Trivia: Born December 31, 1959, actor Val Kilmer's chameleon-like ability to plunge fully and breathlessly into his characters represents both the gift that catapulted him to fame in the mid eighties, and that which - by its very nature of anonymity - held him back from megastardom for some time. Such an ability - doubtless, the result of exhaustive, heavily-disciplined training and rehearsal - also explains Kilmer's alleged on-set reputation as a perfectionist (which caused a number of major directors to supposedly tag him as 'difficult'), but the results are typically so electric that Kilmer's influx of assignments has never stopped. He is also extraordinarily selective about projects. Trying valiantly to maintain a firm hold on his career, he turned down offers for box office blockbusters including Blue Velvet, Dirty Dancing, and Indecent Proposal for personal and artistic reasons. A Los Angeles native, Kilmer acted in high school with friend Kevin Spacey before attending the Hollywood Professional School and Juilliard. He appeared on the New York stage and in Shakespeare festivals before his cinematic debut as the rock idol Nick Rivers in the Zucker-Abrahams-Zucker spy spoof Top Secret! (1984). An absurd role which Kilmer plays with complete sincerity, it reveals genuine musical talent and Kilmer achieves complete credibility as a rock star. Throughout the eighties, Kilmer played as diverse an assortment of roles as could be found: he was the goofy, playfully sarcastic, egghead roommate and mentor to Gabe Jarrett in Martha Coolidge's Real Genius, the cocky Ice Man in Top Gun, and warrior Madmartigan in the Ron Howard/George Lucas fantasy Willow (1988). Kilmer's cinematic breakthrough arrived in 1991, for his portrayal of rock icon Jim Morrison in Oliver Stone's The Doors; some speculated that Stone hired Kilmer solely on the basis of the musical gifts showcased seven years prior in Top Secret!. As the philosophical, death-obsessed rocker (and druggie) Morrison, Kilmer performed a number of the Doors songs on the soundtrack, sans dubbing. Kilmer played other American icons in his next two films - gunslinger Doc Holliday in Tombstone and the spirit of Elvis in True Romance; both did remarkable business at the box office. Due to his persistent need for an on-set dialogue with his directors, Kilmer clashed with Michael Apted on the set of Thunderheart (1992) and Joel Schumacher on the set of Batman Forever. He openly refused to repeat the Bruce Wayne role for Batman and Robin (1997). Instead, Kilmer headlined Michael Mann's 1995 Heat with two legends, Robert De Niro and Al Pacino. This time around, he met with a more accommodating (or at least more tolerant) director, Michael Mann. Working with another acting veteran, he co-starred with Michael Douglas for the hunting adventure The Ghost and the Darkness. Unfortunately, his next few films were disappointments, particularly The Saint and The Island of Dr. Moreau. He switched gears a few times with little success, turning to romantic drama in At First Sight and to science fiction in Red Planet, but neither fit his dramatic intensity. After lending his booming voice to the part of Moses in the Dreamworks animated film The Prince of Egypt (1998), Kilmer appeared in The Salton Sea (1991) as a tormented drug addict. In 2003, he lined up quite a few projects, including the crime thriller Mindhunters and the drama Blind Horizon. In the same year he earned a starring role as another aggressive American icon, John Holmes ("the John Wayne of porn"), for the thriller Wonderland (2003). That same fall, Kilmer re-teamed with Ron Howard for the director's lackluster Searchers retread, The Missing (2003). He also re-collaborated with Oliver Stone (for the first occasion since The Doors) in the director's disappointing historical epic Alexander (2004), opposite Angelina Jolie, Anthony Hopkins, and Colin Farrell. He returned to form (and a leading role) in 2005, with the comedy-thriller Kiss, Kiss, Bang, Bang. Kilmer (per his trademark ability) once again cut way against type, this time as a flagrantly (and aptly named) homosexual detective, Gay Perry, who lives and works in Tinseltown. When it opened in October 2005, the picture drew an avid response from critics and lay viewers alike, and brought in solid box office returns. The actor packed in an astonishingly full schedule throughout 2006, with no less than six onscreen appearances through the end of that year, in large and small-scaled productions - all extremely unique. Kilmer returned to his 1998 Dreamworks part with the lead role of Moses in Robert Iscove's stage musical The Ten Commandments, mounted at the Kodak Theatre in Hollywood. Then, in a most unusual move that recalled Richard Gere's work for Akira Kurosawa and Burt Lancaster's work for Luchino Visconti, Kilmer went cross-cultural, by joining the cast of Polish director Piotr Uklanski's Summer Love (2006), screened at the Venice International Film Festival. It marked the first "Polish spaghetti western" and gracefully spoofed the genre; Kilmer appears as "The Wanted Man." The Disney studios sci-fi-action thriller Deja Vu teamed Kilmer and Denzel Washington (under the aegis of Kilmer's former Top Gun cohorts, Tony Scott and Jerry Bruckheimer) as feds who travel back in time to stop a terrorist's (Jim Caviezel) attempt to blow up a ferry. He also voiced the character of Bogardus in Marc F. Adler and Jason Maurer's family-friendly animated adventure Delgo. In 2008, NBC revived the classic series Knight Rider, and needed a distinct voice to play the super-intelligent car. Kilmer stepped in to play the iconic role, but he also signed on for numerous other simultaneous projects, including Werner Herzog's semi sequel Bad Lieutenant: Port of Call - New Orleans (2009), Shane Dax Taylor's troubled, disappointing melodrama Bloodworth (2010), and Francis Ford Coppola's horror opus Twixt, which co-starred Bruce Dern, Elle Fanning and Ben Chaplin. Kilmer met British actress Joanne Whalley on the set of Willow in 1987; they married the following year and teamed up onscreen in John Dahl's Kill Me Again (1989). The couple had two children before the marriage ended in 1996.

Trivia: Actress Michelle Meyrink found her niche in the industry early on, playing quirky supporting characters such as the pensive Marcia in 1983's The Outsiders and the hyperactive Jordan Cochran in 1985's Real Genius. After appearing in 1988's Permanent Record, Meyrink decided to leave the world of professional acting, focusing on her family life in Vancouver, Canada.

Trivia: For those who grew up in the 1980s, many will remember hating actor William Atherton for his hissable characters in such films as Ghostbusters (1984) and Real Genius (1985). Specializing in heady, clueless bureaucrats who never cease to hinder the protagonist and who often get what's coming to them before the credits roll, Atherton is one of those busy character actors who audiences are not likely to forget, even if they can't remember where they know him from. A Connecticut native who got his start on the stage while still in high school, Atherton would subsequently move on to become the youngest member ever accepted into New Haven's Long Wharf Theater repertory. Studies at the Pasadena Playhouse and Carnegie Tech led Atherton to pursue more theater roles, and a few short years later the seasoned stage actor made his leap to the big screen with The New Centurions (1972). A role in Steven Spielberg's The Sugarland Express (1974) found Atherton's feature career getting off to a solid start, and the fledgling actor would continue career momentum with featured roles in The Hindenburg (1975) and Looking for Mr. Goodbar (1977). In the 1980s Atherton would develop a convincingly weasel-like persona with roles as the popcorn-hating professor of Real Genius and a relentlessly obnoxious EPA agent who unleashes a nightmare upon New York in Ghostbusters. Following up with a memorably sleazy reporter in Die Hard (1988) and its sequel, Atherton would remain busy in the 1990s with roles in The Pelican Brief (1993), Bio-Dome (1996), Hoodlum, and Mad City (both 1997). The millennial turnover found Atherton appearing in such fare as The Crow: Salvation (2000) and Race to Space (2001), and as 2003 approached his feature career seemed to be having a bit of a resurgence with such major releases as Who's Your Daddy? and The Last Samurai.

Trivia: American actress Patti D'Arbanville was 13 when she was discovered by "underground" filmmaker Andy Warhol. Wary of Warhol's reputation, D'Arbanville's mother wouldn't permit her daughter to work for the director until the girl was 17 -- at which point she enacted a lesbian love scene in Warhol's Flesh (1968). Unlike many Warhol protegees, D'Arbanville was able to matriculate to mainstream movies, though many of these, particularly the 1977 Bilitis, were obsessed with sex and procreation. The actress endeared herself to middle-America movie fans in the Barbra Streisand/Ryan O'Neal vehicle The Main Event (1979), stealing the show as a girl with a hacking (and hilarious) cough. Other D'Arbanville performances of note include the role of Ken Wahl's lady love on the TV series Wiseguy, and the redoubtable Cathy Smith in the 1989 John Belushi biopic Wired.

Trivia: An English major in college, Ed Lauter worked as a stand-up comic before entering films in 1971. The tall, menacing Lauter has generally been typecast as humorless, easily corruptible authority figures. He was at his meanest as the vindictive Captain Knaur in Robert Aldrich's The Longest Yard. His TV credits include such roles as Sheriff Cain in BJ and the Bear (1979-80) and General Louis Crewes in Stephen King's The Golden Years (1991). In 1976, Ed Lauter was afforded a rare leading role--and a sympathetic one to boot--in the made-for-TV murder mystery Last Hours Before Morning (1976). Lauter appeared in the 2005 remake of The Longest Yard and had a small role in the Oscar-winning film The Artist (2011). He also had a recurring role on the TV series Shameless. Lauter passed away in 2013 of mesothelioma at age 74, with several films in post-production, awaiting release.

Trivia: Delivered the valedictorian speech in his high school graduation.In 1983, moved to Los Angeles on his 21st birthday.Started his career as an actor, then wrote a play and a friend introduced him to Michael Goldberg to direct it.Became writing partner with Michael Goldberg and wrote Utopia Parkway, about his family, which got them an agent.A member of the band Sad Girl.Met his A Thousand Junkies' co-stars, T.J. and Blake, at an AA meeting.Made his directing debut in A Thousand Junkies (2017), which he also starred and co-wrote.

Trivia: Deborah Foreman made an indelible impression on fans of 1980s pop culture with her performance in the title role of the film Valley Girl, though it was hardly her only appearance in a memorable teen flick of the era. Deborah Foreman was born on October 12, 1962 in Montebello, CA. Foreman's father was a pilot and officer in the United States Marine Corps, and as a result she moved a great deal during her childhood, spending most of her time in Texas and Arizona. Despite her fresh-scrubbed good looks, Foreman was quite shy as she entered her teens, and her mother and father suggested she take modeling lessons to help her come out of her shell. It wasn't long before Foreman began landing modeling assignments, most memorably a series of print ads for Maybelline cosmetics, and after graduating from high school, she moved from Houston, TX, to Los Angeles, CA, in hopes of launching a career as an actress. Foreman made her big-screen debut with a small role in 1982's I'm Dancing as Fast as I Can, and also landed several TV guest appearances, but Valley Girl, released a year later, was her first leading role and the film that first earned her a cult following. Inspired by Frank Zappa's hit single, Valley Girl followed the unlikely romance between fashion-conscious suburbanite Julie Richman (played by Foreman) and semi-threatening New Wave guy Randy (Nicolas Cage). The film became a surprise hit and fared unexpectedly well with critics, and in 1984 Foreman landed a role as a regular on the TV series Hot Pursuit. The show, however, only lasted one season, and Foreman soon refocused her attention on film, winning leading roles in the wacky comedy My Chauffeur and the horror film spoof April Fool's Day, as well as a memorable supporting turn in Real Genius. However, while the exhibitors' organization Sho-West named Foreman Most Promising New Star of 1986, as the 1980s wore on, she had more difficulty landing worthwhile roles, and in 1992, after the release of the film Lunatics: A Love Story (in which she played the female lead), Foreman opted to leave show business behind. Since then, Foreman has established a successful career as a graphic designer and artist, and also creates unique hand-painted furniture. Foreman still acts on occasion, appearing in commercials, short films, and episodic television. ~ Mark Deming

Trivia: Before becoming a screen and television actor in the early '60s, Charles Shull was the news director of a television station in Richmond, VA.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: Severn Darden was born in New Orleans, educated at Mexico City College, and given his first professional acting opportunity at Virginia's Barter Theater. A charter member of the Compass Theater, the improvisational group that would later evolve into Second City, Darden distinguished himself as an "intellectual" monologist, effortlessly weaving allusions to Freud and Kant into his hilariously nonsensical ramblings. From 1963's Goldstein onward, Darden worked in films as a character actor and sometimes writer/director. He chalked up quite a few eccentric characterizations in films like Dead Heat on a Merry-Go-Round (1966) and They Shoot Horses, Don't They? (1969). He was at the top of his form in The President's Analyst (1967) as Kropotkin, a gay Soviet counterintelligence agent who turns out (much to his own surprise) to be one of the film's heroes. The peripatetic Severn Darden settled down long enough to appear as a TV-series regular on Mary Hartman, Mary Hartman (1977; as Popesco), Beyond Westworld (1980; as Foley), and Take Five (1987; as psychiatrist Noah Wolf).

Trivia: Grew up in Meriden, Connecticut, United States.Played baseball, basketball and football in high school.Rejected an offer to play baseball with the Kansas City Athletics.Was co-captain of the football team during his senior year at University of Connecticut.Was a captain in the U.S. Army JAG Corps.

Trivia: Many remember Sean Frye as the rambunctious Steve in the 1982 film E.T. The 16 year old had already learned the ropes with roles in Fun with Dick and Jane and on Little House on the Prairie, and he would go on to appear in For Keeps and Real Genius. Frye didn't stick with movies, however, and retired from Hollywood in the '90s to pursue a career in social work.