Trivia: Though perhaps best remembered for playing the suave, mysterious Mr. Roarke on the popular television series Fantasy Island (1978-1984), and for his car commercials in which he seductively exhorted the pleasures of the upholstery ("Rich, Corinthian leather") in his distinctive Spanish accent, Ricardo Montalban once played romantic leads in major features of the '40s and '50s. He also had a successful career on-stage. Born Ricardo Gonzalo Pedro Montalban y Merino in Mexico City, Montalban spent part of his youth in the U.S. The tall, dark, handsome, and curly haired actor first worked as a bit player on Broadway before returning to Mexico in the early '40s and launching a film career there. By 1947, he had returned to the States and signed with MGM. That year, Montalban played his first leading role opposite Cyd Charisse in the romantic musical Fiesta (1947). It would be the first of many roles in which he would play a passionate singing and dancing "Latin Lover." He and Charisse again teamed up as dancers in the Esther Williams musical water extravaganza in On an Island With You (1948). At one point, it was a toss-up between Montalban and fellow MGM "LL" Fernando Lamas as to which was more popular. It would not be until 1949 before Montalban had the opportunity to play a non-romantic role as a border agent who gets revenge upon the killers of his partner in Border Incident. His second serious role in Battleground (1949) ranks among his best performances. By the late '50s, he had become a character actor, often cast in ethnic roles, notably that of a genteel Japanese Kabuki actor in Sayonara (1957). He had occasionally appeared on television since the late '50s, but did not appear regularly until the mid-'70s. In 1976, Montalban earned an Emmy for his portrayal of a Sioux chief in the television miniseries How the West Was Won. In the early '70s he was part of a touring troupe that read dramatic excerpts from Shaw's Don Juan in Hell. In 1982, Montalban reprised a role he had made famous on the original Star Trek TV series as the ruthless Khan to star in the second Star Trek feature, The Wrath of Khan. In the '80s, Montalban only sporadically appeared in feature films. His television career also slowed, though he occasionally appeared on series such as The Colbys (1985-1987) and Heaven Help Us! (1994). Montalban has written an autobiography, Reflections: A Life in Two Worlds (1980). Confined to a wheelchair after a 1993 spinal operation left him paralyzed from the waist down, Montalban remiained in good health despite being in constant pain, and continued to play an active role in promoting Nostros - a non-profit organization founded by Montalban in 1970 and dedicated to improving the image of Latinos within the entertainment industry. In the late 1990s and early 2000s Moltalban's career recieved something of a second wind when he began performing vocal work on such animated television series' as Freakazoid!, Dora the Explorer, and Kim Possible, with a role as the kindly grandfather in Robert Rodriguez's Spy Kids 2: Island of Lost Dreams and Spy Kids 3-D: Game Over even giving the wheelchair-bound actor an opportunity to triumphantly rise once again thanks to the magic of special effects. Additional vocal work in the 2006 animated family adventure The Ant Bully continued to keep Montalban busy despite his physical limitations. His brother, Carlos Montalban, was also an actor.

Trivia: An alumnus of City College-Los Angeles, Earl Bellamy spent the immediate postwar years in various secondary Hollywood production capacities. A film director from 1955, Bellamy specialized in second-feature westerns. He was also extremely busy in all facets of filmed television: his most fondly remembered TV association was with the tongue-in-cheek western series Laredo (1965-67).

Trivia: The son of a house painter, American actor/dancer Ray Bolger grew up in a middle-class Boston neighborhood called Dorchester. Bolger knew what he wanted to do in life the moment he saw Broadway entertainer Fred Stone literally bounce on stage in a Boston production of Jack O'Lantern. "That moment opened up a whole new world for me" Bolger would remember; after a relatively aimless childhood, he determined to become a performer himself. Starting out in vaudeville as a dancer, Bolger developed a loose-limbed ad lib style that would win him starring spots in such 1930s Broadway musicals as Life Begins at 8:40 and On Your Toes; in the latter, Bolger introduced Richard Rodgers' "Slaughter on Tenth Avenue". Signed by MGM in 1936 for a featured solo in The Great Ziegfeld, Bolger was given a $3,000 per week contract and was expected to take whatever part was assigned him. But Bolger balked when he was cast as the Tin Man in the studio's Wizard of Oz. He felt the role was too confining for his talents, so Bolger convinced the film's Scarecrow, Buddy Ebsen, to switch parts with him. This move, of course, assured film immortality for Bolger, but wasn't so beneficial for Ebsen, whose allergic reaction to the Tin Man's silver makeup forced him to drop out of the film and be replaced by Jack Haley. Bolger's movie career pretty much took second place to his Broadway work in the 1940s. In 1948, Bolger was awarded the lead in a musical version of Charley's Aunt titled Where's Charley? It was when the daughter of one of the production people began singing his lyrics back to him during out-of-town tryouts that Bolger, in league with composer Frank Loesser, developed the "everybody sing" chorus for the song "Once in Love With Amy". Bolger repeated his role in the 1952 filmization of Where's Charley (1952), then continued his Broadway career with intermittent film appearances into the 1960s. He also starred in a 1953 TV series, alternately titled The Ray Bolger Show and Where's Raymond?, which was so bad that even he was uncharacteristically putting himself down before the inevitable cancellation. Bolger suffered a few career setbacks on stage in the early 1960s, and his villain role in Disney's Babes in Toyland (1961) hardly showed him to best advantage, but the performer prospered as a nightclub performer during the rest of the decade in a nostalgic (if slightly lachrymose) act which recalled his past song hits. Bolger charmed live audiences with his still-athletic hoofing skills into the 1970s. In the twilight of his career, Bolger was allowed to sparkle in guest spots on such TV programs as The Partridge Family, The Love Boat, Baretta, and even PBS's Evening at the Pops.

Trivia: His parents wanted him to be lawyer, but S. Yewell Tompkins decided instead to major in liberal arts at the University of Wisconsin. A professional actor from 1928, he toured in stock companies then spent several lean years in New York, during which time he changed his name to Tom Ewell. He appeared in the first of a string of Broadway flops in 1934, occasionally enjoying longer runs in such productions as Brother Rat and Family Portrait. A trip to Hollywood in 1940 led to a handful of bit parts but little else. After four years in the Navy, Ewell finally landed a bona fide Broadway hit starring in John Loves Mary in 1947. This led to his "official" screen debut as Judy Holliday's philandering husband in Adam's Rib (1949). Hardly the romantic lead type, Ewell's crumpled "everyman" countenance served him well in such screen roles as Bill Mauldin's archetypal G.I. Willie in Up Front (1951) and Willie and Joe Back at the Front (1952). Back on Broadway in 1954, he won a Tony Award for his peerless performance as a "summer bachelor" in George Axelrod's The Seven Year Itch, repeating this characterization opposite Marilyn Monroe in the 1955 screen version. He went on to play wry variations of this role in Frank Tashlin's The Lieutenant Wore Skirts (1955) and The Girl Can't Help It (1956), in which his screen partners included such lovelies as Sheree North, Rita Moreno, and Jayne Mansfield. In 1960, he starred in The Tom Ewell Show, a one-season sitcom in which he played a standard harried suburbanite. Various illnesses and recurrent alcoholism made it increasingly difficult for Ewell to find work in the 1970s; his best showing during this period was as Robert Blake's disheveled pal Billy on the weekly TVer Baretta. Tom Ewell retired in 1983, after a brief stint as Doc Killian in TV's Best of the West and a character role in the Rodney Dangerfield film Easy Money.

Trivia: If character actor Herb Edelman was one of the more successful stage and screen purveyors of "Everyman" roles, it was probably because he'd held down an astonishing array of meat-and-potato jobs before settling into acting. Edelman studied to be a veterinarian at Cornell University, but left during the first year. He took a tentative stab at journalism before toiling as an Armed Forces radio operator and announcer. While stationed in the Far East, Edelman entertained the notion of becoming a "Jewish Buddhist." He returned to his hometown to attend Brooklyn College, dropped out to become a hotel manager, was briefly the "straight" half of a comedy team, worked in advertising, drove a hack, and dropped back into college. Finally turning to acting full time in summer stock, Edelman began picking up small roles in New York productions, including the scene-stealing exhausted delivery man inNeil Simon's Barefoot in the Park (1965), a role he recreated for the 1967 film version. Forming strong bonds with both Simon and with Barefoot star Robert Redford, Edelman would later appear in Simon's The Odd Couple and California Suite, and in the Redford/Barbara Streisand vehicle The Way We Were (1973). In 1968, Edelman co-starred with Bob Denver in the two-season TV sitcom The Good Guys. Nine years later, he starred as one-half of the title role in the weekly TV comedy/fantasy Big John, Little John (Robbie Rist was the "Little" one). Other TV series featuring Herb Edelman on a regular or recurring basis included Ladies Man, 9 to 5, Strike Force and Murder She Wrote. Fans of the sitcom The Golden Girls may remember Edelman for playing Stanley, Bea Arthur's irksome ex-husband. Edelman died of emphysema at the Motion Picture Hospital in Los Angeles on July 21, 1996; he was 62.

Trivia: Those who know Harriet Nelson only for her two decades' worth of services as "America's Favorite TV Mom" on Ozzie and Harriet and Ozzie's Girls may be surprised to learn that she enjoyed a healthy career as a singer/actress long before network television was a commercial viability. Born Peggy Lou Snyder into a show business family, she chose the alliterative professional cognomen of Harriet Hilliard when she was hired as a vocalist by bandleader Ozzie Nelson. She was signed to an RKO Radio movie contract in 1936, and one year later married Nelson, though she remained Harriet Hilliard for the rest of her years in films. Most of her movie assignments were musicals and comedies, though she was capable of dramatic performances in such films as Confessions of Boston Blackie (1941) and The Falcon Strikes Back (1943). After several years of experience as a radio actress and singer on other people's programs (she briefly played the mother of "the mean widdle kid" on The Red Skelton Show), she and her husband Ozzie launched their own radio sitcom in 1944, The Adventures of Ozzie and Harriet. Featured on the series were the Nelson's two sons, David and Ricky Nelson (who were played by anonymous child actors until the boys insisted upon appearing as themselves). After a joint appearance in the 1952 Universal comedy Here Come the Nelsons, Ozzie, Harriet, David, and Ricky Nelson brought their successful radio program to television, where they remained until 1966. In 1973, Ozzie and Harriet, minus their offspring (Ricky Nelson was by now a successful recording artist, while David Nelson was a TV director) tried to make the magic happen again in the syndicated sitcom Ozzie's Girls, which proved to be a failure. After the death of her husband in 1975, Harriet Hilliard occasionally made appearances in such TV productions as Once an Eagle and Smash-Up on Interstate 5 (both 1976), and on more than one occasion made nostalgic guest appearances in her established TV series persona. In addition to her own sons, Harriet Nelson was the mother-in-law of actress Kristine Harmon (sister of actor Mark Harmon) and the grandmother of actress Tracy Nelson.

Trivia: American actor Phil Foster started out as a stand-up comedian when he was quite young. Most of his early routines were slapstick, and the material was drawn from his life growing up in a Brooklyn neighborhood. After working the nightclub circuit through the 1940s, Foster began appearing on television variety shows such as Ed Sullivan. In the 1970s, he became a regular on Laverne and Shirley. Beginning in 1954, he made infrequent journeys into feature films. Foster made his final feature film, Sno-Line in 1985.

Trivia: Supporting and character actor Herve Villechaize appeared in 13 feature films, but he is best remembered for playing Tattoo, Ricardo Montalban's chirpy sidekick on Fantasy Island (1978-1983). Born to a French father and English mother, Villechaize was a dwarf who stopped growing taller after hitting 3'9". Before becoming an actor, Villechaize studied art in Paris and New York. Deciding acting was the better venue, he studied under drama teacher Julie Bovasso. He made his feature film debut in The Gang That Couldn't Shoot Straight (1971) and went on to play small "novelty" roles in exploitation and cult movies such as Malatesta's Carnival and Oliver Stone's Seizure (1974). One of his more notable roles was that of an evil dwarf in the James Bond thriller The Man With the Golden Gun (1974). Villechaize was married three times. On September 4, 1993, he fatally shot himself, allegedly to escape his many health problems.