Trivia: Pro-wrestler Bill Goldberg began his career with the NFL, playing for the Atlanta Falcons. He joined up with the WCW in the '90s, where he became a popular fixture on the scene. He would also go on to make other celebrity appearances onscreen, on shows like Law & Order: Special Victims Unit and Family Guy. He made his film debut in Universal Soldier: The Return, and followed that up with the wrestling comedy Ready to Rumble. After appearing in the remake of The Longest Yard, Goldberg competed in the ninth season of the reality program The Apprentice.

Trivia: Like so many other prominent actors of the 1970s, the versatile James Caan rose to success on the strength of his riveting performance in The Godfather. Born March 26, 1939, in the Bronx, NY, Caan decided to pursue a career in acting while attending college and in 1960 was accepted by Sanford Meisner into the Neighborhood Playhouse. After making his debut off-Broadway in I Roam, he landed in the Broadway production of Mandingo but exited after just four performances because of artistic difficulties with star Franchot Tone. Caan then landed in television, where he became a busy character actor; he made his film debut in an unbilled performance in 1963's Irma La Douce, followed by a meatier role in Lady in a Cage the following year. The 1965 Howard Hawks auto-racing drama Red Line 7000 was his first starring role, followed two years later by the Hawks Western El Dorado, which cast him opposite John Wayne and Robert Mitchum; in 1968, Caan starred in Robert Altman's Countdown, and in 1969, he appeared in Francis Ford Coppola's The Rain People. Caan shot to fame thanks to a poignant performance in the 1970 television movie Brian's Song, in which he played the ill-fated Chicago Bears star Brian Piccolo; his turn as the similarly ill-fated Sonny Corleone in Coppola's 1972 masterpiece The Godfather solidified his stardom and earned him an Academy Award nomination, but his subsequent films, including 1973's Slither and the next year's Freebie and the Bean, failed to live up to expectations. After earning a Golden Globe bid for his work in 1974's The Gambler, Caan briefly appeared in 1974's The Godfather Pt. 2 before co-starring with Barbra Streisand in the hit Funny Lady, followed by Norman Jewison's futuristic parable Rollerball. When both 1975's Sam Peckinpah thriller The Killer Elite and 1976's Harry and Walter Go to New York met with failure, Caan's career took a downward turn, and apart from cameo appearances in both Mel Brooks' Silent Movie and the star-studded A Bridge Too Far, he was largely absent from screens for a time. He also made any number of ill-considered decisions; he and Coppola were unable to come to terms for Apocalypse Now, and he also rejected roles in hits including One Flew Over the Cuckoo's Nest, Superman, and Kramer vs. Kramer.By the end of the decade, Caan's career had hit the skids, as projects including the 1978 Western Comes a Horseman (co-starring Jane Fonda) and the following year's Neil Simon drama Chapter Two all failed to live up to expectations. His directorial debut in 1980's Hide in Plain Sight fared no better, although Michael Mann's thriller Thief garnered a cult following; when 1982's Kiss Me Goodbye bombed, Caan disappeared from sight for the next five years. Finally, in 1987, Caan resurfaced, starring in Coppola's war drama Gardens of Stone; the next year's science fiction picture Alien Nation was a hit, as was his next major project, Rob Reiner's 1990 feature Misery. After 1991's For the Boys failed to connect with audiences, Caan spent much of the decade in prominent supporting roles which showcased his smart, edgy persona; among the more high-profile were 1992's Honeymoon in Vegas, 1996's Eraser, and the wonderful indie hit Bottle Rocket.Caan would prove over the coming decades that he liked to work, appearing in projects that ran the gamut from big to small. He'd appear in comedies like Mickey Blue Eyes and Elf, thrillers like City of Ghosts and In the Shadows, indie films like Lars Von Trier's Dogville and Tony Kaye's Detachment. Caan would also delight audiences on the small screen with a starring role on the TV series Las Vegas from 2003 to 2007,

Trivia: Had some acting experience as a child, but decided to commit to the profession full-time after seeing American Beauty (1999) at 14. Before landing his breakout role on Big Love in 2006, had a guest spot on an episode of Everwood, which starred his brother Gregory. Mother is a piano and voice coach; father is a movie producer. Plays guitar and keyboards and sings with the band his Orchestra, as well as a side project with actor Ashton Lunceford called Alaskan Summer. his Orchestra's music has been featured in the ABC Family sitcom Roommates, Planet Green's Alter Eco, Lifetime's Rita Rocks and in an antipiracy public-service announcement by the American Association of Independent Music.

Trivia: Born in 1981 in Australia, Emilie de Ravin trained as a ballerina before shifting her focus to acting. Her first onscreen role was as one of the leads on the syndicated TV version of The Beastmaster in 1999. But the stint proved shortlived when de Ravin accepted a starring spot on a network series, the cult-hit sci-fi show Roswell. After that series bowed in 2002, de Ravin could be seen in a few TV guest roles and in a made-for-TV remake of Carrie. But in 2004, she landed the part that would elevate her to the next level of stardom when she was cast as the young single mother Claire Littleton on ABC's hit mindbender Lost. While appearing on Lost, de Ravin also began to pursue a career on the big screen with roles in such prominent films as the horror remake The Hills Have Eyes and the acclaimed indie noir homage Brick. The actress remained a popular character on Lost and worked on the show until its conclusion in 2010. The same year she co-starred in Operation: Endgame, a comedy thriller following two groups of elite assassins as they fight amongst themselves. In 2012, she guest-starred on the first season of Once Upon a Time as Belle, and was upped to a series regular the following season.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Born in a German refugee camp, actor Saul Rubinek was raised in Canada, where he began his career. After several years of activity with the Toronto Free Theater, the versatile Rubinek headed for New York, where he worked in repertory and on Broadway. Rubinek's performance as the best friend of religious cult member Nick Mancuso in the little-seen Ticket to Heaven (1981) was a critical coup for the actor. A reliable presence in such meaty supporting roles as the Ned Buntline-ish dime novelist in The Unforgiven (1994), and Hollywood producer Lee Donowitz in True Romance, Rubinek would spend the coming decades working steadily in films like I Love Trouble and Nixon, as well as on TV shows like A Nero Wolfe Mystery, Frasier, Blind Justice, and Warehouse 13.

Trivia: "...And Dave Thomas as the Beaver" was the voice-over billing given this Canadian entertainer on the 1970s TV series Second City Television. But while Thomas may have had the adolescent face and short stature of Jerry Mathers, his taste in comedy was as mature and as wickedly satirical as any of his Second City confreres. Among Thomas' dozens of comic characterizations during his Emmy-winning SCTV years, the best known and most popular were his dead-on impression of Bob Hope and his deadhead interpretation of donut-munching, bacon-ingesting, beer-swilling "typical" Canadian Doug McKenzie. Together with his onscreen "brother," Bob McKenzie (better known as Rick Moranis), Thomas starred in the goofy feature film Strange Brew (1982), the first and last film ever made in "Hose-a-rama" (the origin of this phrase and a rundown of the rest of the McKenzie brothers' catchphrases could be given here, but it's known what happens when humor is dissected and left to die). Dave Thomas' career hasn't quite reached the heights of such SCTV alumni as Moranis, Martin Short, and the late John Candy, but he's still plugging away, producing, directing, writing, and starring in uproarious cable TV specials; Thomas was cast in the regular role of Russell on the popular Brett Butler sitcom Grace Under Fire.