Trivia: Shia LaBeouf decided, during his preteen years, to launch himself as an actor, and stories abound concerning how far he carried his own drive to establish himself. According to People Weekly magazine, LaBeouf auditioned for Even Stevens (2000), the Disney Channel series that delivered him into the spotlight, and subsequently told each of the youngsters who were waiting to audition that he had the part -- thus eliminating the competition. Such determination, coupled with raw ability and charisma, doubtless helped propel LaBeouf straight to the head of Hollywood's young stars.Born on June 11, 1986, in Los Angeles, LaBeouf grew up in the neighborhood of Echo Park, and was raised in a decidedly colorful family of mixed ethnicity. His Cajun father, Jeffrey LaBeouf, was a Vietnam vet who held a series of odd jobs as a circus clown, a sno-cone salesman, and a stand-up comic. Shia's Jewish mother, Shayna, worked as a clothier and jewelry craftswoman. Upset about his mother's financial struggles after his parents split, Shia observed another boy of about the same age (a cast member of Dr. Quinn, Medicine Woman) whose financial returns from Quinn gave him a posh lifestyle. LaBeouf suddenly understood the financial benefits of before-the-camera work, and -- though he had no formal dramatic training -- foresaw himself breaking into acting via comedy. He used a phone book to find an agent, then honed a stand-up comedy act over the course of two years, that found him (at age 12) delivering "blue" routines to adult audiences at a Pasadena comedy club, The Ice House. By his own admission, LaBeouf was booted out of every school he attended (for his notoriously profane mouth and for other reasons), but he more than compensated for this with his professional drive. By 2000, he auditioned for the Even Stevens series on Disney, and landed the part.That sitcom concerned the relationship between Louis Stevens (LaBeouf), a silly and goofy teen, and his older sister, Ren (Christy Carlson Romano). The program quickly found an audience on Disney and lasted for several seasons; its popularity spawned a small-screen feature, The Even Stevens Movie, in 2003. The time span of 2002 to 2003 was a busy one for LaBeouf -- arguably his breakthrough period. In addition to The Even Stevens Movie, the actor signed on to participate in season two of the controversial Project Greenlight, the Damon and Affleck-created national contest for aspiring indie filmmakers, with its attached HBO reality series of the same name. Thus, at-home viewers had the opportunity to watch LaBeouf, Elden Hensen, Kathleen Quinlan, Amy Smart, and other actors endure the tumultuous production of Efram Potelle and Kyle Rankin's quirky comedy drama The Battle of Shaker Heights, months prior to that film's release. When the finished film debuted in August of 2003, it did so to generally terrible reviews, but a number of journalists (Roger Ebert among them) singled out LaBeouf's lead performance as something special amid a decidedly flawed film.That same year, LaBeouf starred in the Andrew Davis-directed Disney fantasy Holes, as a youngster sent to an oddball Texas detention center and forced to dig a series of 5-foot-deep pits in the desert sun for mysterious reasons; it scored with the public and press and became one of the sleeper hits of 2003. And indeed, its success doubtless spurred LaBeouf on to even greater heights, his dramatic ability honed even more sharply by his interaction with co-star Jon Voight (Coming Home), whom LaBeouf would later list as a key professional influence. In late 2004, LaBeouf signed on for the lead in another Disney film, The Greatest Game Ever Played (2005) -- a biopic of golfer Francis Ouimet directed by Bill Paxton; the film itself divided critics rather sharply but provided an outstanding showcase for LaBeouf's talents. The next several years found LaBeouf signing on for several of the most sought-after A-list roles in Hollywood -- from director Francis Lawrence's apocalyptic fantasy Constantine (2005), as a demon-slayer fighting alongside Keanu Reeves; to Dito Montiel's A Guide to Recognizing Your Saints, as a young man struggling to find a different road out of the ghetto than crime and prison. In 2007, the actor voiced a surfing penguin in the CG-animated comedy Surf's Up, and geared up for his role as Sam Witwicky in one of the most hotly anticipated releases of the year, the Michael Bay-directed Transformers -- based on the action figures that were rabidly popular in the mid-'80s. At the same time, audiences could catch LaBeouf in Salton Sea-director D.J. Caruso's thriller Disturbia -- the tale of a deeply depressed, homebound teen who teams up with a local girl to prove that their next door neighbor is a much sought-after serial killer.LaBeouf would continue to ride his popularity surge in the realm of latter-day sequels, playing Harrison Ford's sidekick in 2008's Indiana Jones and the Kingdom of the Crystal Skull, and young financial exec Jake Moore in 2010's Wall Street: Money Never Sleeps. Neither film was well received by audiences or critics, but LaBeouf still had the Transformer's franchise in his pocket, and he'd continue with it for 2009's Transformers: Revenge of the Fallen and 2011's Transformers: Dark of the Moon. In 2012 he tried his hand at a period piece with the bootlegging drama Lawless.

Trivia: Michelle Monaghan enjoyed a successful modeling career with plans to pursue a career in journalism before a full-time acting career became an option. She'd made some minor appearances on TV shows such as Young Americans and Law & Order: Special Victims Unit, as well as some nationally run commercials, but it was a recurring role on the acclaimed series Boston Public in 2002 that really opened doors for the young actress. Over the next few years, she scored big-screen parts in It Runs in the Family, Mr. and Mrs. Smith, and The Bourne Supremacy. She shortly thereafter scored a role alongside Charlize Theron and Frances McDormand in North Country and a starring role in the black comedy Kiss Kiss, Bang Bang with Robert Downey Jr. and Val Kilmer. In 2005, she appeared as the love interest of Tom Cruise in the hotly anticipated Mission: Impossible III, making her a far more familiar face and name. She immediately signed on to next appear in the Ben Affleck film Gone, Baby, Gone, which she followed with a starring role in the critically acclaimed independent film Trucker. She would go on to keep up her interest in the thriller genre, with roles in Eagle Eye in 2008 and Source Code in 2011.

Trivia: Though known mainly for his role as complicated police officer Vic Mackey on F/X's television cop drama The Shield, Massachusetts native Michael Chiklis has been acting professionally since the age of 13, when he made several appearances at the Town and Country Playhouse in Salem, NH. From there, Chiklis enlisted in a variety of classical, occasionally Shakespearian theatrical productions at the prestigious Merrimack Repertory Theatre and ultimately studied acting in the drama program at Boston University's College of Fine Arts. After graduating, Chiklis traveled to New York and began the auditioning process. In 1988, he was picked to portray John Belushi in the feature film Wired, though litigation and controversy delayed the release and proper promotional process, and the picture itself was a wretched mess (not to mention a depressing affair).By 1991, after making guest appearances in some of the most popular sitcoms of the time (Murphy Brown, L.A. Law, and Seinfeld, to name a few), Chiklis was cast as amiable police commissioner Tony Scali on ABC's The Commish. Though a few extra pounds at that time helped him land the role after his audition, his subsequent weight loss required him to wear a "fat suit" to remain in character (though the actor was only in his mid-twenties, series producers created the role for someone much older). When The Commish ceased to be after a five-year run, Chiklis took on a small role in Oliver Stone's Nixon (1995) and starred in the ill-fated NBC sitcom Daddio (2000). Two years later, the series premiere of The Shield catapulted Chiklis back into the forefront of network success. His role on the popular series would bring him two Best Actor nominations from the Golden Globes, as well as one from the Screen Actor's Guild.Chiklis contented himself with this part for several years, but in 2005, he returned to cinematic ventures and went big budget with the FX-laden summer extravaganza Fantastic Four. This film - like the famous Stan Lee comic strip - concerns a group of individuals who journey into outer space to investigate a cosmic storm, and find each of their DNA codes altered in a unique way; one by one, they become The Human Torch, The Thing, The Invisible Girl, and Mr. Fantastic (four superheroes, each of whom has a unique power) -- and must collectively take on the seemingly invincible Doctor Doom (Julian McMahon). Chiklis plays The Thing (nee Ben Grimm), a creature made entirely of stone. Though broadly derided in the press, the public ignored the negative critical responses and helped The Fantastic Four reel in an estimated worldwide gross of around $330 million -- paving the way for a 2007 sequel, Fantastic Four: Rise of the Silver Surfer. The Shield would end its run in 2008, but that same year, Chiklis signed for a supporting role in director D.J. Caruso's psychological thriller Eagle Eye. He was soon back on the small screen, however, with a starring role on the short-lived comedy series No Ordinary Family.

Trivia: New York-born and bred actress Rosario Dawson made her screen debut in Larry Clark's controversial Kids (1995). Literally picked off the street to play Ruby, one of the film's titular teens, Dawson -- who is of Puerto Rican, Cuban, Black, Irish, and Native American heritage -- had never acted before being cast in the film. Following Kids, she next appeared in Spike Lee's He Got Game (1998) and that same year starred in Side Streets, a series of vignettes about life in New York's five boroughs. Faithful to her New York roots through and through, Dawson has continued to star in films set in her hometown, including Light It Up and Down to You.Soon, Dawson branched into mainstream film, appearing in populist projects like Josie and the Pussycats, Men in Black 2, The Rundown, and the big-screen adaptation of Rent. The actress would also appear in harder films, like Sin City and Death Proof, as well as damanding dramatic roles, like that of a rape victim struggling to recover in Descent.

Trivia: One of Hollywood's few celebrators of the "Southern bad boy" image, country musician turned actor-screenwriter-director Billy Bob Thornton consistently engenders a reputation -- via chosen onscreen parts and fervent tabloid reports of his allegedly wild off-camera life -- as an iconoclastic American hellraiser with lightning in his veins. But appearances can deceive, for Thornton also reveals depth and complexity as one Hollywood's most articulate interviewees, graced with intelligent, sensitive observations, cultural allusions, and poignant reflections on his experiences as a thespian and film artist. Moreover, this acute insight evidences itself equally in Thornton's craftsmanship as a screenwriter and director. Though his behind-the-camera projects have become increasingly rare over time, his few directorial outings evince surprising control, refinement, insight, and taste. Born in Hot Springs, AR, on August 4, 1955, Thornton grew up dirt poor in the nearby backwoods community of Alpine. Despite his father's gainful employment as a history teacher, Thornton was forced to live with his parents and grandparents in a house without electricity or indoor plumbing. After high-school graduation, Thornton landed a steady job and got married; neither the job nor the marriage lasted, as Thornton divorced two years later and returned to college to study psychology; however, that didn't last, either -- he decided that his heart lay in rock & roll, and tried and failed to make it in New York. So Thornton returned to his job for awhile until he and Epperson renewed their dedication to a music career. Eventually, he would travel to California to write screenplays. It was a difficult time for Thornton who, in addition to living in poverty, also suffered a near-fatal heart attack. Thornton eventually turned to acting, making his screen debut in the straight-to-video Hunter's Blood in 1987. Subsequent roles in many forgettable movies followed (including Troma's Chopper Chicks in Zombietown), as did an appearance on the Burt Reynolds sitcom Evening Shade; the actor simultaneously weathered several marriages through the '80s and '90s, to Toni Lawrence, Cynda Williams, and Pietra Dawn Cherniak. Then, in 1990, Thornton caught the attention of critics when he wrote and appeared in Carl Franklin's critically acclaimed directorial debut, One False Move (1991). A dark crime drama set in a small Arkansas town, the film provided a suitable antecedent to Some Folks Call It a Sling Blade, a 1993 short that Thornton scripted. The George Hickenlooper-directed piece stars Thornton as Karl Childers, a mentally retarded, soft-spoken man, institutionalized for murder, who delivers a reflective monologue to a reporter (Molly Ringwald) just prior to his release from the psychiatric institution where he resides. (Thornton allegedly invented the Childers character years prior, while shaving and talking to himself in the mirror.) The effort won a number of positive notices and Thornton subsequently appeared in Jim Jarmusch's Dead Man in 1995 and (with Epperson), co-authored the screenplay for A Family Thing (1996), a gentle Southern drama starring Robert Duvall as a Caucasian man who discovers that he is half black.After years of relative obscurity as an actor and screenwriter, Thornton made a great cultural impact with the low-budget, independent drama Sling Blade. A feature-length expansion of the Hickenlooper short, and a sequel of sorts to that work, the picture finds Karl Childers returning to the outside world for the first occasion in decades, and attempting to begin a new, quiet life in a small Southern town. In the story, Karl befriends a local woman, her little boy, and a gay storekeeper (John Ritter), and finds lodging and steady income, but runs headfirst into Doyle Hargraves (Dwight Yoakam), a psychotically abusive lout who turns life for the mother and son into a waking nightmare. Bit by bit, Karl's old demons awaken and he feels himself being drawn back into the sphere of retributive violence. When Sling Blade premiered during the late 1996 holiday season, it swept away the hearts of audiences and critics worldwide and heralded the arrival of a major new talent. Journalists waxed rhapsodic in their praise. For Thornton's work on the film, he won a Best Adapted Screenplay Oscar, as well as a Best Actor Oscar nomination. The 1996 triumph of Sling Blade brought Thornton a whirlwind of opportunities. He followed his success with a key supporting role in Robert Duvall's The Apostle (1998) as a hardened racist, a turn in Primary Colors (1998) as a James Carville-like campaign manager with a penchant for exhibitionism, and a role in Armageddon as NASA's executive director. Also in 1998, he received another Best Actor nomination for his work in Sam Raimi's A Simple Plan, the story of two brothers (Thornton and Bill Paxton) who descend into the depths of distrust and paranoia after stumbling upon four million dollars in the woods; it allowed Thornton to plumb the darker areas of the backwoods psyche as only he could do so well. The following year, Thornton starred in Mike Newell's Pushing Tin (1999), a comedy about two dueling air traffic controllers (Thornton and John Cusack). He also returned to his duties behind the camera, directing, writing, and starring in Daddy and Them, a comedy drama about the ups and downs of an eccentric Alabama family. In addition to Daddy and Them, Thornton signed on to act in a number of projects during 2000, including Wakin' Up in Reno, a romantic comedy about two white-trash couples; and South of Heaven, West of Hell, an ensemble Western that marked the directorial debut of country singer Dwight Yoakam. Thornton then delivered a pair of impressive dramatic performances in the first year of the new millennium. Agreeing to appear in Joel and Ethan Coen's neo noir The Man Who Wasn't There without so much as looking at the script (Thornton immediately accepted the role based on his creative respect for the Coens), the gangly actor earned a Golden Globe nomination for his turn as a barber who gets in over his head while attempting to execute a seemingly simple blackmail scheme. Subsequently cast alongside Bruce Willis in Barry Levinson's summer 2001 crime comedy Bandits, that film fared only marginally better than Thornton's sophomore directorial effort Daddy and Them.Thornton's performance in the redemption-themed drama Monster's Ball more than redeemed him in the eyes of the public and press. In that picture, Thornton offers a sensitive portrayal of a conflicted soul who attempts to come to terms with his love for an African-American woman in the face of his racist father's hateful teachings. After once again chasing redemption in the Sundance premiere Levity, Thornton joined the Coen brothers for the disappointing romantic comedy Intolerable Cruelty. In December of that same year, Thornton appeared in a role that only the gutsiest actors would take: the title character in Terry Zwigoff's (jet) black comedy, Bad Santa. Though gleefully, deliberately offensive, the picture never sacrifices its sharp sense of humor or its acid insight, and (perhaps as a result) became a massive runaway hit -- the definitive sleeper of 2003. At about the same time, Thornton cameoed as a slimy, philandering U.S. president who attempts to thwart the amorous conquest of Hugh Grant's prime minister, in the British romantic comedy Love Actually (2003).In 2004, Thornton essayed the role of Davy Crockett in the historical action-epic The Alamo (2004). He was instrumental in bringing Bad Santa scribes John Requa and Glenn Ficarra on board for exhaustive rewrites of Richard Linklater's Bad News Bears remake (2005). Thornton then starred in director Todd Phillips' remake of Robert Hamer's 1960 comedy School for Scoundrels, which debuted in September 2006. Despite some scattered exceptions, the film received mostly negative reviews. Not long after, Thornton essayed the title role in the spectacular drama The Astronaut Farmer, issued in February 2007. This film cast the actor as Charlie Farmer, a retired NASA astronaut-cum-farmer who raises the ire of government authorities by building a spacecraft in his barn. Subsequent roles included a sadistic gym teacher in Mr. Woodcock (2007), an issue-ridden Hollywood studio head in The Informers (2008), and a manure salesman in The Smell of Success (2009). Not long after, Thornton announced his return to directing with the eagerly-anticipated drama Jayne Mansfield's Car. In 2011 he voiced Jack, of Jack and Kill fame, in the hit animated film Puss In Boots. In 2014, Thornton took a lead role in the massively popular TV series Fargo, nabbing an Emmy nomination in the process. Later in the year, he had a supporting role in the film The Judge.

Trivia: A Big Easy-born actor who honed his skills at the New Orleans Center for Creative Arts before completing his education at Juilliard, Anthony Mackie portrayed ill-fated rapper Tupac Shakur in a stage production of Up Against the Wind before taunting Detroit-based rapper Eminem as a member of the rival rhyming crew in the box-office hit 8 Mile. Subsequently appearing onscreen alongside some of the biggest names in the business, Mackie took the lead as a sperm-donating former biotech executive opposite Ellen Barkin and Ossie Davis in Spike Lee's She Hate Me, and proved that he could even hold his own against such screen legends as Clint Eastwood and Morgan Freeman with a substantial role in the boxing drama Million Dollar Baby. While it may be on the silver screen that Mackie has courted the majority of fame, the ascending star also appeared on the Broadway stage in high-profile productions of Ma Rainey's Black Bottom and Drowning Crow.Few actors could dream of a career that advanced as quickly as Mackie's did, and the same year he played leading man in She Hate Me, the then-twenty-five-year-old would earn an Independent Spirit Award nomination for his memorable portrayal of a homeless shelter employee struggling with his cultural and sexual identity in Brother to Brother. Just when it seemed as if Mackie's rigorous work schedule couldn't get any more demanding, the actor would appear in no less than six movies in 2006 including the racially charged kidnapping drama Freedomland, the underground street-ball drama Crossover, and opposite Matthew McConaughey and Matthew Fox in the fact-based football film We Are Marshall.Firmly established, he played a supporting role in the Oscar-winning The Hurt Locker in 2008, and reprised his role of Tupac Shakur in the Notorious B.I.G. biopic, Notorious (2009). Mackie played a former Black Panther in Night Catches Us (2010) and played a supporting role in The Adjustment Bureau (2011). In 2012, he played the historical figure William H. Johnson, Abraham Lincoln's valet, in the fictionalized (obviously) historical action film, Abraham Lincoln: Vampire Hunter. Mackie joined the Marvel Cinematic Universe in 2014, playing Sam Wilson/Falcon in Captain America: The Winter Soldier, and reprised the role in later MCU movies.

Trivia: Was a competitive gymnast during his youth and often performs his own stunts. Placed sixth in the overall competition of California finals for the U.S. Gymnastics Federation at the age of 10. Won a Young Artist Award in 1992 for his starring role of Doyle Standish in the drama Dutch (1991). Served as a producer and assistant director on the short film A Dog and His Boy (1992). With Vegas Vacation (1997), became the fourth actor to play Rusty Griswold.

Trivia: Began modeling at age 7. Appeared in print ads for the Disney Store, Wilsons Leather and K-Mart. Appeared in the 2008 music video for Panic at the Disco's "The Green Gentleman" and in the 2010 music video for Willow Smith's "Whip My Hair." Member of the dance crew X Mob.

Trivia: Primarily a stage actress, Lynn Cohen has also done some memorable work in film and television. Her stage credits include performances at the Lincoln Center Theater and the New York Shakespeare Festival. In 1993, she made her feature film debut in Woody Allen's Manhattan Murder Mystery. The same year, she guest-starred on the NBC crime drama Law & Order as Arraignment Judge Elizabeth Mizener, a role she would continue for the next decade. Her other television appearances include the reoccurring role of Magda on HBO's Sex and the City. On the big screen, Cohen also appeared in Louis Malle's Vanya on 42nd Street, adapted from the play by Anton Chekhov. During the mid '90s, she appeared in several small independent films by up-and-coming female directors, such as Mary Harron's I Shot Andy Warhol, Nicole Holofcener's Walking and Talking, and Sharon Pollack's Everything Relative. During this time, she also read at several of the Fifth Night Screenplay Readings at the Nuyorican Poets Cafe in New York City. She also appeared in the childhood drama Hurricane, the romantic comedy Once We Were Strangers, and the addiction drama The Jimmy Show. Back on the stage, she appeared in The Golem at the Manhattan Ensemble Theater during the 2002-2003 season. In 2004, she appeared in Enid Zentelis' independent coming-of-age drama Evergreen, which was part of the dramatic competition at the Sundance Film Festival.

Trivia: A producer and director whose early work in television eventually segued into features, D.J. Caruso showed a distinctive blend of noir conventions and dark, almost surreal gallows humor in such moody thrillers as The Salton Sea and Taking Lives. A lifelong film lover who aspired to a career in the entertainment industry from an early age, the Pepperdine University graduate began his career as a production assistant and earned his first credit (associate producer) with the 1991 James Woods/Michael J. Fox action comedy The Hard Way. Caruso later served in varying production capacities on such features as Point of No Return (1993), Drop Zone (1994), and Nick of Time (1995). In 1995, he stepped into the director's chair for an episode of the short-lived sci-fi series VR.5. Gradually gaining confidence behind the camera by helming episodes of such series as Buddy Faro and Martial Law, Caruso directed the short comedy Cyclops, Baby before making the 1998 made-for-TV mystery Black Cat Run. Another television thriller, Mind Prey,was followed with episodes of Dark Angel and Smallville before Caruso moved into feature territory with the neo-noir crime drama The Salton Sea in 2002. Starring Val Kilmer as a former jazz musician who descends into a world of drugs and crime in order to find his wife's murderer, the film performed only moderately well at the box office despite receiving praise for its stylish direction and striking cinematography. Back on the small screen, Caruso directed episodes of The Shield and Robbery Homicide Division. In 2004, he returned to the multiplexes with Taking Lives, a haunting thriller starring Angelina Jolie as an FBI agent on the trail of an elusive serial killer.

Trivia: The work of sound department mixer Bob Beemer simply must be heard to be believed. From his work on such elaborate productions as James Cameron's underwater epic The Abyss to such low-key works as Sommersby (both 1993), Beemer's work is always sure to subtly enhance any film that it accompanies. A Los Angeles native and Loyola Marymount University graduate, Beemer was first nominated for a Best Sound Oscar for his work in the mountainous Sylvester Stallone thriller Cliffhanger (1993). Following the old adage "if at first you don't succeed, try and try again," Beemer did just that, winning the Oscar the following year for his work in Speed. Continuing work on such films as Independence Day (1996) and American Beauty (1999), Beemer returned to the Academy Awards again in 2001 to accept the Best Sound Oscar (along with fellow collaborators Scott Millan and Ken Weston) for his work on Ridley Scott's large-scale Gladiator.

Trivia: The most commercially successful filmmaker in Hollywood history, Steven Spielberg was born December 18, 1946, in Cincinnati, OH. A lifelong cinema buff, he began directing his first short movies while still a child, later studying film at California State University and winning notice for his 1969 short feature Amblin'. He first made his mark in television, directing Joan Crawford in the pilot for Rod Serling's Night Gallery and working on episodes of Columbo and Marcus Welby, M.D. Spielberg's first feature-length effort, 1971's Duel, a taut thriller starring Dennis Weaver, was widely acclaimed as one of the best movies ever made for television. Spielberg permanently graduated to feature films with 1974's The Sugarland Express, but it was his next effort, Jaws, which truly cemented his reputation as a rising star. The most successful film of 1975, this tale of a man-eating Great White shark was widely recognized as the picture which established the summer months as the film industry's most lucrative period of the year, heralding a move toward big-budget blockbusters which culminated two years later with his friend George Lucas' Star Wars. Spielberg's follow-up, 1977's Close Encounters of the Third Kind, was another staggering success, employing state-of-the-art special effects to document its story of contact with alien life. With the 1979 slapstick-war comedy 1941, Spielberg made his first major misstep, as the star-studded picture performed miserably at the box office. However, he swiftly regained his footing with 1981's Raiders of the Lost Ark. Produced by Lucas, the film was one of the biggest hits of the decade, later launching a pair of sequels as well as a short-lived television series. However, it was Spielberg's next effort which truly asserted his position as the era's most popular filmmaker: 1982's E.T. the Extra Terrestrial, the touching tale of a boy who befriends an alien, was hailed upon release as an instant classic, and became one of the most commercially successful movies of all time. After 1984's Raiders of the Lost Ark sequel, Indiana Jones and the Temple of Doom, Spielberg went against type to direct The Color Purple, an adaptation of Alice Walker's much-honored novel exploring the lives and struggles of a group of African-American women during the Depression years. The film went on to gross over $100 million at the box office, later securing 11 Academy Award nominations. A 1987 dramatization of J.G. Ballard's novel Empire of the Sun was his next picture, and was one of his few box-office disappointments. A similar fate met the sentimental Always (1989), a remake of the wartime weeper A Guy Named Joe, but Spielberg returned to form with the same year's Indiana Jones and the Last Crusade.With 1991's 60-million-dollar production of Hook, Spielberg again fell victim to negative reviews and lackluster box-office returns, but in 1993 he returned with a vengeance with Jurassic Park. That same year, he released Schindler's List, an epic docudrama set during the Holocaust. The picture won seven Academy Awards, including Best Picture and Best Director honors. As befitting his role as a major Hollywood player, Spielberg and his company, Amblin Entertainment, also produced a number of highly successful features, including 1982's Poltergeist, 1985's Back to the Future, and 1988's groundbreaking Who Framed Roger Rabbit? He also diversified into television, beginning in 1985 with the anthology series Amazing Stories and later supervising the animated series Tiny Toon Adventures and the underwater adventure Seaquest DSV. However, in the wake of Schindler's List, Spielberg's status as a power broker grew exponentially with the formation of Dreamworks SKG, a production company he headed along with former Disney chief Jeffrey Katzenberg and music mogul David Geffen; consequently, Spielberg spent much of the mid-'90s behind the scenes, serving as executive producer on films such as Twister (1996), Men in Black (1997), and two 1998 films, Deep Impact and The Mask of Zorro. Spielberg returned to the director's chair with the 1997 smash The Lost World, the sequel to Jurassic Park. The same year, he was rewarded with several Oscar and Golden Globe nominations for Amistad, a slavery epic for which he served as both director and producer. Whatever disappointment Spielberg may have felt over not actually winning any of the above awards was most likely mollified the following year with Saving Private Ryan. The World War II epic, which Spielberg directed and produced, won a staggering 11 Academy Award nominations. Eventually winning five, the film lost out to Shakespeare in Love for Best Picture. Ryan did win a Golden Globe for Best Picture (in the Drama category), as well a Best Director nod for Spielberg. After taking the helm for a short documentary chronicling American history for the millennial New Years Eve celebration broadcast, Spielberg took another shot at summer blockbuster success with the sci-fi drama A.I.. Featuring Oscar nominated child actor Haley Joel Osment in the role of a robot boy who longs to be human, and adapted from an original idea from Stanley Kubrick, the high-concept film received a decidedly mixed reception at the box office. The following year, however, would find Spielberg once again coming out on top with two remarkably upbeat chase films. Adapted from a short story by revered science fiction author Phillip K. Dick and starring Tom Cruise as a the head of an elite "pre-crime division" of police officers who use a trio of psychics to predicts criminals' crimes so that they can be arrested before they have a chance to commit them, Minority Report proved an exhilarating sci-fi action epic. A mere six-months later, Spielberg's fast-paced crime adventure Catch Me If You Can adapted the real life exploits of legendary con artist Frank Abagnale, Jr. to the big screen to the delight of audiences hungering for an entertaining and lightweight holiday release. 2004 saw Spielberg team with Hanks yet again, this time for the lighthearted comedy The Terminal. Also starring Catherine Zeta Jones, the film centered on a man without a country who takes up residence in an American airport. The following year found the director diving back into the big-budget sci-fi genre with War of the Worlds. Starring Tom Cruise, the ambitious film was adapted from H.G. Wells classic alien-invasion novel of the same name. After this Hollywood juggernaut, Spielberg cinematically visited his Jewish heritage for the first time since Schindler's List with 2005's critically acclaimed Munich. Beginning with the 1972 Munich Olympics at which 11 Israeli athletes were kidnapped and later murdered by the Palestinian terrorist group Black September, the film follows the small group of Mossad agents recruited to track down and assassinate those responsible. Praised for its sensitive and painful portrayal of ordinary men grappling with their new lives as killers, Munich earned Spielberg a Golden Globe and an Oscar nomination, reminding audiences and critics alike of the filmmaker's ability to go far beyond the realm of simple adventure and fantasy. In 2006, Spielberg produced Clint Eastwood's two films about WWII, Flags of Our Fathers, about the American soldiers at Iwo Jima, and Red Sun, Black Sand, which takes a look at what life was like for men in the Japanese military; both films received broad critical acclaim. In 2008, Spielberg re-ignited the Indiana Jones franchise with the fourth installment in the saga, Indiana Jones and the Kingdom of the Crystal Skull. While critical response to this outing was mixed, it scored at the box office and satisfied many moviegoers. During the years that followed, the number of efforts that bore Spielberg's producing imprimatur grew exponentially. These included The Lovely Bones (2009), the Coen Brothers' remake True Grit (2010), the J.J. Abrams-directed sci-fi fantasy Super 8 (20011) and the eagerly-awaited sequel Men in Black III (2012). Meanwhile, Spielberg reassumed the director's chair for a varied series of pictures, including The Adventures of Tintin (2011). His long gestating Abraham Lincoln biopic Lincoln hit screens in 2012 starring Daniel Day-Lewis as the iconic president and Sally Field as his first lady, and the movie went on to be nominated for a number of Oscars including Best Director and Best Picture. In 2015, he executive produced Jurassic World, the fourth film in the series, and reteamed with Tom Hanks for Bridge of Spies.

Trivia: Taught acting at the University of Massachusetts. Co-founded the No Theatre Company. Made his New York debut in the No Theatre Company's 1978 production of The Elephant Man. Made his professional debut in an understudy role in the 1980 world premiere of Arthur Miller's "The American Clock". Received the 1993 Michael Landon Humanitarian Award for his work with the Down Syndrome Congress.

Trivia: Of Irish and Scottish descent.Grew up in a Catholic home.A member of Clan Wallace and descendant of Scottish patriot William Wallace.His ancestor, Charles Carroll of Carrollton, was one of the signers of The Declaration of Independence of the United States of America.An experienced acting coach, has developed his own camera acting classes curriculum, and has taught and given seminars at many universities, including California State University Dominguez Hills, Richland College in Richland, Texas, and Concordia University in Montreal.

Trivia: If you're a fan of movies, you've no doubt seen William Sadler's face countless times. With a versatile career that has spanned from long-haired, small-town rock star to banjo-plucking entertainer to Shakespearean actor to his role as Death in Bill and Ted's Bogus Journey (1991), William Sadler attacks all roles with equal gusto with his characters never ceasing to leave an impression on viewers, even if they can't recall the name of "that guy in that movie."Born in April of 1950 in Buffalo, NY, Sadler's imagination was fueled from a young age on his family's sprawling farm where he would pass the time with friends reenacting scenes from their favorite television and radio programs. Around the age of eight, Sadler's father's interest in music sparked a passion in the young boy as well with his father's gift of a ukulele. The two frequently performed at family functions together: Sadler Sr. on the guitar and Jr. on the uke. Later taking interest in a number of stringed instruments, after following in his father's footsteps and taking up the guitar, Sadler quickly learned that the mystique of the musician's life was difficult to resist. Forming a cover band with his Orchard Park High schoolmates, he began to gain popularity and a surprising amount of attention from the opposite sex. Armed with a banjo and a fistful of jokes, Sadler soon took on the persona of "Banjo Bill Sadler" for the school's annual variety show, and the result was an instant success. The students and teachers loved the performance, and English teacher Dan Larkin soon persuaded Sadler to audition for a role in Harvey, the senior play. Winning the lead and igniting a fire within the young performer, Sadler would soon follow his dreams and enroll in the drama program at State University College in Geneseo, NY. After spending two intense years in Cornell University's Fine Arts following his tenure at State University College, Sadler was finally prepared to be humbled in the grueling trials of the aspiring actor.Sadler took his first post-school role in Florida and soon relocated to Boston, moving in with his sister while scrubbing the floors of a lobster boat by day and cutting his acting chops at night. Slowly working up the nerve to take a shot at the big time in New York, a chance meeting with an old schoolmate on a trip into the city resulted in Sadler's casting in an off-off-Broadway production of Chekhov's Ivanov. After a brief turn at the Trinity Square Repertory Company in Providence, RI, Sadler moved back to New York and rented an apartment in the East Village, beginning a grueling 12 years in which he appeared in over 75 productions. It was here that Sadler would meet Marni Bakst, the woman who would soon become his wife, and a young actor named Matthew Broderick, in a Broadway production of Neil Simon's Biloxi Blues, who would kick-start Sadler's film career with a role in Project X (1987).After memorable turns in such films as Die Hard 2 (1990), Bill and Ted's Bogus Journey, and The Shawshank Redemption (1994), Sadler found himself becoming one of the most sought-after character actors working in Hollywood. His friendly demeanor and warm sense of humor standing in stark contrast to his usually villainous onscreen antics, Sadler has gained a reputation among actors as a helpful and good-natured craftsman, always willing to offer advise and assistance without being pushy or overbearing. Increasingly busy in both television and films in the latter '90s, Sadler gained widespread recognition with his film roles in Disturbing Behavior (1998) and The Green Mile (1999) and on television with his role as Sheriff Jim Valenti on Roswell.

Trivia: Whether burning-up the ice as an all-star high school hockey player, studying pre-med at Pepperdine, singing in the all-state chorus or essaying one of many roles on stage, screen, or television, multi-faceted actor Eric Christian Olsen has worn many hats on his way to celebrity stardom. Born in Eugene, OR, and raised in Bettendorf, IA, Olsen spent most of his early years playing hockey and writing for his high school newspaper, not discovering his love for acting until after graduation, when he landed a commercial role in a television spot for Whitey's Ice Cream Parlor. Olsen was soon actively seeking out both stage and screen roles, and, following his television series debut in Millennium, he had a memorable performance as a burn victim on ER and made his feature debut in Arthur's Quest (1999). Soon drawn in to the millennial teen movie boom, Olsen's career continued to flourish in such films as Pearl Harbor and Not Another Teen Movie (both 2001). Following a starring turn in the 2002 drama Local Boys, the burgeoning actor appeared the same year in the Rob Schneider comedy The Hot Chick. In addition to his film work, Olsen was also the youngest improvisation comedian in the nation for Comedy Sportz, a live comedy show suitable for the entire family. He played the role of the younger Lloyd Christmas in the Dumb and Dumber prequel, and in 2004 he starred in the horror film Cellular. He continued to work in a variety of projects including Beerfest, License to Wed, Fired Up, The Back-Up Plan, and Celeste and Jesse Forever.

Trivia: Boasting talent, versatility, and one of the most distinctive heads of hair in Hollywood, Julianne Moore has proven herself equally adept in both mainstream blockbusters and smaller, more intelligent films. The daughter of a military judge and a Scottish social worker, Moore was born in Fayetteville, NC, on December 3, 1961. After attending Boston University, she began her acting career via the taxing world of soap opera. From 1985 until 1988, she was best-known for her role as Franny Hughes on As the World Turns. The part, which on occasion required her to play twins, won Moore a 1988 Daytime Emmy Award.The actress made her entrance into the big-screen arena with a 1990 debut in the schlocktastic Tales From the Darkside: The Movie (which also featured Steve Buscemi). Two years later, after making various TV movies, Moore reappeared in feature films with supporting parts in Curtis Hanson's tale of a babysitter gone bad, The Hand That Rocks the Cradle, and the comedy The Gun in Betty Lou's Handbag. The following year, her exposure increased further thanks to roles in four different films that ranged from the half-baked thriller Body of Evidence to the sweetly quirky Benny and Joon to the big-budget smash The Fugitive to Robert Altman's epic Short Cuts. The last film gave Moore literal exposure in addition to the more figurative kind: she was required to play one scene naked from the waist down, something that predictably won the attention of critics and filmgoers.The intermittent praise that had been afforded Moore was amplified in 1994 with her performance as Yelena in Vanya on 42nd Street. The object of adjectives ranging from "luminescent" to "radiant" to "revelatory," the actress went on to play a very different character in Todd Haynes' Safe (1995). Moore won an Independent Spirit Award nomination for her portrayal of a woman (literally) sickened by the environment around her and further proved that she was an actress of distinct versatility. The same year she again demonstrated this ability with a starring role opposite Hugh Grant in the comedy Nine Months.Following a turn as one of Picasso's numerous lovers in Surviving Picasso (1996), a lead in the family drama The Myth of Fingerprints (she would later have a son with the film's director, Bart Freundlich), and a substantial part in The Lost World: Jurassic Park, Moore nabbed what was one of the plum roles of her career in Paul Thomas Anderson's Boogie Nights. For her portrayal of a porn actress, she won Golden Globe and Academy Award nominations. A substantial role as an erotic artist in Ethan Coen's and Joel Coen's The Big Lebowski followed in 1998, along with a turn as Marion Crane's sister in Gus Van Sant's Psycho remake. The next year, Moore starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune, in which she was cast as the dim sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband, with a number of critics asserting that Moore was the best part of the movie. The actress then enjoyed another collaboration with director Anderson in Magnolia, an epic telling of nine interweaving stories inspired by Short Cuts and featuring an impressive cast that included Anderson regulars Philip Seymour Hoffman, Philip Baker Hall, and John C. Reilly. The same year, Moore also starred in the drama The End of the Affair, with Ralph Fiennes and Stephen Rea, and portrayed a grieving mother in A Map of the World, which premiered at the 1999 Toronto Film Festival.2001 found the popular actress stepping into dark territory with the role of FBI Agent Clarice Starling in Ridley Scott's Hannibal, the long-awaited and eagerly anticipated follow-up to Jonathan Demme's numbingly suspenseful Silence of the Lambs. A few short months later, Moore lightened the mood substantially with her humorous turn as a bumbling government scientist in the sci-fi comedy Evolution. Increasingly comfortable alternating between big-budget features and more personal art-house films, Moore bowled over audiences with a pair of powerhouse performances in both Far From Heaven and The Hours. A detailed throwback to the forgotten Hollywood melodrama, the former featured Moore's Oscar nominated role as a housewife who enters into a controversial relationship after discovering her husband's homosexuality and provided audiences a dose of Douglas Sirk that hadn't been tasted since the mid-1950s. A variation on the themes presented in Virginia Woolf's Mrs. Dalloway, the film version of Michael Cunningham's Pulitzer prize winning novel The Hours once again found Moore Oscar nominated for her role as a repressed 1950s era housewife, this time taking a special shine to Mrs. Dalloway while pondering an escape from her stifling marriage. In the wake of arguably her most successful year to date, Moore began to dabble behind the scenes for the first time, serving as executive producer on the 2003 independent adaptation of Wallace Shawn's play Marie and Bruce, a film that she also starred in. The following year, audiences could find Moore onscreen opposite Pierce Brosnan in the romantic comedy The Laws of Attraction and in the poorly-received thriller The Forgotten. In 2005 she earned good reviews for The Prize Winner of Defiance, OH, but the film failed to catch on with audiences. She continued to work steadily starring opposite Sam Jackson in the adaptation of Richard Price's Freedomland, and starring opposite Clive Owen in Alfonso Cuaron's futuristic thriller Children of Men. She once again teamed with her director husband Bart Freundlich in the relationship comedy Trust the Man. Shortly after returning to television with a recurring role on the hit comedy series 30 Rock, the talented actress earned numerous positive reviews for her nuanced performance in The Kids Are All Right, and while she failed to earn a BAFTA Award as one half of a same sex couple attempting to help their children come to terms with being adopted, Moore's memorable performance as a frustrated housewife in 2011's Crazy, Stupid, Love. showed an actress still capable of balancing drama and comedy to striking effect. On the heels of her performance in Paul Weitz's Being Flynn the following year, it was announced that Moore would be following in the formidable footsteps of Piper Laurie in the 2013 remake of the Stephen King's Carrie starring Chloe Grace Moritz (Let Me In, Hugo). One year later she earned a slew of year-end accolades, including an Oscar nomination for Best Actress, for her work playing an accomplished professor deteriorating from Alzheimer's in Still Alice.

Trivia: Inspired by a teacher to pursue a career in acting while studying theater in college. Made his professional acting debut in 2000 on an episode of The King of Queens. Has used the alias Zack Morris while staying at hotels because Saved by the Bell was his favorite TV show while growing up. Has considered himself less outgoing and less outspoken than Turtle, his character on Entourage. Was the best man at the 2006 Las Vegas wedding of his Entourage costar Kevin Dillon. Co-owner of the Los Angeles deli Fat Sal's, which opened in 2010. Hobbies include golfing and playing video games; is a self-described homebody who doesn't do a lot of clubbing. Is not an avid traveler because he doesn't enjoy flying. Is a huge sports fan who dreamed of being a sports analyst before turning to acting.