Trivia: Innovative rap music superstar LL Cool J made the successful transition to actor/musician in the 1990s, with several major films and a TV series to his credit. Born James Todd Smith in Queens, LL Cool J established himself as one of the major figures in rap music in the 1980s and '90s; he made his movie debut as himself in the 1985 rap movie Krush Groove. Although LL Cool J also appeared as himself in B.A.P.S. (1998), his 1990s movie career revealed that he had the acting chops to go with his musical talent. Following roles in the light-hearted cop movie The Hard Way (1991) and the ill-fated fantasy Toys (1992), LL Cool J spent four seasons as one of the stars of the primetime TV sitcom In the House (1995-1999). During his years on TV, LL Cool J also showed his dramatic versatility in the romantic comedy Woo (1998), crime dramas Caught Up (1998) and In Too Deep (1999), and horror sequel Halloween: H20 (1998). After starring as potential shark bait in the mutant mako actioner Deep Blue Sea (1999), he finished the decade by winning critical kudos as an immodest football player in Oliver Stone's sports drama Any Given Sunday (1999). Hit former career in music all but forgotten, LL Cool J would give action films a shot with Charlie's Angels (2000) and Rollerball (2002) before living up to his real life reputation as a ladies man in the comedy Deliver Us from Eva. Starring as the stud wrangled into taming Gabrielle Union's shrew Eva, LL Cool J notched his first romantic comedy lead and took another step away from his musical past by billing himself under his real name. Following the less than stellar Eva, LL Cool J added his voice to the animated Rugrats Go Wild (2003). Further bolstering his action movie credits (and returning to his street moniker), LL Cool J then joined the multicultural cast of Samuel L. Jackson's elite police squad in the summer popcorn movie S.W.A.T. (2003). Later, the rapper-turned-actor's role as Sam Hanna in a two-part 2009 episode of NCIS led to regular work on the spin-off series NCIS: Los Angeles, as well as a crossover appearance as the same character in the 2010 Hawaii Five-O revival.

Trivia: Originally, actress Victoria Dillard trained to be a classical ballet dancer from the age of five. She danced professionally with the Dance Theatre of Harlem and at the Metropolitan Opera until an injury incurred during a performance abruptly ended her career. Still, Dillard wanted to perform and took up acting instead. She landed her first acting turn in a touring production of A Funny Thing Happened on the Way to the Forum opposite Mickey Rooney. She moved to Los Angeles after the tour's end and won a small guest-starring role on Star Trek: The Next Generation. Dillard's subsequent television credits include a regular role on the new Laugh-In and guest-starring gigs on such shows as L.A. Law, Roc, and Martin. She made her feature film debut playing a bather and a dancer in the Eddie Murphy vehicle Coming to America (1988). She played much larger supporting roles in the films Ricochet (1991) and Deep Cover (1992). She is a regular on the ABC sitcom Spin City. In 1997, Dillard co-starred in a Family Channel original movie, The Ditchdigger's Daughter.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: Howard Hesseman's early credits have sometimes been hard to trace, mainly because he often billed himself as "Don Sturdy." The mustachioed, prematurely balding Hesseman was a founding member of the San Francisco-based improv troupe The Committee. During his decade-long tenure with this aggregation, he was featured in such films as Petulia (1968) and A Session with the Committee (1970), and showed up on such TV series as The Smothers Brothers Comedy Hour and The Dick Cavett Show. Through the auspices of his Committee cohort Peter Bonerz, Hesseman played a recurring role on TV's The Bob Newhart Show (1972-78), playing the unsuccessful producer of such TV disasters as "The Nazi Hour." His screen roles in the 1970s included a showy part as a harried TV-commercial director in the opening sequence of The Sunshine Boys. In 1978, Hesseman achieved celebrity in the role of counterculture deejay Dr. Johnny Fever (aka Johnny Caravella) on the popular sitcom WKRP in Cincinnati. Following WKRP's cancellation in 1982, he spent two seasons playing Ann Romano's third (and presumably final) husband Sam Royer on the weekly One Day at a Time. From 1986 to 1990, he starred as urbane high school teacher Charlie Moore in TV's Head of the Class. During all this activity, Howard Hesseman continued showing up in feature films, playing such roles as smarmy promoter Terry Ladd in This is Spinal Tap (1984) and child star Patty Duke's manipulative manager/guardian John Ross in the TV biopic Call Me Anna (1989). Over the following several years, Hessman would remain active on screen, appearnig on shows like That 70's Show and Crossing Jordan, and in movies like The Rocker.

Trivia: Tthe son of blues singer Dori Spears, and a standup comedian since the age of 14, Aries Spears had his first major film role in John Leguizamo zany comedy The Pest (1996). Spears has guest starred on television and hosted various television comedy and music specials. In the late '90s, he joined the cast of Fox television's fast-paced, funny sketch comedy show Mad TV, where he has attracted positive reviews for his dead-on impersonations of James Brown. Spears' other film credits include small roles in Malcolm X (1992), Out of Sync (1994), and Jerry Maguire (1996). He joined MADtv in 1997, and stayed with the sketch show for 8 seasons; at the same time, he also provided the voice for Wizard Kelly on the Disney Channel animated sitcom The Proud Family. Spears appeared in pair of 2007 episodes of CSI: Miami, and had his own comedy special air on Showtime in 2011.

Trivia: A major figure in American soul music, Isaac Hayes also enjoyed a long and memorable career as an actor and film composer. His score for the motion picture Shaft made him the first African-American to win an Academy Award for music, and was one of the first examples of a pop-based film score that developed a life of its own in the marketplace. Isaac Hayes was born in Covington, TN, on August 20, 1942. Born to a family of sharecroppers, Hayes was raised by his grandparents, and developed an interest in music early in life, joining the church choir at the age of five. By the time he was a teenager, Hayes had also learned how to play piano, organ, and saxophone, but he was forced to drop out of school after the family had moved to Memphis when his grandfather developed a disability. Hayes began performing with a variety of local R&B groups in Memphis, including the Teen Tones, Sir Calvin and His Swinging Cats, and Sir Isaac and the Doo-Dads, as well as working a variety of day jobs. In time, Hayes began attending night school, and received his high-school diploma at the age of 21.In 1962, Hayes cut his first record for a local label, and in 1964 he'd worked his way up to playing keyboards with the house band at Stax Records, just then establishing themselves as one of the South's premier soul music labels. At Stax, Hayes began writing songs with David Porter, and together they penned a long string of hits for Sam & Dave, including "Soul Man," "Hold On, I'm Coming," and "When Something Is Wrong With My Baby," as well as hits for Johnnie Taylor and Carla Thomas. Having established himself as a songwriter, Hayes began to step into the spotlight as a recording artist in 1967 with his first solo album, Presenting Isaac Hayes. While the album was reasonably well received, it was Hayes' second effort, Hot Buttered Soul, that established him as a unique talent in soul music, with its lush, lengthy, and languidly funky interpretations of such songs as "Walk on By" and "By the Time I Get to Phoenix" (the latter clocking in at an epic 18 minutes). Several more successful albums followed, and in 1970, Hayes was approached to write his first film score by, of all people, Norman Mailer; Mailer went through a brief fling as an experimental filmmaker, and he hired Hayes to provide music for his third cinéma vérité feature, Maidstone.In 1971, Hayes would write his second film score, which would make a much greater impact. Shaft, directed by famed photojournalist Gordon Parks, was a gritty tale of a tough private eye squaring off against both the cops and the mob in New York City, but with a primarily African-American cast, an unusual thing in 1971, and Hayes' score, which blended streetwise grooves with a brassy orchestral backing, became an instant sensation. Shaft's soundtrack album, as well as the single "Theme From Shaft," were major chart successes, and Hayes won an Academy Award for Best Musical Score.While Hayes was certainly proud of his achievements, at one point he'd shown an interest in playing the lead in Shaft as well as writing the music, and after displaying an estimable amount of screen charisma in several concert films (including Wattstax and Save the Children), he was cast alongside Fred Williamson and Lino Ventura in the Italian blaxploitation-style drama Uomini Duri (released in America as Three Tough Guys); Hayes also wrote music for the film. Later that same year, Hayes scored a solo starring role in Truck Turner, but just as his acting career began taking hold, the bottom began to fall out of the blaxploitation market, and Hayes went back to making music, not scoring another film role until Escape From New York in 1981.In the mid-'80s, Hayes returned to acting, and appeared in no fewer than 25 theatrical and television features between 1986 and 1996; most were low-budget genre fare, but several more notable films appeared on his resumé, including the blaxploitation parody/tribute I'm Gonna Git You Sucka!, Mel Brooks' Robin Hood: Men in Tights, Mario Van Peebles' African-American Western Posse, and Once Upon a Time...When We Were Colored, a evocative look at life in a small Southern town in the 1940s. Hayes' acting career got an unexpected boost in 1997, when he was asked to provide the voice of Chef on the animated television series South Park. Originally intended to appear in one episode, Chef went over so well that he became a regular character on the series, and remained with the show for nine years. Hayes also continued to land a number of higher profile film roles in films like Reindeer Games, the 2000 remake of Shaft, and the independent venture Hustle & Flow, for which he was nominated for a Screen Actors' Guild Award. When not busy with acting projects, Hayes continued to play concerts and record new material; he was also a literacy activist, a supporter of children's charities around the world, and operated a pair of successful restaurants in Chicago and Memphis. Hayes died on August 10, 2008.

Trivia: African American actress/dancer Debbie Allen had built up a solid reputation as a Broadway choreographer by the time she made her screen debut in The Fish That Saved Pittsburgh (1979). In 1980, she created the role of demanding dance instructor Lydia Grant in Fame (1980), a role she carried over into the long-running TV series of the same name. Each and every episode of this five-season series began with Debbie addressing a roomful of students: "You want fame?...Well, fame costs. And the price is sweat." Practicing what she preached, Debbie not only co-starred in the series but directed several episodes and handled the choreography, winning a brace of Emmies in the process. She went on to be nominated for a Tony award for the 1986 Broadway revival of Sweet Charity. The older sister of Cosby Show co-star Phylicia Rashad, Debbie Allen has herself remained active on the small screen, in the early '90s mapping out the production numbers of the annual Academy Awards telecast and in the mid-'90s co-starring with rapper LL Cool J on the weekly NBC sitcom In the House. In 1997 she was one of the producer's of Steven Spielberg's period drama Amistad. Four years later she directed and starred in the made-for-TV drama The Old Settler opposite her sister. She played herself in the remake of the TV show Fame. She continued directing for television including episodes of That's So Raven, and the Lifetime movie biopic The Fantasia Barrino Story: Life Is Not a Fairy Tale. In 2009 she returned to her roots yet again by playing the principal of the high school for performing arts that is the setting for the 2009 big-screen remake of Fame.

Trivia: Actor, producer, and director Tim Reid has committed himself to projects that show American blacks in a more positive light than are generally seen in Hollywood through his United Image Entertainment company. As an actor Reid is best remembered for playing cool disc jockey Venus Flytrap on WKRP and for his short-lived sitcom Frank's Place (1987-1988). Fans of the crime-drama Simon and Simon (1981-1988) will remember him for playing Lt. Downtown Brown. Reid first appeared on television in Frankie Avalon: Easy Does It (1976). He then worked on The Marilyn McCoo and Billy Davis Hour (1977) and The Richard Pryor Show (1977). He made his feature film debut in Dead Bang (1989) and since then his feature film appearances have been sporadic. As a director, Reid debuted with the acclaimed Once Upon a Time...When We Were Colored (1997). As a writer, Reid has penned scripts for a series of animated videos chronicling Frank Baum's Oz tales. He also produced the feature films Out-of-Sync (1995) and Spirit Lost (1996). On television, Reid starred in the sitcom Sister-Sister (1994). In 1999 he directed the moody thriller Asunder. Though he appeared on screens only intermittently as the 21st century got under way, he did appear in You Wish! And The Reading Room, as well as the gritty 2007 drama Trade.