspiring actor.Sadler took his first post-school role in Florida and soon relocated to Boston, moving in with his sister while scrubbing the floors of a lobster boat by day and cutting his acting chops at night. Slowly working up the nerve to take a shot at the big time in New York, a chance meeting with an old schoolmate on a trip into the city resulted in Sadler's casting in an off-off-Broadway production of Chekhov's Ivanov. After a brief turn at the Trinity Square Repertory Company in Providence, RI, Sadler moved back to New York and rented an apartment in the East Village, beginning a grueling 12 years in which he appeared in over 75 productions. It was here that Sadler would meet Marni Bakst, the woman who would soon become his wife, and a young actor named Matthew Broderick, in a Broadway production of Neil Simon's Biloxi Blues, who would kick-start Sadler's film career with a role in Project X (1987).After memorable turns in such films as Die Hard 2 (1990), Bill and Ted's Bogus Journey, and The Shawshank Redemption (1994), Sadler found himself becoming one of the most sought-after character actors working in Hollywood. His friendly demeanor and warm sense of humor standing in stark contrast to his usually villainous onscreen antics, Sadler has gained a reputation among actors as a helpful and good-natured craftsman, always willing to offer advise and assistance without being pushy or overbearing. Increasingly busy in both television and films in the latter '90s, Sadler gained widespread recognition with his film roles in Disturbing Behavior (1998) and The Green Mile (1999) and on television with his role as Sheriff Jim Valenti on Roswell.

Trivia: A tall, intense, hulking actor who was a natural to play Frankenstein's monster in The Bride (1985), Clancy Brown has utilized his naturally menacing exterior for a career's worth of villainous roles, most notably in films such as Highlander and The Shawshank Redemption. With good looks that could be described as somewhat Neanderthal in nature, he has also found the occasional sympathetic portrayal, and been equal to the task of acting it. Clancy Brown was born on January 5, 1959, in Urbana, OH, the son of a newspaperman-turned-U.S. congressman. He was raised in both Urbana and Washington, D.C., and claims to have been introduced to acting by a neighbor who got him into Shakespeare at a young age. Brown acted in high school and during his teenage summers before enrolling at Northwestern University on a track scholarship as a discus hurler. He graduated with a degree in speech and went on to mix drinks in Chicago while working in local theater. Brown's first film role established the trend for how his services would be used throughout his career. He appeared as Viking in the Sean Penn "juvy" drama Bad Boys (1983), in which he threw around his muscle as one of the detention center's intimidators. Next he appeared in The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) as the cowboy Rawhide, then as Highlander's sword-wielding embodiment of evil, Kurgan, in the 1986 cult classic. A succession of roles as bruising heavies, often corrupt cops, followed during the late '80s and '90s, in films such as Dead Man Walking (1996) and The Hurricane (1999). The most memorable among these was Captain Byron Hadley, the crooked prison guard with the deadly billy club in the multiple-Oscar-nominated The Shawshank Redemption (1994). In 1997, he played one of his more infrequent good guy roles as Sergeant Zim in Starship Troopers. From 1997-1998, he had a prominent recurring guest role as a doctor on NBC's ratings champ ER. His prolific television career also includes a role on the sci-fi series Earth 2 (1994). In 2002, Brown appeared among an ensemble cast in the HBO film The Laramie Project, which was about the beating death of gay Wyoming teen Matthew Shepard. The next year, he took on the prominant role of Brother Justin Crowe on HBO's cryptic period drama Carnivàle, joining another talented ensemble cast and once again tapping into his dark side. Brown's distinctive voice has been in high demand throughout his career, resulting in dozens of voice-over credits in animated features such as The SpongeBob SquarePants Movie (2004) and television series. Of course his distinctively brute face was still very much an important part of his career, with an onscreen role in the hit television series Lost serving well to provide viewers with a valuable history of the mysterious "hatch." A trip back in time found the hulking Brown assuming the role of a monstrous viking in director Markus Nispel's Pathfinder, and later that same year the actor could once again be spotted on the big screen in the Kevin Costner Coast Guard drama The Guardian. In 2008 he appeared in the college football film The Express, and the next year had small but crucial roles in the indie drama The Twenty, as well as Steven Soderbergh's The Informant! He continued to land small parts in bug budget Hollywood spectacles like the remake of A Nightmare on Elm Street, Cowboys & Aliens, and Green Lantern.

Trivia: Gil Bellows worked steadily in film throughout the mid-'90s before he achieved TV fame on the whimsical Fox comedy Ally McBeal. Born and raised in Vancouver, British Columbia, Bellows left Canada to study acting at the American Academy of Dramatic Arts in Southern California. He then headed East, appearing in New York theater as well as on TV's Law & Order. Though he made his film debut in Frank Darabont's acclaimed prison drama The Shawshank Redemption (1994) and co-starred alongside Sarah Jessica Parker in Miami Rhapsody (1995), Bellows followed more in the direction of his first starring film, Love and a .45 (1994), appearing primarily in independent features. After a supporting role in The Substance of Fire (1996), Bellows starred in the British-Canadian adaptation of Bernard Malamud's The Assistant (1997) and the Canadian romantic comedy Dinner at Fred's (opposite indie queen Parker Posey), as well as the French supernatural romance Un Amour de Sorcière (1997). It was TV producer/writer David E. Kelley's innovative Ally McBeal, though, that made Bellows a well-known presence after the series debuted in 1997. As Ally/Calista Flockhart's ex-love-turned-law colleague, Bellows' Billy was a bastion of relative normalcy (at least until the third season) among the eccentric staff populating the series' fictional Boston law firm and stoking Ally's neuroses. Though Billy was supposed to last only one season, Bellows stayed for three, leaving in 2000. Bellows is married to actress Rya Kihlstedt and has one daughter.

Trivia: Whitmore attended Yale, where he joined the Yale Drama School Players and co-founded the Yale radio station. After serving in World War II with the Marines, he did some work in stock and then debuted on Broadway in 1947's Command Decision. He entered films in 1949, going on to play key supporting roles; occasionally, he also played leads. For his work in Battleground (1949), his second film, he received a Best Supporting Actor Oscar nomination. He starred in the early '60s TV series "The Law and Mr. Jones." He won much acclaim for his work in the one-man stage show Give 'Em Hell, Harry!, in which he played Harry Truman; he reprised the role in the 1975 screen version, for which he received a Best Actor Oscar nomination. After 1980 his screen appearances were infrequent. He is the father of actor James Whitmore Jr.

Trivia: Character actor Mark Rolston specialized in everyman portrayals with a slightly understated, tough edge to them. Born in Baltimore, MD, in 1956, Rolston broke into film in the early to mid-'80s and scored his first major feature role with a turn as a private in James Cameron's effects-heavy sci-fi blockbuster Aliens (1986). Within a few years, he began turning up in supporting capacities in numerous additional features; the more visible included Weeds (1987), Prancer (1989), Body of Evidence (1993), Rush Hour (1998), and Martin Scorsese's Best Picture winner The Departed (2006). In 2008, Rolston signed on to play Erickson, who comes face to face with Jigsaw's (Tobin Bell) diabolical traps, in the fifth installment of the gore-soaked Saw franchise. Rolston also made television appearances on programs including Touched by an Angel and NYPD Blue.

Trivia: Supporting actor, occasional lead, onscreen from the '70s

Trivia: Was athletic as a kid and teen; once hit three home runs in an All-Star game and later pitched a 10-inning no-hitter with 20 strikeouts. Played football at Brown University. Loved movies so much he decided to take an acting class in college and immediately knew acting was his calling. Early TV roles included guest spots on The Equalizer, Spenser: For Hire and Kate & Allie before landing pivotal roles in movies Glengarry Glen Ross (1992) and The Shawshank Redemption (1994). Appeared in Star Trek: Nemesis (2002) as Romulan commander Suran. Best known for playing the Presidential Chief of Staff on 24 and the principal on Everybody Hates Chris. Co-founded theatrical production company the Eumenides Group. Is an acclaimed singer and has recorded four CDs; tours with the Jude Ciccolella Band.

Trivia: Studied acting with Uta Hagen at Herbert Berghof Studios in New York City. Made his big-screen debut with a bit part in 1979's Rocky II. Wrote and performed the song "Is It Okay if I Call You Mine?" for the 1980 movie Fame, in which he also appeared. Had a memorable early role in sci-fi smash RoboCop (1987) as a psychotic thug whose face melts after his motorcycle crashes into a toxic waste tank. Shared in Screen Actors Guild Awards nominations for Outstanding Performance by an Ensemble in a Drama Series with the cast of ER in 2000 and 2001. Has directed episodes of several hit TV series, including Without a Trace, Third Watch and The West Wing.

Trivia: The son of acclaimed actor Morgan Freeman, Alfonso Freeman used his imposing presence to great effect in character roles. He took his first onscreen bows in the mid-'90s, gracing the casts of many productions that starred his father, including The Shawshank Redemption (1994), Se7en (1995), Nurse Betty (2000), and The Bucket List (2007). Making light of this, he voiced a lead character, Fred Redding, in the short parody The SharkTank Redemption in 2000 as well as narrating a Robot Chicken spoof of March of the Penguins, for which Morgan Freeman had provided English narration. Alfonso also appeared in such films as Burn (1998) and Lord Help Us (2007), as well as taking on guest roles on such popular TV series as The West Wing, ER, and The Practice. In addition to his onscreen work, Freeman is an accomplished stage actor and gospel singer.

Trivia: Seinfeld cultists will have little or no difficulty remembering character actor Ned Bellamy; he played Eddie, the knife-obsessed, fatigue-wearing employee of the J. Peterman company, whom Elaine tries to dismiss with a promotion, in the 1996 episode "The Fatigues." That turn, with its aggressive, menacing air, was fairly typical of the roles in which Bellamy often found himself (despite the fact that he could bring those qualities to bear on comic or earnest material). A native of Dayton, OH, he grew up in Joplin, MO, and entered show business in the very late '70s, initially on television programs including The Waltons, M*A*S*H, and The Dukes of Hazzard. As time rolled on, however, Bellamy moved more squarely into filmed work, specializing in action, horror, or thriller fare. Big-screen projects that featured the actor included House IV: Home Deadly Home (1991), Universal Soldier (1992), and Carnosaur (1993).After the Seinfeld appearance, Bellamy unveiled more of a comic emphasis in his role choices, evidenced by his work in such projects as Being John Malkovich (1999), The Whole Ten Yards (2004), and Tenacious D in the Pick of Destiny (2006). In 2008, Bellamy turned up as Waylon Forge in the romantically charged vampire opus Twilight (2008), which marked the actor's second collaboration with director Catherine Hardwicke after an appearance in her Lords of Dogtown (2005).

Trivia: Began acting as a member of the Mountebanks, the oldest student theater group in the U.S. In college, planned to be an engineer. Was a member of the National Shakespeare Company and did summer seasons at the Eugene O'Neill Theatre Center. Actually voiced O'Neill in the 1983 PBS documentary A Glory of Ghosts. Made his Broadway debut in 1976 in Comedians. Has appeared in a number of projects for writer-director Frank Darabont, who considers him a "good-luck charm." One of his most thrilling acting moments was his scene with James Cagney in 1981's Ragtime. Won a Cable ACE Award for his performance in HBO's Citizen X (1995).

Trivia: Stephen King wrote his first short story at seven, and was first published (in a comic fanzine) at 18. After attending the University of Maine, he worked as a sportswriter for his local newspaper and labored away for a while in an industrial laundry. He was teaching high school English at Maine's Hampden Academy when his first novel, Carrie, was published in 1974. Over the next decade he blossomed into the most popular writer in America, as well as one of the most prolific; in addition to the books published under his own name, he also wrote five pseudonymously as Richard Bachman (one of these, The Running Man, was filmed in 1989, with Arnold Schwarzenegger in the lead). No mere hack or dilettante, as has sometimes been alleged, King puts his whole heart and soul in every chiller he writes: His criteria is that if it can scare him, it will scare everyone else. Beginning with 1976's Carrie, virtually all of King's novels have been adapted to the screen -- but only a third or so of the filmizations have been truly worth the effort. For every above-average effort like The Shining (1980), The Dead Zone (1983), and Misery (1990), there has been a failure like Pet Cemetery (1989) and Needful Things (1993). While he claims to have adopted a "take the money and run" philosophy concerning most of his filmed novels, King has, in fact, taken a more active part in movies than most of his contemporaries. He often plays small roles in the films based on his works, and in 1986 he made his directorial bow with Maximum Overdrive. He also directed the first five episodes of the 1991 TV series Stephen King's The Golden Years, and essayed a small role as a bus driver. His other TV contributions have included the miniseries It! (1990), Sometimes They Come Back (1991), The Tommyknockers (1993), The Stand (1994), and The Langoliers (1995). In 1997, King oversaw a television miniseries remake of The Shining to insure that it would be closer to his original vision than the 1980 Kubrick film. Not entirely confined to hair-raisers, Stephen King has also turned out "straight" tales like The Body and Rita Hayworth and the Shawshank Redemption, both of which have been filmed as, respectively, Stand by Me (1986) and The Shawshank Redemption (1994). In the years that followed The Shawshank Redemption drew a massive cult following on home video and DVD, and became on of King's most celebrated celluliod adaptations. Of course this would eventually lead to many more film adaptations of King's more dramatic works, and with such efforts as Dolores Caliborne, The Green Mile and Hearts in Atlantis, King adaptations began to take on an air of sophistication (a great irony considering the author himself has deemed his writings to the literary equivilant of a Big Mac and fries) that attracted the likes of such respected dramatic actors as Tom Hanks and Anthony Hopkins. Of course endless sequels to such earlier adaptations as Sometimes They Come Back and Children of the Corn continued to flood the straight-to-video and lend some air of truth to his statements regarding his work, and it seemed that every few years a miniseries based on one of King's novels was almost mandatory. If a belated 1999 sequel to Brian De Palma's 1976 film adaptation of Carrie seemed little more than an attempt to cash in on the current trend towards post-Scream teen horror, a made-for-television remake of the original in 2002 was simply unnecessary. In 2002 The Dead Zone was adapted into a well-recieved television series, and though such feature efforts as 2003's ambitious but laughably flawed Dreamcather proved that filmmakers were willing to take risks with some of the King's more unconventional stories. After adapting Lars Von Trier's acclaimed Danish television chiller The Kingdom into Kingdom Hospital in 2004, fans could look forward to yet another made-for-television adaptation of Salem's Lot and the David Koepp directed Johnny Depp vehicle Secret Window later that same year. Of course as always the line forming to adapt King novels to screen could last be seen winding around the block, and screen versions of Riding the Bullet, The Talisman, Bag of Bones and Desperation wer all in the making as of early 2004. King's writing would continue to spawn several movie and TV projects per year for the next decade, in everything from short films like Survivor Type, to feature films like Grey Matter, to TV series like Heaven.On a personal note, King suffered massive injuries when struck by a minivan while walking outside in June of 1999, a mere month after announcing that he would likely go blind as a result of being stricken with Macular Degeneration. Though King would eventually recover from the injuries he sustained in the minivan incident, there was little doctors could do to halt the devastating effects of his incurable eye condition and an announcement that he would cease writing in 2002 proved a sad blow to legions of loyal fans.

Trivia: A director who has all but put his trademark on the humane prison drama, director, screenwriter, and producer Frank Darabont made his triumphant feature film directorial debut with The Shawshank Redemption (1994). Starring Tim Robbins and Morgan Freeman as two inmates imprisoned for life, the film earned wide acclaim and a number of honors, including Best (Adapted) Screenplay Oscar and Golden Globe nominations for Darabont. Darabont, who spent his early years in Hollywood as a set decorator and production assistant, got his first break as a production aide on the 1981 horror film Hell Night. His work on the film introduced him to filmmaker Chuck Russell, with whom he would write the screenplays for A Nightmare on Elm Street 3: Dream Warriors (1987), the 1988 update of The Blob, and The Fly 2, the 1989 sequel to David Cronenberg's 1986 classic.Darabont made his directorial debut with the 1990 made-for-cable Buried Alive, a thriller starring Tim Matheson and Jennifer Jason Leigh. Following the success of The Shawshank Redemption in 1994, Darabont took a five-year hiatus from directing, making a triumphant return with the 1999 prison drama The Green Mile. Starring Tom Hanks as a kind prison guard and Michael Clarke Duncan in an Oscar-nominated performance as a saintly death row inmate, the film garnered a slew of awards in addition to Duncan's nomination; they included a Directors Guild of America Best Director Award nomination, as well as three more Oscar nominations, including Best Picture and a second Best Adapted Screenplay nomination for Darabont.His next project was the ill-received Jim Carrey drama The Majestic. He attempted to right himself by adapting Stephen King yet again, this time with the horror film The Mist. He began taking on small-screen projects, developing a hit when he was the show runner on The Walking Dead for that program's first two seasons.